by steven denlinger vashon high school basic freshman english tuesday, january 29, 2013
TRANSCRIPT
TRACING THE MYTHOLOGY OF BATMAN
By Steven Denlinger
Vashon High School
Basic Freshman English
Tuesday, January 29, 2013
TRACING THE MYTHOLOGY OF BATMAN
By Steven Denlinger
Vashon High School
Basic Freshman English
Tuesday, January 29, 2013
This is a model of the Superhero Presentation that the Basic
Freshman English students will give in class.
Who are Batman’s mythic ancestors?
Consider two myths:
Paradise Lost
Beowulf
oger B. Rollin examined Batman in conjunction with heroes from other stories of human history like Beowulf and Paradise Lost” (Jones 2009).
R
The story of Beowulf tells of the first English superhero, a
man who can fight monsters with his bare hands, who
can live underwater for hours at a time, and who is
physically powerful and overbuilt. He also uses amazing
technology for the time, such as the sword Hrunting.
atman fit the Type II hero identified by Northrup Frye. A hero of this type is human, but he is morally and legally superior to others (Jones).
“BBeowulf
The myth of Paradise Lost
tells the story of Satan, a
dark figure who rebels
against God and lives in a
dark underworld (Hell). He
would rather “reign in hell
than serve in Heaven”
(Milton, Book 1, line 262 ).
f there’s a hallmark of Nolan’s exploration of the Batman legend it’s this: Bruce Wayne squares off with an intelligent foe who articulates an opposing worldview so Batman can vanquish them (sic) both philosophically and physically” (Rosenberg).
“I
Milton’s Satan
Another ancestor of Batman is the Zorro character from Disney. An enigma, this hero is a dandy by day, and a terror to the corrupt State by night.
ased loosely on the exploits of a real-life Californian bandit, who gave a good show of Swashbuckling only for one night (because he actually got caught!), Johnston McCulley mostly drew upon his vast imagination to create a wily fox who could constantly outwit the bad guys, love the leading lady, swashbuckle his way out of any situation, and would rob the rich to give to the poor!” (Man).
“B
The Mark of Zorro
A short film clip...
Christopher Nolan brings to new life to the character of
Batman in his Academy Award-Winning film, but
along with the new Batman came a new villain, one who
was equal to Batman, the flip side of Batman’s character.
atman recognizes that his vigilantism and Joker’s terrorism both utilize the same weapon, fear, and Moore presents Batman with an unresolvable dilemma: how can he combat a villain who understands fear as well or even better than he does? The book concludes with Batman and Joker concluding their climactic battle sharing a laugh together over a bad joke, as if in recognition that victory for either of them is impossible” (Rosenberg).
“BThe Dark Knight
Works CitedJones, Dave. "Batman: Dark Knight, Dark Myth." Journey to the Sea. Randy
Hoyt, 1 Feb. 2009. Web. 29 Jan. 2012.
Man, Muscle. "Is The Batman Just An Updated Zorro?“ ComicBookMovie.com,
1 Feb. 2011. Web. 29 Jan. 2013.
The Mark of Zorro. Dir. Rouben Mamoulian. Perf. Tyrone Power. 20th Century
Fox, 1940. DVD.
Milton, John. English Minor Poems, Paradise Lost, and Samson Agonistes,
Areopagitica. William Benton, Publisher. Chicago: Encyclopaedia
Britannica, 1952.
Rosenberg, Alyssa. "Batman, Milton's Satan, and Occupy ��Gotham." ThinkProgress RSS. Alyssa Rosenberg, 19 Dec. 2011. Web. 29
Jan. 2013.
Discussion Questions Is Batman a good or a bad character? What makes a
character good or bad?
Does the Joker view Batman as good or evil? How
does the Joker view himself? Why? What does this
say about how we should construct superheroes,
morally?
Why do you think that Batman, Beowulf, and Milton’s
Satan are morally ambiguous?
TRACING THE MYTHOLOGY OF BATMAN
By Steven DenlingerVashon High School
Basic Freshman EnglishTuesday, January 29,
2013