chapter 1 - mass communication
TRANSCRIPT
-
8/3/2019 Chapter 1 - Mass Communication
1/26
MASSCOMMUNICATION:
A CRITICAL
APPROACH
Chapter One
-
8/3/2019 Chapter 1 - Mass Communication
2/26
MEDIATHEN AND NOW
What is the major precept or
central idea of contemporary
journalism?According to the book, how and
why did this develop?
What about now?
-
8/3/2019 Chapter 1 - Mass Communication
3/26
VITRIOLIC RHETORIC
http://www.youtube.com/watch?v=3Xjj4HTEdg0
http://www.youtube.com/watch?v=nHoaZaLbqB4
-
8/3/2019 Chapter 1 - Mass Communication
4/26
-
8/3/2019 Chapter 1 - Mass Communication
5/26
HISTORY AND COMMUNICATION
Oral Print Electronic
Eras of Communication
-
8/3/2019 Chapter 1 - Mass Communication
6/26
ORAL COMMUNICATION: PRE-MODERN
Information transmitted via oral traditionssuch as storytelling and song
News or ideas traveled by town criers,
rulers sent out a rider to the next town
Governments were decentralized, fuedal
-
8/3/2019 Chapter 1 - Mass Communication
7/26
PRINT REVOLUTION
Writing allowed for codification of ideas/laws,
expansion of central government
First moveable-type press was actually developed
in Korea, called the Jikjii But Gutenbergs press still marked beginning of
modern civilization as we think of it today
Birth (or major growth) of such ideas and things
as:y The Nation-State
y Secularism
y Democracy
y Middle class
y Individualism
-
8/3/2019 Chapter 1 - Mass Communication
8/26
ELECTRONICAGE MODERNISM
Begins with the telegraph in 1840s
Separation of information and transportation
-
8/3/2019 Chapter 1 - Mass Communication
9/26
ELEMENTS OF MODERNITY
Modern Period roughly IndustrialRevolution (1860-1880s) to the 1950s or so
Emphasis on efficiency Age of the
Machines, birth of assembly lines, rise of
capitalism as we know it todayhttp://www.youtube.com/watch?v=CReDRHDY
hk8&feature=related
The importance of the individual, movement
away from divine order, rise of social mobility
Rational order citizenry guided by
information
Rejecting the past and embracing the future
-
8/3/2019 Chapter 1 - Mass Communication
10/26
DIGITALAGE POST-MODERN
Digital
communication:
images, texts, sounds
all encoded in
electronic signals
(binary, zeroes and
ones) and then
decoded to
watch/listen/view Electronic devices
encode/decode
http://secprodonline.com/articles/20
07/01/03/speaking-encode.aspx
-
8/3/2019 Chapter 1 - Mass Communication
11/26
ELEMENTS OF POST-MODERNITY
Postmodern period roughly 1950 to current
Celebrates populism or the idea ofordinary
people versus the elite
Diversifying and recycling culture borrowingheavily from the past (trends coming back
around, sampling past music, etc)
Questioning science asking whether technology
and science have all the answersy Resurgence of oral traditions
Paradox of postmodernity: nostalgic for the past
while embracing new technologies with a
vengeance
-
8/3/2019 Chapter 1 - Mass Communication
12/26
TERMS & CONCEPTS
The Age of Media Convergence:
y 1: integration of mass media, computers,
and telecommunications: when content of
one medium appears on multiple channelsy 2: media conglomeration, or the business
model where media companies own multiple
formats, consolidation of media ownership,
Cross platform: consolidation through
owning a media product or cultural
product and distributing it through
various media
-
8/3/2019 Chapter 1 - Mass Communication
13/26
TERMS & CONCEPTS
Media Latin plural of medium. Populardefinition is the group of gatekeepers who
produce the news, but:
Proper meaning of a medium is the material or
substance through which something else isconveyed or transmitted
Evolution of a medium:
y 1 Novelty/development stage
inventors/technicians try to solve a particularproblem
y 2 Entrepreneurial stage try to make invention
marketable/profitable and useful
y 3 Mass medium stage businesses market device
-
8/3/2019 Chapter 1 - Mass Communication
14/26
LINEAR MODEL OF MASS
COMMUNICATION
Also known as the SMCR model
Source: originator of the
messageEncoding: process by which the
source translates the thoughts
and ideas so they can beperceived
Transmitting: whatever deviceperforms the physical activity of
ndin ut th m
-
8/3/2019 Chapter 1 - Mass Communication
15/26
LINEAR MODEL, CONT
Channel: pathways through which
the transmitter sends all features of
the message. (can be air or telephone
lines)
Decoding: What has been
transmitted (whether words or
electrical signals) must be convertedto signs that the brain can
understand as having meaning.
y Brain, television receiver, radio
-
8/3/2019 Chapter 1 - Mass Communication
16/26
LINEAR MODEL, CONT
Receiver: person or entity that gets
the message.
y
Can be intended or unintendedFeedback: receiver responds to
perceived message
The bonus element, Noise: sound
which interferes with the delivery of
the message.
-
8/3/2019 Chapter 1 - Mass Communication
17/26
Volunteers: Ten
needed
-
8/3/2019 Chapter 1 - Mass Communication
18/26
DIFFERENCES WITH MASS COMM
Source
Transmission
Feedback
Noise
-
8/3/2019 Chapter 1 - Mass Communication
19/26
WILBUR SCHRAMM, 1971THE PROCESS AND EFFECTS OF MASS
COMMUNICATION
Classic communication model according toSchramm: Source-Message-Channel-Receiver (SMCR) model
1. Source originates communication
2. Message is content/info to be exchanged3. Encoder translates into a form that can be
communicated
4. Channel is transmission system to convey themessage
5. Decoder reverses encoding process6. Receiver is destination of communication
7. Feedback mechanism between source &receiver regulates flow of communication
8. Distortion or errors during process = noise
-
8/3/2019 Chapter 1 - Mass Communication
20/26
SMRC MODEL
An example: Broadcasting
Source Message Encoder Channel Decoder Receiver
Broadcaster words,sounds studio equipment broadcast transmitter radio
viewer/listener
Feedback, in this model, comes from ratings
-
8/3/2019 Chapter 1 - Mass Communication
21/26
HOW HAS THIS CHANGED?
Classic view of mass communication (Schramm
focused on 1940s to 1980s)
Does this model still work in the age of mediaconvergence?
-
8/3/2019 Chapter 1 - Mass Communication
22/26
CULTURALAPPROACH TO MASS COMM
Individuals bring diverse meanings to
messages, given factors such as gender,
age, education level, ethnicity, and
occupation (among others)y Selective exposure: seeking out information
from sources that agree with you
Stories as foundational
Narrative = story
News media do change the world
-
8/3/2019 Chapter 1 - Mass Communication
23/26
MODELS OF CULTURE
Skyscraper some media products or cultural
phenomena are high art, some are low
High art or high culture things like the
ballet, opera, fine art
Low art or low culture things like soap
operas, video games, slapstick comedies
High art is ofmore value than low art, lowart is throw away or has no staying power
The more we are exposed to low culture, the
less ability we have to appreciate or
understand high culture
-
8/3/2019 Chapter 1 - Mass Communication
24/26
CULTURE AS AMAP
Culture is ongoing, unfolding,
heterogeneous
Culture is more complex than simplehigh-low split
A mix between familiar and innovative
Range of messages, often cross-
referencing each other
Nostalgia for the golden days
-
8/3/2019 Chapter 1 - Mass Communication
25/26
MEDIALITERACY AND THE CRITICAL
PROCESS
If literacy is the ability to read,
what is media literacy?
y Describe close attention/researchyAnalyze recognizing patterns
y Interpret Asking, so what?
y Evaluate Judging good/bad/etcy Engage Taking action
-
8/3/2019 Chapter 1 - Mass Communication
26/26
What are the benefits of a
critical perspective on media?