chapter 1 - mass communication

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    MASSCOMMUNICATION:

    A CRITICAL

    APPROACH

    Chapter One

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    MEDIATHEN AND NOW

    What is the major precept or

    central idea of contemporary

    journalism?According to the book, how and

    why did this develop?

    What about now?

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    VITRIOLIC RHETORIC

    http://www.youtube.com/watch?v=3Xjj4HTEdg0

    http://www.youtube.com/watch?v=nHoaZaLbqB4

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    HISTORY AND COMMUNICATION

    Oral Print Electronic

    Eras of Communication

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    ORAL COMMUNICATION: PRE-MODERN

    Information transmitted via oral traditionssuch as storytelling and song

    News or ideas traveled by town criers,

    rulers sent out a rider to the next town

    Governments were decentralized, fuedal

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    PRINT REVOLUTION

    Writing allowed for codification of ideas/laws,

    expansion of central government

    First moveable-type press was actually developed

    in Korea, called the Jikjii But Gutenbergs press still marked beginning of

    modern civilization as we think of it today

    Birth (or major growth) of such ideas and things

    as:y The Nation-State

    y Secularism

    y Democracy

    y Middle class

    y Individualism

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    ELECTRONICAGE MODERNISM

    Begins with the telegraph in 1840s

    Separation of information and transportation

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    ELEMENTS OF MODERNITY

    Modern Period roughly IndustrialRevolution (1860-1880s) to the 1950s or so

    Emphasis on efficiency Age of the

    Machines, birth of assembly lines, rise of

    capitalism as we know it todayhttp://www.youtube.com/watch?v=CReDRHDY

    hk8&feature=related

    The importance of the individual, movement

    away from divine order, rise of social mobility

    Rational order citizenry guided by

    information

    Rejecting the past and embracing the future

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    DIGITALAGE POST-MODERN

    Digital

    communication:

    images, texts, sounds

    all encoded in

    electronic signals

    (binary, zeroes and

    ones) and then

    decoded to

    watch/listen/view Electronic devices

    encode/decode

    http://secprodonline.com/articles/20

    07/01/03/speaking-encode.aspx

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    ELEMENTS OF POST-MODERNITY

    Postmodern period roughly 1950 to current

    Celebrates populism or the idea ofordinary

    people versus the elite

    Diversifying and recycling culture borrowingheavily from the past (trends coming back

    around, sampling past music, etc)

    Questioning science asking whether technology

    and science have all the answersy Resurgence of oral traditions

    Paradox of postmodernity: nostalgic for the past

    while embracing new technologies with a

    vengeance

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    TERMS & CONCEPTS

    The Age of Media Convergence:

    y 1: integration of mass media, computers,

    and telecommunications: when content of

    one medium appears on multiple channelsy 2: media conglomeration, or the business

    model where media companies own multiple

    formats, consolidation of media ownership,

    Cross platform: consolidation through

    owning a media product or cultural

    product and distributing it through

    various media

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    TERMS & CONCEPTS

    Media Latin plural of medium. Populardefinition is the group of gatekeepers who

    produce the news, but:

    Proper meaning of a medium is the material or

    substance through which something else isconveyed or transmitted

    Evolution of a medium:

    y 1 Novelty/development stage

    inventors/technicians try to solve a particularproblem

    y 2 Entrepreneurial stage try to make invention

    marketable/profitable and useful

    y 3 Mass medium stage businesses market device

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    LINEAR MODEL OF MASS

    COMMUNICATION

    Also known as the SMCR model

    Source: originator of the

    messageEncoding: process by which the

    source translates the thoughts

    and ideas so they can beperceived

    Transmitting: whatever deviceperforms the physical activity of

    ndin ut th m

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    LINEAR MODEL, CONT

    Channel: pathways through which

    the transmitter sends all features of

    the message. (can be air or telephone

    lines)

    Decoding: What has been

    transmitted (whether words or

    electrical signals) must be convertedto signs that the brain can

    understand as having meaning.

    y Brain, television receiver, radio

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    LINEAR MODEL, CONT

    Receiver: person or entity that gets

    the message.

    y

    Can be intended or unintendedFeedback: receiver responds to

    perceived message

    The bonus element, Noise: sound

    which interferes with the delivery of

    the message.

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    Volunteers: Ten

    needed

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    DIFFERENCES WITH MASS COMM

    Source

    Transmission

    Feedback

    Noise

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    WILBUR SCHRAMM, 1971THE PROCESS AND EFFECTS OF MASS

    COMMUNICATION

    Classic communication model according toSchramm: Source-Message-Channel-Receiver (SMCR) model

    1. Source originates communication

    2. Message is content/info to be exchanged3. Encoder translates into a form that can be

    communicated

    4. Channel is transmission system to convey themessage

    5. Decoder reverses encoding process6. Receiver is destination of communication

    7. Feedback mechanism between source &receiver regulates flow of communication

    8. Distortion or errors during process = noise

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    SMRC MODEL

    An example: Broadcasting

    Source Message Encoder Channel Decoder Receiver

    Broadcaster words,sounds studio equipment broadcast transmitter radio

    viewer/listener

    Feedback, in this model, comes from ratings

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    HOW HAS THIS CHANGED?

    Classic view of mass communication (Schramm

    focused on 1940s to 1980s)

    Does this model still work in the age of mediaconvergence?

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    CULTURALAPPROACH TO MASS COMM

    Individuals bring diverse meanings to

    messages, given factors such as gender,

    age, education level, ethnicity, and

    occupation (among others)y Selective exposure: seeking out information

    from sources that agree with you

    Stories as foundational

    Narrative = story

    News media do change the world

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    MODELS OF CULTURE

    Skyscraper some media products or cultural

    phenomena are high art, some are low

    High art or high culture things like the

    ballet, opera, fine art

    Low art or low culture things like soap

    operas, video games, slapstick comedies

    High art is ofmore value than low art, lowart is throw away or has no staying power

    The more we are exposed to low culture, the

    less ability we have to appreciate or

    understand high culture

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    CULTURE AS AMAP

    Culture is ongoing, unfolding,

    heterogeneous

    Culture is more complex than simplehigh-low split

    A mix between familiar and innovative

    Range of messages, often cross-

    referencing each other

    Nostalgia for the golden days

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    MEDIALITERACY AND THE CRITICAL

    PROCESS

    If literacy is the ability to read,

    what is media literacy?

    y Describe close attention/researchyAnalyze recognizing patterns

    y Interpret Asking, so what?

    y Evaluate Judging good/bad/etcy Engage Taking action

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    What are the benefits of a

    critical perspective on media?