continuing studies at emily carr: summer 2015

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CREATE IT’S IN YOUR NATURE SUMMER 2015 continuing studies courses + programs

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Spend your summer doing something different. Refresh or build your art + design skills with over 100 courses and workshops.

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Page 1: Continuing Studies at Emily Carr: Summer 2015

CREATEIT’S IN YOUR NATURE

SUMMER2015continuing studies courses + programs

Page 2: Continuing Studies at Emily Carr: Summer 2015

ARE YOUREADY TO...

ESCAPE THE CITY ?Summer Studios for Teens . . . . . . page 31Okanagan School of the Arts . . . page 31

GET BACK IN THE STUDIO ?The Leeway . . . . . . . . . . . . . . . . . . . . . . . . . page 32

SHARPEN YOUR EYE ?Photography courses . . . . . . . . . . . . page 24Photography certificate. . . . . . . . . . page 36

BEGIN A NEW CHALLENGE ?Introductory certificates . . . . . . . . . page 35

HONE YOUR SKILLS ?Advanced certificates . . . . . . . . . . . . page 352D+3D Design . . . . . . . . . . . . . . . . . . . . . . page 35

LAND A JOB ?Design Essentials . . . . . . . . . . . . . . . . . . page 37

Page 3: Continuing Studies at Emily Carr: Summer 2015

REGISTRATION BEGINS APRIL 8, 2015 / HOW TO REGISTER p. 5

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 1

Table of Contents

Courses + Workshops Book Arts 6

Communication Design 7 Core Skills 8 Cultural Studies 9

Digital Skills, Media + Technologies 10

Drawing 13 Film/Video 16 Graphic Novel 16

Illustration 17 Industrial Design 19 Painting 21 Photography 24 Printmaking 28 Professionalising Your Practice 29 Sculpture + Installation 30 Teens 31The Leeway 32

Courses at a Glance 3How to Register 5Part-time Certificates 35Photography Certificate 36Design Certificates 37 Registration Policies and General Information 38Frequently Asked Questions 40

Instructor biographies are availableat ecuad.ca/people/faculty/cs

Registration Opens April 8, 2015

SUMMER2015

Page 4: Continuing Studies at Emily Carr: Summer 2015

2 EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2015

T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

DID YOU KNOW THAT...We offer 40 introductory courses in 18 areas of

art and design and media each semester?

Most of our courses don’t require prerequisites

and you can enrol in one course or several.

Summer is a great time to start our part-time

photography certificate?

We offer a higher number of photography

classes over the summer including condensed

courses you can finish in just four days.

Our students range from age 14 to 90 and all

levels of experience?

All of our courses are open to anyone over the

age of 16, and our Summer Institute for Teens

accepts young artists aged 14-17.

Many of our continuing studies faculty are also

instructors in the Emily Carr University under-

graduate and graduate programs?

From graphic designers who run successful

practices to artists whose work is on display in

galleries around the city, our instructors are

active members of their fields.

We’re about more than fine arts?

Continuing Studies offers courses for profes-

sionals looking to better run their business

and a host of design classes for those looking

to start or refresh their design skills.

We can help you get ahead?

Whether you want to create an extensive

portfolio to apply for undergraduate studies or

land a job in the design industry, our programs

can help you reach your goal.

Page 5: Continuing Studies at Emily Carr: Summer 2015

REGISTRATION BEGINS APRIL 8, 2015 / HOW TO REGISTER p. 5

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 3

BOOK ARTS – PAGE 6CEBA 112 SU01 LETTERPRESS I JUN 6 - JUN 27 S 9:30 AM - 4:30 PM TAYLOR $395CEBA 131 SU01 IMAGE TRANSFER TECHNIQUES JUN 17 - AUG 12 W 6:30 PM - 9:30 PM BROWN $395

COMMUNICATION DESIGN – PAGE 7CECD 110 SU01 BASICS OF COMMUNICATION DESIGN JUN 8 - JUN 24 M + W 6:30 PM - 9:30 PM BECERRA $275CECD 110 SU02 BASICS OF COMMUNICATION DESIGN JUN 22 - JUN 24 M - W 9:30 AM - 4:30 PM BIRD $275CECD 160 SU01 DRAWING FOR DESIGN JUL 21 - AUG 13 T + TH 6:30 PM - 9:30 PM SAGER $325

CORE SKILLS – PAGE 8CEFA 160 SU01 BASICS OF COMPOSITION AND FORM JUN 1 - JUN 24 M + W 6:30 PM - 9:30 PM YURKOVICH $325CEFA 170 SU01 MATERIALS AND MEDIA IN FINE ART PRACTICE JUN 22 - JUN 25 M - TH 9:00 AM - 1:00 PM KAZMER $250CEFA 170 SU02 MATERIALS AND MEDIA IN FINE ART PRACTICE JUL 14 - JUL 23 T + TH 6:00 PM - 10:00 PM FORBES $250CEFA 260 SU01 DEVELOPING YOUR VISUAL STYLE JULY 6 - JUL 30 M + TH 6:30 PM - 9:30 PM LANGERGRABER $245

CULTURAL STUDIES – PAGE 9CESE 160 SU01 ISSUES IN CONTEMPORARY ART JUL 6 - JUL 29 M + W 6:30 PM - 9:30 PM JONES $295CESE 176 SU01 WALKING TOURS AUG 4 - AUG 13 T + TH 10:00 AM - 2:30 PM ALSTON-O’CONNOR $225CESE 180 SU01 A SURVEY AND HISTORY OF ART JUL 7 - JUL 30 T + TH 6:30 PM - 9:30 PM GILL $295

DIGITAL SKILLS, MEDIA AND TECHNOLOGIES – PAGE 10CECS 130 SU01 ADOBE ILLUSTRATOR: THE BASICS JUN 2 - JUN 25 T + TH 6:30 PM - 9:30 PM CLAY $395CECS 133 SU01 INDESIGN: THE BASICS JUL 6 - JUL 29 M + W 6:30 PM - 9:30 PM COGGINS $395CECS 136 SU01 THE ADOBE SUITE FOR DESIGN AND PRODUCTION JUN 8 - JUN 17 M - W 9:30 AM - 4:00 PM HIEBERT $495CECS 136 SU02 THE ADOBE SUITE FOR DESIGN AND PRODUCTION JUL 14 - AUG 6 T + TH 6:00 PM - 10:00 PM MILNE $495CECS 140 SU01 PHOTOSHOP FOR PHOTOGRAPHERS JUL 15 - AUG 12 M + W 7:00 PM - 10:00 PM MUSSALLEM $425CEAN 152 SU01 INTRODUCTION TO MAYA JUL 11 - JUL 12 S + SU 10:00 AM - 4:30 PM GROPPI $195CEDA 232 SU01 INTRODUCTION TO WEB DESIGN JUN 13 - JUN 21 S + SU 9:30 AM - 4:30 PM McMILLAN $385CEDA 250 SU01 INTRODUCTION TO WORDPRESS JUL 18 - JUL 26 S + SU 9:30 AM - 4:30 PM McMILLAN $385CEDA 260 SU01 DIGITAL PUBLICATIONS FOR TABLETS JUN 2 - JUN 25 T + TH 6:30 PM - 9:30 PM MARTIN $385CEDA 290 SU01 JAVASCRIPT BASICS FOR PORTFOLIO JUN 7 - JUN 28 SU 9:30AM - 1:30PM BROOKS $275CEDA 270 SU01 ANIMATED STORYBOOKS JUN 6 - JUN 28 S + SU 9:30 AM - 12:30 PM MARTIN $385CEDA 280 SU01 DIGITAL ANIMATION II JUN 1 - JUN 24 M + W 6:30 PM - 9:30 PM PROWSE $385CEID 231 SU01 INTRODUCTION TO SOLIDWORKS JUN 15 - JUN 24 M + W 6:30 PM - 9:30 PM ROBBINS $215

DRAWING – PAGE 13CEDR 160 SU01 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUN 1 - JUN 25 M + TH 6:30 PM - 9:30 PM GUDERNA $285CEDR 160 SU02 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUN 15 - JUN 18 M - TH 9:30 AM - 4:30 PM SAGER $285CEDR 160 SU03 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUL 7 - JUL 30 T + TH 6:30 PM - 9:30 PM JONES $285CEDR 160 SU04 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUL 13 - JUL 16 M - TH 9:30 AM - 4:30 PM STARLING $285CEDR 160 SU05 DRAWING FUNDAMENTALS I: COMPOSITION/PROCESS JUL 18 - JUL 26 S + SU 9:30 AM - 4:30 PM LANGERGRABER $285CEDR 162 SU01 PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERS JUN 6 - JUN 21 S + SU 9:30 AM - 1:30 PM O’REGAN $315CEDR 163 SU01 CREATIVE DRAWING AND ARCHITECTURE JUN 3 - AUG 5 W 6:30 PM - 9:30 PM O’REGAN $300CEDR 164 SU01 DRAWING INTO PAINTING: AN INTRODUCTION JUN 2 - JUN 25 T + TH 6:30 PM - 9:30 PM GOLDBERG $300CEDR 167 SU01 DRAWING WITH PEN AND INK: BLACK-AND-WHITE JUL 5 - JUL 28 SU 10:00 AM - 1:00 PM HUNC $300 T 6:30 PM - 9:30 PMCEDR 220 SU01 ANATOMICAL DRAWING I JUN 2 - JUN 25 T + TH 6:30 PM - 9:30 PM STARLING $300CEDR 230 SU01 DRAWING TECHNIQUES OF ARTISTS JUN 1 - JUN 24 M + W 6:30 PM - 9:30 PM STARLING $300CEDR 252 SU01 DRAWING THE PORTRAIT AUG 4 - AUG 7 T - F 9:30 AM - 4:30 PM SAGER $315CEDR 260 SU01 DRAWING FUNDAMENTALS II JUN 6 - JUN 21 S + SU 10:00 AM - 2:00 PM JONES $300CEDR 261 SU01 DRAWING THE FACE AND FIGURE JUL 20 - JUL 23 M - TH 10:00 AM - 2:00 PM UNDERHILL $235CEDR 361 SU01 ANATOMICAL DRAWING II JUL 6 - JUL 29 M + W 6:30 PM - 9:30 PM STARLING $300

FILM/VIDEO – PAGE 16CEFV 170 SU01 ADOBE PREMIERE PRO: THE BASICS JUN 22 - JUN 25 M - TH 9:30 AM - 4:30 PM CLAY $375

COURSES AT A GLANCE

Page 6: Continuing Studies at Emily Carr: Summer 2015

4 EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2015

T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

GRAPHIC NOVEL – PAGE 16CEGN 250 SU01 EXPRESSION AND CHARACTER JUN 2 - JUN 25 T + TH 6:30 PM - 9:30 PM LAWRENCE $315

ILLUSTRATION – PAGE 17CEIL 110 SU01 BOTANICAL ILLUSTRATION: THE DRAWING STUDIO JUN 22 - JUN 25 M - TH 10:00 AM - 2:30 PM YURKOVICH $215CEIL 170 SU01 INTRODUCTION TO ILLUSTRATION JUN 1 - JUN 24 M + W 6:30 PM - 9:30 PM THOMPSON $295CEIL 210 SU01 BOTANICAL ILLUSTRATION: THE PAINTING STUDIO JUL 20 - JUL 23 M - TH 10:00 AM - 2:30 PM YURKOVICH $215CEIL 230 SU01 COMMERCIAL ILLUSTRATION JUL 7 - JUL 30 T + TH 6:30 PM - 9:30 PM THOMPSON $295CEIL 235 SU01 EDITORIAL ILLUSTRATION JUL 6 - JUL 29 M + W 6:30 PM - 9:30 PM BROWN $295CEIL 240 SU01 ILLUSTRATION FOR PICTURE BOOKS JUN 7 - JUL 26 SU 1:30 PM - 4:30 PM CINAR $295CEIL 250 SU01 FASHION ILLUSTRATION I JUN 8 - JUN 11 M - TH 10:00 AM - 2:00 PM PURSCHWITZ $215CEIL 260 SU01 PEN AND INK BOOK ILLUSTRATION JUL 8 - AUG 12 W 6:30 PM - 9:30 PM HUNC $255CEIL 340 SU01 ILLUSTRATION FOR PICTURE BOOKS II JUN 8 - JUL 27 M 6:30 PM - 9:30 PM CINAR $295

INDUSTRIAL DESIGN – PAGE 19CEID 120 SU01 BASICS OF INDUSTRIAL DESIGN JUN 3 - JUL 15 W 6:30 PM - 9:30 PM CHAN $295CEID 122 SU01 BASICS OF ARCHITECTURAL DESIGN JUN 2 - JUN 25 T + TH 6:30 PM - 9:30 PM BAYER $315CEID 224 SU01 INTRODUCTION TO MODEL MAKING JUN 4 - JUL 30 TH 6:30 PM - 9:30 PM CHAN $350CEID 235 SU01 INTRODUCTION TO RHINO JUL 18 - JUL 19 S + SU 10:00 AM - 4:30 PM GROPPI $195CEID 390 SU01 DESIGN FOR SOCIAL CHANGE JUN 6 - JUL 4 S 9:30 AM - 4:30 PM WELSH $300CEID 420 SU01 3D DESIGN STUDIO JUL 13 - AUG 10 M + W 6:30 PM - 9:30 PM KOWAL $335

PAINTING – PAGE 21CEPN 160 SU01 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS JUN 16 - JUN 19 T - F 9:30 AM - 4:30 PM BARNES $355CEPN 160 SU02 PAINTING FUNDAMENTALS I: COMPOSITION/PROCESS JUL 7 - JUL 30 T + TH 6:30 PM - 9:30 PM GUDERNA $355CEPN 161 SU01 FUNDAMENTALS OF ACRYLIC PAINTING JUN 23 - JUN 26 T - F 9:30 AM - 4:30 PM BARNES $310CEPN 161 SU02 FUNDAMENTALS OF ACRYLIC PAINTING JUN 16 - AUG 11 T 6:30 PM - 9:30 PM COGGINS $310CEPN 162 SU01 FUNDAMENTALS OF OIL PAINTING JUN 1 - JUN 24 M + W 6:30 PM - 9:30 PM GOLDBERG $310CEPN 162 SU02 FUNDAMENTALS OF OIL PAINTING JUN 9 - JUN 12 T - F 9:30 AM - 4:30 PM LAM $310CEPN 163 SU01 FUNDAMENTALS OF WATERCOLOUR JUL 13 - JUL 16 M - TH 9:30 AM - 4:30 PM UNDERHILL $310CEPN 164 SU01 USING COLOUR JUN 6 - JUN 27 S 10:00 AM - 2:00 PM GUDERNA $275CEPN 164 SU02 USING COLOUR AUG 4 - AUG 7 T - F 9:30 AM - 2:00 PM TAYLOR $275CEPN 165 SU01 THE BUILT SURFACE: PAINT AND COLLAGE JUL 6 - JUL 9 M - TH 9:30 AM - 4:30 PM KRABBENDAM $315CEPN 169 SU01 MIXED MEDIA PAINTING TECHNIQUES AUG 10 - AUG 13 M - TH 9:30 AM - 4:30 PM GOLDBERG $285CEPN 265 SU01 EXPLORING THE BUILT SURFACE: GELS AND WAX JUL 27 - JUL 30 M - TH 9:30 AM - 4:30 PM KRABBENDAM $275CEPN 270 SU01 FORMS AND CONCEPTS IN CONTEMPORARY PAINTING JUL 2 - JUL 5 TH - SU 9:30 AM - 4:30 PM BARNES $295CEPN 365 SU01 OPEN STUDIO LAYERING TECHNIQUES JUN 25 - AUG 13 TH 6:30 PM - 9:30 PM KRABBENDAM $325CEPN 372 SU01 LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIR AUG 10 - AUG 13 M - TH 10:00 AM - 2:30 PM YURKOVICH $275

PHOTOGRAPHY – PAGE 24CEPH 144 SU01 PHOTOGRAPHIC COMPOSITION JUN 8 - JUN 25 M + TH 6:30 PM - 9:30 PM EVANS $225CEPH 148 SU01 BLACK-AND-WHITE FILM PHOTOGRAPHY I AND II JUL 5 - JUL 29 SU + W 10:00 AM - 3:00 PM EVANS $400CEPH 241 SU01 BLACK-AND-WHITE FILM PHOTOGRAPHY II JUN 2 - JUN 13 T + S 6:00 PM - 10:00 PM BERTHAUDIN $200CEPH 245 SU01 BLACK-AND-WHITE PHOTO STUDIO JUN 1 - JUN 25 M + TH 6:00 PM - 10:00 PM BERTHAUDIN $400CEPH 246 SU01 THE CONSTRUCTED IMAGE JUN 14 - JUN 27 SU + S 10:00 AM - 2:00 PM HITE $200CEPH 248 SU01 BASIC LIGHTING I JUL 16 - AUG 15 TH 6:30 PM - 9:30 PM MUSSALLEM $300 S 2:00 PM - 5:00 PMCEPH 250 SU01 INTRODUCTION TO DIGITAL PHOTOGRAPHY JUN 01 - JUN 24 M + W 6:30 PM - 9:30 PM HITE $300CEPH 255 SU01 DIGITAL PHOTOGRAPHY OPEN STUDIO AUG 4 - AUG 7 T - F 9:30 AM - 4:30 PM MUSSALLEM $300CEPH 340 SU01 CONTEMPORARY PORTRAITURE AUG 10 - AUG 13 M - TH 10:00 AM - 2:30 PM MUSSALLEM $225CEPH 352 SU01 ADVANCED DIGITAL PHOTOGRAPHY JUL 7 - JUL 30 T + TH 6:30 PM - 9:30 PM HITE $300CEPH 441 SU01 THE ART OF ARCHITECTURAL PHOTOGRAPHY JUL 18 - JUL 26 S + SU 9:00 AM - 1:00 PM MUSSALLEM $250

PRINTMAKING – PAGE 28CEPR 150 SU01 PHOTO-BASED PRINTMAKING JUN 22 - JUN 25 M - TH 9:30 AM - 4:30 PM HALL-PATCH $245CEPR 160 SU01 INTRODUCTION TO RELIEF PRINTMAKING JUL 21 - JUL 24 T - F 10:00 AM - 4:00 PM MINEGISHI $240CEPR 162 SU01 INTRODUCTION TO SILKSCREEN JUN 8 - JUN 11 M - TH 9:30 AM - 4:30 PM HALL-PATCH $295CEPR 165 SU01 PRINTMAKING TECHNIQUES JUL 27 - JUL 30 M - TH 10:00 AM - 4:00 PM MINEGISHI $245

COURSES AT A GLANCE (CONT’D)

Page 7: Continuing Studies at Emily Carr: Summer 2015

REGISTRATION BEGINS APRIL 8, 2015 / HOW TO REGISTER p. 5

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 5

PROFESSIONALISING YOUR PRACTICE – PAGE 29CEPD 190 SU01 THE BUSINESS OF ART PRACTICE JUN 1 - JUN 24 M + W 6:30 PM - 9:30 PM BRIARD $245CEPD 190 SU02 THE BUSINESS OF ART PRACTICE AUG 10 - AUG 13 M - TH 10:00 AM - 4:30 PM BRIARD $245

CEPD 210 SU01 BUSINESS OF DESIGN PRACTICE JUN 22 - JUN 25 M – TH 9:30 AM - 4:30 PM MILNE $225

SCULPTURE + INSTALLATION – PAGE 30CESC 178 SU01 INTRO TO MOLD DESIGN/CASTING JUN 2 - JUN 25 T + TH 6:30 PM - 9:30 PM ROBBINS $300CESC 179 SU01 SMALL-SCALE MODELING JUL 18 - JUL 26 S + SU 9:30 AM - 4:30 PM ISRAEL $265CESC 180 SU01 INTRODUCTION TO METAL SCULPTURE JUN 2 - AUG 11 T 6:30 PM - 9:30 PM RHODES $455

WORKSHOPS AT THE LEEWAY – PAGE 33CEDR 999 SU01 EXPERIMENTAL MARK MAKING: INK JUN 11 TH 6:00 PM - 9:00 PM HUNC $65CEDR 999 SU02 USING THE GRID METHOD FOR DRAWING AND PAINTING JUN 18 TH 6:00 PM - 9:00 PM ISRAEL $65CEDR 999 SU03 ITALIC VARIATIONS AUG 6 TH 6:00 PM - 9:00 PM ALEXANDER $65CEFA 999 SU01 INTRO TO NEEDLE FELTING MAY 31 SU 10:00 AM - 4:00 PM PAYNE $95CEFA 999 SU02 NATURAL PLANT DYEING AUG 23 SU 10:00 AM - 4:00 PM HIEBERT $95CEID 999 SU01 PATTERN MAKING FOR CLOTHING/ JUL 26 SU 10:00 AM - 4:00 PM MARTIN $95 SOFT PRODUCT REPLICATIONCEID 999 SU02 SMALL SCALE TAPESTRY AUG 9 SU 10:00 AM - 4:00 PM HIEBERT $95CEPD 999 SU01 WRITING FOR ARTIST RESIDENCIES AND MAY 28 TH 6:00 PM - 9:00 PM LIU $65 GRANT APPLICATIONSCEPD 999 SU02 CREATIVE WRITING AND THE CREATIVE PROCESS JUL 23 TH 6:00 PM - 9:00 PM NORWICH $65CEPN 999 SU01 NON-TOXIC ALTERNATIVES FOR OIL PAINTING JUN 4 TH 6:00 PM - 9:00 PM YURKOVICH $65CEPN 999 SU02 PAINTING SURFACES: THICK, TEXTURED, AUG 13 TH 6:00 PM - 9:00 PM GOLDBERG $65 GLOSSY AND TRANSPARENTCEPR 999 SU01 BLOCK PRINTING FOR TEXTILES JUN 28 SU 10:00 AM - 4:00 PM HANNAN $95CESC 999 SU01 MIG WELDING FOR BEGINNERS: AN INTRODUCTION JUL 9 TH 6:00 PM - 9:00 PM RHODES $65

Register Onlineecuad.ca/csYou have the power! Online registration is easy, fast and secure and you can do it anytime from anywhere in the world. To get your registration access in advance of the registration opening date, or for instructions on how to use our online registration system, insideEC, visit our website: ecuad.ca/program/cs/how_to_enroll

Register in PersonDrop by the Continuing Studies office at 1399 Johnston Street on Granville Island in Vancouver.

Register by PhoneGive us a call at 604 844 3810.

CONTINUING STUDIES OFFICE HOURS

Monday to Thursday 8:30 am – 4:00 pm Friday 8:30 am – 12:30 pm

Note: Cash and Interac payments accepted during Accounting Office hours only.Monday to Thursday 8:30 am – 4:00 pm Friday 10:00 am – 4:00 pm

Questions about prerequisites or language requirements? See our Registration Policies and FAQs on pages 38-40.

HolidaysEmily Carr Continuing Studies will not run any courses on May 18 (Victoria Day), July 1 (Canada Day) and August 3 (BC Day).

Emily Carr Continuing Studies Summer

Registration opens at 9:00 am April 8, 2015.

Continuing Studies has a variety of ways

you can register :

www.twitter.com/EmilyCarrCS

www.youtube.com/EmilyCarrUniversity

search “Emily Carr University” on Facebook

HOW TO REGISTER

Page 8: Continuing Studies at Emily Carr: Summer 2015

6 EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2015

T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

FUNDAMENTALSLETTERPRESS ICome and learn to handset metal and wood type, mix ink, use letterpress printing presses, determine paper grain, pull proofs, print and distribute type. You can print cards or broadsides, short poems or other short text of your choice using the selection of wood and metal type and ornaments available in Emily Carr’s Letterpress room. This course focuses on the traditional methods of hand typesetting using the school’s collection of metal and wood type. The class also includes an opportunity for students to do linocut printmaking and hot foil stamping. Our rich printing history comes to life as you discover the origins of design methods and language we all use in the digital world today.

Prerequisite : None

IMAGE TRANSFER TECHNIQUESThrough demonstration of a wide range of medium, solvent and heat-based image transfer techniques, you will learn how to harness printed images and place them onto a variety of receiving surfaces. Book and paper media, alongside a range of experimental material applications for the transfer techniques, will be presented and discussed thoroughly. You will begin with basic medium transfers and introductory binding techniques, move into solvent transfers and more complex book structures, and finish with experimental transfers and a final self-determined project. You will complete an assortment of transfer techniques, learn basic sewn bookbinding techniques, and have a thorough working knowledge of materials related to both multi-media transfer and bookbinding disciplines.

Prerequisite : None

Andrea Taylor

CEBA 112 SU01

Jun 6 - Jun 27

Sat 9:30 am - 4:30 pm

8 sessions / 24 total hrs

$395

Register by Jun 1

Aimée Brown

CEBA 131 SU01

Jun 17 - Aug 12

Wed 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$395

Register by Jun 12

No class on Jul 1

BOOK ARTS

Page 9: Continuing Studies at Emily Carr: Summer 2015

REGISTRATION BEGINS APRIL 8, 2015 / HOW TO REGISTER p. 5

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 7

FUNDAMENTALS

BASICS OF COMMUNICATION DESIGNLearn the fundamentals of communication design including process, ideation, research, analysis, concept development, problem definition, and creative problem-solving. Through collaborative exercises, you will be introduced to design process – from development through to the creation of a mock-up and a short design presentation.

Prerequisite : None

DRAWING FOR DESIGNDrawing is an essential process in design. It is a necessary tool for concept development and is used to communicate with clients and other design professionals throughout the design and production process. This course introduces you to the basic principles of drawing with a specific focus on applications in design, including point, line, form, tone and value, the representation of mass and volume, and composition. Assignments incorporate exercises in drawing techniques combined with problem-solving skills and basic design principles.

Prerequisite : None

COMMUNICATION DESIGN

Carolina Becerra

CECD 110 SU01

Jun 8 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

6 sessions / 18 total hrs

$275

Register by Jun 3

Cari Bird

CECD 110 SU02

Jun 22 - Jun 24

Mon - Wed

9:30 am - 4:30 pm

3 sessions / 18 total hrs

$275

Register by Jun 17

Vjeko Sager

CECD 160 SU01

Jul 21 - Aug 13

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$325

Register by Jul 16

Page 10: Continuing Studies at Emily Carr: Summer 2015

8 EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2015

T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

Keith Langergraber

CEFA 260 SU01

July 6 - Jul 30

Mon + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$245

Register by Jul 1

FUNDAMENTALS

BASICS OF COMPOSITION AND FORMThis foundational course introduces you to the relationship of concept and composition in 2D art practices. You will develop skills in composition by investigating how line, shape, colour, texture and surface treatment enhance and influence form. Experimentation with a variety of media allows you to explore aesthetics and meaning by applying the elements and principles of composition. You will learn to reference historical and contemporary theories and use image sources as inspiration for art making.

Prerequisite : None

MATERIALS AND MEDIA IN FINE ART PRACTICEIn this course you will explore the relationship between ideas, materials, media and context, and how these are used to create 3D objects. Both traditional and unconventional materials and processes will be employed in exercises and projects. Topics include space, mass, volume, plane and texture, as well as how these elements can be manipulated through your choice of materials.

Prerequisite : None

SKILL BUILDING

DEVELOPING YOUR VISUAL STYLEThis course provides an opportunity to work on developing your own artistic style. This course is designed to merge hands-on practice with your creative ideas by experimenting with numerous materials and techniques. Throughout the course you will analyze your creative process and refine your aesthetic abilities. This is a unique opportunity to work on defining your own practice and receiving guidance and feedback from experienced instructors.

Prerequisite : Some drawing or painting experience is recommended

Karen Yurkovich

CEFA 160 SU01

Jun 1 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$325

Register by May 27

Karen Kazmer

CEFA 170 SU01

Jun 22 - Jun 25

Mon - Thu

9:00 am - 1:00 pm

4 sessions / 16 total hrs

$250

Register by Jun 17

Ian Forbes

CEFA 170 SU02

Jul 14 - Jul 23

Tue + Thu

6:00 pm - 10:00 pm

4 sessions / 16 total hrs

$250

Register by Jul 9

CORE SKILLS

Page 11: Continuing Studies at Emily Carr: Summer 2015

REGISTRATION BEGINS APRIL 8, 2015 / HOW TO REGISTER p. 5

FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 9

Janet Piper Jones

CESE 160 SU01

Jul 6 - Jul 29

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$295

Register by Jul 1

FUNDAMENTALS

ISSUES IN CONTEMPORARY ARTThis course introduces you to a range of issues affecting contemporary art from the mid-20th century to today. You will examine a number of themes, including the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; postmodernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

Prerequisite : None

NEW! WALKING TOURSOver the past century, Vancouver has transformed from a lumber and port city into a multi- cultural city of glass. As the architecture of the city has changed, many of its histories have been erased from view. At the same time, Vancouver has also produced internationally renowned artists in a vibrant artistic community, many offering diverse artistic perspectives on the complex identities of this city. This course invites students to explore Vancouver through walking tours that critically question our built environments, field trips to galleries that are cultural hubs for the Vancouver art scene and discussions of key artists’ works that have engaged or addressed the complex facets and pasts of Vancouver.

Prerequisite : None

A SURVEY AND HISTORY OF ARTThis course offers an introduction to the history of Western art, focusing on the cultures and individuals that shaped art and architecture over the last 1000 years. Linking historical precedents to contemporary artistic practices, this course will provide you with a general introduction to art history. This course is ideal if you want to be better informed when visiting museums or galleries, or who want to understand their own practice in the context of what went before.

Prerequisite : None

Rajdeep Gill

CESE 180 SU01

Jul 7 - Jul 30

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$295

Register by Jul 2

Jessa Alston-O’Connor

CESE 176 SU01

Aug 4 - Aug 13

Tue + Thu

10:00 am - 2:30 pm

4 sessions / 18 total hrs

$225

Register by Jul 30

CULTURAL STUDIES

Page 12: Continuing Studies at Emily Carr: Summer 2015

10 EMILY CARR UNIVERSITY OF ART + DESIGN / SUMMER 2015

T 604 844 3810 F 604 630 4535 ECUAD.CA/CS

SKILL BUILDING

THE ADOBE SUITE FOR DESIGN AND PRODUCTIONThis course is a comprehensive introduction to the Adobe Suite including Illustrator, Photoshop and InDesign as an integrated software tool for the design and production of print and digital media. Focus is on gaining basic knowledge of each program, and a deeper understanding of how they work as part of an integrated toolkit. You will learn to use the Suite in document layout, typesetting and combining both vector art and raster art to design and producing work for print and digital outputs.

Note: This course is taught in our Mac Labs using Creative Cloud.

Prerequisite : Strong computer skills are highly recommended

PHOTOSHOP FOR PHOTOGRAPHERSUsing scanned and digital images, you will be introduced to topics including: RAW file format, colour management, basic selection techniques, a variety of techniques for tonal and colour correction, retouching and final image output. Time will be available for work on personal images. Please note that this course is taught in our Mac Labs using Creative Cloud.

Prerequisite : Experience with a Macintosh computer or equivalent, as well as general experience in either digital or film photography

Sean Coggins

CECS 133 SU01

Jul 6 - Jul 29

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$395

Register by Jul 1

Jen Hiebert

CECS 136 SU01

Jun 8 - Jun 17

Mon - Wed

9:30 am - 3:30 pm

6 sessions / 32 total hrs

$495

Register by Jun 3

Ross Milne

CECS 136 SU02

Jul 14 - Aug 6

Tue + Thu

6:00 pm - 10:00 pm

8 sessions / 32 total hrs

$495

Register by Jul 9

Kathryn Mussallem

CECS 140 SU01

Jul 15 - Aug 12

Mon + Wed

7:00 pm - 10:00 pm

8 sessions / 24 total hrs

$425

Register by Jul 10

No class on Aug 3

DIGITAL SKILLS, MEDIA + TECHNOLOGIES

FUNDAMENTALS

ADOBE ILLUSTRATOR: THE BASICSAdobe Illustrator is a powerful digital tool for many applications including illustration, drawing and design. Learn the key features of this program and become familiar with the basics of digital drawing and painting by creating and modifying geometric shapes, drawing with Bézier curves, utilizing gradients and patterns. Small weekly assignments and one larger illustration project will allow you to apply all the skills learned in class. Please note that this course is taught in our Mac Labs using Creative Cloud.

Prerequisite : Experience with Macintosh computers is highly recommended

INDESIGN: THE BASICSAdobe InDesign is a powerful tool for design, page layout and production; it is the ideal platform to bring together work created in Photoshop, Illustrator and Acrobat. In this course, you will gain basic experience with this software as you create and format text, input and manipulate images, and gain a basic understanding of colour as it relates to printing. Please note that this course is taught in our Mac Labs using Creative Cloud.

Prerequisite: Experience with Macintosh computers is highly recommended; familiarity with a word processing program such as Word is strongly recommended; experience with Illustrator is an asset

Jaime Clay

CECS 130 SU01

Jun 2 - Jun 25

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$395

Register by May 28

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INTRODUCTION TO MAYADevelop your design and computer skills through an introduction to computer anima- tion in this two-day intensive workshop offering an introduction to Autodesk Maya. Learn the fundamentals of modeling, texturing, animation, lighting, and rendering in three-dimensional space. Create assets and environments and apply them to animation for broadcast, film, video games and visuali- zation. Projects investigate the conceptual, aesthetic and expressive potential of the 3D environment as well as demonstrate various design strategies for 3D imaging and anima- tion. By the end of the course, you will be comfortable using Autodesk Maya and able to create simple films or simulations.

Prerequisite : Basic computer skills

INTRODUCTION TO WEB DESIGNThis course will give you an understanding of how web pages are made, plus the ability to create your very own. Content covers the technical and aesthetic issues of developing a website including how to write code that works on any range of browsers, and how to create pages that work equally well on large desktop monitors and the more restricted displays of smart phones. If you currently use a Content Management System such as WordPress, knowing how to write HTML and CSS will allow you to take your projects to the next level. Promote your own work or that of your clients.

Prerequisite : General computer and internet proficiency

Thomas Groppi

CEAN 152 SU01

Jul 11 - Jul 12

Sat + Sun

10:00 am - 4:30 pm

2 sessions / 12 total hrs

$195

Register by Jul 6

Kevin McMillan

CEDA 232 SU01

Jun 13 - Jun 21

Sat + Sun

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$385

Register by Jun 8

Kevin McMillan

CEDA 250 SU01

Jul 18 - Jul 26

Sat + Sun

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$385

Register by Jul 13

INTRODUCTION TO WORDPRESSAs an introduction to web design using the WordPress platform, this course offers an in-depth look at the technology and skills required to develop a content-managed web site. Through the production of your own site, you will learn how to install WordPress and make posts, pages and galleries. In addition, you will learn how to use WordPress themes, plugins, widgets, comment forms and more. The course will demonstrate a variety of the easiest and most effective ways of designing, managing and securing your personal WordPress site. Additional topics will include how to get a domain and web hosting, how to set up a WordPress testing environment, and audi- tioning plugins, themes and more before committing them to your live site.

Prerequisite : General computer and internet proficiency

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DIGITAL SKILLS, MEDIA + TECHNOLOGIES (CONT’D)

APPLIED TECHNIQUES

NEW! DIGITAL ANIMATION IIThis class will continue on from Introduction to Digital Animation using after effects with more complexity. Topics will include working with lights, creating faux 3D environments, animating cameras, green-screen composi- ting techniques, track mattes and basic special effects. Through practical exercises, students will continue practising animation principles and learn how to control their animation through the graph editor and maximise workflow using simple expressions.

Prerequisite : CEDA 140 Digital Animation

INTRODUCTION TO SOLIDWORKSThis course introduces you to the basics of Solidworks, and the possibilities of creating 3D CAD models for design and other projects. The course will cover the fundamental functions of this powerful software, including how to build 3D models from 2D drawings.

Prerequisite : None

NEW! DIGITAL PUBLICATIONS FOR TABLETS

This course is an introduction to designing children’s books using the EPUB Fixed Layout standard. The course builds on your know- ledge of illustration or communication design and further develops it in the context of screen based interactive books. We will cover concepts such as eBook formats, typography for screens, and graphic cues for interaction. Through hands-on individual and group assignments and using InDesign and Edge Animate, students learn to conceptualize, build and share a story book for tablets.

Prerequisite : CECS 133 InDesign: The Basics; students are required to bring their own iPads

Ceile Prowse

CEDA 280 SU01

Jun 1 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$385

Register by May 27

NEW! ANIMATED STORYBOOKSThis course is an introduction to designing digital publications for tablet devices using the Adobe DPS toolset. The course builds on your knowledge of communication design and further develops it in the context of screen-based publications for mobile devices. We will cover concepts such as publication structures, typography for screens, and graphic cues for interaction. Through hands- on individual assignments, students learn to develop, test and share a digital publication.

Prerequisite : CEIL 170 Introduction to Illustration or equivalent

NEW! JAVASCRIPT BASICS FOR PORTFOLIO

Create an engaging online portfolio that showcases your own work in an impressive light. By learning to use jQuery, an easy-to- learn JavaScript library, in conjunction with CSS effects and transitions, students are able to control how their work looks and feels. Students will learn to isolate UI components to test JavaScript jQuery plugins; integrate various interactive UI components into a portfolio, and optimize its display performance and web presence. A functional online portfolio can impress everyone from future employers to gallery owners.

Philip Robbins

CEID 231 SU01

Jun 15 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

4 sessions / 12 total hrs

$215

Register by Jun 10

Celeste Martin

CEDA 260 SU01

Jun 2 - Jun 25

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$385

Register by May 28

Dan Brooks

CEDA 290 SU01

Jun 7 - Jun 28

Sun 9:30 am - 1:30 pm

4 sessions / 16 total hrs

$275

Register by Jun 2

Celeste Martin

CEDA 270 SU01

Jun 6 - Jun 28

Sat + Sun

9:30 am - 12:30 pm

8 sessions / 24 total hrs

$385

Register by Jun 1

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DRAWINGFUNDAMENTALS

DRAWING FUNDAMENTALS I : COMPOSITION/PROCESSDrawing, observation, recording and compositional organization are foundational tools for any creative practice. In this course, you will explore studies in line, shape, value, perspective, proportion, positive and negative space and the human figure. Using a wide range of drawing materials and hands-on practice, you will be introduced to drawing as a means of intense visual investi- gation. This course is an ideal, supportive learning environment if you are new to the field of drawing, and are looking to gain skills that will be broadly applicable.

Prerequisite : None

Janet Piper Jones

CEDR 160 SU03

Jul 7 - Jul 30

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$285

Register by Jul 2

Dan Starling

CEDR 160 SU04

Jul 13 - Jul 16

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$285

Register by Jul 8

Keith Langergraber

CEDR 160 SU05

Jul 18 - Jul 26

Sat + Sun

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$285

Register by Jul 13

Martin Guderna

CEDR 160 SU01

Jun 1 - Jun 25

Mon + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$285

Register by May 27

Vjeko Sager

CEDR 160 SU02

Jun 15 - Jun 18

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$285

Register by Jun 10

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DRAWING (CONT’D)

FUNDAMENTALS (cont’d)

PERSPECTIVE DRAWING FOR ARTISTS AND DESIGNERSThis course is essential for artists, designers, illustrators and animators who wish to create convincing images of form, depth and space. Regardless of the form you work in, you will improve the impact of your work with an understanding of this powerful drawing technique. You will be guided through step- by-step exercises, moving from rough layout sketches to more carefully proportioned images of world architecture, vehicles and the human form.

Prerequisite : None

CREATIVE DRAWING AND ARCHITECTUREThis structured, high-energy course develops your basic to intermediate drawing and sketching skills, specifically related to space and spatial concerns. Exercises and projects focus on applying principles of perspective drawing, sketching concepts, and other compositional strategies. A variety of creative freehand techniques will allow you to develop your approach to architec-tural figurative drawing. Class work includes some drawing from a model.

Prerequisite : None

DRAWING INTO PAINTING: AN INTRODUCTIONThis course provides an introduction to the fundamentals of drawing and painting as well as the transition from black-and-white to colour in your creative practice. You will investigate line, form, value, colour and pictoral composition by using a variety of drawing materials and water-based paints. You will begin with drawing and move into painting using the still life, the model and the imagination.

Prerequisite : None

Tony O’Regan

CEDR 162 SU01

Jun 6 - Jun 21

Sat + Sun

9:30 am - 1:30 pm

6 sessions / 24 total hrs

$315

Register by Jun 1

SKILL BUILDING

DRAWING WITH PEN AND INK: BLACK-AND-WHITETake a classic, black-and-white approach to the expressive medium of pen and ink drawing. Through exercises and step-by-step tutorials, you will learn to create a range of work, from photo-realism to abstraction and everything in between. Work with a range of pen points using bistre and sepia inks, as well as combinations of ink and watercolour. Experimentation with ink and wash will be introduced as you explore tone, texture, line and stroke, gesture and calligraphy, proportion and visual balance.

Prerequisite : Any 100-level drawing course or equivalent

ANATOMICAL DRAWING IThis drawing course focuses on the human figure, its construction, and the relationship between skeleton and muscle in order to enhance the understanding of surface ana- tomy, locomotion and proportion. Through observation and visual research, you will be guided through the process of depicting the anatomical structure of the human figure. Class work includes drawing directly from a model.

Prerequisite : Any 100-level drawing course or equivalent; experience drawing from a model is recommended

Stan Hunc

CEDR 167 SU01

Jul 5 - Jul 28

Sun + Tue

10:00 am - 1:00 pm (Sun)

6:30 pm - 9:30 pm (Tue)

8 sessions / 24 total hrs

$300

Register by Jun 30

Tony O’Regan

CEDR 163 SU01

Jun 3 - Aug 5

Wed 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by May 29

No class on Jun 17 or Jul 1

Lori Goldberg

CEDR 164 SU01

Jun 2 - Jun 25

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by May 28

Dan Starling

CEDR 220 SU01

Jun 2 - Jun 25

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by May 28

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NEW! DRAWING TECHNIQUES NEW! OF ARTISTSThis course focuses on studying the techni- ques used by Edgar Degas, Vincent Van Gogh, Käthe Kollwitz, Lucian Freud and others to make drawings using a variety of mediums including graphite pencil, pen and ink, char- coal and soft pastel. Students will be taught the drawing approaches used by these artists, focusing on line, tone and composition and apply these techniques to produce their own unique drawings. Through drawing from direct observation, students will make their own still life, portrait and landscape drawings. Class work includes drawing directly from the model.

Prerequisite : CEDR 160 Drawing Fundamen- tals I : Composition/Process or equivalent is recommended, but not required

DRAWING THE PORTRAITThis course provides an in-depth study of the head for portraiture. Using a variety of media such as charcoal, ink, graphite and more you will explore proportion, resem-blance, texture, shape and expression. Basic structural analysis of both the human head and figure will be covered. Class work includes drawing directly from a model.

Prerequisite : Any 100-level drawing course or equivalent; experience drawing from a model is recommended

DRAWING FUNDAMENTALS IIThis drawing course provides you with ex- panded drawing techniques aimed at helping you work across materials, and allowing you to better express your ideas and resolve technical issues in your drawing practice. Topics include observational and imaginative drawing exercises, as well as looking at historical and contemporary precedents and how they may inform your work.

Prerequisite : CEDR 160 Drawing Fundamen- tals I : Composition/Process or equivalentJanet Piper Jones

Dan Starling

CEDR 230 SU01

Jun 1 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by May 27

DRAWING THE FACE AND FIGUREThis course will teach you how to construct the human form without relying on a model. By helping you develop an ‘internal model’ using basic anatomical proportions, gesture, contour and shading, you will have a stronger understanding of proportion and construction of the head and figure, the drawing and map- ping of facial features, hands and feet, and understanding of typical standing, walking and seated poses. This course will be of special interest for anyone who needs to draw scale figures, whether to use in design, illus- tration, animation or any other artistic form.

Prerequisite : CEDR 160 Drawing Fundamen- tals I : Composition/Process or equivalent is recommended, but not required

ANATOMICAL DRAWING IIThis course will build upon the fundamental skills learned in Anatomical Drawing I, showing you how to apply the rules, strate- gies and nuances of anatomical drawing to different body movements. You will learn to apply foundational anatomy drawing skills in different ways that are more applicable to everyday life. Drawing from live model, skeleton and écorché (a sculpted figure showing the muscles of the body) will be integrated for an in-depth understanding. Drawing field trips will be an optional com- ponent of this course.

Prerequisite : CEDR 220 Anatomical Drawing I or equivalent; experience drawing from a model is recommended

Elena Underhill

CEDR 261 SU01

Jul 20 - Jul 23

Mon - Thu

10:00 am - 2:00 pm

4 sessions / 16 total hrs

$235

Register by Jul 15

Vjeko Sager

CEDR 252 SU01

Aug 4 - Aug 7

Tue - Fri

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$315

Register by Jul 30

CEDR 260 SU01

Jun 6 - Jun 21

Sat + Sun

10:00 am - 2:00 pm

6 sessions / 24 total hrs

$300

Register by Jun 1

APPLIED TECHNIQUES

Dan Starling

CEDR 361 SU01

Jul 6 - Jul 29

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by Jul 1

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FUNDAMENTALS

NEW! ADOBE PREMIERE PRO: THE BASICSAdobe Premiere Pro is a comprehensive film-editing program used by professional filmmakers and beginners alike. In this course, you will to learn basic film editing and how to use the many tools available in this program. You will learn about transition effects, title screens and knockout backgrounds as well as how the addition of sounds, music and narration can add polish to your videos. From simple slideshows to full animation, you will leave the course with a newfound knowledge of film.

Prerequisite : Basic computer skills; Video cameras, cell phone cameras, or access to video footage

FILM/VIDEO

Jaime Clay

CEFV 170 SU01

Jun 22 - Jun 25

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$375

Register by Jun 17

FUNDAMENTALSEXPRESSION AND CHARACTERThis course is a unique opportunity to explore specific gestures and facial structures, all in an opportunity to express emotions effectively. From distinguishing between a smile and a smirk, to exploring the expressive possibilities of the mouth, eyes, ears and nostrils, this course is ideal for illustrators, graphic novel and comic artists who are looking to enhance their technical skills.

Prerequisite : CEGN 160 The Contemporary Comic: An Introduction or equivalent

GRAPHIC NOVEL

Julian Lawrence

CEGN 250 SU01

Jun 2 - Jun 25

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$315

Register by May 28

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FUNDAMENTALS

INTRODUCTION TO ILLUSTRATIONIllustration is an effective form for linking images to text and communicating ideas, offering commentary, educating and catching the attention of an audience. In this course you will be introduced to illustration and the many roles it can play. Hands-on projects, presentations, discussions and critiques will expose you to a variety of techniques, media and styles as you explore how content, design elements and materials are used in the translation of ideas into images.

Prerequisite : None

SKILL BUILDING

BOTANICAL ILLUSTRATION: THE DRAWING STUDIOThis course will focus on the drawing techniques specific to botanical illustration for scientific accuracy. Class work will lead to the steps necessary to prepare for traditional botanical illus- tration in watercolour while providing you with the skills to create clear and accurate drawings strong enough to stand on their own. You will be exposed to masterworks of the genre, both past and present. Mediums will include pencil and ink on paper.

Prerequisite : Some drawing experience required; some painting experience recommended

BOTANICAL ILLUSTRATION: THE PAINTING STUDIOThis creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Topics include storyboarding and composition exercises, as well as experimenting with ink, pen, brush-work and collage. You will also learn how to digitize your illustrations using Photoshop and how to share them with publishers.

Prerequisite : CEIL 110 Botanical Illustration: The Drawing Studio

COMMERCIAL ILLUSTRATIONThis course explores illustration techniques with a focus on commercial marketing and branding. Learn to apply creative designing, drawing and colouring skills to the communication design field, and expand your art or design practice to commercial businesses. Practical exercises in logo design, poster design, narrative storyboards and advertising will be applied. You will learn the tools with which to evaluate your own work from the perspective of the commercial market.

Prerequisite : Any 100-level drawing course or equivalent

ILLUSTRATION

Karen Yurkovich

CEIL 110 SU01

Jun 22 - Jun 25

Mon - Thu

10:00 am - 2:30 pm

4 sessions / 16 total hrs

$215

Register by Jun 17

Robin Thompson

CEIL 170 SU01

Jun 1 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$295

Register by May 27

Karen Yurkovich

CEIL 210 SU01

Jul 20 - Jul 23

Mon - Thu

10:00 am - 2:30 pm

4 sessions / 16 total hrs

$215

Register by Jul 15

Robin Thompson

CEIL 230 SU01

Jul 7 - Jul 30

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$295

Register by Jul 2

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ILLUSTRATION (CONT’D)

SKILL BUILDING (cont’d)

EDITORIAL ILLUSTRATIONEditorial illustration describes the creation of images to accompany text in an effort to illuminate or point to a particular aspect. In this course, you will create illustrations for magazine articles, opinion pieces, short fiction and essays using a variety of traditional and non-traditional media. Instruction includes the history of editorial work and discussions will address the working practices of editorial illustrators, working with art directors and clients, and the different types of illustration that lend themselves to editorial work.

Prerequisite : CEIL 170 Introduction to Illustration

APPLIED TECHNIQUES

ILLUSTRATION FOR PICTURE BOOKSThis creative and practical course explores illustration for picture books. While being introduced to key classic and contemporary works in this art form, you will be shown how to create an effective illustration and main character, as well as how to develop your own unique style. Coursework includes storyboarding and composition exercises, as well as experimenting with ink, pen, brush- work and collage. You will also learn how to digitize your illustrations using Photoshop and how to share them with publishers.

Prerequisite : Any 100-level drawing course or equivalent; basic Macintosh skills recom- mended

Calef Brown

CEIL 235 SU01

Jul 6 - Jul 29

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$295

Register by Jul 1

FASHION ILLUSTRATION IIn this course you will develop your drawing skills and begin to produce basic fashion illustrations. Working from imagination, photographs and the model, you will create fashion figures through the study of proportion, line and silhouette as you work on communicating your fashion direction.

Prerequisite : Any 100-level drawing course or equivalent

PEN AND INK BOOK ILLUSTRATIONThis course focuses on the exploration of pen and ink illustration, visual interpretation and personal style in ink drawing. You will be guided through line drawing exercises and will explore gesture, texture and inno- vative approaches to pen and ink illustration. In examining traditional and contemporary book art illustrations, you will develop your drawing skills and create personal visual interpretations from literary samples.

Prerequisite : Any 100-level drawing course or equivalent

ILLUSTRATION FOR PICTURE BOOKS IIThis intermediate course builds on the introductory skills of Illustration for Picture Books. You will develop your own written and illustrated ‘dummy book’, building on concepts such as composition, layout, pacing and character development. Special focus will be placed on the relationship of text and image and the concept of the book as a whole. In-class brainstorming and writing exercises, as well as the analysis of existing works, will help you in writing your own stories. You will have the chance to experiment with paper collage and brush and ink to strengthen composition and color skills in class.

Prerequisite : CEIL 240 Illustration for Picture Books

Stan Hunc

CEIL 260 SU01

Jul 8 - Aug 12

Wed 6:30 pm - 9:30 pm

6 sessions / 18 total hrs

$255

Register by Jul 3

Lisa Cinar

CEIL 240 SU01

Jun 7 - Jul 26

Sun 1:30 pm - 4:30 pm

8 sessions / 24 total hrs

$295

Register by Jun 2

Natalie Purschwitz

CEIL 250 SU01

Jun 8 - Jun 11

Mon - Thu

10:00 am - 2:00 pm

4 sessions / 16 total hrs

$215

Register by Jun 3

Lisa Cinar

CEIL 340 SU01

Jun 8 - Jul 27

Mon 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$295

Register by Jun 3

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INDUSTRIAL DESIGN

BASICS OF INDUSTRIAL DESIGNThis course introduces you to the fundemen- tals of industrial design. In it, you will gain an awareness of the design process with an emphasis on design criteria. This will be followed by formulation of the design brief, development of creative concepts, user testing and quick model making. You will work on a design project through to comple- tion of a full-scale model and a short design presentation.

Prerequisite : None

BASICS OF ARCHITECTURAL DESIGNThis studio course introduces you to the design process as it applies to architecture and architectural space. Through idea genera- tion, sketch models, proposal research and presentation and modeling techniques, you will interpret your ideas architecturally as you also explore the locational, contextual and structural aspects of architectural design. You will work on a site-specific design project individually and in teams.

Prerequisite : None

Ying-Chiu Chan

CEID 120 SU01

Jun 3 - Jul 15

Wed 6:30 pm - 9:30 pm

6 sessions / 18 total hrs

$295

Register by May 29

No class on Jul 1

INTRODUCTION TO MODEL MAKINGModels are 3D previews of designs before they go to production. They can serve as proof-of-concept, be used for ergonomic testing or act as a sales tool. Through presentations, demonstrations, workshop practice and design projects, you will learn the fundamental techniques to fabricate mock-ups and models using block materials and sheet materials.

Prerequisite : Basic hand-tool skills and reasonable sketching ability

INTRODUCTION TO RHINOLearn how to model, edit and analyze organic 3D surfaces using the industry’s powerful, standard software, Rhinoceros. In this two- day intensive weekend workshop you will acquire hands-on 3D prototyping skills by working from real-life scenarios and problem solving with professional and personal projects as examples. This course is ideal for industrial designers, jewelry makers, product designers and anyone who needs to model or prototype products for manufacturing.

Prerequisite : None

Ying-Chiu Chan

CEID 224 SU01

Jun 4 - Jul 30

Thu 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$350

Register by May 30

No class on Jul 2

FUNDAMENTALS

Rebecca Bayer

CEID 122 SU01

Jun 2 - Jun 25

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$315

Register by May 28

Thomas Groppi

CEID 235 SU01

Jul 18 - Jul 19

Sat + Sun

10:00 am - 4:30 pm

2 sessions / 12 total hrs

$195

Register by Jul 13

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INDUSTRIAL DESIGN (CONT’D)

APPLIED TECHNIQUES

DESIGN FOR SOCIAL CHANGEHave you ever had an idea for making your community or organization better? In this studio/seminar course you will be challenged to use design thinking and process to consider complex social and economic problems. Through discussions, collaborations, research and prototyping of idea, you will learn about design as it relates to the social, cultural, environmental and economic systems we live in. The outcome of this course will be a real project that could be presented to a potential client or community leader for implementation. Design for Social Change is ideal for people who want to learn how to apply creative process to complex topics in order to achieve tangible outcomes.

Prerequisite : None

Joshua Welsh

CEID 390 SU01

Jun 6 - Jul 4

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$300

Register by Jun 1

No class on Jun 20

SKILL BUILDING

3D DESIGN STUDIOIn this advanced-level studio course, you will work on product design processes and methods as they relate to the development of functional or experimental objects or environments. The emphasis is on research, problem solving and creative experimental responses to projects, discussions and critiques of ideas and form. Topics include analysis, concept development and commu- nicating 3D concepts for products or environ- ments as models or prototypes.

Prerequisite : All core courses in the Certificate Program in 3D Design or equivalent experience are required; elective courses are strongly recommended

Christopher Kowal

CEID 420 SU01

Jul 13 - Aug 10

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$335

Register by Jul 8

No class on Aug 3

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FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 21

PAINTING FUNDAMENTALS I : COMPOSITION/PROCESSThis course is an introduction to core principles in painting. Various painting techniques are introduced as you explore basic composition, line, contrast, colour, texture and the use of tools and materials. Formal elements of composition are explored as you experiment with a variety of techniques and approaches. Through hands-on exercises, you will explore techniques and methods artists have used throughout the ages.

Prerequisite : None

FUNDAMENTALS OF ACRYLIC PAINTINGThis course provides a step-by-step introduction to painting with acrylics. You will gain an understanding of colour, space and composition while being introduced to technical and conceptual concerns. Thinning, thickening and texturing techniques and their applications will be explored.

Prerequisite : None

FUNDAMENTALS OF OIL PAINTINGExperience the beauty and texture of oil painting. Explore the tools, skills, terminology and imagery of this luminous medium through projects and experimentation. Use and preparation of various surface materials, colour mixing, composition and texture are examined.

Prerequisite : None

Gwenessa Lam

CEPN 162 SU02

Jun 9 - Jun 12

Tue - Fri

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$310

Register by Jun 4

FUNDAMENTALS

Lori Goldberg

CEPN 162 SU01

Jun 1 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$310

Register by May 27

Sean Coggins

CEPN 161 SU02

Jun 16 - Aug 11

Tue 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$310

Register by Jun 11

No class on Aug 4

Elizabeth Barnes

CEPN 161 SU01

Jun 23 - Jun 26

Tue - Fri

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$310

Register by Jun 18

PAINTING

Martin Guderna

CEPN 160 SU02

Jul 7 - Jul 30

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$355

Register by Jul 2

Elizabeth Barnes

CEPN 160 SU01

Jun 16 - Jun 19

Tue - Fri

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$355

Register by Jun 11

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PAINTING (CONT’D)

FUNDAMENTALS (cont’d)

FUNDAMENTALS OF WATERCOLOURThis course introduces you to the essential techniques of painting with watercolour. Through projects and discussion, you will gain familiarity with the properties of watercolour as you explore various approaches to traditional and contemporary concepts. Graded wash, building light and dark values, building perspective and understanding the relation of values to colour will be introduced.

Prerequisite : None

USING COLOURThe use of colour is one of the most important considerations you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory and how to work with it effectively. You will investigate the creative use of colour in a variety of mediums and explore its use in developing observational and painting skills as well as creating compositional structure.

Prerequisite: None

APPLIED TECHNIQUESTHE BUILT SURFACE: PAINT AND COLLAGEExplore non-traditional art materials and ways of working in this introductory course on collage and the built surface. Projects introduce you to image-transfer techniques, collage, spackle and mixed composites. You will experiment with various painting techniques such as frottage, grattage, staining and separation effects. Themes, symbols and concepts related to the object or the place it was found will be developed through discussion and critiques.

Prerequisite : None

MIXED MEDIA PAINTING TECHNIQUESFor both beginner and experienced painters, this course introduces the process of image-making on a variety of surfaces. Working with a range of materials such as gesso, plaster, paint, ink, charcoal, and various papers, you will explore expression and emotion through layering, drawing and brushwork.

Prerequisite : None

EXPLORING THE BUILT SURFACE: GELS AND WAXExpanding on techniques introduced in The Built Surface: Paint and Collage, you will explore more challenging projects including experimenting with the juxtaposition of objects and materials for meaningful configurations. Painting techniques explored will include image alteration and the use of various gels and cold wax. Personal imagery, themes and symbols will continue to be developed through discussion and critiques, with an emphasis on design and creating one-of-a-kind surface styles.

Prerequisite : CEPN 165 The Built Surface: Paint and Collage

Jeanne Krabbendam

CEPN 165 SU01

Jul 6 - Jul 9

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$315

Register by Jul 1

Lori Goldberg

CEPN 169 SU01

Aug 10 - Aug 13

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$285

Register by Aug 5

Jeanne Krabbendam

CEPN 265 SU01

Jul 27 - Jul 30

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$275

Register by Jul 22

Elena Underhill

CEPN 163 SU01

Jul 13 - Jul 16

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$310

Register by Jul 8

Andrea Taylor

CEPN 164 SU02

Aug 4 - Aug 7

Tue - Fri

9:30 am - 2:00 pm

4 sessions / 16 total hrs

$275

Register by Jul 30

Martin Guderna

CEPN 164 SU01

Jun 6 - Jun 27

Sat 10:00 am - 2:00 pm

4 sessions / 16 total hrs

$275

Register by Jun 1

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FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 23

Elizabeth Barnes

CEPN 270 SU01

Jul 2 - Jul 5

Thu - Sun

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$295

Register by Jun 27

SKILL BUILDING

FORMS AND CONCEPTS IN CONTEMPORARY PAINTINGThis unique course combines studio work and contemporary art history with a focus on the practice of painting. This course is ideal for students who are interested in locating their own practice within the contemporary art market and gallery system. You will be equipped with, and encouraged to locate, your own practice within broader themes and trends. Through field trips, critiques and presentations you will further your studio work, while being encouraged to develop ways of talking about your painting practice in new and contemporary ways.

Prerequisite : Students should have a current painting practice

OPEN STUDIO LAYERING TECHNIQUESThis open studio course will offer you room and experience to create your own work in mixed media layering techniques while being supported and coached by a mixed media art instructor. The course will offer further development for your painting techniques and the use of new and different materials and tools. Through discussion, critiques and individual guidance you will be challenged to develop your style and grow in your art practice.

Prerequisite : CEPN 165 The Built Surface: Paint and Collage and CEPN 265 Unique Surfaces: Gels, Wax and Beyond or equivalent experience in mixed media painting

LANDSCAPE AND NATURAL ELEMENTS EN PLEIN AIRThis course is an intensive, exercise-structured environment with a focus on approaches to painting natural elements, creating landscapes and narrative paintings. It will introduce the element of working en plein air, out-of-doors and in nature.

Prerequisite : CEPN 271 Technique Boot Camp: Painting or equivalent

Jeanne Krabbendam

CEPN 365 SU01

June 25 - Aug 13

Thu 6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$325

Register by Jun 20

Karen Yurkovich

CEPN 372 SU01

Aug 10 - Aug 13

Mon - Thu

10:00 am - 2:30 pm

4 sessions / 16 total hrs

$275

Register by Aug 5

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Diane Evans

CEPH 148 SU01

Jul 5 - Jul 29

Sun + Wed

10:00 am - 3:00 pm (Sun)

6:30 pm - 9:30 pm (Wed)

8 sessions / 32 total hrs

$425

Register by Jun 30

FUNDAMENTALSPHOTOGRAPHIC COMPOSITIONComposition is perhaps one of the most important considerations you will make in your photo- graph. What you choose to include or omit from the frame influences the overall visual impact and message of your photograph. This course will provide a close examination of the various aspects of composition and how they affect the look and meaning of an image. Through lectures, assignments, self-directed projects and critiques, you will explore line, shape, colour, texture, depth of field, and surface.

Note: This course does not include darkroom or computer lab access.

Prerequisite : Students are required to bring their own 35mm or digital camera (manual opera- tion) and should have basic knowledge of light metering/proper exposure

BLACK-AND-WHITE FILM PHOTOGRAPHY I AND IIThis course is for students seeking a robust introduction to the manual operation of a 35mm camera and black-and-white darkroom techniques. Topics include: principles of exposure, use of natural light in photographic imagery, film processing, enlargement techniques and the machine processing of prints. You will be encouraged to expand your understanding of the technical and aesthetic possibilities of photography while developing an awareness of your own approach and interests. More importantly, you will have the opportunity to work in Emily Carr’s photography studios under the guidance of expert instructors.

Prerequisite : None; students are required to bring their own 35mm camera (manual operation)

Diane Evans

CEPH 144 SU01

Jun 8 - Jun 25

Mon + Thu

6:30 pm - 9:30 pm

6 sessions / 18 total hrs

$225

Register by Jun 3

PHOTOGRAPHY

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FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 25

BLACK-AND-WHITE FILM PHOTOGRAPHY IIThis summer will be the last offering of this course as it will be combined with CEPH 141 Black- and-White Film Photography I beginning in September 2015. This is an opportunity for students who have completed Black-and-White Film Photography I to place greater emphasis on the creative uses of photography. Specifically, you will also explore the artistic relationships between the camera and the photographic image in the act of taking a picture. By continuing to learn how to question and apply technique, you will build on your creative skills and the potential to expand your personal vision. You will be responsible for initiating a project to challenge your abilities and carry it through to a final presentation.

Prerequisite : CEPH 141 Black-and-White Film Photography I; students are required to bring their own 35mm camera (manual operation)

BLACK-AND-WHITE PHOTO STUDIOThis course is designed for students that have already completed introductory and advanced black- and-white photography darkroom courses and are now looking to continue to develop their photographic projects in a more open studio experience. With a focus on expanding your photographic practice, this studio course aims to provide you with the darkroom time and support necessary to further explore and develop your creative vision through self-directed projects. In addition to an emphasis on in-class developing and printing work, this studio course will also include technical demonstrations and visual presentations, as well as group discussions and critiques. You will initiate an independent project that challenges your abilities and ideas and are responsible for bringing it from proposal to final presentation.

Darkroom Access: In addition to the considerable in-class darkroom time that will be provided, students can also schedule up to six additional hours per week outside of class throughout the course during darkroom hours.

Prerequisite : CEPH 141 Black-and-White Film Photography I or equivalent

THE CONSTRUCTED IMAGEA constructed image is a photo-based image that has been altered through the use of digital manipulation, drawing, painting or collage to create a specific visual experience. In this course, you will investigate classic themes from art history and reinterpret them through the combina- tion of analog and digital processes. You will learn advanced Photoshop tools and techniques that you can apply to making work that is cleverly constructed and conceptually compelling.

Note: This course is Mac lab-based and does not involve darkroom techniques.

Prerequisite : Basic Photoshop experience

Pregnant or breast-feeding women are prohibited from taking photography courses with darkroom access. Darkroom chemicals are harmful to the unborn child and can be absorbed into a woman’s breast milk.

Rand Berthaudin

CEPH 241 SU01

Jun 2 - Jun 13

Tue + Sat

6:00 pm - 10:00 pm (Tue)

10:00 am - 2:00 pm (Sat)

4 sessions / 16 total hrs

$200

Register by May 28

Rand Berthaudin

CEPH 245 SU01

Jun 1 - Jun 25

Mon + Thu

6:00 pm - 10:00 pm

8 sessions / 32 total hrs

$400

Register by May 27

Josh Hite

CEPH 246 SU01

Jun 14 - Jun 27

Sat + Sun

10:00 am - 2:00 pm

4 sessions / 16 total hrs

$200

Register by Jun 9

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PHOTOGRAPHY (CONT’D)

FUNDAMENTALS (cont’d)

BASIC LIGHTING IThis course is designed for anyone interested in exploring the aesthetic, narrative and creative possibilities of photographic lighting. You will be encouraged to expand the conceptual bounda- ries of your work through experimenting with studio lighting and flash. A variety of techniques and exercises will include studio workshops and independent projects, alongside lectures and discussions. You will be exposed to contemporary and historical practices that further experi- ment with lighting in photography. This course will provide you with a solid foundation in technical skills while also encouraging you to explore the aesthetics and creative possibilities of photographic lighting.

Prerequisite : CEPH 250 Introduction to Digital Photography or equivalent

INTRODUCTION TO DIGITAL PHOTOGRAPHYThis course is designed for those beginning to explore photography using a digital camera and those wanting to add digital techniques to their current photographic practice. While focusing on the specific nature of digital photography, you will also be exposed to larger considerations of composition, lighting and framing. In addition, you will learn basic image editing and printing techniques. The course is organized on a series of projects, but also offers you the opportunity to work on your independent projects. Please note that this course does not provide robust Photoshop skills, but introductory techniques as applied to the projects in the course.

Prerequisite : Proficient Macintosh skills or equivalent; students are required to bring their own digital camera with USB connectivity

DIGITAL PHOTOGRAPHY OPEN STUDIOThis Open Studio course is an opportunity to compose, shoot, edit and print digital photos in a dynamic and independent environment. This course is designed to encourage exploration and stimulate an exchange of ideas among participating students within a creative communal atmosphere. With the support of an instructor, you will work independently on self-directed projects using digital photography and Photoshop. Instruction will include slide lectures and discussion of contemporary and past artists and photographers, project guidance, technical assistance and individual and group critiques.

Prerequisite : Proficient Macintosh skills and CECS 131 Photoshop: The Basics or equivalent; students are required to bring their own digital camera with USB connectivity

Kathryn Mussallem

CEPH 248 SU01

Jul 16 - Aug 15

Thu + Sat

6:30 pm - 9:30 pm (Thu)

2:00 pm - 5:00 pm (Sat)

8 sessions / 24 total hrs

$300

Register by Jul 11

No class on Jul 30 or Aug 1

Josh Hite

CEPH 250 SU01

Jun 1 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by May 29

Kathryn Mussallem

CEPH 255 SU01

Aug 4 - Aug 7

Tue - Fri

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$300

Register by Jul 30

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SKILL BUILDING

CONTEMPORARY PORTRAITUREThe ability to create a compelling portrait is an important skill for any photographer. This prac- tical and theoretical introduction to photographic portraiture is an opportunity for any student wanting to expand their photographic portrait style and techniques. Exploring the history and evolution of photographic portraiture and the practical techniques used for producing a con- temporary portrait, this course will include the use of natural and studio lighting and working with live models, as well as photographing your own subjects. This course is for both analogue and digital photographers. Note: This course does not include darkroom access.

Prerequisite : Foundation in photographic principles and practical knowledge of your own camera

ADVANCED DIGITAL PHOTOGRAPHYThis course is for those interested in pursuing a more advanced study of digital photography. Through a series of projects and critiques, you will expand your technical abilities and explore your personal aesthetics. Content, form, aesthetics, technical issues around processing, file formats, controlling exposure and special effects techniques will be covered. Digital SLR cameras are recommended.

Prerequisite : Experience in both digital photography and processing (uploading images, under- standing image size and resolution, cropping, adjusting levels and saving files)

THE ART OF ARCHITECTURAL PHOTOGRAPHYIn this course, you will learn introductory techniques for architectural photography for both interior and exterior conditions. From lighting and framing to preparing and setting up for the shoot, this course will balance demonstrations with hand-on assignments and location shoots. This course is ideal for someone who may want to consider commercial photography options such as real-estate or interior design, or someone who wants to better expand their creative vocabulary towards their own independent work.

Prerequisite : CEPH 141 Black-and-White Film Photography, CEPH 250 Introduction to Digital Photography, or equivalent

PHOTO-BASED PRINTMAKINGExplore a variety of exciting photo-based printmaking techniques in this introductory course. Through demonstrations, directed projects and hands-on work you will learn the basic principles of photo-based printmaking through methods in intaglio, relief and lithography. All stages of the techniques will be discussed and demonstrated, including product qualities, image preparation, exposing, developing and printing.

Prerequisite : None

Josh Hite

CEPH 352 SU01

Jul 7 - Jul 30

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by Jul 2

Kathryn Mussallem

CEPH 340 SU01

Aug 10 - Aug 13

Mon - Thu

10:00 am - 2:30 pm

4 sessions / 16 total hrs

$225

Register by Aug 5

Kathryn Mussallem

CEPH 441 SU01

Jul 18 - Jul 26

Sat + Sun

9:00 am - 1:00 pm

4 sessions / 16 total hrs

$250

Register by Jul 13

Vanessa Hall-Patch

CEPR 150 SU01

Jun 22 - Jun 25

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$245

Register by Jun 17

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FUNDAMENTALS

INTRODUCTION TO RELIEF PRINTMAKINGExplore ways to create striking images with this simple yet powerful print medium process. In this foundational course, you will be introduced to relief and woodblock printmaking using linoleum, wood and collograph techniques. You will explore printing by hand and press while working with up to three colours. You will also create your own linoleum and wood blocks to continue printing at home.

Prerequisite : None

INTRODUCTION TO SCREEN PRINTINGScreen-printing techniques provide artists with a simple method of applying their images and ideas to a wide variety of materials and surfaces. Expand your image-making options by learning the basics of screen-printing to print your hand-drawn and photographic images onto paper and alternative surfaces. Lessons in concept development, screen and surface prepara- tion, registration and preservation culminate in learning how to establish a studio practice for continued art production and explorations.

Prerequisite : None; CEDR 271 Drawing for Printmaking is recommended

PRINTMAKING TECHNIQUESThis course introduces you to the basics of printmaking through three different techniques: intaglio, lithography and Japanese woodblock. You will start with intaglio as you learn to work with drypoint on plexiglass. In the lithography section, you will draw on polymer sheets, then print your image using a litho press. You will complete your introduction with Japanese style woodblock using hand rubbing as you explore relief printing. On completion, you will have a broad knowledge of printmaking and three sets of prints.

Prerequisite : None

Shin Minegishi

CEPR 160 SU01

Jul 21 - Jul 24

Tue - Fri

10:00 am - 4:00 pm

4 sessions / 24 total hrs

$240

Register by Jul 16

Vanessa Hall-Patch

CEPR 162 SU01

Jun 8 - Jun 11

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$295

Register by Jun 3

PRINTMAKING

Shin Minegishi

CEPR 165 SU01

Jul 27 - Jul 30

Mon - Thu

10:00 am - 4:00 pm

4 sessions / 24 total hrs

$245

Register by Jul 22

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FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 29

PROFESSIONALISING YOUR PRACTICE

THE BUSINESS OF ART PRACTICEThis practical course introduces you to basic professional skills that will be integral in your pursuit of a career in the visual arts. This course is focused on the business of art practice, including record keeping, seeking representation and exhibition, pricing, marketing, publicity and legal considerations. You will work on creating a basic business plan, as well as core portfolio materials and will learn the basics of sourcing financial, space, equipment and other professional resources.

Prerequisite : For practicing artists and designers, and those just starting out

Annie Briard

CEPD 190 SU01

Jun 1 - Jun 24

Mon + Wed

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$245

Register by May 27

Annie Briard

CEPD 190 SU02

Aug 10 - Aug 13

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$245

Register by Aug 5

BUSINESS OF DESIGN PRACTICEHow you present yourself to clients can make or break your design practice. This practical workshop will introduce strategies and techniques for the business components of your creative design services. Determining who your clients are, identifying your dis- tinctive qualities as a creative professional, crafting your communications to connect effectively with your potential clients, discovering professional resources, develop- ing a marketing plan and making a winning presentation will be covered. This course is ideal for those interesting in learning about the professional and practical aspects of the business of design.

Prerequisite : For practicing communication, graphic and publication designers, and those just starting out

Ross Milne

CEPD 210 SU01

Jun 22 - Jun 25

Mon - Thu

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$225

Register by Jun 17

FUNDAMENTALS

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SCULPTURE + INSTALLATION

INTRO TO MOLD DESIGN/CASTINGMolds are a fundamental component of many sculptural processes and require a specific sequence of steps and attention to particular details for the creation of professional final results. This intensive, hands-on course explores the essential processes of plaster- work, mold-making and casting with an emphasis on the subtleties of mold design and material tips and tricks. You will develop an in-depth knowledge of plaster and related materials, their working characteristics and their appropriateness for casting particular types of shapes in various types of material (synthetic, organic or ceramic).

Prerequisite : None

SMALL-SCALE MODELINGExplore the fundamental techniques of modeling in this hands-on studio course. Using Plastalina and clay, you will be intro- duced to the additive process of modeling, where the basic shape is blocked out and the surface form is built up gradually over the entire sculpture. Through demonstrations, exercises and projects you will learn how to create small-scale sculpture and relief sculpture using the basic sculptural elements of mass, space, plane, line, scale, movement and texture. Techniques and skills learned will appeal to animators, sculptors, potters, product designers and many others.

Prerequisite : None

Philip Robbins

CESC 178 SU01

Jun 2 - Jun 25

Tue + Thu

6:30 pm - 9:30 pm

8 sessions / 24 total hrs

$300

Register by May 28

INTRODUCTION TO METAL SCULPTUREThis hands-on introductory course explores the fundamental concepts, materials, processes and techniques of contemporary metal sculpture. You will examine a broad spectrum of metal fabrication techniques and technology and then combine, refine and evaluate these materials, processes and techniques in the creation of a modestly sized metal sculpture. Topics include variety of techniques for material cutting, shaping and joining, general shop and equipment safety, work flow and planning and material characteristics. Hand tools, stationary equipment and MIG/oxyacetylene welding will also be examined. Note: All consumables (gasses, welding/brazing rod, and fabrication materials) will be supplied for in-class assignments. Most materials for personal projects will be purchased by students. All projects must be vetted and approved by the instructor.

Prerequisite : Prior art-making experience is required, experience in three-dimensional art is recommended

Ian Rhodes

CESC 180 SU01

Jun 2 - Aug 11

Tue 6:30 pm - 9:30 pm

11 sessions / 32 total hrs

$455

Register by May 28

Last class is 2 hours

FUNDAMENTALS

Vicki Israel

CESC 179 SU01

July 18 - Jul 26

Sat + Sun

9:30 am - 4:30 pm

4 sessions / 24 total hrs

$265

Register by Jul 13

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FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 31

WHISTLER, BC | AUGUST 10-19, 2015With the striking Coast Mountain range as the setting, the Summer Studio for Teens Whistler Drawing + Illustration intensive is especially suited to teens with a passion for the outdoors.

$1650 (includes basic supplies and daily lunch)

Cost with accommodation: $2100 | Register by: July 3, 2015

Students who choose our accommodation option stay at the

Whistler Athletes Centre Lodge.

PRINCE GEORGE, BC | JULY 13-24, 2015What does it mean to be Northern? Using drawing and illustration, students will look at ideas of identity, culture and community, both on a personal level and a larger scale.

$1500 (includes basic supplies) | Register by: June 20, 2015

Accommodation is available, at an additional cost,

at the University of Northern British Columbia.

GET OUT OF THE CITY THIS SUMMER

SUMMER STUDIOS FOR TEENS

IN WHISTLER AND PRINCE GEORGE

Grow your skills in drawing and illustration under the guidance

of Emily Carr University faculty in our 10-day creative intensives

for teens aged 15-18.

teens.ecuad.ca [email protected] 604 844 3810

ISSUES IN CONTEMPORARY ART + USING COLOUR

Spend five days in Penticton, BC and complete two courses at the Okanagan School of the Arts.

ISSUES IN CONTEMPORARY ARTThis course introduces a range of issues affecting con- temporary art from the mid-20th century to today. You will examine a number of themes, including the changing role of the artist; the problem of the avant-garde and originality; the idea of discourse; post-modernism and beyond; the problem of ‘beauty’; nature as subject; pastoral tradition and nostalgia; ecological art; new feminism; radical art; cyber-culture and the post-human; and the new sublime. You will complete an exhibition review and a portfolio of research and writing exercises.

USING COLOUR The use of colour is one of the most important considera- tions you will make in your practice. This introductory course is ideal for anyone who wants to understand the principles of colour theory and how to work with it effectively. You will investigate the creative use of colour in a variety of mediums and explore its use in developing observational and painting skills as well as creating com- positional structure.

August 17-22 | Monday - Friday | 9:00 am - 4:00 pmNote: Registration is handled by the Shatford Centre in Penticton, BC.

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Leeway Membership - Join our StudioThe Leeway is a community studio space where artists and designers can explore new techniques, work among peers and learn from experienced instructors through demonstrations and workshops. Access to professional equipment, tools and materials as well as support from knowledgeable tech- nicians allows Leeway members the freedom to experiment and create.

The Leeway is an ideal place for artists and designers to cultivate their creative practice within the Emily Carr University of Art + Design.

MEMBERSHIP BENEFITSn Unlimited access to The Leeway during regular University

hours (except during scheduled demos + workshops)n Technical support and resources for a wide range of

disciplinesn Access to over 2,400 online tutorials on lynda.com

(in-studio only)n Access to professional equipment, small tools and basic

art materialsn Access to large format inkjet printing on Epson Stylus Pro

printers (additional fees apply)n Storage for artwork and materialsn Up to 30% discount at Opus Framing and Art Suppliesn Community borrowers’ Library access

STANDARD MEMBERSHIP FEES$200 / month$635 / four-month term(January-April, May-August or September-December)$1,750 / year(yearly memberships are available at the start of each term)

DISCOUNTED MEMBERSHIP FEES*$150 / month$465 / four-month term(January-April, May-August or September-December)$1,250 / year(yearly memberships are available at the start of each term)

* Discounted membership is offered to seniors, degree or certificate alumni + staff

BECOME A MEMBERRegister online: ecuad.ca/cs

CONTACT USEmail : [email protected]: 604 844 3810In person: Continuing Studies, Rm 103Emily Carr University of Art + Design1399 Johnston Street, Vancouver, BC V6H 3R9Fax: 604 630 4535

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FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 33ecuad.ca/cs/theleeway [email protected] 604 844 3810

WRITING FOR ARTIST RESIDENCIES AND GRANT APPLICATIONSWriting is an integral part of a successful art practice. Attend this workshop to learn principles and strategies for writing successful applications for project grants and artist residencies.April Liu / 1 session / 3 total hrs / $65

Thu May 28 / 6:00 pm - 9:00 pm

CEPD 999 SU01 • Register by May 23

INTRO TO NEEDLE FELTINGLearn how to create needle felted objects in this hand-on workshop. Using existing fabric, participants will learn to needle felt 3D sculptural forms and small flat items. Students will leave with an understanding of the marvelous versatility of needle felting and at least one small completed project to take home.Elizabeth Payne / 1 session / 6 total hrs / $95

Sun May 31 / 10:00 am - 4:00 pm

CEFA 999 SU01 • Register by May 26

NON-TOXIC ALTERNATIVES FOR OIL PAINTINGNon-toxic Alternatives for Oil Painting will cover traditional methods of oil painting and alternatives in practice to eliminate certain toxic aspects of oil painting.Karen Yurkovich / 1 session / 3 total hrs / $65

Thu Jun 4 / 6:00 pm - 9:00 pm

CEPN 999 SU01 • Register by May 30

EXPERIMENTAL MARK MAKING: INKWant to liven up your drawing practice? Challenge yourself to move away from more conventional mark making techniques (even if for a moment) and explore the various personalities of an essential building element of drawing using ink. Both novice and experienced artists will benefit from this hands-on workshop.Stan Hunc / 1 session / 3 total hrs / $65

Thu Jun 11 / 6:00 pm - 9:00 pm

CEDR 999 SU01 • Register by Jun 6

USING THE GRID METHOD FOR DRAWING AND PAINTINGThe Grid Method is an effective way to manually reproduce or enlarge images. This drawing method has been used for centuries as a way of creating accuracy in proportion and layout. In this 3 hour workshop participants will improve drawing and observational skills by learning how to reproduce a black and white drawing or photograph using a grid system and graphite pencils.Vicki Israel / 1 session / 3 total hrs / $65

Thu Jun 18 / 6:00 pm - 9:00 pm

CEDR 999 SU02 • Register by Jun 13

PAINTING SURFACES: THICK, TEXTURED, GLOSSY AND TRANSPARENTThis workshop will look at ways to achieve dynamic multi- layered affects using different applications of acrylic mediums, gesso and paint. Through hands-on exploration, students will gather knowledge about the different types of mediums that can be used with acrylic paint.Lori Goldberg / 1 session / 3 total hrs / $65

Thu Aug 13 / 6:00 pm - 9:00 pm

CEPN 999 SU02 • Register by Aug 8

BLOCK PRINTING FOR TEXTILESLearn how to prepare and carve a cork block in order to print a patterned motif on textile. Strategies for creating patterns will be discussed, including straight repeat, random, modular, reverse and brick repeat. Students come away with swatches of their printed fabric explorations.Eleanor Hannan / 1 session / 6 total hrs / $95

Sun Jun 28 / 10:00 am - 4:00 pm

CEPR 999 SU01 • Register by Jun 23

MIG WELDING FOR BEGINNERS: AN INTRODUCTIONThis intensive introduction to MIG welding mild steel will cover the history and development of the process as well as the practical hands-on process and welding technique. Health and safety and personal protective equipment will also be covered.Ian Rhodes / 1 session / 3 total hrs / $65

Thu Jul 9 / 6:00 pm - 9:00 pm

CESC 999 SU01 • Register by Jul 4

WORKSHOPS AT THE LEEWAYWorkshops are three- or six-hour sessions that focus on one particular aspect of a practice or skill that

can be built upon later individually or with further study in a long-form course. These hands-on sessions

are an opportunity to try out a new process, refresh skills or receive professional development support.

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THE LEEWAY (CONT’D)

CREATIVE WRITING AND THE CREATIVE PROCESSExpand your practice through creative writing! This hands-on workshop takes participants on an exploration of genres from poetry to creative non-fiction to writing for blogs. With a focus on widening the realm of possibility and cultivating the creative process, participants write, share work and dialogue in a dynamic and respectful environment.Marni Norwich / 1 session / 3 total hrs / $65

Thu Jul 23 / 6:00 pm - 9:00 pm

CEPD 999 SU02 • Register by Jul 18

PATTERN MAKING FOR CLOTHING/SOFT PRODUCT REPLICATIONLearn to copy your favourite ready-made garment or soft product in this hands-on workshop! Participants will learn techniques for drafting paper patterns and templates, as well as ways to manipulate the patterns to modify designs. Participants should have some previous sewing or pattern making experience before taking this workshop.Heather Martin / 1 session / 6 total hrs / $95

Sun Jul 26 / 10:00 am - 4:00 pm

CEID 999 SU01 • Register by Jul 21

ITALIC VARIATIONSDevelop your hand lettering practice in this workshop dedicated to italics. Learn about the historical origins of the form as well as its contemporary variations with hands on exercises intended to fully explore the form.Renée Alexander / 1 session / 3 total hrs / $65

Thu Aug 6 / 6:00 pm - 9:00 pm

CEDR 999 SU03 • Register by Aug 1

SMALL SCALE TAPESTRYLearn how to hand-weave your own tapestry. Using simple, portable frame looms, you will weave a small sampler showing basic tapestry weaving techniques, including shape-building and colour-blending with yarn. Looms and yarn will be provided.Jen Hiebert / 1 session / 6 total hrs / $95

Sun Aug 9 / 10:00 am - 4:00 pm

CEID 999 SU02 • Register by Aug 4

NATURAL PLANT DYEINGThis workshop will introduce you to the basics of natural dyeing for cloth. Simple techniques will be shown in order to pull color from nature, using plant species native to BC as well as more exotic plant material. Students will learn how to modify shades and gain a full spectrum of colors from each plant. Each student will take home a length of cotton dyed with the shades they produce.Jen Hiebert / 1 session / 6 total hrs / $95

Sun Aug 23 / 10:00 am - 4:00 pm

CEFA 999 SU02 • Register by Aug 18

DEMOS AND OPEN STUDIOSThe Leeway also hosts free events throughout the year. Demos are short sessions of instruction on different practices and processes. Open Studios are three-hour sessions that allow non-Leeway members to try working in a communal studio space.

Visit our website to see upcoming free events:ecuad.ca/cs/theleeway

ecuad.ca/cs/theleeway [email protected] 604 844 3810

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FOR INSTRUCTOR BIOS, PLEASE VISIT ECUAD.CA/PEOPLE/FACULTY/CS 35

Our certificate programs offer flexible, part-

time study in eight areas of art and design.

Students are directed through a range of

Continuing Studies courses to develop both

skills and techniques and a conceptual under-

standing of their chosen subject.

ecuad.ca/programs/cs/certificate

PART-TIME CERTIFICATES

CERTIFICATE STUDENTSBuild a portfolio that showcases their own personal style and abilities

Receive feedback and assessments from their instructors

Join a community of like-minded artists and creative individuals

Have access to advance registration in CS courses

Earn a certificate of completion

INTRODUCTORY CERTIFICATESFundamental | Broad | 1-3 years

Our introductory certificates provide students with basic skills in a wide variety of areas while they explore the fundamental theory behind different creative pursuits. These programs are ideal for beginners interested in personal enrichment or those who are seeking a strong foundation of knowledge for further study or career advancement.

Fine Arts | 2D Design | 3D Design | Photography

ADVANCED CERTIFICATESIn-depth | Focused | 1-4 years

Our advanced certificates allow artists with varying levels of experience to create a range of work in a specific medium. With the ultimate goal of producing an impressive portfolio, participants direct their own study as they hone their skills and techniques and take on new challenges with the support and guidance of our faculty.

Drawing | Painting | Illustration | Sculpture

LEARN [email protected] | 604 844 3810Register for an information session through our website.

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SPOTLIGHT ONPHOTOGRAPHY

Are you an experienced photographer? A passionate amateur? A digital-savvy millennial who wants to try developing film by hand?

The Certificate in Photography program encompasses the fundamental elements of photography: composition, form, skill and process. Students explore analogue and digital methods as they learn how to consistently produce high- quality work in a variety of environments. Graduates leave with experience in and knowledge of a range of techniques, processes, concepts and materials.

HOW IT WORKSThe Certificate in Photography program guides you through a series of courses designed to give you a foundational understanding while leaving you room to choose electives depending on your strengths and longterm goals. By enrolling in a certificate program rather than several courses, you receive feedback and support that will challenge you to expand and improve your body of work.

This Certificate Program is for :n Communications professionals who want to add to their

existing skillsetn Experienced photographers who want to explore different

techniques and approachesn Professional photographers looking to expand or diversify

their portfolion Amateur photographers who want to improve their skills

and understanding of technology

This Program Allows You to:n Start your own photography businessn Improve your existing photography skills n Supplement or add a new skill to your portfolio/resumen Earn a credential to support your body of workn Develop your personal style and techniquen Create a new, diverse portfolio

Summer 2015 CoursesCore (required): Black-and-White Film Photography I + II, Basics of Composition and Form, Introduction to Digital Photography, The Business of Art Practice, Issues in Contemporary Art

Electives (optional): Photoshop for Photographers, The Adobe Suite for Design + Production, all photography courses.

Read course descriptions on page 24.

INTRODUCTORY CERTIFICATE

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INTERACTION DESIGN ESSENTIALS6-month intensive

Interaction Design Essentials blends design principles with technical skills training. Successful students exit the program with a greater understanding of the interaction design field, a graduation certificate and a diverse portfolio of work. Interaction Design Essentials emphasizes visual design prin- ciples and user-friendly functionality and coursework covers topics from web design to coding to motion graphics design. Utilizing both technical skills and an understanding of design fundamentals, students produce both web- and mobile-based applications. Interaction Design Essentials is ideal for students looking to launch or expand their design careers.

start dates: March 2015 + September 2015

time commitment : 3 hours a day, 5 days a week

application deadlines : February 2015 + August 2015

COMMUNICATION DESIGN ESSENTIALS1-year intensive

In Communication Design Essentials, students develop comprehensive skills to enter into the communication design field. This one-year program delivered by BCIT and Emily Carr University of Art + Design provides students with a solid foundation in design principles, combined with technical skills across print and web environments. From the latest software to established best practices, this program provides students with knowledge and training that is current and industry relevant. Graduates of the program are employed in a variety of roles across design studios, marketing + advertising agencies, as well as running their own design companies.

start dates: April 2015 + October 2015

time commitment : 9 evenings + 4 Saturdays per month

application deadlines : March 2015 + September 2015

The Design Certificates at Emily Carr University of Art + Design

Continuing Studies are ideal for both beginners who are looking to

gain practical design skills and professionals who want to expand

their existing design practice. Both Communication Design

Essentials and Interaction Design Essentials equip graduates for

immediate entry into a design career. Graduates gain the creative

experience and technical knowledge to compete in a rapidly

evolving industry.

essentials.ecuad.ca [email protected]

DESIGN CERTIFICATES

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Admission to individual courses is on a first-come, first- served basis. Early registration is strongly recommended as class sizes are limited (average size: 16 students) to ensure a quality educational experience. Unless otherwise indicated, students of Continuing Studies (CS) courses must be at least 16 years old by the course start date.

FeesThe tuition fees apply to the tuition portion of your fee and in some cases may include materials supplied to students, studio assistance, and models. Fees are payable at the time of registration. Failure to make payment within 24 hours of registration will result in being removed from your course(s).Post-dated cheques are not accepted. NSF cheques must be replaced with a certified cheque or cash; a charge of $25 will be levied for each NSF cheque.

Course Transfer PolicyNo transfers of fees will be granted if notification of transfer is received less than seven full business days before the start of the course. A transfer of fees, minus an administrative charge of $35, will be issued if the request for transfer is received no less than seven business days prior to the course start date of the course the student is leaving. You must pay any additional fees at the time of transfer. You may transfer from one course to another by phone, fax, or email.

Withdrawal and Refund PolicyNo refund will be given if notification of withdrawal is received less than seven full business days before the start of the course. Exceptions to the above noted rules are only considered as they pertain to medical or family emergencies on an individual basis. In such cases a written request for refund, accompanied by appropriate documentation from a third party (e.g. medical note), must be submitted. A tuition voucher, minus an administrative charge of $35 per course, will be issued if notification of withdrawal is received less than seven full business days prior to the course start date. Students may withdraw from a course by phone, fax, or email. Under no circumstances will refunds be granted for requests received after the end of a course or workshop. Transfers or special requests can also not be accommodated after a course finishes. Please note that select longer programs may have exceptional refund policies that require earlier notification of withdrawal or transfers.

PrerequisitesEmily Carr Continuing Studies offers courses which are open to everyone, regardless of their experience. However we also offer advanced courses for more experienced students. If a course requires a prerequisite or equivalent, we highly recommend that you take the Emily Carr Continuing Studies prerequisite prior to taking the advanced course. Not sure if your skill level is equivalent to the course? Just ask us – we would be happy to help!Please note: If you are not at the level required for the course, the instructor reserves the right to recommend your removal from the course to one that is more suited to your skill level.

Language RequirementsAll classes are taught in English. Students whose first language is not English should note that they are required to be proficient in written and spoken English and be able to participate in group discussions and presentations in English. As a guideline, we would expect you to have an IELTS score of 4.5 for studio courses and 6.0 for lecture courses.Please note: If you are not at an appropriate language level, Continuing Studies reserves the right to move you to a class more suitable to your skill level.

Registration DeadlinesYou are encouraged to register well in advance of a course’s start date to ensure your spot and to ensure that a class will run with sufficient registration. Registrations may be accepted up to one day prior to the first day of class, if space permits. Please note that no registrations are accepted after a course has started. Students who do not appear on the instructor’s class list will not be permitted to attend.

Registration StatementYour registration statement lists all information required for your course(s), including room, schedule and any supplies required. If you registered online, you will receive your statement automatically by email. If you registered in-person, over the phone or by fax, you can download your statement through InsideEC or request a physical copy be mailed to you. Statements are only available once your registration is complete and your payment has been processed.

Wait ListsIf seats are no longer available in a class, you can be added to a wait list. If a seat opens in the class, you will be contacted by the CS office to assist with enrollment into the class. There

REGISTRATION POLICIES + GENERAL INFORMATION

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is no cost to be added to the wait list and you are in no obligation to register if a space becomes available. Students on waitlists are asked not to attend classes unless they have been contacted by the CS office. Instructors do not admit students to the class on the first day.

CancellationsWe reserve the right to cancel a course up to five days prior to the course start date if there is not sufficient registration in a course. Should a course be cancelled by Emily Carr Continuing Studies for any reason, a full refund will be processed and sent automatically to all registrants. Course cancellations will be announced to each student by email. Please ensure that your email is on file and up to date. Contact [email protected] to change or update your email address.

Emergency ClosuresIn the event of an emergency closure due to poor weather conditions, information will be posted on the Emily Carr website as soon as a decision is made to close.

Postponement of CoursesIn the event that a course needs to be cancelled or postponed due to instructor illness, unscheduled school closure or other unexpected event, you will be notified by email. At the next scheduled session, the instructor will consult with the class to determine the best date and time to make up the lost time.

WaiverEmily Carr accepts no responsibility in the event any class, course of instruction, seminar, or workshop is either cancelled or not completed as a result of strikes, lockouts, fire, natural disasters or any other cause beyond the control of the University. Emily Carr reserves the right to change or amend its programs, instructors, fee structure, and regulations at any time from those published in this catalogue. Listed in this catalogue are those on record as of March 23, 2015.

Course MaterialsMost Continuing Studies courses require that you purchase supplies. A list of required and recommended items is included in your registration statement. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island, and at Petrov’s Art & Craft Supplies, in North Vancouver. You must present your course registration confirmation/receipt to receive your discount.

Studio AccessUnless otherwise indicated, there is no additional access to studio resources outside of class time.Note: additional studio access, where students can continue to work on their practice outside of class time, can be purchased through membership at the Leeway. For more information, please see page 32 or ecuad.ca/cs/theleeway.

Student Code of ConductA University community depends on the good judgment and considerate behaviour of its members. Emily Carr expects the members of its community to conduct themselves with respect for the rights of others and to behave responsibly at all times. You are responsible for knowing and observing student-related Emily Carr policies and procedures. For more information on the Emily Carr Code of Conduct, please refer to our website: ecuad.ca/studentservices/policies. Emily Carr University reserves the right to remove students from courses if it is felt that their behaviour is disruptive or dangerous.

Emily Carr Library The library is located on the ground floor of the South Building, Granville Island campus. The library collection is composed of print resources including books, journals, and exhibition catalogues; a broad range of electronic resources; slide and digital images; films, videos and DVDs; sound effects; artists’ books; the University’s archives; and a menu collection. Some items may be ‘On Reserve’ for specific courses. Library collections are accessible in-house to all students, faculty and the public. Students registered in Continuing Studies courses and programs are entitled to a free Community Borrower card, which means that they can borrow up to 15 books, graphic novels, or Exhibition Catalogues. For infor- mation regarding library services and hours, please call 604 844 3840 or check the library website ecuad.ca/library.

The Concourse GalleryThe Concourse Gallery is the main showcase for work done within the curriculum at Emily Carr. It has featured shows by degree students, CS students, faculty, staff and visitors involved in generating new ways of learning. CS organizes many shows that pertain to our programming in the summer semester, and we invite you to visit and be inspired.

The Charles H. Scott GalleryThe Charles H. Scott Gallery is an integral part of Emily Carr. Since it opened in 1980, the Gallery has played a significant role locally and provincially. The Gallery regularly presents exciting and varied exhibitions of art, design, and architec-ture by acclaimed regional, national, and international artists and designers. For more information, visit chscott.ecuad.ca.

READ at the Charles H. Scott GalleryREAD is an ongoing project of the Charles H. Scott Gallery developed to promote the continued availability of artist monographs, artist books, multiples, exhibition catalogues, and critical theory. The focus is primarily on contemporary artists and contemporary art discourse. READ also carries books on film, design, and architecture and has a select collection of magazines and journals. READ sells all Emily Carr’s course textbooks.

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DO YOU OFFER COURSES FOR TEENS?Yes! All of our courses are open to anyone 16 and older and we run specialized programs for teens. Visit teens.ecuad.ca for more information.

WHERE ARE THE COURSES HELD?Currently, all Continuing Studies courses are held at Emily Carr’s Granville Island campus. Our new campus on Great Northern Way will be open in 2017.

WHERE CAN I BUY SUPPLIES, AND HOW MUCH WILL THEY COST?Most Continuing Studies courses require that students purchase supplies. A list of required and recommended items is provided with your confirmation of registration in each course. Some supplies are available at a discounted rate for Continuing Studies students from Opus Framing & Art Supplies on Granville Island and Petrov Arts & Crafts in North Vancouver. You must present your course registration confirmation/receipt to receive your discount. In general, students should expect to spend between $50-150 on supplies for each course.

AM I ELIGIBLE FOR A DISCOUNT ON COURSES?Seniors: A discount of 10% is available to all seniors aged 60 or older at the time of registration, with identification.Alumni: A discount of 10% is available for those who have completed an Emily Carr diploma or degree, the Communica- tion Design Essentials Program, or the Interaction Design Essentials Program. Students registered for an Advanced Studies Certificate, who have completed an Introductory Certificate program, will also receive a 10% discount.Note: only one discount will apply.

DO CONTINUING STUDIES COURSES COUNT TOWARD UNIVERSITY DEGREES AT EMILY CARR?Continuing Studies general program courses do not ladder into the University’s credit programs. Communication Design Essentials graduates can now receive transfer credits. See ecuad.ca/cs for more information.

I WOULD LIKE A TOUR OF EMILY CARR. CAN I DO THAT?You will need to plan ahead a little bit and register for a free tour of the University. Most Fridays from September through April, the Admissions Department will take you on an hour- long tour through the various departments and will answer any questions that you may have. To sign up, please email [email protected].

DOES CONTINUING STUDIES OFFER CUSTOM PROGRAMS OR INDIVIDUAL CONSULTATIONS?Yes, we can work with you to design a custom one-on-one program for or a professional development or teambuilding program for your group. Email [email protected] for more information.

WHAT HAPPENS IF I NEED TO WITHDRAW MY REGISTRATION?If you need to withdraw and you give us more than seven calendar days notice before the start of your class, we will process the withdrawal and refund your money, minus a $35 administrative fee. Please familiarize yourself with our registration policies on pages 38 and 39 before you register

DO I RECEIVE A TUITION TAX CREDIT FOR CONTINUING STUDIES COURSES?Yes. T2202A Tax Receipts are available to download through InsideEC from the end of February through to March each year. Please email [email protected] or call 604 844 3810 if you have any further questions.

FREQUENTLY ASKED QUESTIONS

STILL HAVE QUESTIONS? CONTACT US.

General [email protected] T: 604 844 3810F: 604 630 4535

Part-time [email protected]

Design [email protected]

Teen [email protected]

Emily Carr University of Art + DesignContinuing StudiesRoom 103 – North Building1399 Johnson StreetVancouver BC V6H 3R9

Continuing Studies Office Hours8:30 am – 4:00 pm8:30 am – 12:30 pm

ecuad.ca/cs

Page 43: Continuing Studies at Emily Carr: Summer 2015

teens.ecuad.cacontact us to [email protected] 604 844 3810

continuing studies

SUMMER INSTITUTE FOR TEENS

Architecture + Urban Design (Full)

DrawingPainting (Full)

Illustration traditional + digital

Fashion + TextilesCommunication DesignAnimationSculpture + InstallationPhotography

CHOOSE FROM

SUMMER STUDIOS IN PRINCE GEORGE AND WHISTLER

Want to get out of Vancouver this summer? Our 10-day

creative intensives in these two unique cities offer a chance

to work with Emily Carr University faculty in a different

environment. Accommodations and scholarships available.

July 6 – 30, 2015Monday to Friday, 9 am to 4 pm

STUDIOS FILL UP QUICKLY!REGISTER BY JUNE 20, 2015

HANDS-ON STUDIO PRACTICE

DISCUSSIONS + IN-CLASS CRITIQUES

VISITS TO VANCOUVER ART GALLERIES

PARTICIPATION IN A PUBLIC EXHIBITION

The Summer Institute for Teens is a pre–university

program that helps teens aged 15 to 18 ready themselves for an education at an art + design university with an immersive one–month experience that engages them through intensive studio practice and visual culture.

Page 44: Continuing Studies at Emily Carr: Summer 2015

Support Emily Carr | Receive exclusive benefits and invitations to events including a sneak preview of The Show - our 2015 degree exhibition. | ecuad.ca/innercircleJoin us!

SUMMER2015continuing studies courses + programs

3626881

EMILY CARR UNIVERSITY OF ART + DESIGN CONTINUING STUDIES 1399 Johnston Street, Vancouver BC V6H 3R9 ecuad.ca/cs