critical approaches to film

9
Critical Approaches to Film Lesson 9 Narrative recap The Last Picture Show

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Critical Approaches to Film. Lesson 9 Narrative recap The Last Picture Show. http://www.totalfilm.com/features/50-worst-movie-endings. Reminder. Exercise draft deadline = 6 th December Exercise final deadline = 13 th December Cover sheet on socs -media & on the website - PowerPoint PPT Presentation

TRANSCRIPT

Page 1: Critical Approaches to Film

Critical Approaches to Film

Lesson 9Narrative recap

The Last Picture Show

Page 2: Critical Approaches to Film

http://www.totalfilm.com/features/50-worst-movie-endings

Page 3: Critical Approaches to Film
Page 4: Critical Approaches to Film

ReminderExercise draft deadline = 6th December

Exercise final deadline = 13th December

Cover sheet on socs-media & on the website

Submit by 4pm at Atrium Reception

Use terminology

Analysis not description

Meaning generated through formal elements

Page 5: Critical Approaches to Film

Narrative

• Strong cause-and-effect• High degree of narrative closure• Psychologically rounded, goal-

driven characters• Character subordinate to plot• Fictional world governed by

spatial and temporal verisimilitude

• Familiar rules, codes, conventions• Heterosexual romance normally

present as main plot or subplot

Art Cinema/ European • Loose cause and effect• Open/ambiguous endings• Ambiguous characters, often

lacking defined desires/goals • Plot subordinate to character• Psychological or social realism• Experimentation (less

formulaic)

Hollywood

Page 6: Critical Approaches to Film

Narrative

Page 7: Critical Approaches to Film

Alternative/post-classical Hollywood narrative

Page 8: Critical Approaches to Film

Peter Bogdanovich

Page 9: Critical Approaches to Film

the style of the filmthe principal themesthe film’s representation of the past. Narrative: whether you can identify any influences from classical Hollywood and European art cinema