deluxxdigital.com issue 18

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ISSUE 18 • DECEMBER 2012 HUSH • MASA HAMANOI • TRACEY EMIN • BJöRK • SCOTT WALKER ETRE • DOTMASTER • ANGELO GHIDONI • ANTHONY LISTER REBECCA MILLER • GREAT ECLECTIC • CYBELE MALINOWSKI

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deluxxdigital.com is a unique online publication which offers a creative platform for the latest up-and-coming artists to showcase their work. With highly creative fashion photography, together with features and interviews on music, art and culture, these elements blend to form the incomparable creativity that is deluxxdigital.com If you would like to submit work for future issues please contact: [email protected]

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Page 1: deluxxdigital.com issue 18

I S S U E 1 8 • D E C E M B E R 2 0 1 2

HUSH • MASA HAMANOI • TRACEY EMIN • BJöRK • SCOTT WALKERETRE • DOTMASTER • ANGELO GHIDONI • ANTHONY LISTERREBECCA MILLER • GREAT ECLECTIC • CYBELE MALINOWSKI

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www.kaidutility.com

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deluxxdigital.com is a unique online publication which offers a creative platform for the latest up-and-coming artists to

showcase their work. With highly creative fashion photography, together with features and interviews on fashion, music, art

and culture, these elements blend to form the incomparable creativity that is deluxxdigital.com

If you would like to submit work for future issues please contact:

[email protected]

design & art direction: STEPHEN J LEE front cover: HUSHback cover: DOTMASTER

HUSHMASA HAMANOITRACEY EMIN

BJöRKSCOTT WALKERETREDOTMASTERANGELO GHIDONIANTHONY LISTERREBECCA MILLERGREAT ECLECTICCYBELE MALINOWSKICON

TEN

TS

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HU

SHHush’s latest work deepens his exploration of the resulting emergences brought about by the evanescent quality of street art. Appreciating and identifying the remains of past tags as points of expression, the artist transitions this influence to his work that he refers to as “action painting” or “pure expressionism”. In his new work, Hush remains influenced by the escape from the constraints of traditions, the contrasts between old and new, the past meeting the future and the fusion of Eastern and Western culture.

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‘Sirens’, was the first solo exhibition in Australia by UK artist Hush. Described as a ‘sensory assault’, Hush’s work is a visual treat, a layering of colours and a fusion of anime, pop-infused imagery, graffiti and graphic design.

Fascinated by Asian graphic novels and inspired by the likes of Mimmo Rotella, Roy Lichtenstein and Sir Peter Blake, Hush has a unique style that has led to worldwide acclamation. He was recently recognised in London Independent’s list of ‘Top 20 Up and Coming Artists’.

‘Sirens’ continues the artist’s style, effortlessly fusing traditional Eastern art with Western traditions of action painting and graffiti. Inspired by the portrayal of the female form in art, the artist depicts Eastern-like women set within backgrounds filled with layers of rich colour. Patterns, ranging from geometric repetition to florals reminiscent of delicately decorated vases, are not solely confined to the background but often take on a new dimension, forming graceful kimonos, hairstyles or headpieces.

www.metrogallery.com.auwww.studio-hush.comwww.onethirty3.com

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photography: Masa Hamanoi

styling: Hideyuki Hayashi

TOKYO CINDERELLA

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Dress: ERI MATSUI (ERI MATSUI JAPAN)Cuff: FLAKE

Cap: JOHN RILEY (FAKE SHOWROOM)Shoes: STYLIST’S OWN

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this pageOne piece: BOWIE (LAKIC)Gloves: BANAL CHIC BIZARRE (ADD)Bangle: PHILIPPE FERRANDIS (H.P. FRANCE exclusive)Tutleneck & tights: STYLIST’S OWNopposite pageBlouse: SAPHIR EAST (ESTEEM PRESS)Outer skirt: JOHN LAWRENCE SULLIVANInner skirt: BANAL CHIC BIZARRE (ADD)Brassiere: WOLFORD (FUKUSKE CORPORATION)Shoes: BRUNOMAGLI(BRUNOMAGLI JAPAN CO. LTD.)Tights: STYLIST’S OWN

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Tops: NUBOAIX (LAKIC)Inner: CACHAREL (SHOWROOM LINKS)Skirt: BANAL CHIC BIZARRE (ADD)

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this pageShirt, skirt & shoes: MCQ ALEXANDER MCQUEEN (M INC)Tights: STYLIST’S OWNopposite pageJacket & skirt: PLUMPYNUTS (SHOW CASE BY PLUMPYNUTS)Turtleneck: WOLFORD (FUKUSKE CORPORATION)

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Turtleneck: WOLFORD (FUKUSKE CORPORATION)Skirt & necklace: SOMARTA (ESTEEM PRESS)

Earrings: STYLIST’S OWN

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this pageBlouson: JOHN LAWRENCE SULLIVANSkirt: SAPHIR EAST (ESTEEM PRESS)Leotards: WOLFORD (FUKUSKE CORPORATION)Ring: ATELIER SWAROVSKIBY HARIRI & HARIRI (ATELIER SWAROVSKI)Shoes: STYLIST’S OWNopposite pageShirt: 08SIRCUS (M INC)Headpiece: RIKA HATTORI

photography: MASA HAMANOIwww.masatoshi-hamanoi.netstylist: HIDEYUKI HAYASHIwww.hideyukihayashi.comhair: RYOKO TAKAImake-up: CHACHA AKIstylist assistant: YUKA OKUMURAmodel: KRISTINE Z @ WIZARD MODELS

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‘I’m not drawn to the erotic. I’m confused by it. There is very little in my life that is sexual or erotic. It’s more to do with memory. I’m more interested in love.’ (Tracey Emin, Art News, May 2012)

White Cube São Paolo is pleased to announce its inaugural exhibition, ‘You Don’t Believe in Love But I Believe in You’ by celebrated British artist Tracey Emin. A versatile modern day expressionist, Emin’s intensely personal work blurs the boundaries between art and life. For this exhibition – her first in Brazil – she will present new works in a wide range of media including neons, sculptures, paintings, gouaches, mono-print drawings and embroideries.

Tracey EminYou Don’t Believe in Love But I Believe in You2 December 2012 - 23 February 2013

White Cube São Paulo is open Tuesday to Saturday 11am - 7pm.For further information, please contact Honey Luard or Sara Macdonald on +44 (0)20 7930 5373.Rua Agostinho Rodrigues Filho 550 Vila Mariana São Paulo +44 (0)20 7930 5373.www.whitecube.com

YOUDON’TBELIEVE INLOVEBUTI BELIEVEINYOUTR

ACEY

EMIN

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Tracey EminI don’t Believe in Love but I believe in you2012Neon29 5/8 x 64 3/4 in. (75.3 x 164.4 cm)© Tracey EminPhoto: Ben WestobyCourtesy White Cube

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Björk has just released Bastards, an album of remixed tracks from the highly acclaimed Biophilia. The album includes some of the remixes released in an eight-part series earlier this year selected by Björk and remastered for this album by Grammy-nominee Mandy Parnell. Bastards features collaborations with artists and producers specifically chosen by Björk for this project including Current Value, Death Grips, Hudson Mohawke, Alva Noto, Matthew Herbert, Omar Souleyman, 16-bit, These New Puritans, and The Slips.

“I felt it important to gather together the essence of the remixes,” said Björk of the project, “so I picked a quarter of them for one cd for people who are perhaps not too sassy downloaders or don’t have the time or energy to partake in the hunter-gathering rituals of the internet. I was incredibly impressed by how the core of the mixes took Biophilia somewhere else while still keeping its character, and like they so often do when at their best: the remixes gave the songs more beats; legs to dance on! I spent some time editing together not necessarily the best ones but the ones that made the strongest whole.”

Both the original Biophilia and Bastards will be available on 12” vinyl as well as CD and digital download.

Björk : Mutual Core video directed by Andrew Huang: http://bit.ly/Bjork-MC-Video

BJÖ

RK

’SB

AST

AR

DS

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Scott Walker will finally release Bish Bosch this December, his long-awaited and first studio album since 2006’s The Drift.

Since the 1960s, Scott Walker has scaled the heights of pop superstardom, produced some of the most revered solo albums of the late sixties, coasted on his laurels during the seventies, then metamorphosed into something very different. The music he has been making at his own pace since the early eighties might be utterly estranged from the songs that made him a household name, but they stem from the privacy he requires to write this complex and hugely inventive music.

Bish Bosch is the latest in Scott’s discography to pursue the line of inquiry he began back in 1978, with his four devastatingly original songs on the Walker Brothers’ swansong, Nite Flights, and continuing through Climate of Hunter (1984), Tilt (1995), The Drift (2006). He has continued to mature and develop in a late style utterly at odds with the music that made him a superstar, a lifetime ago, but which is totally honest, uncompromising and transcendent.

SCOT

TW

ALK

ER

www.bishbosch.com www.4ad.com/scottwalker

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pho

tog

rap

hy:

Jam

ie H

awke

swo

rth

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All photography by etreAutumn/Winter 2012 collectionUtilitarian apparelMade in the British Isles www.etreshop.com

out in the

wilds

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www.etreshop.com

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The irony of stencilling piles of rubbish is not lost on us. Rubbish, we all do it... leave it out on the street, either once a week or at random times when consumption out strips our storage. For many it’s their only contribution to the public space. We all contribute to this shifting sea of street sculpture with the rhythms of the weekly bin round. Its an ordered chaos, of suddenly unowned & worthless things.

THE

DOT

MA

STER

S

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Big pilePainted at St. Ottilien Monastery in Munich as part of the www.heavenmeetsearth.de/ project© All rights reserved

‘High Class Trash’, a show of rubbish currently being shown in Norway at the Reedprojects Gallery contrasts high fashion and refuse, used spray-cans, bottles and paint markers in cast out Selfridges, Hermes and Chanel carrier bags, in an instantly recognizable photo real stencil style that is typical of the Dotmasters work. The pop art parallels are not taken too seriously in these Warhol meets Cheryl Cole modern icons of trash that combine littering and vandalism, giving you two crimes for the price of one.

www.dotmaster.co.uk

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topChanel Sterling © All rights reservedaboveBrassed Off Louis Framed © All rights reserved

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Baroque Trash © All rights reserved

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Hermes Treadplate © All rights reserved

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Selfish Framed © All rights reserved

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photography: Angelo Ghidonistyling: Irene De Santis

THE RUN

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Silk shirt: ILARIA NISTRILeather jacket with fur: FRANKIE MORELLO

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this pageBlack gilet, wire draped: ANGELO FRENTZOSShirt with pockets: AVELONBrown georgette-silk longskirtwith wide gap: ILARIA NISTRI Tight pants with leather insert: SUPERFINEElastic paint belt with buckles: SISTE’S opposite pageMaxi wool white gilet with leather insert: ILARIA NISTRI Leather jacket with zip: SISTE”S Chiffon skirt: VIVIENNE WESTWOODChain necklace: UGO CACCIATORIBlack biker shoes: ALBERTO FASCIANI

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Knitted wool hood with leather insert: ILARIA NISTRIAmber silk shirt with buttons: ILARIA NISTRI

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this pageFur gilet: FRANKIE MORELLOChiffon dress with leather insert: SISTE’SHigh metal bracelet with print beige & black enamel: VALENTINA BRUGNATELLILeather boots with zip: BALDININIopposite pageFur Hooded jacket: GIORGIO BRATOFringe top with satin band side: MIRKO G. DI BRANDIMARTEViscose trousers with band, leather insert, low horse: ILARIA NISTRI

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this pageLaminated wool jacket with revers: SUPERFINESilk dress with elastic waist: KAOSSweat leather pants: LIVIANA CONTI High metal bracelet, with print pink green enamel: VALENTINA BRUGNATELLIopposite pageDress with fringe: FRANKIE MORELLO

photography: ANGELO GHIDONIstylist: IRENE DE SANTIS hair: ANA RODRIGUEZmake-up: NICOLETTA CAUSA stylist assistant: ELEONORA CANTELEmodel: INNEA @ ELITE

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The brightest international talent emerging from street art takes over both The Outsiders galleries simultaneously this November and December for a tour de force exhibition, Unslung Heroes.

For his all-new show, Anthony Lister – consistently described as “Australia’s best contemporary artist” – has used his sketchbook featuring portraits of hip hedonistic revellers, drawn at revels he’s attended, for inspiration.

UNSLUNGH E R O E S

AN

THO

NY

LIST

ER

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Dog faced man © the artist and The Outsiders

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The dealer © the artist and The Outsiders

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Fake phone numbers © the artist and The Outsiders

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Highbrow dining © the artist and The Outsiders

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‘Unslung Heroes’ 16th November - 29th December 2012An exhibition held simultaneously at:

The Outsiders London, 8 Greek Street, Soho, London,W1D 4DGThe Outsiders Newcastle, 77 Quayside, Newcastle-Upon-Tyne, NE1 3DE

www.theoutsiders.net

Point of realize © the artist and The Outsiders

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photography: Rebecca Millerstyling: Katy Kingston

staring at the sea

Red, white and blue spotty blouse: H&MStriped silk scarf: BEYOND RETROSunglasses: BEYOND RETRO

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this pageNude round framed sunglasses with metal bridge: ASOSBurgundy wool blazer: PAUL SMITHYellow silk pleat blouse: H&MPatterned trousers: H&MPink socks: TRASPARENZE AT MYTIGHTS.COMMotown flat tan leather shoes: ASOSopposite pageSunglasses: PRIMARKBlue coat: MANGOSpotty trousers: TOPSHOPPink socks: TRASPARENZE AT MYTIGHTS.COMYellow Hawley wedges: ASOS

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Blue wool jacket: BEYOND RETROBlue and white spotty playsuit: BEYOND RETROPink socks: TRASPARENZE AT MYTIGHTS.COMYellow Hawley wedges: ASOS

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this pageCat eye sunglasses:TOPSHOP

Spot patterned blouse: ZARABlue two buttoned belt: STYLIST OWN

Yellow wide leg trousers: BEYOND RETROPink socks: TRASPARENZE AT MYTIGHTS.COM

Motown flat tan leather shoes: ASOSopposite page

Silk scarf: BEYOND RETROFigured guernsey navy merino jumper: MIH

Scallop edge linen shorts: MIH

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Cat eye sunglasses: TOPSHOPSnood: PRIMARK

Blue chiffon blouse: MANGOYellow cord trousers: PAUL SMITH

photography: REBECCA MILLERstylist: KATY KINGSTON

hair & make-up: VICTORIA BONDmodel: ELINA M @ PROFILE

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As an artist: GREATeclectic blends the most abstractly familiar elements of life – love, envy, wealth, wrath, perception, desire, greed, necessity, lust, identity, indulgence, ideals, ego, morals, said bankruptcy, and fears – with the rawest veneer of famous faces. His pieces are pastiches – whole in-and-of themselves but even more so in context of one another. Pop & Politics are alive and well-contented bedfellows in this world. The personal space stands as the preeminent public place of judgment. Shadows dance in rigid rhythmic formation with neon strobes. The entire world coalesces into a kaleidoscopic cultural landscape… where we are presented with our own selves from before the mass-mediated mirror of Pop life.

His art lives, loves, laughs, lauds, lambastes, legislates, and promulgates on behalf of true Pop. It unravels the American tapestry because we were wound too tightly; it dims the lights because they blind so brightly; it hearkens to the dawn though it heralds nightly; and all it takes is a liberated lid to refresh the mind and see what I see: if you want to see a sad boy shine – pay him; if you want to see a sad boy smile – pay attention.

GR

EAT

ECLE

CTIC

www.greateclectic.com

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this page“Thi$ i$ not a role model”opposite page“men…”

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“Why Should I Be Sad?”

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“Been There, Done That”

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photography: Cybele Malinowski styling: Janai Anselmi

THE

CLA$H

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Shirt (worn underneath): SPORTSGIRLShirt (worn over): ROMANCE WAS BORN

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Shirt: LOVERSkirt: SOMETHING ELSE

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this pageEarrings: DINOSAUR DESIGNSTop (worn underneath): JIGSAWTop (worn over): LOVERPants: HOWARD SHOWERSopposite pageHeadscarf: GANTNecklace: COLLETTETop: THURLEY

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leftNecklaces: NOBLE HOUSE DESIGNSPants & Top: SHAKUHACHIrightNecklace: MAN THE LABELTop: JUNKJacket & Pants: TRELISE COOPER

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this pageleftEarrings: DINOSAUR DESIGNSNecklace: SYLVIE MARKOVINADress: ANNA & BOYrightNecklace: HOUSE OF HARLOW 1960Bangle: MOLTEN RELICDress: KAREN WALKERopposite pageNecklace: DINOSAUR DESIGNSShirt: EQUIPMENT from MYWARDROBE.COM

photography: CYBELE MALINOWSKI @ NETWORK AGENCY www.networkagency.com.austylist: JANAI ANSELMI www.janaianselmi.comhair & make-up: MARGO REGANusing ELLIS FAAS AND KEVIN MURPHY www.margoregan.commodels: ISABELLE IMPALA @ LONDON MGT GROUPGEORGIA MAY @ CHADWICK MODELS

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I S S U E 1 9 • M A R C H 2 0 1 3

[email protected]