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C L A U D I A M E Y E R
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L U M I È R E
M A T I È R E
É N E R G I E
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While metaphysics teaches us to believe in existence and nothingness, Claudia Meyer’s art shows
us matter and light. The essence of the artist’s creations therefore consists of flows and energy. In
order to unite the later, her creative inspiration draws upon all materials, including those produced
by nature, especially wood, and those invented by man, such as metal and Perspex. This expresses
a great sense of freedom, as the artist’s hand fashions cubes, rectangles, walls and installations,
which are illuminated by the material and revealed by light. Mondrian said that “art is artificial and
nature is natural”. Claudia Meyer’s art depicts the imaginary in the reality of the material, which is
magnified by the light and mingles, in turn, with the shadows of its structures, angles and volumes.
The artwork guides and enables us to exist with the artist. The generous strokes and expressive lines
show us that the material is full of this luminous and translucent vacuum. Suddenly, we are taken by
surprise when something appears. It is the material aspect of the energy flow. Movement emerges
from the immobile forms. These spirals, these characters that resemble writing are imperceptible
yet powerfully suggestive. They remind us of Japanese haikus or ancient manuscripts. Immanent
and material, Claudia’s creations point to the transcendent. This transcendence that is so close to
us is one of emotion and sensitivity. But also one of life and being alive today. At the heart of the
temporal, her art confronts us with the universe and puts man back into a living world. It lights up
the material as if to say that what is real is our language and that the artist is there to help us see it.
It speaks to us of air, water and fire. While Baudelaire shows us a world, in which “scents, colours and
sounds answer one another”, Claudia Meyer reveals a living material to us, in which light and energy
open up the horizons of what is perceptible. In this sense, art is an opening, a mirror or a dialogue,
which is accessible for everyone. This art, which uses geometrical forms, goes back to primitive arts
via the elementary forms that it reveals to us. By uniting them with the material, this art speaks to
us about the unity of man and the beauty of all that surrounds us here and now.
Yves Zoberman
Si la métaphysique pense qu’il y a l’être et le néant, l’art de Claudia Meyer nous montre la matière
et la lumière. L’essence des créations de l’artiste est ainsi faite de flux et d’énergie. Pour les unir,
son souffle créateur utilise tous les matériaux, ceux que la nature produit : le bois notamment, mais
aussi ceux que l’homme invente : le métal, le plexi. Expression d’une grande liberté, la main de
l’artiste façonne alors, des carrés, des rectangles, des murs, des installations éclairés par la matière
et révélés par la lumière. Lumière qui à son tour se marie aux ombres de structures, de leurs angles,
de leurs volumes. Mondrian à dit “ l’art est artificiel et la nature est naturelle”. L’art de Claudia Meyer
décrit l’imaginaire dans le monde du réel et de la matière. Il est amplifié par le jeux la lumière qui à
son tour se marie aux ombres de structures, de leurs angles, de leurs volumes. L’oeuvre est toujours
structurée. Elle nous permet d’exister avec l’artiste. La générosité du trait, la plastique des lignes
nous révèlent que la matière est pleine de ce vide lumineux et translucide. Soudainement, la surprise
: quelque chose apparaît. C’est la matérialité du flux d’énergie. Derrière l’immobilité des formes, surgit
le mouvement. Ces spirales, ces caractères proches de l’écriture, choses imperceptibles et pourtant
puissamment suggestives. Nous font penser alors à des Haïkus japonais ou des écritures ancestrales.
L’oeuvre de Claudia, immanente, matérielle nous parle de transcendant. De cette transcendance si
près de nous, celle de l’émotion, de la sensibilité. Mais aussi la vie, celle d’aujourd’hui. Au centre
du temporel son art nous confronte alors avec l’univers, il replace l’homme dans un monde vivant. Il
illumine la matière comme pour dire que le réel est notre langage et que l’artiste est là pour aider
à le voir. Il nous parle de l’air, de l’eau et du feu. Là où Baudelaire nous montre un monde où les
« les parfums les couleurs et les sons se répondent », Claudia Meyer nous donne elle, à voir une
matière vivante où la lumière et l’énergie ouvrent l’horizons du perceptible. En ce sens cet art est
une ouverture , un miroir, un dialogue qui s’offre à tous. En unissant les formes, et les matières
si souvent séparées, il nous dit l’unité de l’homme, et la beauté de tout ce qui nous entourent.
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5Florescence I & II 64 x 320 cm, MM, Acrylglas, Wood 11
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7Florescence I & II 64 x 320 cm, MM, Acrylglas, Wood
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9After Glow 97 x 97 cm, MM, Acrylglas, Wood
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11Ephémère III 90 x 90 x 5 cm, MM, Acrylglas, Stainless Steel, LED
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13Au Fil Des Traces III-IV-V 40 x 100 cm x 3 pieces, MM, Acrylglas
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15Descendance 76 x 290 cm, MM, Acrylglas, Wood
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17Descendance details
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19Epigramme 100 x 150 cm, MM, Acrylglas, Wood turning, Steel
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21Fragments II 154 x 154 cm, MM, Wood, Acrylglas
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23Fragments II side view
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25Fragments II details
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27L’ audacieuse 90 x 90 x 2 cm, MM, Wood, Slate, Acrylglas
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29L'eau et la Pierre III 15 x 200 x 4 cm, MM, Acrylglas, Slate, Cooper
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31Empreintes I 30 x 30 cm, MM, Acrylglas, Wood
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33Renaissance Part I 60 x 80 cm x 5 pieces, MM, Wood, Acrylglas
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35Renaissance Part II 60 x 80 cm x 5 pieces, MM, Wood, Acrylglas
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37Renaissance 60 x 400 cm x 5 pieces, MM, Wood, Acrylglas
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39Renaissance, detailsRenaissance details
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41Beyond I 100 x 100 x 2 cm, MM, Acrylglas, Wood
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43Beyond II 100 x 100 x 2 cm, MM, Acrylglas, Wood
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45Lianes IV 45 x 160 x 3 cm, MM, Acrylglas
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47Emotions I-II-III-IV 85 x 85 cm, MM, Acrylglas, Wood
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49Lumineuse 90 x 75 x 8 cm, MM, Acrylglas, Wood, LED
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51Spirala II 88 x 88 x 17 cm, MM, Acrylglas, Stainless Steel, Wood
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53L’affiche 195 x 20 x 2 cm, MM, Acrylglas, Stainless Steel
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55Grande Terre I 140 x 140 x 8 cm, MM, Wood, Acrylglas, Slate
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57L’eau et la Lumière I-II 75 x 90 cm, MM, Acryglas, Wood, LED
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59The Gem 100 x 100 cm, MM, Acrylglas, Wood
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61Nuance III 23 x 30 x 12 cm, MM, Acrylglas, Stainless Steel, Slate
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63Ice & Fire I 50 x 50 cm, MM, Acrylglas, stainless Steel
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65Le Livre II 36 x 83 x 7 cm, MM, Acrylglas, stainless Steel, LED
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67Trace of Sand I-II 120 x 40 x 2 cm, MM, Acrylglas, Steel
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69Apostropha I-II 50 x 30 cm x 8 pieces, MM, Acrylglas, Wood
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71Apostropha II details
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73To Be 120 x 120 cm, MM, acrylglas, Steel, Slate
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75Energ 164 cm x 80 cm x 4 cm, MM, Acrylglas, Wood, Stainless Steel, LED
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77888 100 x 100 x 4 cm, MM, Acrylglas, Wood
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79Volutisse 75 x 110 x 4 cm, MM, Acrylglas, Slate
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81Mandalight 200 x 200 x 4 cm, MM, Acrylglas,LED
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83
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©Claudia Meyer 2011 www.claudiameyer.com