introduction to prs for music presentation

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  • 8/4/2019 Introduction to Prs for Music Presentation

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    January 2009: PRS Template Presentation

    An introduction to

    PRS for Music

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    MECHANICAL RIGHT PERFORMING RIGHT

    TWO KEY RIGHTS

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    Copyright, Designs & Patents Act 1988

    to copy the work

    to issue copies of the work to the public

    MECHANICAL RIGHT

    If you can hold your music you

    may receive a mechanical royalty

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    Mechanical income is collected fromthe manufacturers of :-

    MECHANICAL RIGHT

    compact discs records

    tapes retail videos DVDDVD

    television programmes TV & radio adverts

    corporate videos NOVELTY GOODS

    theatrical motion pictures

    premium productspremium products multi media products

    INTERNETINTERNET MUSIC SITES

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    Copyright, Designs & Patents Act 1988

    public performances: pubs, clubs, shops, hairdressers orcinemas, etc.

    communicate a work to the public: television,radio, satellite & cable transmission and theInternet

    PERFORMING RIGHT

    If you can hear your music you mayreceive a performance royalty.

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    PERFORMING RIGHT

    Performance income is collected from radio&TV stations as well as all other musicusers, including:-

    cinemas hairdressers hotelshotels AIRCRAFT

    ice rinks members clubs youth clubsyouth clubs

    Bingo shops theatres

    VILLAGE HALLS pubspubs mobile djs

    caravan parks ice cream vans circuses

    buses MUSICON HOLDMUSICON HOLD parks

    railway stations boats universities

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    MECHANICAL RIGHT PERFORMING RIGHT

    PRS for Musicrepresents both of these rights forsongwriters, composers and music publishers

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    Who we are

    PRS for Musicis a not-for-profit membership organisation responsible forthe collection and distribution of mechanical & performance income.

    It brings together two UK royalty collection societies - the MechanicalCopyright Protection Society (MCPS) and the Performing RightSociety (PRS)

    Both of which were set up to collect and pay royalties to members whentheir music is exploited in various ways be it recorded onto any format

    and distributed to the public, performed or played in public, broadcast ormade publicly available online.

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    Our role

    To provide our customers with licences and collect the fees

    To match the use of licensed music to the songwriter and

    publisher members

    To pay royalties to songwriter and publisher members

    when their music is used

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    music using

    customers

    songwriters,composers and musicpublishers

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    We represent over 75,000 direct members comprised of songwriters,composers and music publishers

    We make royalty payments - over 550 million was paid out in 2009

    We provide access to the worlds repertoire of music approx10 million songs!

    We issue nearly half a million licenses annually in the UK, coveringmanufacturers of physical product, live venues, broadcasters,business premises and online service providers

    What do we do?

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    How did it all begin?

    The Performing Right Society (PRS) was founded in 1914

    The Mechanical-Copyright Protection Society (MCPS) was set up in 1924

    Famous composers who were some of our original members

    Arthur Bliss Edward Elgar Gustav Holst

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    and from that we havegrown to over

    75,000 memberscovering all genres

    Rock

    Pop

    Indie

    Classical

    Jazz

    Hip hop

    Garage

    Drum andbass

    Dubstep Metal

    House

    Dance

    Electro

    Country

    Folk

    Urban

    Bhangra

    Breakbeat

    Funk

    Reggae

    Soul

    R n B

    Punk

    Ska

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    PERFORMING RIGHTS

    Performance Broadcast, On-line & Mobile

    TV, Film & Radio

    Network Operator

    Website Owner

    TV & RadioTransmission

    MobileTransmission

    Streamed

    Music

    Gigs, Clubs &ConcertVenues

    Pubs, hotels, shops,

    offices

    Cinema & Theatre

    Theatrical

    Live

    Performance

    Playback of

    recorded

    music

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    PRS Member

    PRS for Music

    Performing right

    Radio

    TV Live

    Registerssongs

    Paysfor licence

    Paysfor licence

    Paysfor licence

    Submitsplay lists

    Submitsplay lists

    Submitsset lists

    Distributesroyalties

    The Performing Right process

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    MECHANICAL RIGHTS

    Physical Digital

    ProductionLibrary CD

    Commercialrelease CD

    Commercialrelease DVD

    Covermount

    CD

    Publisher

    Manufacturer orDistributor

    Record Label

    Professional MusicUser

    Digital Music Retailer

    Mobile ContentRetailer

    Website Owner

    Downloads

    Ringtones

    Streamed

    Music

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    The Mechanical Right process

    MCPS MemberPRS for MusicMechanical right

    Record Label

    Registerssongs

    Distributes

    royalties

    Applies forlicence

    Issueslicence

    Pays

    licence

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    International Royalties

    USA

    France

    ItalyAustraliaASCAP, BMI

    & SESAC

    SACEM

    SIAE

    APRA

    Performance rights

    HFA

    SACEM

    SIAEAMCOS

    Mechanical rights&

    PRS for Musichas nearly 150 reciprocal contracts withmechanical and performance organisations around the world.

    Here are some examples of overseas collection societies.

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    Rewarding songwriters

    A songwriter is due royalty money when:

    Their music is performed live in a licensed venue (either by themor another artist)

    Their music is played on TV, radio, or in a business

    Their music is streamed or downloaded online

    Their music is physically reproduced

    By becoming a member ofPRS for Music, we ensure thismoney is paid to them!

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    Joining PRS for Music

    Admission fee for writers:

    For performance income only: 10

    For mechanical income only: 50

    Admission fee for publishers:

    For performance income only: 400

    For mechanical income only: 50

    www.prsformusic.com/joinus