katarzyna myćka – marimba solo richness of tone, fine

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Katarzyna Myćka – Marimba Solo Richness of tone, fine expressiveness, and a range of five octaves: the marimba, on which up to six tones can be hit at the same time, does not have to hide behind the piano as a solo instrument. Program proposal W. A . Mozart (1756-1791) – Adagio in C for Glassharp KV 356 (617a) J. S. Bach (1685 – 1750)– Cello Suite in C-major BWV 1009 Anna Ignatowicz (1968) - Toccata Sergei Prokofjev (1891-1953)/Eric Sammut – Danse des Chevaliers (Romeo et Juliette) --------- Astor Piazzolla(1928-1992)/Eric Sammut (1969) – Libertango David Friedman (1941) – Between Dusk and Dawn Ney Rosauro (1953) – Variations Over Evelyn Glennieʼs A Little Prayer Christos Hatzis (*1953) – In the Fire of Conflict for marimba, crotales & digital audio

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Page 1: Katarzyna Myćka – Marimba Solo Richness of tone, fine

Katarzyna Myćka – Marimba Solo

Richness of tone, fine expressiveness, and a range of five octaves: the marimba, on which up to six tones can be hit at the same time, does not have to hide behind the piano as a solo instrument.

Program proposal

W. A . Mozart (1756-1791) – Adagio in C for Glassharp KV 356 (617a)

J. S. Bach (1685 – 1750)– Cello Suite in C-major BWV 1009

Anna Ignatowicz (1968) - Toccata

Sergei Prokofjev (1891-1953)/Eric Sammut – Danse des Chevaliers (Romeo et Juliette)

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Astor Piazzolla(1928-1992)/Eric Sammut (1969) – Libertango

David Friedman (1941) – Between Dusk and Dawn

Ney Rosauro (1953) – Variations Over Evelyn Glennieʼs A Little Prayer

Christos Hatzis (*1953) – In the Fire of Conflict for marimba, crotales & digital audio