kmea nw district flute audition jh cycle #1 -...
TRANSCRIPT
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
mm = 88
6
f rit.
11
JH Cycle #1
, ,
KMEA NW District Flute Audition
, , ,
,,
Rubank Intermediate Flute Book, Pg. 9 . 1st part of duet . pick up to m. 17 to end
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
f
mm = 88
7
14
20
JH Cycle #1
KMEA NW District Oboe Audition
Rubank Intermediate Oboe Book, Pg. 13 . Etude #3 . All 3 lines
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
p
mm = 72
mf
5
9
13
JH Cycle #1
KMEA NW District Bassoon Audition
Rubank Intermediate Bassoon Book, Pg. 13 . Etude #1 . All . mm=72. Take 2nd ending, end on 'C' before the D.S
f dim mf
mm = 92 D
dim mf cresc.
E6
F10
mp
G14
mp
18
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
KMEA NW District Clarinet Audition
Rubank Intermediate Clarinet Book, Pg. 19 . Pick up to letter D to the fermata m. 35
mf cresc.
Moderato (mm = 108) Accent the first and third beats of each measure
5
9
Staccato Studies #2
KMEA NW District Bass Clarinet AuditionJr. High Cycle #1
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
Rubank Intermediate Clarinet book, p.13, Etude #2 . First 12 measures
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
mf
Moderato mm = 88
5
10
15
KMEA NW District Sax AuditionJH Cycle #1
F Major Etude
Rubank Intermediate Saxophone Book, p. 13, Etude #5 all
Alto, Tenor and Baritone Saxophone Audition
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
mf
Moderato mm = 120
f mf
7
14
KMEA NW District Trumpet Audition
J.E.S.
GAVOTTE IN Ab
JH Cycle #1
Rubank Intermediate Trumpet Book, Pg. 32 . Gavotte . 1st part of duet . No repeats
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
p f p
Tempo di Minuet mm = 120
f
9
p p p
15
creso.
22
, J.E.S
JH Cycle #1KMEA NW District Horn in F Audition
Minuet
, ,
,
, ,
Rubank Intermediate Horn Book, Pg. 11 . Etude #2 . All 4 lines . No repeats
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
f
mm = 120
8
15
24
JH Cycle #1
KMEA NW District Trombone/Baritone Audition
Rubank Intermediate Trombone or Baritone Book, Pg. 13 . Etude #2 . All 4 lines
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
f
mm = 92
6
11
14
KMEA NW District Baritone, T.C. AuditionJH Cycle #1
Rubank Intermediate Trumpet Book, p. 12 #2, m.29 B is natural
1. First. record a chromatic scale using the ranges below The scale must be slurred up and tongued
down at mm = 90. If the student has an expanded range, they may demonstrate their full range.
2. After the scale, record the etude selection. All audition material for wind instruments is excerpted
from the INTERMEDIATE RUBANK METHOD book.
mf f mf
mm = 104
7
13
p
19
MELODY IN F
KMEA NW District Tuba AuditionJH Cycle #1
Rubank Intermediate Tuba Book, page 14, Etude #4 . All 4 lines
mm = 100
5
9
13
1. Percussionists are encouraged to audition on all three instruments. For the Drum Audition, record the
timpani, then record the snare drum audition.
2. All audition material for Snare Drum is excerpted from the Basic Drumming book by Joel Rothman .
ROLLS TIED TO 1/16 NOTES
KMEA NW District Snare Drum Audition
JH Cycle #1
Basic Drumming by Joel Rothman, Pg. 49 (p.61), lines 7-10, no repeats
mm = 120
10
16
mf p
mm = 12023
f mf
33
p f
39
1. First. record a chromatic scale using the ranges below The scale must be played on a xylophone or concert
bells with a light roll up and single tap down at mm = 90.
2. After the scale, record the etude selection. All audition material for mallet instruments is excerpted
from the AUDITION ETUDES book by Garwood Whaley.
3. Percussionists are encouraged to audition on all three instruments. For the Drum Audition, record the
timpani, then record the snare drum audition.
KMEA NW District Mallet/Timpani Audition
Mallet Audition Etude
JH Cycle #1
Timpani Audition
MALLETS: Pg. 19 . Etude #1 . Last 3 lines
TIMPANI: Pg. 12 . Etude #1 . 3rd line to end