koka nikoladze - thin gryllus samu - medium mariana ... - for perusal.pdfl l e d i t i o m u s i c a...
TRANSCRIPT
for perusal for perusal
for perusal for perusal
E D I T I O M U S I C A B U D A P E S T
B - 7 3
OUT AT S. E. A. 456
Koka Nikoladze - Thin Gryllus Samu - Medium Mariana Ungureanu - Fat
ChAMBEr OPErA In OnE ACTBASED On S�AwOMIr MrOzEk’S OnE-ACT PlAy EnTITlED “OUT AT SEA”
Score
.
out at S.E.a. 456Koka Nikoladze� �� ��i� �� ��i�
Gryllus Samu �� �e�dium �� �e�dium �aria�a U�gure�a�u �� �a� �� �a�
ChambEr opEra in onE aCtbaSEd on S�awomir mroZEk’S onE-aCt play
EntitlEd “out at SEa”
text written by andrás almási-tóth
SCorE
Editio muSiCa budapEStuniversal music publishing Editio musica budapest ltd
h-1370 budapest, p.o.b. 322 • tel.: (361) 236-1100 • telefax: (361) 236-1101E-mail: [email protected] • internet: http://www.emb.hu
© Copyright 2013 by Editio musica budapest
.
.Commissioned by the Péter Eötvös Contemporary Music Foundation and the Budapest Music CenterSupported by the Ulysses Network and the Art Mentor Foundation, Luzerne
Libretto is based on S�awomir Mrozek’s one act play entitled Na pe�nym morzu.Copyright © Diogenes Verlag AG, Zürich
InstrumentatIon
Clarinet in A, Bass clarinet in Si
Viola (solo)Violoncello (solo)
VoIces
THIN – baritonMEDIUM – mezzosopranoFAT – tenor
Duration: 50’
With the support of the Culture Programme of the European Union
World premiere: 19 December, 2013 – Budapest Music Center
Maurice Lenhard, bariton – Thin; Péter Bársony – violaSzilvia Vörös, mezzosoprano – Medium; Horia Dumitrache – clarinetZoltán Megyesi, tenor – Fat; Ditta Rohmann – violoncello
B-73
3
MEDIUM
FAT
THIN
Bass Clarinetin Bb
Viola
Violoncello
q = 501
[ai] [ai]
f
am hun
mf
gry- [a] [i]- could [d] [u]- [wi] [ð]- some [fu]
sf f
THIN
Vla.
[u]
mf
[d]
mf
the [f] [f] ridge i [Zzz]- em p- t- [i]-
3
mp f mf
THIN
Vla.
wha
f
t- [a] [i]- wan t- [i] [z]- [s] [s] ome- thing- t [u]- [i] - t I'll [s] [s]
7
stand 17.06.2014
Out at Sea - 456
pizzarco pizz.
(muted)arco
3
whistle
(* bow on A string between the nut and the tuning pegs)
*
(behind the bridge)
pizz.
63
3
arco
* bow on A string between the nut and the tuning pegs
*
3 3
B-73
�
THIN
Vla.
[li] p- and [wei] t- [s] [s] [li]- p- and [wei] t- for [s] [s] [s] [s] [s] -
10
mp mf mp
THIN
Vla.
ome one- t [u]- [f] [f] [f] [f] [f] [f] [f] [f] [f] [f]
f
[i]- d- - me [s]
mf
[s]
12
pp mf
MED.
THIN
B.Cl.
Vla.
pp mp mf14
[p] [nd] [t] [s][s] [p] [nd] [t]
mp f f
5
*
* pizz. with the left hand (nail) between the nut and pegs
3 3
3
3 3 3
3
3
3 3
3
3
5 5
3 3
3
3 3 3
3
3 3 3
3
3 1
II
2 1
biting on her nails(right ring-finger slightly on the outer edge. No real nail-biting is needed just imitate it, produce soundonly by knocking your teeth together). As nail-biting is a very soft sound, dynamics are indicating much more the intensity of the gestures than the actual loudness of the actions.
1" 1" 2"
this slap-tongue sounds areused to imitate the sound of nail-biting. if no special pitch indicated, choose a high pitch, with possibly less pitch content.
slap 1" slap
2"
3 3
3
3 3 3
3
3
2
MED.
B.Cl.
Vla.
Vc.
I
mf
am hung
f
ry.-
q = 50216
mf
mp f pp
pp
pp
MED.
B.Cl.
Vla.
Vc.
mp
I could do with some food.
mf
Libero
19
f
f pp
3 3
keyclicks
glissandi and microtonesin the lower register are always performed with modification ofthe tongue position.
molto vibr.(air only)3
molto sul pont.3
molto sul pont.5
pretendedlypainful, like begging for sg.
2" 3.5"
5 3
change to Cl. in A 2"
Cl. in As.
3.5" 2"
scratching "pops" of the strongly pressedbow on the indicated strings 2"
1.5"
scratching "pops" of the strongly pressedbow on the indicated string
1.5" 2"
3
B-73
�
MED.
B.Cl.
Vla.
Vc.
I
mf
am hung
f
ry.-
q = 50216
mf
mp f pp
pp
pp
MED.
B.Cl.
Vla.
Vc.
mp
I could do with some food.
mf
Libero
19
f
f pp
3 3
keyclicks
glissandi and microtonesin the lower register are always performed with modification ofthe tongue position.
molto vibr.(air only)3
molto sul pont.3
molto sul pont.5
pretendedlypainful, like begging for sg.
2" 3.5"
5 3
change to Cl. in A 2"
Cl. in As.
3.5" 2"
scratching "pops" of the strongly pressedbow on the indicated strings 2"
1.5"
scratching "pops" of the strongly pressedbow on the indicated string
1.5" 2"
3
B-73
�
MED.
Cl.
Vla.
Vc.
mp
My nails are torn. The fridge is emp ty.
submp
What I wan
q = 8521
f f mp f subpp
fp mp fp
mp p ppp mp p ppp mf p
MED.
Cl.
Vla.
Vc.
f
t is some thing- to
fff
ea t.
mf
-
rit.
24
f pp mf f p possibile
fpfmp mfp mfppp
f
mfp mfppp
like whispering3 3 3
5
gliss.
3 3
* only accent with scratch
* III.II.
gliss.(come prima) gliss.
aggressively
3 36
slap
(teethon-reed)
(glissandi with teeth ad lib)
3 56 3
molto sul pont.
h h. *
* only accent with scratch
molto sul pont.
4
B-73
7
MED.
Cl.
Vla.
Vc.
f
All
mp
is si lent.- No news from out side.-
sub f
How long can a la dy-
q = 60
28
sub f sub mf
fp fp fp
fp fp fp
MED.
Cl.
Vla.
Vc.
live with out- foo d?-
subp
We are twice o ver- it. We
fff
will
q = 90
31
f
fp fmp
fp fmp
thinking about, is ideal for biting her nails.apathetically
(whispering)
excitedwith strong gestures
3
with anger5
3 3 3 3
only movement, clicks without soundadditional keyclics are welcome but not necessarily needed.
6bow on the bridge, no pitch, some additional squeeks at the accents are very welcome. continous left hand movement. dynamics are indicating the the intensity of the players` gestures as well.
bow on the bridge, no pitch, some additional squeeks at the accents are very welcome. continous left hand movement. dynamics are indicating the the intensity of the players` gestures as well.
nervouslyas an ultimate consequenceof the situation3 3 3
slap slap slapslap3 slap
variation of the bow position near the bridge
moltosul pont.
variation of the bow position near the bridge
moltosul pont.
5
B-73
�
MED.
Cl.
Vla.
Vc.
die. We will die. We will
35
mp ff mf ff f
fmp
fmp
MED.
Cl.
Vla.
Vc.
die. We will die.
38
mp
fmp mfp
fmp mfp
3
3
37
6 3
3
decreases only the volume of her sound, but stays "fff"with her gestures, position...etc. Like turning down the volume on a television while the singer is still singing.
w
6
for perusal for perusal
for perusal for perusal
B-73
9
MED.
Cl.
Vla.
Vc.
We will die. We will die. We
41
p possibile
mppp ppp
mppp ppp
MED.
FAT
Cl.
Vla.
Vc.
will die.
q = 66 whithout cond.
3
45
I
f
am hun gry.-
fff
fff
without sound, but with "fff" gestures
3
3
closesher mouth
3
change to Bass Cl.
RH pizz.
LH pizz.
++++++++++++++++++++++++
++++++++++++++++++++++++
freely permutate the order of strings
RH col legno behind the bridge
LH pizz.
gliss.gliss.gliss.
gliss.
+++++++++++++++
+++++++++++6 6 6 6
79
B-73
10
FAT
Vla.
Vc.
I could do with some food. The fridge is em pty- how long can a gen tle- man-
48
FAT
B. Cl.
Vla.
Vc.
live with out- food? What
fq = 60 with conductor
52
mf p f p mf
mp f mf
mp mf f
FAT
B. Cl.
Vla.
Vc.
I I want is some thing- some thing- to eat!
55
sf sf f ff
ff sff f ff
sfsf p sf sub.p sf mp ff sff
33 3 3 6
++++++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++
++++++++++++++++++++++++++++++++++++++++++
3 3
Bass Cl. slap slap
3
3 3
++++++++++
++++++++++
arco + legno batt.ord.non vibr.> vibr. arco + legno batt.
3 5 3
++++++++++
++++++++++
arco + legno batt. arco + legno batt.ord.
3 3
33 3
slap
slap slap slap slap slap slap slap slap
ord. s.p. ord. s.p.3
6
pizz. arco sul pont. ord. s.p.ord. s.p./ ord.3
>vibr. > sul pont.
8
B-73
FAT
B. Cl.
Vc.
to eat some thing-
Prostrate, exhausted58
sf p
f f p p
FAT
Vla.
Vc.
or
p
or or or to eat
61
p
fff
mp mf f
FAT
Vla.
Vc.
some one
f
We must must eat oa oa oa one oa oa one one
66
sf f f f
f f f
33
slap ord.
(with the tension screw of the bowbetween the two strings) 3
(in reflection)3 3 (found the idea)
3
I
LH pizz.
RH pizz.( q q
3
3 5 5 33 3
+++++++
+++++++q q q )
pizz.arcos.p.
3
arcos.p.
3
911
B-73
12
MED.
FAT
B. Cl.
Vla.
Vc.
f
How rude
mf
Wha t?-
q = 92469
of
ff
us
mf f sub mf f
ff
fff
MED.
THIN
B. Cl.
Vla.
Vc.
Who?
p q = 60572
[m]
f
oh no
sfppp
[m] [pli]
mf
[z]- no
p mf pp f
FAT
Vc.
No
mp
bo- dy- else take care of us. No bo- dy.-
675
p
3gliss.
fr.
slap slap slap slap
5
5
vibr.
3
3
3
5
III.3 3
3
3
complaining
5 3
III gliss.++++++++++++
repeat the patern with light variations of rhythmII
10
B-73
13
MED.
FAT
B. Cl.
Vc.
We
f
should take care of our selves.-
q = 1127
77
No bo- dy.-
f mf f
THIN
Vla.
[m]
mf
oh no
sfppp
[m] [pli]
f
[z]- no [ou] [ou] can
f
ni- - - ba- li- [z]- m-
q = 60
881
mf pp f
THIN
Vla.
[i] [z]- di [s] gus- ti- ng-
84
f
MED.
B. Cl.
Vc.
Not
mf
so dis gus- ting- as death.
q = 120
986
fff subp mf fff
fff sub. pmf fff
with manipulativeself-justification
3 33
trill rit. . . . . . . . . . .bisbigl. (trill with Eb key)
gliss.
slap33 3
+++++
33
3
3
3 6
3 3
3
3 33 3 3
3
pizz.arco
3
pizz.3 arco
5
dominatingf
3
vibr. + gliss.
sulpont. ord.
III.IV. 3
1113
B-73
1�
MED.
B. Cl.
Vla.
Vc.
With all those worms. One
mp
will die ear-
q = 9089
fmp ffppp
pp
fmp ppp
MED.
B. Cl.
Vla.
Vc.
li- er.- Two will have to see him dy ing.- I
mf
just
92
ff ppp mf
ff ppp mf
MED.
B. Cl.
Vla.
Vc.
mp
can not…- can not...
p
-
mp rit.96
ppp mp
mff
ppp
lyrico33 3
3
3
legato possibile
5
3 molto sul pont.
4:3
in a pretendedshock.
3 3
molto vibr. 3
6 3
ord.3 molto vibr. 53
taking her hand in front of her mouthlike starting biting nails
3
biting her nails
3 3
3open slap
slap
3 3
IV. III.3 3
5(half muted)
12
B-73
MED.
B. Cl.
Vla.
Vc.
mf
And what can we do with the corpse?
q = 60Libero (q ≈ 85)
100
p
p
THIN
Vla.
no
p
[ou] [ou] [pli] [zZzzzZ] no
f
does a ny- bo- dy- hear me? [m]
p
please
f
free us from [hi] [a]
q = 50
10
102
p mf mf
THIN
Vla.
pp
[m] do
f
you want us to eat each o ther-
pp
[m]
105
mf
FAT
Not
f
each o- ther.- But one one of us One of us must must say
q = 6011
108
slowly releases her hand
suddenlyvery rational
3 3
slap3 change to Cl. in A3
pops and scratches ad lib.( )
3
3 3
33
3
( h..)3
3nasal
3nasal
3 3
3
( w) ( h )3
3 3
gliss.3
131�
B-73
1�
FAT
Vla.
Vc.
En joy- your meal take the best bites
111
mp secco ff
p mp p mp ff
FAT
Vla.
Vc.
of mine Fresh fresh fresh and ta sty-
113
p f f sf f pp
p f sf f
FAT
Vla.
Vc.
Eat me my my bo dy- E eat- eat me
115
p mp
p mp p mp p mp p mp mf
gliss.
3
pizz.
FAT: one of us must saysul pont.
pizz. non vibr.gliss.
33 3
3 port.6 3 3
arco
III
3pont.
ord.53
arcoI
3
Prissy 3 3
3
3
33 3
14
B-73
17
FAT
Vc.
I am the food you take in your mouth
118
p mp mf p mf f p
FAT
Vc.
I
mp
am sa ving- you from the sha dow,- sha - dow
without cond.
120
p mfp
gliss.
mp
FAT
Vc.
sha dow- of of death
large vibr.mp
Let me be your sa viour-
122
f mpgliss.
f
legato
p mp
MED.
FAT
Cl.
Vc.
rea
mp
ly- -
q = 76
12124
Let
mf cresc.
me be THE
f
sa viour-
mp
ppp mp
mf mf mf f
gliss.33 3
gliss.
3 3
Laxthroat
3gliss.
6 3 3 3
vibr.non vibr.
55 5 5
3normal singing
33 3 3 3 3
3
III
II
IIIIIIII II.
5 6
3
3 3 3
with doubt
3 3 33
Cl. in A
5 5 5 6
II I
3
1517
B-73
1�
MED.
FAT
B. Cl.
Vc.
A
f
ny- one- ?
mf
Well, we are on ly...-
p
15
134
It's on ly- a the o- ry-
mf
f
THIN
Vla.
[m]
p
there
mf
are on ly- three of [a] [z]- on [ð] whole pla net- tell
f
me one [ri] [z]
q = 50 q. = 50q = q.16
138
sfppp mp mf sub. ppp
MED.
THIN
B. Cl.
Vla.
One
mp
rea son- for wha
f
t?-
q = 50 (a tempo) q = 100 q. = 50 e = e
17 18142
[n] [m]
f
for ea ting- each ot her-
f fp mp f
p mp f
Instrumentalist look FAT sursprised and disappointed.They thought he was ready to sacrifice himself. indignated straight
3 5 3
q = 66
33
change to Cl. in A Clarinet in A gliss. gliss. change to Bass Cl.
vibr. molto vibr. pont.3
pizz.arco
3
(arco)3
3 5 3
Bass Cl. * change to Cl. in A5 6
*"overblown" sound with rich higher spectrum
17
MED.
THIN
Cl.
Vla.
mf
Do you...
Liberoq = 75 q = 5013126
[ai]
mf
[a] [ai]- won't eat you-
ffmf p
f p mp
FAT
B. Cl.
Vla.
Vc.
No? Why? I'm jui cy- But No of
q = 7614129
sf f
sf sf
sf sf
FAT
B. Cl.
Vla.
Vc.
course not not me A ny- one but not me
132
sff
sf sff
sf sff pp
4"
vibr. change to Bass Cl.
3
Bass Cl.slap slap slap slap slap
3
*seeremarkon next page3
slap slap 3
3
nonvibr.3
16
for perusal for perusal
for perusal for perusal
B-73
19
MED.
FAT
B. Cl.
Vc.
A
f
ny- one- ?
mf
Well, we are on ly...-
p
15
134
It's on ly- a the o- ry-
mf
f
THIN
Vla.
[m]
p
there
mf
are on ly- three of [a] [z]- on [ð] whole pla net- tell
f
me one [ri] [z]
q = 50 q. = 50q = q.16
138
sfppp mp mf sub. ppp
MED.
THIN
B. Cl.
Vla.
One
mp
rea son- for wha
f
t?-
q = 50 (a tempo) q = 100 q. = 50 e = e
17 18142
[n] [m]
f
for ea ting- each ot her-
f fp mp f
p mp f
Instrumentalist look FAT sursprised and disappointed.They thought he was ready to sacrifice himself. indignated straight
3 5 3
q = 66
33
change to Cl. in A Clarinet in A gliss. gliss. change to Bass Cl.
vibr. molto vibr. pont.3
pizz.arco
3
(arco)3
3 5 3
Bass Cl. * change to Cl. in A5 6
*"overblown" sound with rich higher spectrum
1719
B-73
20
FAT
THIN
Vla.
I
p whisper
f- we
q = 75 e = eq = 60 whithout cond.
19
145
if
p
we are the on ly- li ving- hu
f
mans- why? [m]
p
mp mf p
FAT
THIN
Vla.
Vc.
are
pp
the on ly- on ly- ones
sing
But
mp
it's just a spe cu- la- tion
mf
- one
f
will
with cond.148
mp mf
mp mf
FAT
Cl.
Vla.
Vc.
die for two
q = 66
20152
f mf f mf
mp mf f ffmpf mf
mp mfmf f
f mf ffmp
pizz.arco
3
rough, heoic
rough, heoic
Clarinet in A 5 7
57
57
18
B-73
21
MED.
Cl.
Vla.
Vc.
Two
f
will live.
sub. mp
One
accel.
154
fmp ff mff
f mfmf f
f f mf mf f
MED.
FAT
Cl.
Vla.
Vc.
will sac
f
ri- fice- him self.- Or her self.-
q = 72 Lento et Libero
21156
p mp f mp
p mp f ff
p mp f ff
moltovibr.
6
6 slap9
9 pizz. arco
m.v.9
3"sub p
4"3 3
Spoken:
We should draw lots.
fr. gliss.
questioningchange to Bass Cl.
3
gliss.
3
gliss.
3
19
B-73
22
MED.
THIN
B. Cl.
Vla.
" f "q = 60 q = 50 q = 100
22 23
160
hm
mf
the best so lu- tion- [n]
f " f " f
f p f
MED.
B. Cl.
f
Find a no- ther- way. Draw ing- lots is bru tal,- so bar ba- ric,
ff
-
164
mp subf fmp f
MED.
FAT
B. Cl.
Vla.
Vc.
mf
it’s simp ly- be neath- the mo dern- man.
q = 80
q = 66 Honeyed attitude
24167
Why?
mf
Why? are you a -
ffmp
pp p p mp p
pp p p mp p
biting nails (thinking about what to say)3
Bass Cl. slap
sudden loudinhalation3
pizz.arco
cool33 3 3 3 3 3
53 3 3
leggiero3
3
3 3
3
3
20
B-73
23
FAT
Vla.
Vc.
fraid?- don't you trust me? I won't cheat
170
mp mf mf f mp mf
mp p mp
FAT
Vla.
Vc.
I won't I won't cheat. Too
mp
bad you don't
q = 60 (56)173
mp mf f p
mf
FAT
Vla.
trust me too bad
mf
too bad
f176
p mp mf
THIN
Vla.
[m]
mf
so [wo] [t] just wai [t]- - -
q = 50
25
178
f f
3 3 3
3 >vibr. > sul pont. IIIII ord.3
3
333
3
3 3
3
> pont. > molto pont.3 3
3 63
3
3 33
3vibr.
3
3
pizz. arco pizz. arco pizz. arco pizz.5 5
21
B-73
2�
THIN
Vla.
[wo] [t]- - [e] else?
f
-
in 1180
f f
THIN
Vla.
[m]
pq = 60183
f mf f
THIN
Vla.
[m] [hm] [m] [m]
185
f mf f f
FAT
THIN
B. Cl.
Vla.
Vc.
E
f
lec- tions-
q = 66 Authoritative26188
hm
f ff f
mf mp f ff f
fsf f
arco pizz. arco pizz. pizz.5
nasal
arco 3 3
3
3 3 3
3
3
nasal35
arco 3 3
3
3 3 3
3
3pizz. arco 3
3
3
3
nasal
33 3
3 3
3
3
3
3
33
22
B-73
FAT
B. Cl.
Vla.
Vc.
de mo- cra- cy- as al ways-
190
f ff f ff f f mf
f ff f ff f f mf
sf f sf
MED.
THIN
B. Cl.
Vla.
Vc.
Wha,
mf
wha,wha,wha,wha, wha
f
t-
q = 96 q = 50
27 28193
let's
mf
sleep de- -
fmf mp f
fff sffz
mf
f
THIN
B. Cl.
Vla.
Vc.
mo cra- cy- [i] [z] just an il lu- sio- [n]- just a game in
196
sffz
mf
f
3 3
3 33 3
3 33 3
3
to Fat
5
slap F* pitchless air sound
5 5 5 5
3 33
on the tailpiece( )
35
S
sing glissando
F S
3 3 33 3
232�
B-73
2�
FAT
THIN
B. Cl.
Vla.
Vc.
If
f
you pre fer-
q = 6629198
or der- to hide [d] [ð] re al- pow er-
sffz f
f
ff
FAT
B. Cl.
Vla.
Vc.
an o pen- dic ta- tor- ship- I'll be
200
ff f ff f f p
ff f ff f f p
sf f sf f
FAT
B. Cl.
Vla.
Vc.
hap py- to as sume- the... as sume- the po wer!-
203
ff f ff p ff
fff ff p ff
sf fp fff ff p ff
3
Fsing glissando
ord. 33
3
3
3
3
ord.
3 5 3
3
3
3 3 33
3 3 3 3 33
gliss.
3
3 3 3 3 3 3
vibr.
vibr.
24
B-73
27
MED.
B. Cl.
oh
p
no
f
no no no no no no no no no
mf
no more dic ta- tor- ship.-
q = 122 q = 62 Liberorit.30
206
p f ppp p f
FAT
B. Cl.
Vc.
E
f
lec- tions?-
q = 66 With authority q = 10031 32209
mp f mp f ff
f mp f mp f ff
MED.
THIN
B. Cl.
Vla.
Vc.
mf
O. K. with a sec ret- bal lot-
q = 50
33212
if
mf
you are
pp fsffz
mf
f fff f
gliss.categoricallyspoken3 3
vibr. slap 5
3
looks to FAT5
3
3 5
with agreement leggiero
F
3 33
( )33
2527
B-73
2�
MED.
THIN
B. Cl.
Vla.
Vc.
Not
f
a bad i de- a.-
q = 108
34215
go ing to ar range- e lec- tions- don
f
[t] mi [s] the cam paign!-
f
f ff
f
f f ff
MED.
B. Cl.
Vc.
All right.
ff
Hur
fff
rah-
218
MED.
B. Cl.
Vc.
for the e lec- tions!-
p
Let’s
mp
make it quick.
q = 120accel.221
fff sub mf ff
fff sub mf ff
commerciallyidiotic, with her finger in her mouth
sing glissando
5
3 3
ord.5
3
3
,biting nails, bit worried. decided
5
,
3 5
,3
5
26
for perusal for perusal
for perusal for perusal
B-73
FAT
THIN
Vla.
q = 6035 36224
[a]
p f mf
[a] [i] [d] ra [ð]- [ ] [s] [s]- [s]- [s]- peak- la ter-
p
mf ff mp
MED.
THIN
B. Cl.
Vla.
mf
The cam paign-
q = 114
37228
[a]
f mf
[a] I'm
f
not [ ] good spea ker
p
-
f mp f
mf
MED.
THIN
B. Cl.
Vla.
was your i de
f
- a.-
q = 60 q = 90
38231
oh
p
ye- [s] [s] [s] [o] of [cor] [s] [s] [s] [ ]
mf
mf f mf f
Who will be the first?
Spoken:
3
5
5
pizz. arco
pizz.
3 3 3
3
3
3 5
3 3
arcopizz.
3 3 3
3
3
3
gliss.
arco3
pizz. arco pizz.
2729
B-73
30
THIN
Vla.
as you [wi] [sh] [sh] [sh] hm! we
p
are [hm] we
f
are [hm] gat
mf
her- [d]- [hi] [a]
q = 60 q = 50
234
mf f p f mf
THIN
Vla.
[m] [hm] [m] [ð] [hm] [ð] [hm] foo
f
[d] su [p]- ly- is
p
the ques tio- n-
237
p f mf
THIN
Vla.
[m]
mf
[ba] [hm] [t] [m] I'm thin [hm] I'm thin no [mi] [t] no thing- but bone [zZzzZz]-
240
THIN
Vla.
you see bone [zZzzZz]- no
f
t- goo d- foo [m]
mf
- [d] [hm] [m] nu
f
ri- tion-
243
f mf
33 3
arcopizz. arco pizz. arco pizz. arco pizz.
3 3 3 3
33 3
arco 7 pizz. arco pizz. arco pizz.arco3 3 3
33nasal
3
3 3 5
7
3 3
5
nasal
335
pizz. arcopizz.
57
28
B-73
FAT
THIN
Vla.
Vc.
Shit
f
What kind of speach is
q = 6039246
fact [s] ye [s] that's
p
the prob lem- with me
p
ff fff
FAT
Vc.
that you should ga ther- votes you
f
should be
249
mp f mf f mp
FAT
Vc.
the win ner- of this e lec- tion- you are thin thin thin
252
pp mf pp
arco
Bow rotation right/left,hard pression on stringsmolto sul tasto
Excessive bow pressure, on the bridge,and continous sliding along the strings (rubbing sound)
3
3
3
3
gliss.
III II3
36 3 3
3
pizz.vibr.
3
arco III
natural harm. glisspont. tasto
pont.3
2931
B-73
32
FAT
Vc.
a ny- bo dy- can see that
mp
But in the cam paign- you'll make us be lieve-
255
pp
FAT
Vc.
you are fat as fat fat as me
259
p mp mf p
FAT
Vc.
Make
mf
us make us be lieve-
262
mf f mf f
33 3
(pont.)
33 3 3 3 3
,3 3
33
,
3 3 3 3
Breathy sound
33
(sul tasto) 3
30
B-73
FAT
Vc.
We
f
want ha want food yes we we want food!
264
f f f
FAT
Vc.
Make
f
us be lieve- you
mp
are the per
mf
fect-
266
sf f p mp f
FAT
Vc.
food.
f269
mf f
THIN
Vla.
Vc.
I
mf
can' t- pre te nd- - it's
p
not true I'm not the per fect- food for you
q = 5040270
mf p
Normalsound
Excited
ha ha ha
(sarcastic laugh)
gliss.
3
3 3
3
3
pont.
3 3 3 3
pizz.arco arco
3 3
3133
B-73
3�
MED.
B. Cl.
We
f
want food. Yes,
q = 116
41272
f
MED.
B. Cl.
Vla.
Vc.
we want food. We
mf
are hung
f
ry.-
q = 126accel. q = 50
274
mp f pp
pp mf
pp mf
THIN
B. Cl.
Vla.
Vc.
[a]
f
I have a fa mi- ly-
q = 45
42
276
p f
p mf
p mf ppp
clap:like a crowd
3
stomp:
3 3 3
3 3
mv.
(air only)33 3
molto sul pont.3
molto sul pont.5
33
*
* random key click
32
B-73
THIN
B. Cl.
Vla.
Vc.
gar
f
de- [n]-
p
play ing- chil dren-
f
and
mf
a wife kni ting- socks
G.P.279
mf p
f p f p
f
IV
p fp
THIN
B. Cl.
Vla.
Vc.
[sma]
f
[i]- [a]- [i]- [a]- [i]- [a]- [i]- [a]
p
- [i]- ling- at me
282
mfmfmf
mf f p f
mf ppp f
IV
p f
3
*
* kissing the mouthpiece
pizz. arco pizz. arco
pizz. arco pizz.
333�
B-73
3�
THIN
B. Cl.
Vla.
Vc.
[i]
f mp p ppp
can
mp
you i ma- gi- [n]- [ð] -
G.P.284
f f p
p f p
mf f f
I
p
THIN
B. Cl.
Vla.
Vc.
this I dea- lic- pic ture- [ð] that
f
- wa [zzZzz]- my l[ai] that
p
wa [zZzzzzZz]- my life be -
287
f pII
f
f
I
p
nasal nasal nasalnasal
* glissando in somecomfortable sopranorange
*
pizz. arco
33
33
3
pizz. arco
34
B-73
37
THIN
B. Cl.
Vla.
Vc.
for- what do you want from me
290
p f
p f
p f
THIN
[e]
f
[zZzZz] a child I had plans for the fu
mp
ture
p
- - -
ppp
but
mf
- - - I
292
THIN
B. Cl.
Vla.
Vc.
was
f
too weak to ach
p
ieve- my dream [zZZzzZ]-
f mp pp294
f
f p f
f
IV
p f f
3
nasal nasal nasal nasal
3 3
nasal nasal
pizz. arco pizz. arco
3537
B-73
3�
THIN
B. Cl.
Vla.
Vc.
I
f
did not work hard
p
[i] [na]
296
f p f p
f p
II
mf
f
I
p f
I
p
THIN
Vla.
I
p
know yes
ppp
I know but
mf
it's no t- too [lei] t it's
q = 50
299
mf
THIN
Vla.
no t- too [lei] [eit]- I
f
swear!
p
I'll
mf
be come some wa- [n]
ritenuto
302
f ppp
nasal
whistle
pizz.arco
pizz.arco
mf
whistlewhistle
53
3 33
3
5
3 3
3
33 3
3
3 3 3
3
3
36
for perusal for perusal
for perusal for perusal
B-73
FAT
Vc.
Will you? Be come- some one- if
q = 60 Sarcastic
43
304
sfp f mf f p fmf
FAT
Vc.
the out side- world is still e xis- ting!-
306
p mp mf sff mp mf f
FAT
Vc.
We
f
want food so o- rry- we
ff
want food
308
sf f f mp sff sff
MED.
B. Cl.
Vla.
Vc.
How
mf
sel fish- you are. „Be co- ming- some
f
one.”- How
mf
Lento (q 52) (tempo slightly moving with the mood)44
311
mp mf
f 3 3 3
IIgliss.
3
3
gliss.3 3
II
gliss. gliss.
*RH bowing on the bridge LH pizz. on open 1st string
RH
LHpizz.
seco punta d'arco3
desperately hungry (laugh)
gliss.legato 3
ord. angry3
II III3 3 3
grace notes are to beplayed before the beat
concentrates on listening to the singer`s solo
concentrates on listening to the singer`s solo
3739
B-73
�0
MED.
B. Cl.
sel fish- How sel fish you are Li
f
sten- to
molto rit. accel.q = 44 q = 88 q = 106314
mf f ff
MED.
B. Cl.
me e,
ff
- fel
f
low- di
mf
ners. Li
submp
sten.- Li sten- Li sten- Li sten-
accel.
318
f mp
MED.
B. Cl.
li li- li- li- li- li- li- li- li- li- li- li- li- li- li- li- li- li- li- li- Li
f
ste- n!- I
f
l l- l- l- love- cook i- ing-
q = 120
322
ffmp mf
MED.
B. Cl.
hate
mf
eat ing. I
mp
real l- l- l- l- ly- hate
f
it. bloah
327
f mf mp mf f
3 3 3 3
(appoggiaturas are overblown multiphonicsad lib.)
M ord. M ord. M ord. slap3
3 3 3
slap
3
5
slapfr.
slap
3 3
imitates puking (without sound)
3 3
slap3 5
38
B-73
B. Cl.
f
I don`t wan na- be out of shape
e = 126
ff
B. Cl.
I don`t wan na- be
fff
I had a no- rex- y y,- I had bu le- my- but
f
q = 132
p
MED.
B. Cl.
no, no, no, no, no, no, no, no, no,
mp mp ff
I am heal thy- y,- -
q = 92 q = 80
341
ff
MED.
B. Cl.
mp
I eat no thi-
f
ing-
mf
I l l- l- l- l- l- l- love- cook i- ing- eat
accel.
345
p f mf
acts and claps likeher fittness trainer:
randomize tempo (max. ± 2 BPM)
MED. with not so much self-conifdence
331
presto possibilegrowling.
(keyclicks) slap fr. gr.
( )
MED.3
3
335accel. molto rit.
confusedembarassingsilence
3,5"
a very conscious and healthy inhalation
molto vibr.
with propagandistic enthusiasus
th.
35
3
336
slap3 3 3 3
39�1
B-73
�2
MED.
B. Cl.
no thing.-
ff
I deal- for a fel low.- I deal- for a fel -
348
f
MED.
B. Cl.
low I deal- for a fe - he low-
fff mf
I`m a
q = 144q = 132352
ff mf
MED.
B. Cl.
Vla.
Vc.
spe cia- list- in meat dish es.- Un der-
357
f mp
f
MED.
B. Cl.
Vla.
Vc.
stand me? No? Eat no thing,- like cook ing,-
361
f mp pp f ff
ff mf p ppp f mp
(accel)
3 3 3
6 6
(accel) 4,5"with abstract cabaret intonation
3 3
fr.6
33 3
finally participating in playing the "cool stuff"absolutely regardless to the singer.(free and harsh improv) ( ) (
joins the viola player absolutely regardlessto the singer (free and harsh improv)
( )
3 3 3
) ( ) ( ) ( ) ( ) (
( ) ( ) ( ) ( ) ( ) ( )
40
B-73
MED.
B. Cl.
Vla.
Vc.
meat dish es…- Hm? Hm?
Libero(cca. 4")molto rit. 366
f
fff
p fff
MED.
FAT
B. Cl.
Vla.
Vc.
Thank
f
you. Thank you. So
mf
you can
q = 60
45 46371
Bra vo-
ppp mf mp
pp mp
sf mp mp
3
gives a cue to the bassclarinetistto stop playing
quasi gliss.slap3 3
( ) ( ) ( ) (on cue)pizz.
( ) ( ) ( )(on cue)pizz.
(ossia: )
(ossia)
3
smiles in a seductiveway to Medium
change to Cl. in A Clarinet in A 6
3
flaut ord.
gliss.
I.II.
41�3
B-73
��
MED.
Cl.
Vla.
Vc.
eat me, of course, I
f
can be your food. But
mp
if I`m not the one to be eat en,-
q = 60375
mf ppp p
f
f
MED.
Cl.
Vc.
I
f
will pre pare- a
mf
won der- ful- meat dish from our sac ri- fice- And
mf
dish it up to my
q = 90 rit. q = 72379
p mp p p
pp p
p
MED.
Cl.
Vc.
frien d,- - With
f
out- eat ing- a bite.
383
mf
dolce3 3 33 3
3
3
3 3 5 5 3
55
Vla.
pizz.behind the bridge
IIIIIIIV
starts embrassingly squirming(eg.checking the bow, the tuning, tries to find an ideal sitting-position...etc)
embrassingly squirming just like the viola player
3 3
gliss.
Vla.
42
B-73
THIN
Cl.
Vla.
Vc.
you've
f
con vinced- me con gra- tu- lation [zZzzZz]-
q = 70
47
385
f
mf
f
MED.
Cl.
Thank
mf
you. Thanks. Thanks.
q = 9248
387
mp
FAT
Vc.
It's
ff
my turn! my
f
speech
q =56
49390
sf mf f mf ff
mp
mf
whistle
nasal
3
slap, possibly unpitched
5 5 5 5
arco
3
col legno batt.
9
(ossia: )
hfr.
rough, mighty
3 3gliss.3
pizz.
arco
3
II
gliss.
legato gliss. 53
3
3
43��
B-73
��
FAT
Vc.
will be brief I
mf
don't want to
392
p mp p mf mp f p
FAT
Vc.
force you
mp
You must make a de ci- sion- your selves- I
f394
mfmp
FAT
Vc.
am your ser vant- and your
mf
your your
f
will is sac red- to me!
396
mf f mp f sf f mp f sf
FAT
Vc.
mf
I eat what I am gi ven.-
399
mp mf p mf f sf mp mp p
tight voice (closed throat)exagerated large show
vibr.Precious
3 3 3
(§)
5
3
6
Obviously6
Mighty3
6 3
6
c.l.tasto
suoni martellati (left hand)
f
6
3
3 6
gliss. gliss.
confused lost in vocalization3 3 6 3
sul tastoIIIII
ord.
3
33
Precious
3 makes a sad expression3 3 3
suonimartellati arco
II 6
6
3 pizz.36 3 3
3
44
B-73
�7
FAT
Vc.
But I am in di- ge- sti- ble- I have al ways- been weak bo
q = 63402
mp mf
FAT
Vc.
o- o- o- o- ny- and scraw ny- two
mf
me tal- ribs one am pu- ta- ted-
404
f mf mf mf f mp mf
FAT
Vc.
ki dney- one leg shor ter- than the o ther- aw
f
- ful aw [o- o- o]- ful
406
f mf p mf mp f mp f
FAT
Cl.
Vc.
mf
Why should I hide it?
f
I like
ff
straight talk! But
p
I don't want
q =60 Hypnotising409
p sempre
mp f
p f p sempre
3(§)
33 3 3 33
arco pizz.
3 3
pizz. sempre3
3
3 33
weeps ,3 3
arco on the bridge pizz. , pizz.
3 3
3 3
patheticportamento
3 3 33
arco pizz.
3 3
I
arcovibr.
gliss.
3
3gliss.
Naughty3
III III
II
pizz.
3
45
B-73
��
FAT
Cl.
Vla.
Vc.
to force you you must must de cide- your
413
pp p mp mf
FAT
Cl.
Vla.
Vc.
selves
416
f
THIN
Cl.
Vla.
Vc.
you
f
[a] [a] [a] won
f
der- fu l I am a se ri- ous- man I've
q = 60
50
418
mf
mf
33 3
c. l. flaut.
7 7 77 7
7 7 7 7 7
33 3 33
slap, possibly unpitched
5 4 5 3 4
ord.
col legno batt.IV
46
for perusal for perusal
for perusal for perusal
B-73
FAT
THIN
Cl.
Vla.
Vc.
Well
p
that's the end
q = 60 Hypnotizing
51421
made my de ci- [ ]- [n]
p f p
p
FAT
Cl.
Vla.
Vc.
of the cam paign- Let's start the bal lot-
424
pp mp pp p
FAT
Here is the bowl. We shall put our vo ting- slip in to- it with the name of
fast recitative427
3 3 3
3
5 4 5
pizz.
3gliss.
33
flautando
7 7 7
spoken sung3
With complicity3 3 3
47�9
B-73
�0
MED.
FAT
Cl.
Vla.
Vc.
I`m
mf
so e[
xk
--
cs
--
cs
--
cs
--
cs
--
iaj
--
ted!t d]
--
q = 112
52431
the can di- date-
mf ff mp p
mp f mf f
p mf mf mp p
THIN
Vla.
give
f
me your pe [n]- [pli] [z] thank
mf
you thank
f
you so much
q = 60
53
435
mf
FAT
Cl.
Vla.
Vc.
mp
Now we shall count the vo otes-
q = 66q = 90
54 55438
f
f
mf f f
33 3 3
3
3
7
ord. pizz.
arco pizz.
5
33
3 3 3
arco 3 3
3 3 3
6
arco
6
arco gliss.
36
48
B-73
MED.
FAT
Cl.
Vla.
Vc.
Ex
mp
ci- ting!- Ex
mf
ci- ting!- Let’s
f
count the votes!
q = 100accel.
q = 60
56440
mp
Vo ting- shar pens-
pp fff fffmp fpp
ppfffmp fpp
ppfff fffmp fpp
FAT
THIN
Vla.
the ap pe- tite-
q = 55 q = 50
57444
you shoud be more tact ful- what hap pend?- what's the mat ter- [m]
p
f pp
MED.
B. Cl.
Vla.
Vc.
"mp"q = 60
accel.58447
f
p f
p f
3
3 3
h. (q + h)change to BCl.
h. (q + h)
fff
pizz. arco
h. (q + h) pizz. arco
3 33 3
pizz. arco3
3 3 3
5
Bass Clarinetopen slap
6 5 5 6
ord.6 5 5
6ord.
5 6 6
5 5
49�1
B-73
�2
MED.
B. Cl.
Vla.
Vc.
What’s
f
the re sult?-
q = 100
q = 6659450
pp f
p ff sf
p ff sf
FAT
B. Cl.
Vla.
Vc.
452
f ff
sf ff
sf sf
FAT
B. Cl.
Vla.
Vc.
f
We must an nul- the e -
453
f
sf sf sf sf sf
sf
(slap) (double tongue)5
5 5
molto s. p.
3 3
molto s. p. 3 3
55 5 5
Furious3 3
5 5 5 5 5 5 5 5
molto vibr.
gliss.
3
molto vibr.
50
B-73
FAT
B. Cl.
Vla.
Vc.
lec tions- there are four cards four
455
f ff
sf f ff sf
f ff sf
FAT
Vla.
Vc.
One
f
of us is a cheat who is try ing- to sa bo- tage- the e -
457
ff f
mf f p f p mp f mp ff sf f
FAT
Vla.
Vc.
lec tions- Let's eat eat
460
ff fff
ff fff f ff sf sff f
gliss.3
5 5 5 5 5
arco
3 33 3
3 3
3
pont.
gliss.
3(§)
3 3 pizz. arco
(b)
* Bow very briefly in a rigid position, with a fringe force in order to distort the sound.
tallone*tallone
3 3
** This parts should be played 8va alta if possible
c.l.batt.
ord.**
3 33
3
gliss.
51�3
B-73
��
FAT
Vc.
let's eat the sa bo- teur- eat the one who op po- ses- de moc- ra- cy-
462
f sf fff mp ff mf f fff f sff
MED.
THIN
B. Cl.
Vla.
Vc.
Was
f
that
ff sub. mp
you u?
ff
- -
q = 55 q = 112
60 61466
de
f
mo- cra- cy- is out of date
ff mfp
mf
f ff mf f
FAT
THIN
Vla.
q = 55 q = 50 q = 60
62 63 64471
no
mf
[ou] [ou] not me
p
it
f
was not me
mf p f
33 3 3
> sul pont.
3
>pont. tallone
gliss.
>pont.3
non vibr. (moltovibr.) sub. non vibr.to Thin
333
change to Cl. in A
33 3
pizz.
Spoken:
Bastars. Confess. Must tell me. You!
3
52
B-73
MED.
THIN
B. Cl.
Vla.
Vc.
mf
Give up de moc- ra- cy- - (y)
pq = 104 Libero
65474
I just hate de moc- cra- cy-
pp
ppp
ppp
MED.
Cl.
Vla.
Vc.
Let’s
mp
try to slee p.- To sleep and wait. Wait for…. Wait
q. = 52478
MED.
THIN
Cl.
Vla.
Vc.
for…
pp q = 5066482
[a]
mf
[i] a m- [m] [m] slee pi- [n] [n] [n] drea - - -
sffz sffz mp
mf
f f
3"
3 3 3
3
3
G#Clarinet in A
legato possibile
3
legato possibileextremely slow bowing-speed
3
arco
legato possibileextremely slow bowing-speed
2
F S
sing glissando
F
on the tailpiece
53��
B-73
��
THIN
B. Cl.
Vla.
Vc.
ming- of
f
real life
p
and
f
wai ti- [n] just wai
p
ti- [n]-
485
mp sffz
f mf
f f f
FAT
THIN
Vla.
Vc.
mf
We need some one who of fers- him self-
67
488
pp p mp
pp p mp
FAT
Vla.
Vc.
we need a per son- of de
f
vo- tion- a per son- of
492
f ff ff
f ff ff
3 3 3 3 3
5 3
F S
sing glissando
F S
sing glissando
gliss. gliss.3
q = 66 Pompous
33 5
33
5
very solistic very excited3 3
IV
3
stop playing and look to FAT with admiration
3
3
III
3
stop playing and look to FAT with admiration
3
3
54
B-73
FAT
in
ff
spi- ra- tion-
mp
o on- ly- a vo lon- teer- can
496
FAT
THIN
Vla.
save
f
us
q = 5068499
no
mf
it hurts I'll go to sleep
p mf
f mf
MED.
FAT
THIN
Cl.
Vla.
Vc.
Lis
ff
ten- to him!
q = 92 q = 66 (72) Idealistic69 70
502
Al
f
thought- it's rare
mp mf f mp sf p
mp mf
mp sf
content of himself, looksto see the effect of hiswords on the other Encouraging Thin
3 3 3 3
Spoken:
Listen to.. me!
33
3
3 3
7 5 3
7 5
pizz.5 3 3
55�7
B-73
��
FAT
Cl.
Vc.
but yes yes we've fo und- a man with such a such a cha rac- ter-
504
mf mp mf
sf p f ff
FAT
Cl.
Vla.
Vc.
love for the neigh bour- and
f
sense
507
sf p pp
p
sf f
FAT
Cl.
Vla.
Vc.
of du ty- so much lo yal- ty- Yes
ff
we've found him!
511
f
mpmf
f
33 3
arco
33
IV
tasto
III
II3
IV III
3
pizz. arco
3
3 3
3
3 gett.
3
3
3
3 3
56
for perusal for perusal
for perusal for perusal
B-73
�9
FAT
Cl.
Vla.
Vc.
mp
When I first
mp
saw him I soon re a- lized- he is
q = 72515
ff p
ff
ffp p p
FAT
Cl.
Vla.
Vc.
dif fe- rent- from all of us in
mf
nate- no bi- li- ty- De sire- for
520
p mp p mp mf sf
p mp p mp mf sf
FAT
B. Cl.
Vla.
Vc.
the good yes that's you My
f524
f mp f f p f
mf f sf f
mf f sf
3 3 3 3
non vibr.3
gliss.33
gliss.
I.non vibr.
gliss. vibr.3
3 3 5 3 3
3change to Bass Cl.
gliss. gliss.5
gliss.pizz.
3 gliss. gliss.5
gliss.
pizz.gliss.
gliss. gliss.3
Bass Cl. Eb
gliss.
pizz. ord.
pizz. ord.
57�9
B-73
�0
FAT
THIN
B. Cl.
Vla.
de ar,- de ar- friend
q = 5471528
no
f
[ou][ou] no
mf
not me
f p f f
ff f p f
MED.
Cl.
Vla.
Vc.
f
In my whole li -
Libero q = 5472
531
mf f p
pp
mp p
MED.
Cl.
Vla.
Vc.
fe I’ve ne ver- met a bet ter- man.
fpoco rit. 534
mf p mp ppp
mp
mf mp ppp
3
3
3
gliss.change to Cl. in A
arco 3
3" 4" to Thinespressivo, molto vibrato
3
Cl. in Abisbigl.
3
(II.)
3
00
00
00
0III.
58
B-73
FAT
THIN
B. Cl.
Vla.
Vc.
Yes
f
you came to
q = 55 q = 66
73 74538
no
f
no not me
mp
f mp
p mf
FAT
B. Cl.
Vla.
Vc.
save us you were born to do that yes, yes Sa viour-
540
mf f f mp f
f ff f mp f mp
f mp mf f mf f f mp f
gliss.3
3
3
change to Bass Cl. Bass Cl.
gliss.
(octava: ad lib.)
3
sul tasto flaut. III
I
3 3
3 3
33
gliss.
3
gliss. II III
3 3
3
III gliss.
3
59�1
B-73
�2
FAT
B. Cl.
Vla.
Vc.
Sa viour- Sa viour- you you are
544
mp
f f ff
sf sf mf f ff f
FAT
THIN
B. Cl.
Vla.
Vc.
Sa viour!- - - - - -
q = 60
75546
no no not me
f ff
ff sf sf sf f
ff sf sf sf sf
THIN
Vla.
I won't be your vo lun- teer not for [a] [zZzz]
548
ffDelirating
33
3
3
II III I II3
3
3
Extatic
gliss.3
3
3
3
3 3 3 3 3 3
3 3 3 3 3 3
60
B-73
FAT
THIN
Vla.
q = 50
76550
not for a ny- bo- dy- no no [ou][ou] not me [m]
p
p
THIN
Vla.
Vc.
yes! ab so- lu- tely- I don't want to be a he ro- ne ver- no no [ou][ou]
77553
f p f
THIN
B. Cl.
Vla.
Vc.
have
mp
no call for great ness- [m]
p q = 108
78556
ff
mp p
ff
MED.
B. Cl.
Vla.
Vc.
Nev
ff
er- e ver…- ne ver- e ver- a word with you!
x = j6
559
fffmp p ff sub. mp ff submf
ppp
fffmp p ff sub. mp ff sub.mf
Refusingus?
Spoken:Angry
3 3 3
3 3
3 3 3 3
f p f
3
e = 100
gr. 3
II.III.
3
ossia3
21
21
12
12
3
61�3
B-73
��
MED.
B. Cl.
Vla.
Vc.
f
I thought you were a man of
q = 69561
mp mf
mp mf
mp mp
MED.
B. Cl.
Vla.
Vc.
ho nour,- The pat ri- ot- of our raft.
563
mf mf mf
ff
mp mp mf
MED.
B. Cl.
Vla.
Vc.
Good bye.- Lo s- t- a friend. Ne ver- e ver- will speak a-
q = 82565
fff mf fff sub.mf
f
fff mf fff sub.mf
molto vibr.3 5 3
3 5
6 6 5
5
III.IV.
0 0 06 6 5
5:6
growl.
5:6x
5:6x
7:6x
0 0 5:6x
3 6 5 3
3
slap
3 II.I.
I.II.
0
62
B-73
��
MED.
B. Cl.
Vc.
gain.
q = 108567
p sub.ff fff
p sub.fffff
THIN
B. Cl.
Vla.
Vc.
I
f
had a mi se- rab- le- and un for- tu- nate- [la]
q = 50
79569
p
p
p
THIN
B. Cl.
Vla.
Vc.
mp
[aif]
mf
no
f
thing- e ver- - worked for
572
f p
f p
f p
growl.3
III.IV.
II.III.
33
5
pizz.
3 3
3
3
3 33
5 5
arco pizz.
5 5
5 5
63��
B-73
��
THIN
B. Cl.
Vla.
Vc.
me I
mf
need jus tice-
575
f mf
fmf
f mf
THIN
B. Cl.
Vla.
Vc.
pu re- jus tice- [a]
f
[i] [bi] [i] [li] [v] [i]
mp
[n]
577
f mp
f mp
f mp
THIN
B. Cl.
Vla.
Vc.
com pen- sa- tion- [n]
f
u
f
ni- ver- sal- jus tice- will
579
mf
mf
mf
5
sing glissando
pizz.arco
3
sing glissando
ord.fr.
ord.fr.
ord.
3
fr.ord.
3
3
sing glissando
ord.fr.
pizz.
64
B-73
�7
THIN
com pen- sate- for my lack of hap -
582
THIN
B. Cl.
Vla.
Vc.
mp
pi- ness-
585
p f p
p f p
p f p
FAT
Vc.
Why do you think you are the
q = 60 Nervous
80
587
p pp p mf mp mf mf f mp
FAT
Vc.
on ly- one who had a tra gic- life?
589
mf p mf mp f
33
33
3 33
35
5 5
pizz. arco pizz.
5 5
5 5
3 3 3 3
gliss. gliss.
3
3 3
3
65�7
B-73
��
MED.
FAT
B. Cl.
Vla.
Vc.
mf
I don’t spea k- to him.
q = 120
81
591
Say some thing-
f
p mp mf mp p
f
FAT
Let's
mp
see by the way I'm an o o- or- phan- no fa ther-
q = 56 Fake distress
82
596
FAT
no mo ther- a lone- in the cru el- wild world
600
FAT
Vc.
Right af ter- my birth I be came- an or phan-
603
mp mf mp mf f p
cuts her nails with a scissor:
MEDIUM SOMEHOW GETS A SCISSOR
(to Medium)
on the beat s.
arcoflaut.3 flaut. flaut.
5flaut. flaut.
3
pizz.
3 3 #3 3
# 3 33
3 3
pathetic3 3
33 3
FAT: alone in a cruel wild worldarco
ironic
III
66
for perusal for perusal
for perusal for perusal
B-73
�9
MED.
B. Cl.
Vc.
So
mf
am I[a ]- - -
An
p
or phan.-
q = 92
83
606
mpmf pp p
FAT
B. Cl.
Vla.
Vc.
we
f
are both or phans- but what a bout you?
q =60 Pompous
84
610
f
mf mf f ff
f
THIN
Vla.
at
p
this point it's bet
f
ter- to be an or phan- my
f
mot her- crie [zzz]- for me she
q = 50
85
613
p mf mf
3 3
3 53
33
33
spiccato spicc.77
3
ord.
33
3 3 3 3 3
3
3
3 3 3
3
3
3 3
67�9
B-73
70
FAT
THIN
Vla.
Vc.
f
You have a mo ther-
q = 72 Recitative86
616
mourns me in her lon li- ness poor mot her-
sf
FAT
Vc.
mf
it's time to re pay- this this mo ral-
619
p mp mp mf p mf f mp p f mp ff
FAT
B. Cl.
Vc.
mo ral- dept to the
f
or phans- of
621
p
p mp mf f p
Accusatory tone
3
3
3 3sul pont. c. l. batt.
Picks up the instrument (prepared with strips of paper between strings)
33 5
ord.(§)
gliss.
3 355
33
change to Cl. in AClarinet in A
*non vibr.
3
gliss.3>pont.
sul
3
68
B-73
Cl.
Vc.
the world! Who've
mp
ne ver- known a mo ther's- care the
q = 66
623
pp sempre
pp
FAT
Vla.
Vc.
warmth of a home. Christ mas
cresc. poco a poco
- with the fa mi- ly- Thanks gi- ving- Tur key-
627
f
dolce
p pdolce
p mp p p
FAT
Vla.
Vc.
mf
Late night fai ry- tales A
cresc. molto
mour ning- mo ther- who you have!
f630
f sf sf sf sf ff
mp mp f
mp mf f mp mf f
Sad expression
35
FAT plays the viola, nervous
*Guitar like play
with plectrum.*3 3
III
arco, c. l. tratto, sul pont., whole bow, very slowly
+++++++
33 3 3
33 3 3 3
3 3
++++ord.
the viola player comes to FAT and takes back his instrument
33
3 3
aleatoric pizz. on all strings 3
IVsul tasto ord. vibr.
3 3
vibr.
3
vibr. molto vibr. molto
3
6971
B-73
72
FAT
THIN
Vla.
May
p
god grant her
q = 60 q = 66 Sweet87 88
633
may
mf
be- she's dead she
p
was week last [tai]
f
[m] [m]
p mf
FAT
Vc.
a long life Do
pp
you re mem- ber- those
635
pp
FAT
Vc.
cold au tumn- eve nings- Bare foot in the snow we were
639
FAT
Vc.
sel ling- ma tches- - to the pas sers-
644
3 3
33
33
3
3
3
33 vibrato
Nostalgic, almost dreaming3
33 3
III
arco, c. l. tratto, sul pont., whole bow, very slowly
* Slowly changing stopped harmonics in the limits of the ones indicated.No glissandi as possible, all the microtones are welcomed. Open 3rd string as a fundamental throughout
+++++++++
3 3 3 33 3
++++++++++++++++++++++++
3 33 3
33
+++++++++++++++++++++++
70
B-73
MED.
FAT
B. Cl.
Vla.
Vc.
Do
mf
not talk a bout- that time. I try to for ge- t- those
q = 60
89647
by...
pppp
mp mf mp
pppp
MED.
THIN
B. Cl.
Vla.
Vc.
year s.- Night
f
mares- of the pas t.-
q = 90 q = 50
90650
wai
f
- [i]
p
- t
mf
listen!
f
f
f
f
33 5 5
STYROFOAM BLOCKS rubbing against eachother on their biggest possible surface (two small blocks, approx. 4cm x 6cm x 12cm each) Dynamic indication are refering to the speed of the motion as well (f = fast rubbing motion, p = slow rubbing motion)
legato possibile3
3
( ) q )
STYROFOAM BLOCKS rubbing against eachother on their biggest possible surface (two small blocks, approx. 4cm x 6cm x 12cm each) Dynamic indication are refering to the speed of the motion as well (f = fast rubbing motion, p = slow rubbing motion)
3 3
whisper3
change to Cl. in A
pizz.
7173
B-73
7�
THIN
Vla.
I heard some thing from out side- is there a ny- bo- dy?-
653
FAT
Vla.
Vc.
Don't
f
change the sub ject.- Of course, when hu man- suf fe ring
q = 60 (66) Exercing authority
91
655
sfz sfz sfz sfz sfz sfz sfz sfz
sfz sfz sfz sfz sfz sfz sfz sfz
FAT
Vla.
Vc.
a rises- you feel nothing in your heart Sel
mf
fish sons of
658
sfz sfz
sfz sfz p f mf ff
FAT
mo thers- spen ding- their child hood- play ing- with toys
661
f ff
3 3 3 3
5
3 3
3
arcopizz. arco
5
3
33 3 3
3
3
3 3 3 3
35
3 3nervous, moves to viola player
3 3 5
3
33 >pont.
sul
5
33
FAT plays his instrument with plectrum. Scratch the strings
* thumb arpeggio
plectrum arpeggio (the plectrum should be hold between 1st and 2nd fingers)
*3 3 3
72
B-73
MED.
FAT
B. Cl.
Vla.
Vc.
Son
mp
of a mo ther.- Sonof a mo
e = 140 accel.92
664
f
Toys and ted dy- bears!
ff
mp
mp
sf sf p sf f mp
MED.
Cl.
Vla.
Vc.
ther.- Of a mo ther.- Son
f
of a mo ther.-
e = 180668
f
f
f
,
apoggiaturas should be played before the beat
Pathetic
3 5 ,
very aggressive play
3 3
,Clarinet in A
,
ord.
sf
,5 3 5 3
737�
B-73
7�
MED.
Cl.
Vla.
Vc.
Son
più f
s- o f- mo ther- s.- I’m
fff
fed up with them.
poco liberomolto rit. q = 104
673
mf [z] [f] ppp f
mflike:[z] [f] ppp f
mflike:[z] [f] ppp f
THIN
Vla.
si
f
lence- ca [n]- [n] [n] [n] [t] you hear tha - [t]
q = 50
93
678
f f
FAT
THIN
Vla.
Yes now I can hear...
q = 60
94 95680
a
f
ny- bo dy?
f
55 3
sing directly into the mouthpiece ord.
5
ord. 35
ord.5
3 53
3
pizz. arco pizz.
3
3
3
3
74
B-73
MED.
Cl.
Vla.
Vc.
e = 140
96
682
[f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f] [f]
MED.
Cl.
Vla.
Vc.
loo
mf
hoo- hook- a me he- me he- he- a
f
me ess- age-
G.P. G.P.
poco rit.
689
[f] [f] mf p
mp
mf p
THIN
Vla.
Vc.
a
f
mes sage- for me a mes sage- for me there
p
is li fe- o ut- si de- they
f
are
q = 50
97
698
f p f
cuts again with her scissors.
imitates the sound of the scissor-cuts (into or with the mouthpiece)
turn your head into the indicated direction (you can keep your eyes on the score, rest means neutral postition)
turn your head into the indicated direction (you can keep your eyes on the score, rest means neutral postition)
childish dramatic
change to Bass Cl.
alternate freelybetween the two pitches(not too fast)
3 3 5
, 5
7577
B-73
7�
MED.
THIN
B. Cl.
Vla.
Vc.
Bring
f
us food.
q = 120 rit.
98
700
watching [a] [ZzzzZz]
f
f
f
MED.
B. Cl.
Vla.
Vc.
Bring us food.
mp
We
mf
are
ff
star ving- -
q = 50
703
mpf pp
mpp f
mpp f
33
stomp:
Bass Clarinet 3 3 3
stomp:
3 3 3
stomp:
33 3
molto vibr.
3 3
(air only)33 3
3 molto sul pont.3
3
3molto sul pont.3 5
76
for perusal for perusal
for perusal for perusal
B-73
FAT
B. Cl.
Vla.
Vc.
Bring
f
us food! be fore- we eat each o- ther-
q = 6099705
fff
fff
fff
MED.
Cl.
Vla.
Vc.
What
mp
if…. what
mf100
708
ppp mp pp pp
p ppp pp mp
p ppp
MED.
Cl.
Vla.
Vc.
if they… They
f
want ex a- c- t- ly-
710
mp pp mf
f
mf pp
33 3 3
change to Cl. in A
( ) q )RH pizz. freely permutate the order of strings
+++++++++++++++++++++++++++++
+++++++++++++++++++++++++++++
RH strike with wood at the bridge
LH pizz.
++++++++++++++
++++++++++++++( ) q )
6 7 7 7
q = 66
Clarinet in A
6 5
gliss.
6
III.IV.
6 6
gliss.
bisbigl.
5
7779
B-73
�0
MED.
Cl.
Vla.
Vc.
that…. They
mf
want to see us ea
mp
ting- each o ther-
714
pp
pp
ppp mf
MED.
B. Cl.
Vla.
Vc.
And
mp
the win ner- will be the one who will have ea ten- two fel lows.-
Libero717
pp
pp
pp
33 3 3
change to B. Cl.
6 3
33 3
14``
Bass Clarinet
3.5``
pizz.
4``
4.5`` pizz. 4``
78
B-73
�1
MED.
B. Cl.
Vla.
Vc.
q = 66718
MED.
THIN
B. Cl.
Vla.
Vc.
What
mp
if….
q = 40
101721
my
mp
friend Z- I've got good
f
news
f
mp f
f p sffz
change at the next beginning of the repeated phrase
change at the next beginning of the repeated phrase
change at the next beginning of the repeated phrase
change at the next beginning of the repeated phrase
change at the next beginning of the repeated phrase
change at the next beginning of the repeated phrase
change at the next beginning of the repeated phrase
change at the next beginning of the repeated phrase
3
change at the next beginning of the repeated phrase
slap, possibly unpithched
5 5
c. l. b.IV
ricochet
79�1
B-73
�2
THIN
B.Cl.
Vla.
Vc.
my
mp
mot her- is
f
dead I'm
f
so hap py- hap py-
q = 45
724
f
f f f
f p sffz f
THIN
Perc.
Vla.
Vc.
I
p
am or phan- as you too
f
a [pu] [a]- or phan- [boi]
727
mf f
p f
p f
FAT
Vc.
It's
f
a trick you've fixed it all up be fore!-
q = 60102729
mp f mf f
5 5 5 5 5 3 3
c. l. b.IV
ricochet
3
3
5 5 5
pizz.arco
3
3
33
Moves to Viola playerpicks up the Viola6
arcoIII
IV
80
B-73
MED.
B. Cl.
That
f
is not e nough to e ra- se- The me e- -
q = 66 giusto
103731
ff p
MED.
B. Cl.
Vla.
Vc.
me mo- ries- of child hood- Bare
mp
foot- in the snow, sel ling- match es-
molto rit. q = 56735
ff mf f mf "f"
ppp
ppp
MED.
B. Cl.
Vla.
Vc.
While
f
you were play ing- with tho se- ted dy- bear s.-
q = 84 molto rit. 741
p mp sub.p mf f mf ff mf mp fmp mfmp
p mp sub.p mf f mf ff mf mp fmp mfmp
3
slap 6
3long 3
33
slapwind-imitationsad lib.
STYROFOAM BLOCKS rubbing against each other on their biggest possible surface (two small blocks, approx. 4cm x 6cm x 12cm each)Dynamic indication are refering to the speed of the motion as well (f = fast rubbing motion, p = slow rubbing motion)
3
STYROFOAM BLOCKS rubbing against each other on their biggest possible surface (two small blocks, approx. 4cm x 6cm x 12cm each)Dynamic indication are refering to the speed of the motion as well (f = fast rubbing motion, p = slow rubbing motion)
3
3 3 3
6 6 5
66 5
66 5
81�3
B-73
��
FAT
Vla.
Vc.
I
f
hate yes, I hate Ted dy- bears! How I hate them all!
q = 66 Furious
104
746
f
mp p p pp
mp p p pp
FAT
Dis gus- ting- sym bols- of hap py- child hood.- Yousee the fact
749
( f )
MED.
FAT
B. Cl.
Vla.
Vc.
Eat
mf
him fried with
q = 100
105752
we are all with o- ut- pa rents- Doesn't make us all e ven.-
mf mp
ppp
f mp
3 33 5 3
mandolin like play(on the viola)
sempre3 3 3 33 3 3 3
tries some noteson the viola (pizz.)3 3
pizz.3
Scratch gliss. on one string with plectrum. Short pauses and changes of the chords are ad libitum kk
3 3 3 3 3
easy butdark
3 3
33 3 3 3
kkkk kkkk kkkk
82
B-73
��
MED.
B. Cl.
Vla.
Vc.
sa lad?- Or stew him with frui t?- Or ma ri- nate- him?
755
mf f mf f
mf f mf
MED.
FAT
B. Cl.
Vla.
Vc.
What a bout- a ske wer?-
poco accel. q = 112 q = 66 Moving, very agitated
106759
You
f
you you are
ff
FAT
Vc.
drea ming.- There is no sa lad- no no no no o- no food
762
ff sf ff
3 3
slap slapliberamente
3
5
3
3 3
pizz arco pizz
3
35
3
change to Cl. in A3 3
(h ) (q) (e)
(pizz.) IV.arco
at the bridge (noise sound)
theatrically3
IV.molto sul pont.
3pizz. arco
3
83
B-73
��
FAT
Vc.
just meat pure meat hund red- per cent- hu man- meat.
q = 72766
f sf ff f ff sf sf ff sf sf sf sf
FAT
THIN
Vla.
Vc.
Well done hu man- steak well done
q = 66 Declamatory q = 60
107
769
look
f
a news pa per- it's
f ff mf ff
THIN
Vla.
new to day [ZzzzZ]- their
p
is li fe- out side [m]
f pq = 50
772
f
3 3
pizz. arco
c.l.batt.
3
3
pizz.
3
3 3
3 33
3
3
3
arco3 33
3
5
arco5
84
B-73
MED.
THIN
Cl.
Vla.
Vc.
mf
A ny- thing- a bout...- us?
q = 104 q = 50
108 109775
[m] what's [ðe]
f
-
p mf p
mfp mp f
p mf p
THIN
Vla.
[t]
f
- I taught him to ride a po ny- says
mf
the but ler- of the cas tle-
779
f mp
FAT
THIN
Vla.
Vc.
What? What?
q = 60 q = 50
110 111782
the
mf
o ver- sized play er- of the S! E! A!
f
f
sffp sf ff sfp ff
3 3
33
3 3
Clarinet in Afr.
3
sul pont.33 3
arco 3
3
5 5 3
3
3
very heavy bowsul pont. ord. s. p.ord.s. p.
> vibr.ord.
85�7
B-73
��
FAT
THIN
Vla.
Vc.
He's lying we did not have a po ny-
q = 60 q = 50
112 113786
his
f
pa rents- were we thy- - a
f
sf f p sfpp ff
THIN
Vla.
ni ce- lo ving- cou ple- - how won der- ful- to see him from
790
THIN
Vla.
day to day we are all [hi] [ZzzZz]- fan [zZzzZ]-
792
5
5 5very heavy bow
pont. ord.sul pont.
3
5 5
5 5 5 5
5
5 5
86
for perusal for perusal
for perusal for perusal
B-73
FAT
THIN
Vla.
Vc.
Tab
f
lo- ids- Full of lies.
q = 60 q = 50
114 115795
you
f
used to live in the pa lace- took po ny less ons
f
f sff
FAT
THIN
Vla.
Vc.
Pony?
f
Your po ny?-
q = 60
116799
it's
p
too much ri
f
ding- a po ny-
p
f sf
FAT
THIN
Vla.
Vc.
You are think ing- of your own child hood.-
q = 50
117802
wha
f
[t]- [a]
f
mf f sf mf f
disgussed
on the bridge
IV.
nervous
3 3 3
3 3 3 3
3 3 3
3
87�9
B-73
90
FAT
THIN
Vla.
f805
I have had no con nec- tion- with- what so- e- ver- to a ny- po ny-
FAT
Cl.
Vc.
mf
My fa ther- didn't e ven- know the world P O N Y he was
q = 60
118
807
p
sf p mp
MED.
FAT
Cl.
Vc.
Poor
mf
po
e = 184 molto meccanico119
il li- terate-
mp mf
mf mp p ff mp
spoken:
Neither have I!
5 3 5
pizz.
5
3
5
sung spoken whisper3 3
3
gliss. gliss. gliss. 3
5
3 3
810
33
gliss. change to Bass Cl.3
Bass Cl. 3
batt.
ord.3 3 batt.
3 3
3
33
88
B-73
MED.
B. Cl.
Vc.
ny. No bo- dy- wants him. Don`
f
tyou fee la- ny pi ty- for tha ta ni- mal?-
815
p
mf pp
MED.
B. Cl.
Vc.
What
f
e- ver- hap pened,- you owe him the
820
f mf f
ff mp p
MED.
B. Cl.
hap pi- est- mo ments- of your child hood.-
825
mp sub.f p
p p
3 3 33 3 3
3 3
c. l. batt. batt.
3 3
c. l. batt. batt.
3 3batt.
3 3
3 3 3 3
3 slap 33
3 3 3 3
behind the bridge
IIIIIIIV
c. l. batt.on the body
3 33
3
3
33 3
33
Vc.IIIIIIIV
col legno batt.on the body
3 3
with bow on the edge of the body
3
3 3
8991
B-73
92
MED.
FAT
THIN
B. Cl.
Vla.
Vc.
� mf �
No.
q = 60
120 121 122
[m]
mf
but [ð] that- news [pe]- [i]- per
mp
No.
mf p
FAT
THIN
Vla.
Vc.
My
mp
dear de ar- friend
123 124832
[m]
mf
but [ð] that but ler-
mf p
p mp
(mimingwithout sound)
828
Spoken
What news paper? Have you seen any?
change to Cl in A
overdoubing Medium(normally spoken, low male voice)
arco
c. l. batt.on the body
3 3
with bow on the edge of the body
+++++++++++++++++++3
Pitying
33 3
33 3
90
B-73
FAT
Vc.
You're hal lu- ci- na- ting- It's be cause- the hun ger-
836
p mp mp f p
FAT
Vla.
Vc.
It's the be gin- ning- of the pro cess:-
mf
dy ing- dy ing of hun ger- so much
838
sf sf sf
sf sf sf
FAT
Vla.
Vc.
so much suf fe- ring- poor fel low-
841
sf p mp
sf sf mp
Anxious3 33
3 3 3
33
3 33 3
3
3 3
3 3
3
3
3 3
3I
on the bridgemakes a sad expression
3 3looks to Viola
3renonounce playing
9193
B-73
9�
MED.
Cl.
Vla.
Vc.
Poor
ppp mf
fel low, you’ve gone mad. So ear ly?-
125
mp mf
MED.
Cl.
Vla.
Vc.
Poor
mp f
fel low.- You’ve
sub mp
lost con scious- ness.- I ma- gin- ing- things.
848
mp
p
p mf
MED.
Cl.
Vla.
Vc.
news
mf
pa- pers- but lers.- How sad, rea ly- sad.- Poor
f
fel low.
mf
-
850
f
mf p mp
p mp f pp
in this section instructions with italics are theatrical.please perform it only upon agreement with the stage director. dynamics for Vla and Vlc are also indicating the intensity of gestures and movements
8443
like hypnotizing Thin sing3
Clarinet in A
sits still with a crumbled newspaper(not recognizably for the audience)
= newspaper sheet crumbled or folded= newspaper sheet opened up normally
sits still with a crumbled newspaper (not recognizably for the audience)
33 3
open up the newspaper sheet with continous movement.concentrate purely on the sound you create, don`t pay attention of the theatric aspect of your action.
open up the newspaper sheet with continous movement.concentrate purely on the sound you create, don`t pay attention of the theatric aspect of your action.
33 3
tears vertically down a small piece of newspaper (one continous action)
tears vertically down a small piece of newspaper (one continous action)
crumbles up the small piece into a ball.
92
B-73
MED.
Cl.
Vla.
Vc.
Dear
f
frie nd You need some gui dance- to re tu- rn- - - - to socie ty.-
accel.
852
f pp mf mf
mf mf ff mp
MED.
Cl.
Vla.
Vc.
To be co- me-
q = 78854
ppp
ff mp
f pp
33 3
vibr.
crumbles up the small piece into a ball.
throws it onto the strings of his/her instrument
takes the rest of the newspaper and tears a piece vertically off again
throws it onto the strings of his/her instrument
takes the rest of the newspaper and tears a piece vertically off again
crumbles up the small piece into a ball.
O2 o o G# x ___x___ o o Eb x
vibrato-like blowing,lower note continous
crumbles up the small piece into a ball.
throws it atthe viola player takes the rest of the newspaper
and tears a piece vertically off again
939�
B-73
9�
MED.
Cl.
Vla.
Vc.
a use ful- part of the wo rld- - -
855
f
ff mf
ff mf
MED.
Cl.
Vla.
Vc.
We know how it could be done.
856
pp
ff mp
p mf
3
throws it atthe clarinet player
takes the rest of the newspaper and tears a piece vertically off again
crumbles up the small piece into a ball.
3
x xBb xB__x___ x xEb x
crumbles up the small piece into a ball.
throws it to thebackstageresignatedly
takes the rest of the newspaper, folds it properly and carefullyplaces it beside his/her music-stand
94
B-73
MED.
Cl.
Vla.
Vc.
We can help
857
mp
ff mf
MED.
Cl.
Vla.
Vc.
you. Poor
mp
fel - -
858
" f "
ppp f
MED.
Cl.
Vla.
Vc.
low We
f
will save you. We
859
mp f
mp f mp mp
throws it atthe conductor
repeats his action of tearing up the newspaper and crumbling balls (bullets). Throws them at the audience with anger.
prepares for playing the cello
F
A
9597
B-73
9�
MED.
Cl.
Vla.
Vc.
will save you. We
ff
will
860
fff
f mp f
MED.
FAT
Cl.
Vla.
Vc.
save you. We will.
rit. q = 60861
mp
Our so
ppp
FAT
Vla.
Vc.
ci e- ty- needs you with this you'll re turn- to it
q = 80
126863
pp
pp
Precious
change to Bass Cl.
sits tired and still
II.III. molto sul pont.
gliss.3 3 3
3
IIIII
3
I III
3
96
for perusal for perusal
for perusal for perusal
B-73
FAT
Vla.
Vc.
mf
So ci- e- ty- will greet greet you
866
FAT
Vla.
Vc.
the
mp
best way is to eat you Would
mf
you mind lay ing-
f
the tab le?-
869
mp mf mf f
mp mf mf f
MED.
FAT
B. Cl.
Shall
mf
I get the plates?
q = 112
127 128873
Of course.
ff sub.mp mf
Pompous 33 3 3
IIIII
IIIII
3
3
33
3 3 3
gliss.3
gliss. gliss.33
3 3
Bass Clarinet3
9799
B-73
100
MED.
FAT
B. Cl.
One
f
or two knives?
129 130876
Two.
f p f
MED.
FAT
B. Cl.
mf
Nap kins?
q = 84 q = 60
131 132880
Na
mf
tu- ral- ly-
ff GRRR GRRR ff
FAT
Cl.
Vla.
Vc.
e
mp
very- thing must be just so we want a pro per-
884
p mp
p
mp
p mp
growl slap gr. s. gr. s. gr. s. gr. s. gr. s. gr. s. gr. s.
3
Enthusiastic5
growl.
(growling, agressive sound from the throat, sounds similar to frull.)
vocalizeonly
growl
3
vocalizeonly
growl change to Cl. in A
3
more and more feelings
3 3 3
Clarinet in A3
flaut. 3
7
73
7pizz. 3
98
B-73
FAT
Cl.
Vla.
Vc.
din ner.- We want a
f
ce leb- ra- tion- -
887
sf p mp mp
mfp
sf
sf p
FAT
Cl.
Vla.
Vc.
of this man our friend
889
f
f sf sf sf
mf fff f sf sf f
FAT
Cl.
Vla.
Vc.
let us be gin!- -
891
f mf ff
ff
ff
3almost delirating3 3
slap 3
sul pont.I ord.
79
c.l. batt. ord.
3
slap3
slap slap3
3
3
3 3
3
3
7
gliss.
6
99101
B-73
102
MED.
FAT
THIN
Cl.
Vla.
Vc.
mf
As you say,
f
Dar ling.-
q 72 q = 60poco rit. 133 134
892
mp
all
f mp f mp pp mp ff
f mp f mp pp mp ff
THIN
Cl.
Vla.
Vc.
right all right just let me give you a word of ad vice- for your own sake
896
sffz sffz f
mp
f f f
dolcee legatomolto vibr.3 3
3 3
legato possibile
3
3
5 33
F
sing glissando
S F
sing glissando
S
sul pont.ord.
ricochet. . . . . pizz. arco sul pont.
on the tailpiece
100
B-73
FAT
Cl.
Vla.
Vc.
mp
What a bout?-
q = 56135
899
p pp
pp p
pp p pp
THIN
B. Cl.
Vla.
Vc.
ga
mp
stro- no- - my- don't you think it would be
136901
sffz
mp
f
THIN
B. Cl.
Vla.
Vc.
bet ter- if I had a wash be fore- the thing
904
sffz f
f f
3 3
change to Bass Cl. Bass Cl.Bb
R 3
ord. 33
3 3
arco + legno arco arco + legno
3 3 3 3 3 3
3q = 60
F S
sing glissando
sul pont.ord.ricochet. . . . .
on the tailpiece
3 33
F S
sing glissando
F
pizz. arco sul pont.ord.ricochet. . . . . pizz.
101103
B-73
10�
FAT
B. Cl.
Vla.
Vc.
Cer
mp
tan- ly- what do you think?
q = 56
137907
mp mf
p mp mf
p mp mf mp
MED.
B. Cl.
Vc.
Might
mf
be. He should have a wa sh-
q = 80
138909
mp
ppp
MED.
B. Cl.
Vc.
pp
Hy
mf
gie- iene- is
mf
the ba sis- of health.
fq = 60 q. = 60
( q = q. )
911
f
f
3 3 3
FEb
3
arco3 3
arco + legno arco molto vibr. arco + legno
3 3 3 3
3
5 5 5 5
6 6 6
II
0 06
3 3 3 3
6 5 5
3
ord.(on beat)
3
102
B-73
MED.
FAT
B. Cl.
Vla.
Vc.
I
f
will help.
q = 60139914
Me
mf
too.
mf p
mp p
FAT
THIN
B. Cl.
Vla.
Vc.
mf
Yes a no ble- i de- a- Do
q = 60140 141
916
you've
mp
men tioned- self sa cri- fice-
f
p fp mp p mf
f p mp p mf
FAT
Vla.
Vc.
you un der- stand- now? You re fused- to be leive- me be fore-
920
mp mf
mp mf pp
3
3
3 3 3 3 3
3 3 33
3
S
sing glissando
on the tailpiece
3 33 3 3 33
col legno, sul pont. whole bow (molto lento)III
++++++++++++++++++++++++
10310�
B-73
10�
THIN
Vla.
[a]
sfp sfp
[i]
sfp
- -
sfp
[wo]
sfp
- - [zzzZzz]
sfp
- i
sfp
n- [i]
sfp
[ks]-
142
923
mf
THIN
Vla.
[pi]
f
[ri] e - [nst]!
sfz
sfz
but
sfz
now
sfz
I
925
f f sfz sfz sfz
THIN
Vla.
see there's rea
mp
son- in what you say [ei]
f927
sfp
f
sfp sfp sfp sfp sfp sfp sfp
p
THIN
Vla.
bet
sfp
ter
sfp
- man
sfp
i
sfp
[zZzzZz] wa
f
[ei]- king- - in
f929
mf
3 3 3 3 3 3 3
3 3 3 3
3
3 3 3 3
3 3 3 3
3 3 3 3
pizz.arco
sul III
3 3 3 3 3 3
36
3 3 3 3 3 3 3 3
6
3
3 3
3 3
3 3
3 3
3 3
3 3
104
B-73
THIN
Vla.
me - a new man with in ter- nal- cons cent- and
rit.931
f mf
FAT
THIN
Vla.
Vc.
mf
Yes I
q = 40 q = 66
143933
no bel- ins- pi- ra- tion- is e very- thing- de ci- ded?-
p p mf
p mf
FAT
THIN
Vla.
Vc.
pro mise.-
q = 75144935
I feel sa tis- fac- tion- I
mp
sfp
f
sfp
f
sfp
f
sfp
f
mp
THIN
Vla.
fe el- free do- [m]- (m) li- - be- ra- tion!- - you
938
sfp
f
sfp
fp f
pizz.
( q )pizz.
.
( e.)
( q. )arco
( q.. )
3 3
arco( q.. ) IV
pizz. arco
105107
B-73
10�
FAT
THIN
Vla.
Vc.
More
mf
as a
q = 60145941
must n'- t think of- me- as a slave
sfp
f
sfp
f
sfp
f
sfp
fmf f
mf f
FAT
THIN
Vla.
Vc.
he ro-
q = 75
146944
I was the fi irst- - man- to sa - -
sf sf
sf sf
THIN
Vla.
a- cri- fice- him- self- for- o- thers- [d]
f
[ui] [t] I'm [rrr] [e]- [d] [i]
rit. q = 60947
sfp
f
sfp
f
sfp
f
sfp
f f f
3
molto vibr.3
molto vibr.
3
3
3
106
for perusal for perusal
for perusal for perusal
B-73
109
FAT
THIN
Vla.
Vc.
We
mp
can wait a li ttle-
q = 75
147 148
949
ne
f
ver- my friends are hun gry!-
mf p f
sf mp mf mp
FAT
T.
B. Cl.
Vla.
Vc.
a
mp
few mo ments-
q = 60 q = 45
149 150951
I've
ff
be come- a re al- man
sff sff sff sff
sf sf f
sfz sfz
sfp
f
sfp sfp sfp
mp f f
33 3
3
tasto > pont.
3
3
3 35
vibr. > molto vibr.3
3 3 3 33 3 3 3
5
107
B-73
110
T.
B. Cl.
Vla.
Vc.
[ð] the- man of I deals- there are three of a [zZz]- but
953
sff sff sff sff sff sff sff sff
sfz sfz
sfp
f
sfp sfp sfp
sfz sfz
sfp
f
sfp sfp sfp
f f
T.
B. Cl.
Vla.
Vc.
I'm the one who saves the two ot her- [zZzZz]- I would like if I may to
955
sff sff sff sff sff sff
fsfz f f
f
5 5
3 3 3 3 3 3 3 33 3 3 3 3 3 3 3
5 5
310
3 3 3 3 3 3 3 3
sul II
3 3 3 3
3 3 3 3
108
B-73
T.
B. Cl.
Vla.
Vc.
make a lit tle- speech on the sub ject- of free - - -
q = 80
957
sff sff sff sff f
sfz
sfp
f
sfp sfp sfp
f
f sffz
FAT
T.
B. Cl.
Vla.
Vc.
Is it long? Go a head-
q = 60 e = 126 q = 60
151 152 153959
[d ] [m]- just
mf
a few words
mp
f
75
3 3 3 33 3 3 3
5
ricochetord.
3 3
109111
B-73
112
T.
B. Cl.
Vla.
Vc.
free [d ]- - [m]- means no thing- at all un less- it's true
q = 80 e = 90
154
963
f p f
f
sffz f
T.
B. Cl.
Vla.
Vc.
free [d ]- - - - [m]- that means ev ry- thing- but
q = 80 e = 90966
fp f
f
sffz f
3 33
sing glissando
3
ricochetord. sul IV
3
3 3
sing glissando
ricochetord.
110
B-73
T.
B. Cl.
Vla.
Vc.
where can we find this true free [d ]- - - - [m]-
q = 80969
p f f
sffz f
T.
B. Cl.
Vla.
Vc.
which is not or di- na- ry- free [d ]- - - - [m]- the
e = 90 q = 80972
p f f
sffz f
T.
B. Cl.
Vla.
Vc.
an swer- is sim ple- true free [d ]- - - - [m]- ex -
e = 90 q = 80
975
p f f
sffz f
3
3 3
3
sing glissando
3 3ricochet ord.
3
3
3
3
3
sing glissando
3 ricochetord.
3
3
3 3
3
sing glissando
3 3 ricochetord.
3 3
111113
B-73
11�
T.
B. Cl.
Vla.
Vc.
ists on ly- where there's no or di- na- ry- free [d ]- - [m]- no
e = 90 q = 80978
p f f
sffz f
T.
B. Cl.
Vla.
Vc.
free [d ]- - - - [m]- at all
981
sffz f
MED.
FAT
THIN
Vla.
Where`s
f
the salt?
q = 82 q = 60 q = 50
155 156 157985
Don't in ter- rupt- him.mp
so [ai] [v] de -
f
3
5
3
sing glissando
5ricochet
ord.
5
3 3
change to Cl. in A
ricochetord.
3
> >3
arco
112
B-73
11�
THIN
Vla.
s[ai] [ai]- [de]- [ed] [ai]
mf
[v] de s[ai] [ai]- [de]- [ed]
libero libero988
mf
MED.
Cl.
Vc.
Dar
mf
li- ng,-
mp
some thing- hap pened.-
q = 72
158990
ppmf ff f ppp
fff
FAT
THIN
Cl.
Vla.
Vc.
mp
Shhh
q = 60 q = 50
159 160
994
so
f
[ai] [v] de s[ai]- [ai]- [de]- [ed]
f
mp mf f p mp
> > > > > >3
33 3
33
h
Clarinet in Aslap molto vibr. non vibr.
molto sul pont.
5
> > > >3 3
3
pizz. arco3 3
3
3
sul pont. (very tight)
Ivery continous trillimperceptible change harmonics / real notes
113
B-73
11�
MED.
FAT
Cl.
Vc.
They’ve
p
filled the fridge.
q = 90
161 162998
Shhh...
mf
ppp p (2a volta pp )
f p
MED.
Cl.
Vc.
It's
mp
full of food
1001
MED.
Cl.
Vc.
I
mp
will eat from the fridge.
(ff)accel.
1003
3
libero
( ) ( ) ( )
163a
(q = 90)
increasing the dynamic of the gestures without getting louder
q = 116
3
163b
keeps tempo without conducting
(q = 90 ) accel. q = 116
114
B-73
FAT
Cl.
Vc.
mp
Me too but a ny- way-
q = 60
1641005
pp
f
THIN
Cl.
Vla.
Vc.
so
f
[ai] [v]- de [sa]- [a]- [ai]- [de] [ed] de
pq = 50
1651008
f p
p
MED.
THIN
Cl.
Vla.
A
mp
ny- way,- wha a- t?-
q = 60166
1011
sa [i]- [de]- [ed]
3
++
q = 60
> >> >
3
33 3
3
3 33
++++++++++++++++++++++++++++++++++++++++++++++++++++++
pizz. arco
3 3
3
3
(non cresc.)3 6
3
++++++++++++++++++++++++++++++++
conductor gives cue
115117
B-73
11�
FAT
Cl.
Vc.
mf
Can't you see?
q 66
167
1014
f
FAT
Vc.
He's
f
hap py-
1017
ff fffff fff
FAT
Vc.
hap
f
py- hap
ff
py!-
1020
fff
3
(air sounds)slap.
sul pont.
3
3
II
I
sul pont. sempre
gliss.
5
5
5
33
5
5
5
5
++++++++play with this pattternin a jubilatory wayfor around 5-10 sec.
3
3
116
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Kottagrafika / Score: Dániel Csengery Felelős szerkesztő / Editor: Balázs Horváth
Műszaki szerkesztő / Layout editor: Lilla Fantó