lecture 3 part 1

42
ART 251: Lecture 3, part 1 Color Theory: Traditional Color Circle, Color Attributes, and Color Schemes

Upload: sannawilkinson

Post on 13-Feb-2017

339 views

Category:

Art & Photos


3 download

TRANSCRIPT

Page 1: Lecture 3 part 1

ART 251: Lecture 3, part 1

Color Theory:Traditional Color Circle, Color Attributes, 

and Color Schemes

Page 2: Lecture 3 part 1

color theory: color schemes & “traditional” color wheel

ART 251

Page 3: Lecture 3 part 1

ISAAC NEWTON DISCOVERED THAT LIGHTCONTAINED ALL COLORS OF THE RAINBOW.

ORGANIZED THE FIRST COLOR WHEEL

Page 4: Lecture 3 part 1
Page 5: Lecture 3 part 1

“Newton’s error was trusting math over the sensations of his eye.”

-Goethe

Page 6: Lecture 3 part 1

Johann Wolfgang von Goethe (1749-1832), poet and author of Faust, published Theory of Colours in 1810. As a color theorist, he was more interested in how we perceive color.

Page 7: Lecture 3 part 1

COLOR IS ALSO A MATTER OF PERCEPTION AND HOW IT AFFECTS OUR BRAIN.

AFTER IMAGE EFFECT:

STARE AT THE RED CIRCLE, THEN MOVE GAZE TO BLACK DOT.WHAT DO YOU SEE?

Page 8: Lecture 3 part 1

Basic Color Wheel… but it is flawed!

Page 9: Lecture 3 part 1

Purple not so pure

Page 10: Lecture 3 part 1

Color Bias Wheel

Page 11: Lecture 3 part 1

How to use the Color Bias Wheel

to mix colors...

Page 12: Lecture 3 part 1

What happens when you mix complementary colors?

+

+

+

Page 13: Lecture 3 part 1

What happens when you mix complementary colors?

+

+

+

= a neutral grey or brown

Page 14: Lecture 3 part 1

Color Bias Wheel

Page 15: Lecture 3 part 1

Make brightest purple

Page 16: Lecture 3 part 1

Make duller purple because some blue and o r ange a re mixed

Page 17: Lecture 3 part 1

M a k e d u l l e s t purple, because blue is mixed with orange and red is mixed with green.

Page 18: Lecture 3 part 1

Understand this color wheel & you

will be more successful in color

mixing!

Page 19: Lecture 3 part 1

Itten’s Color Wheel

Page 20: Lecture 3 part 1

Ewald Hering (1834-1918)

Page 21: Lecture 3 part 1

The 3 Properties of Color

Hue Value

Intensity

Page 22: Lecture 3 part 1

Properties of Color

• HUE

• VALUE •  INTENSITY (or saturation)

(Hate Videogames Immensely)

Page 23: Lecture 3 part 1

Properties of Color

HUE - the name of the color, the part of the color spectrum that the color belongs to: Red, orange, yellow, green, blue, or violet.

Page 24: Lecture 3 part 1
Page 25: Lecture 3 part 1

There is no pure blue.

Page 26: Lecture 3 part 1

. ... ..... . .

.... . .. ...

. .. .... . . .

.. .... . . .. .

.... . ... . . .

. .... . ..

.. . . . ...

.... .... ..

.. .. ... ..

.. . ..

.. . . . ... ...

. .... .. .. ..

... .. .. . ..

.. . . . ... ...

. .... .. .. ..

... .. .. . ..

.. . . . ... ...

. .... .. .. ..

... .. .. . ..

.. . . . ...

.... .... ..

.. .. ... ..

.. . .

.. . . . ...

.... .... ..

.. .. ... ..

.. . .

If colored paints were actually pure color- every time any two “pure” colors of paint were mixed you would get black. The bits of blue in the blue paint would absorb the red and yellow light. The bits of yellow paint would absorb the red and blue light. No light would escape from the paint, and you’d see a perfectly black surface.

Page 27: Lecture 3 part 1

Properties of Color

V A L U E - l ightness or darkness of the hue.

Mark Rothko, Untitled (Black on Gray),

1969/1970.

Page 28: Lecture 3 part 1

MUNSELL VALUES

Page 29: Lecture 3 part 1

Add grey tone = tone

Page 30: Lecture 3 part 1

Inherent Value: “Normal” hues have different values.

Page 31: Lecture 3 part 1
Page 32: Lecture 3 part 1

Grayscale Chart

Low Key

High Key

Page 33: Lecture 3 part 1

Shadows in black and white...

7-8

6

3

4-5

2-3

1

3

3

Page 34: Lecture 3 part 1
Page 35: Lecture 3 part 1

Properties of Color

VALUE—lightness or darkness of the hue.

–  Adding white produces a TINT –  Adding black produces a SHADE

Page 36: Lecture 3 part 1
Page 37: Lecture 3 part 1

Add grey = tone.More subtle transitions in creating a 3D‐effect.

Page 38: Lecture 3 part 1

Contrast in Value:Monochromatic areas of shades and tints

Page 39: Lecture 3 part 1

Painting with a limited number of values

Page 40: Lecture 3 part 1

David Hockney, Mist, 1973. From The Weather Series. Lithograph, 37 X 32 in.

Painting with a limited number of values

Page 41: Lecture 3 part 1

Assignment # 4

MOSAIC VALUE DESIGNcreating an illusion of depth or 3‐D whilemaintaining values from a value scale

Page 42: Lecture 3 part 1