ligné magazine- spring issue!

ISSUE VII:Spring 2013

Best in ShowIconic Sets in Hollywood

Casting BronzeTour the World of Jonathan Browning

Lust ListRoberto Cavalli

Dishes His Favorites

Linking LandmarksVisionary Engineering in London

Honoring OscarCelebrating the Works of LateArchitect Oscar Niemeyer

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Introducing:

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IN THIS ISSUE :

Coast to Coast: Fusion Eateries

Compact Charm

Editor’s Letter6

Behind the ScenesTransitioning from couture fashion to interior design, we introduce a driving force within Ligné Houston

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Explore:

Linking LandmarksOnce on the brink of failure, the Millennium Bridge has now become a famed London landmark

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Hollywood SetsThe buzz of the Oscars has us yearning for more. We dig deeper into the industry of set design through the perspective of famed designer Tom Ford

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Industry IconBrazilian architect Oscar Niemeyer revolutioned the world of modern design - and left behind a legacy

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Lust ListRoberto Cavalli has conquered the world of extragavant fashion, and his per-sonal life reflects the same. We get the inside scoop to his top favorite things!

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French LaundryInterior designer Jiun Ho helps create an intimate dining space within famed bistro Saison, deep in the heart of San Francisco

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Decor:


70Spring Trends: Electric TextureIndustry Icon

Lust List

French Laundry

Casting BronzeTake a personal tour through the empire of bronze lighting, crafted by designer Jonathan Browning

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Seeing StripesThis iconic print makes a bold entrance this Spring! Designer and author Linda O’Keeffe gives us a preview of her latest book release

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Compact CharmDallas-based interior designer Abbe Fenimore transforms empty corners into bold spaces with colorful personality

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Vision of FranceTour the retreat of late designer John Hutton within the inconic cityscape of Nancy, France

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Covet-Worthy CondosInterior designer Ariel Fox transforms penthouse suites across the Los Angeles skyline

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Design:

Trends:Culinary CreationsWe asked our readers for their favorite restaurants pairing fusion foods and eclec-tic interiors - and they answered! Check out their favorite spots Coast to Coast

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Spring 2013Looking for bold inspiration this season? Look no further! From stripes to sheers, neons to lush leathers - we have you covered!

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What Are You Wearing?We reached out to industry colleagues from the West Coast to hear about their latest Spring obsessions!

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Guides:Little Black BookListen up! Leading interior designers share their professional insight to the best, and worst, ways to launch a business

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Gifting GadgetsFor all of those in need of an office makeover - we have just what you need! Our readers dish out the best products to be tech savvy.

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SPRING 2013 Ligné8

A great collection release in the Spring can really set the precedent for a designer’s year. At markets across the country we are always looking for what the next big movement will be, what direction we will head in 2013. Upon returning from Maison et Objet in Paris we are inspired, maybe not by much – but there are always those few unique ideas that stand out above the rest.

What fascinates me even more is the story behind these designs, what is at the heart of their origination. This issue of Ligné Magazine explores the process – the story and journey behind the design. We reflect on one of the world’s greatest modern architects, Oscar Niemeyer, and the legacy he left behind. Jonathan Browning gives a rare look inside his investment cast process, and we explore the historical soul of the late John Hutton’s French re-treat.

And of course a Spring issue wouldn’t be complete with-out a decadent Lust List from Roberto Cavalli and an inside look at Linda O’Keeffe’s fabulous book Stripes: Design Between the Lines. There is a little something for everyone - enjoy!

Meredith Xavier

A Letter From Meredith

[email protected]

Ligné SPRING 2013 9www.maximejacquetdesign.com

Tastemaker + Luxury Lifestyle

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Yuri A. Xavier

AB: What was the biggest challenge moving from the couture fashion market back into interior design?

YX: Fashion is a much faster pace, things happen quickly and end quickly. But there is a lot of opportunity with interior and prod-uct design. As we know, everyday there is a new fashion line creating their own home and accessories collection. I think this is a market that the luxury industry hasn’t completely delved into and we should see that happening in the next couple of years. I’d like to think that my move was strategically planned to be ahead of the curve. I started my career in luxury with Fendi Casa and from there I moved directly into fashion. In the last 7 years I have managed over 45 staff members and generated over 40 million dollars in sales. Coming to Ligné Agency has been part of a long term plan since the company opened in 2009. I’m very excited to work with so many tal-ented clients and be a part of this terrific team.

AB: You take on a complex load of leadership through your position as company President- what is your favorite part?

YX: The thrill of finalizing a business deal is of course very rewarding, but most of all I love the challenges. Meredith and I are very similar in that aspect. There are a lot of responsibilities associ-ated with what I do, but I enjoy the fact that I am surrounded by intelligent people that are driven and constantly motivated.

AB: The company has been fortunate with expansive growth across 2012- what are the biggest goals for 2013?

YX: 2012 was a very important year for us - we started to strategically expand our services to further serve the growing needs of our clients. In 2013 we plan to continue this path of growth, but on a much larger scale. We have an aggressive agenda for this year, starting with the launch of LignéMagazine.com. We will also create a platform for our clients with major publications overseas, develop strong distribution and licensing partner-ships and improve our 15,000+ industry database contacts internationally. It is always our objective to continually grow our presence in key design markets across the country, as well as in Brazil, Europe and Asia. We have a remarkable team that is incredibly passionate about the industry and on top of their game, and they are an active part of Ligné Agency’s plan to help our clients break new ground in 2013.

[email protected]

Leaving the world of runways and haute couture, Ligné’s new leading man talks

fashion and design in 2013.

SCENESB E H I N D T H E

Photograph by Julie Soefer

Interview by Anna M. Bethe


AB: Let’s pretend you’re an established furniture designer. What type of pieces and detailing would we see from you?

YX: High-end furniture is only 6% of the total industry market share, but I do believe there is an opportunity to increase that market share in the next couple of years by designers continuing to push artistic innovation and appealing to more than just interior designers and architects. The key is to appeal directly to the consumer, and engage them in the same nature as fashion. Example: McQueen is an artistic visionary, his pieces are museum worthy while Tom Ford is for the affluent everyday lifestyle. Two very successful designers with two different approaches.

I can appreciate art, but I’m not an artist. As a businessman, sales need to be made - but in this industry sales sometimes can fall secondary to brand equity. That is the fine line that every luxury executive has to walk. Because my background is couture, I’m attracted to rare materials, hand craft-ed goods and artistic innovation. Those would be the type of pieces you would most likely see from me, and because of the role major fashion design-ers have begun to play in the interior design indus-try, it is something I believe we are going to see a lot more of in the next few years.

AB: You have a new baby girl. You upkeep a busy travel schedule. And you’re also training for your third triathlon. What is the strategy to keeping ev-erything in balance?

YX: Growing up in the entertainment industry in Brazil has basically had me working nonstop since I was 10 years old. I like to think that I have learned to find the right balance between working smart and enjoying life. I am a firm believer that you make time for the things that matter to you. My little one will be an extra motivation to continue to do what I have been doing, so at the end of the day she can be proud of dad’s accomplishments at work and as a human-being.

Photograph by Julie Soefer


riginally, the Academy Awards recognized a single interior decorator of a film for the category of ‘Best Art Direction’. In the 1940‘s as capabilities in filmmaking increased and

the productions became more elaborate the category of Art Direction expanded to recognize both Art Directors and Set Decorators. Now after 70 years, the category of Best Art Direction was changed to the name ‘Best Production Design’ for the 85th Academy Awards held in February of this year.

Interior design and fashion share an undeniable connection within the industry of film making.

Ligné digs deeper into this relationship, through the perspective of famed designer Tom Ford.

FOCUSD E S I G N I N G

OWritten by Elizabeth Williams


Over the years we have seen example after example of crossing new lines of what is accomplishable on the big screen, and in some cases, this has been at the expense of any remarkable character development or plot. How-ever, things have a way of coming full circle and it seems that directors and audience alike are realizing that if they don’t know who the main character is, nobody is really going to care what they are doing.

We here at Ligné have appreciated this change in focus towards quality screenplays and would like to recognize the crossover between the interior-fashion world back to the big screen. Namely, world renowned fashion de-signer, Tom Ford. Ford began in the design world with an architectural degree from Parson’s The New School of Design in New York. Ford gained international rec-ognition through his work as creative director for Gucci and Yves Saint Laurent in the nineties. Since that time Ford has gone on to create his own fashion label and his collections which are always on the cutting edge of style. His most recent artistic endeavor has been the creation of his own film production company ‘FADE TO BLACK’.

Ford made his debut as a film director in 2009 with his dramatic, novel interpretation of ‘A Single Man’. The film was set in 1962 in the city of Los Angeles, Califor-nia. In the film we observe a day in the life of George Falconer, a gay man grieving the death of his partner of 16 years. The film is said to be about isolation which we see through George, and also his best friend Charley, played by Julianne Moore, who is mourning the loss of her youth. Colin Firth was nominated for an Oscar at the 82nd Academy Awards in 2009 for his compelling perfor-mance as George.

What Tom Ford accomplished in this movie was truly remarkable in the realm of art direction. It is one of the best examples in recent movie history of character development and placement. Through intentional set design the environment became a literal extension of the characters.

In the movie, Falconer lives in a home that is referred to as the ‘Schaffer Residence’. This California home was built in 1948 by the famous architect John Lautner. The


More commonly known as the current art director

of Mad Men, production designer Dan Bishop created

a stunning 1962 boudoir scene within Charley’s

bedroom by carefully mixing multifaceted ethnic pieces.

Oversized antique lamps flank a North African mirror

made from inlaid bone and wood, paired with a ornately carved wooden

screen painted in Hollywood Regency white. Bishop

added more subtle elements to soften the space, of

details of ikat curtains, coral botanical print and a flokati

vanity slipper chair.


Tom Ford was commissioned to dress Daniel Craig for the 2012 Bond film, ‘Skyfall’. In

total Ford designed 20 suits. Never before has Bond had a more qualified tailor. Not to

mention Ligné’s own Hutton Home created the furniture pieces for the Shanghai suite.

Besides winning four Oscars at the 83rd Academy Awards The King’s Speech was also nominated for Art Direction. The wallpapers

used in this movie definitely spoke clearer than The Duke of York.

The country home in this 2007 Kierra Knightly film are full of vintage inspiration, from the

elaborate French tapestries to the decorative carved fireplace mantles. Set Decorators Katie Spencer and Sarah Greenwood were honored with awards by The British Academy of Film,

the Art Directors’ Guild a the Academy Award for Production Design.

house has many glass walls which are symbolic of Falconer’s newfound vulnerability that he feels without his partner in his life. In turn he no longer relates to his home and life that his has built. This is illuminated by the stark contrast that George is in to his vapid decor. While the furniture and other items in his home are tasteful, they seem to blend together in a way that they are lost behind George. At the opposite end of the interior spectrum was the home of Charley which was indeed a pleasure to see. The English woman who starts to glamor-ize herself in the early afternoon resides in a home to match her eyeliner. Her vanity station was paid special attention to with a white shag chair, over-sized gold-leafed lamps, pink curtains, and white wooden furniture pieces. Her living room also dis-plays a beautiful mod sofa, matching ornate mir-rors and intentionally placed palms. Interestingly enough though, Ford does not allow this showy set-ting to overpower the character. He in fact he uses it to highlight Charley and her growing struggle with growing older and being alone.

There is a close-up scene in the movie where George and Charley are laying on her pink and or-ange sofa pillows. It is in this scene where we get to see their true natures come forth. Even though ornate pillows might seem like a distracting choice, these are the pillows that Charley would have had in her home. It is strange to think that something as simple as a throw pillow would make such an impact on a film. However, Ford knew that this simple truth would transcend through his charac-ters. Ford is a man of intentions and it is apparent through the decisions he made in his debut as a film director.

Some are able to easily connect the relationship between a good film and great design. Within a visually compelling film everything from the items on a bookshelf to the type of shoes being worn is intentionally selected to create a believable por-trayal for the audience. The same is true of exqui-site interior design; everything should be chosen with a personal lifestyle and individual characteris-tics in mind.

SKYFALL

THE KING’S SPEECH

ATONEMENT


LandmarksL I N K I N G

Photography © by Nigel Young for Foster + Partners

Since overturning the odds of becoming an architectural backfire, the Millennium Bridge in

southern London has engineered its reputation to become a historic landmark within the

region’s famed territory.Written by Anna M. Bethe


In the addition to the threefold team of engineers, architects and sculptor, there was a combined force of over two hundred individuals involved within the creative process - from project management skills to geo-technics, structures to aerodynamic consultancy, maritime advice to lighting and acoustic engineering to archaeology.


O rganized in the Fall of 1996, the London-Borough of Southwark partnered with the

Financial Times to sponsor a competition to discover designs for a new footbridge cross-

ing the River Thames located in southern England. Historically it was to become the first pedestrian river crossing over the Thames in central London for more than a century.

Attracting an excess of 200 entries, the design competition was swept away by a triple threat collaboration comprised of ARUP Engineers, Foster + Partners Architects, and es-tablished sculptor, Sir Anthony Caro.

The concept of the bridge was to be constructed within the area of the Southwark and Blackfriars bridges, linking prestigious landmarks between locations. On the north bank stands Peter’s Hill, which serves as a passageway leading to Saint Paul’s Cathedral; an attraction that brings in over 1.5 million visitors every year. The south bank features the new Tate Modern art gallery which currently houses famous works by Wassily Kandinsky, Salvador Dali and Pablo Picasso.

Ordinarily, any new developments across the River Thames require an Act of Parliament. As the contest was developed by the London Borough of Southwark, the Port of London Authority granted an individualized license for construction to begin after obtaining all planning permis-sions from the City of London. Two years after the final construction details were secured, work started in February of 1999.

Four highly-tensioned coil cables, just five inches in diam-eter, run down each length of the bridge spanning from bank to bank. The cables were specifically engineered to pull with a force of 2,000 tons against each pier below, allowing enough support to handle a walking load of 5,000


“. . .The London Millennium Bridge

has risen like a phoenix from the flames and it is

perhaps the best loved remaining marker of that

memorable time.”

-Andy Simcox, Online Journalist


people at once. The intricate spacing of the tension coils create a unique model that is nearly six times shallower than any conventional suspension bridge, propped up only by two river balustrades - allowing a remarkable view for onlookers, free of any overhead structure.

The bridge was developed in three major sections due to the extensive 13 foot wide aluminum deck. Construction contin-ued at a steady pace with middle sections joining in mid April of 2000, reaching a total structure length of 1,066 feet from north to south. The bridge was completed at the final bill of $18.2 million, primarily financed by the Millennium Commis-sion and the London Bridge Trust.

Finishing two months behind schedule and and two million dollars over budget, the bridge was officially opened on June 10, 2000. And then the problems began.


The Millennium Bridge, like all bridges built around the world, was designed to withstand a degree of move-ment as pedestrians travelled across. However, it became alarmingly clear that the design had been flawed as the deck increasingly swayed back and forth with the increase of traffic; it was recorded that nearly 90,000 persons crossed the bridge on opening day alone.

Quickly evolving to be known the “Wobbly Bridge” due to the awry construction, the engineers acquired an embar-rassing entourage of negative British press as they shut down the bridge just two days after the opening date. Looming under the shadow of failure still resonating from the Millennium Dome just miles downstream, the pub-lic eye began to fear that the revolutionary construction would evolve into a historic fiasco.

The problems appeared even more clouded when engi-neers declared the cause of commotion to be simply, that pedestrians were walking the wrong way. The infamous wobble was caused by synchronous lateral excitation, meaning the natural sway motion of people walking caused the bridge shifted horizontally as people walked in synchronization across the platform. The minute oscil-lations in the bridge were increasingly amplified when continuous crowds walked along the surface, as the bridge upheld an average traffic flow of 2,000 persons at any given time.

With extensive series of prolonged tests, the final deci-sion for repair was determined. Engineers would alter the original state of the bridge deck, adding in viscous damp-ers to act as shock absorbers to reduce lateral movement. Acting much like weights on strings, the inertial devices were tuned to a precise frequency, then faceted to specific points on the structure.

Although the testing period surpassed a lengthy two year timeframe, visitors of the area still witnessed mass groups of paid volunteers walking across the bridge in army-type formations, allowing the engineers to gather direct calcu-lations of bridge movement yet to be revised.

Finally on February 22, 2002, the structure reopened to the public. Seeking to regain its grandeur after a rocky first unveiling, the Millennium Bridge has now proved its valuable worth to London, highly regarded by both tourists and residents alike.

Above: The saddles support the cables as

they pass over the piers. Clamps on each side of the saddles prevent the

cables from sliding, thereby adding stiffness to the

structure. The saddles were made from molten steel cast in specially

formed moulds.

Left, below: ARUP Engineers exhibit a select

conceptual sketch while in the early stages of planning.


C O N C R E T ECelebrating the designs of legendary

architect Oscar NiemeyerWritten by Yuri Xavier

P I CA S S O O F


am not attracted to straight angles or to the straight line, hard and inflexible, created by man. I am attracted to free-flowing, sensual curves. The

curves that I find in the mountains of my country, in the sinuousness of its rivers, in the waves of the ocean, and on the body of the beloved woman. Curves make up the entire Universe, the curved Universe of Einstein.”

The City of Rio de Janeiro is known worldwide for its nat-ural beauty, endless beaches, annual carnival parade, as well as being home to legendary architect Oscar Niemey-er. Niemeyer became a key figure in forever changing the way we see architecture by bringing his sensual lines and deep curves to the modern forms we are all so famil-iar with today. Born in 1907, Niemeyer spent his youth like a typical Carioca (a person born in Rio) enjoying the Bohemian lifestyle and unconcerned with his future. In the early 1930‘s that all changed when he pursued and graduated with a Bachelor’s Degree in Architecture at the National School of Fine Art in Rio de Janeiro.

At a young age Oscar Niemeyer established himself and his works apart from other architects, and soon he became a prominent name highly spoken about by his contemporaries. In 1940 Mr. Niemeyer met Juscelino Kubitschek, who was the mayor of Belo Horizonte, the third largest city in Brazil. Mr. Kubitschek commissioned Niemeyer to design a series of buildings known as the “Pampulha Architectural Complex” which included a casino, restaurant and dance hall, yacht club and church around an artificial lake.

The Pampulha Complex, amongst his other designs, brought his fame to an international level and in 1947 at age 40, Mr. Neimeyer was invited to join the international team that was working on the design for the United Na-tions headquarters.

Oscar Niemeyer’s biggest challenge came when Jusceli-no Kubitschek became President of Brazil and decided to move the country’s capital from Rio de Janeiro to a brand new developed city in the middle of the country named Brasilia. Partnering with his old master and great friend, Lucio Costa, Niemeyer would design a large number of residences alongside the National Congress, Cathedral of Brasilia, several government buildings and the Presi-dent’s new residence, Palácio da Alvorada. Lucio would be responsible for the urban plans of the new city.

The four year project and Oscar Niemeyer’s contribution to the new capital are portrayed in the 1964 French film L’homme de Rio (The Man from Rio).

In 1966, Mr. Niemeyer’s political position during Brazil’s military dictatorship forced him to move to Paris, where he took up the craft of furniture design. One of the most famous pieces would be the “Rio” chaise-lounge pro-duced in Brazil by the Japanese company Tendo. His designs were meant to evoke the beauty of Brazil, with

I


Above:One of Oscar Niemeyer’s earliest projects, built in the early 1940s, came to be known as the “Pampulha architectural complex.” It was com-missioned by Juscelino Kubitschek, who would later become president of Brazil. At the time, he was mayor of Belo Horizonte. The complex included a church, which was initially refused for consecration by the Roman Catholic Church.

Left:Oscar Niemeyer takes a pose in the forefront of his vast collection of architectural sketches.


curves mimicking the female form and the hills of Rio de Janeiro.

In 1985 with the end of the Brazilian dictatorship, Oscar Niemeyer returned to Rio de Janeiro and in 1988 was awarded the Pritzker Prize for Architecture.

Mr. Niemeyer passed away last year, only ten days before his 105th birthday. In Brazil he is considered a national hero for molding a country through visionary design and innovation, and around the world his legacy will remain as one of the most coveted Latin American archi-tects of the past century.


Lust ListLegendary design mogul Roberto Cavalli

has conquered the empires of fashion, home accessories and luxury travel. What else can he not live without? He gives us

his list of all-time must-haves!

ROBERTO CAVALLI

1

“I love music in general, and in my iPod you can find

songs by artists who are all friends of mine among other things.”

1. Rolling Stones2. Lenny Kravitz

3. Beyoncé4. Duran Duran

iPOD PLAYLIST

1 | CANNON CAMERAEOS 6D with Lecia M Mount by Canon $2,699.99, visit www.usa.cannon.com

5 | WILD STRAWBERRIESFilm by Ingmar Bergman$38.68, visit www.barnesandnoble.com

3 | DENIMDark Wash Fitted by Roberto Cavalli $660.00

4 | ITALIAN NOVELLa Fine è Il Mio Inizio by Tiziano Terzani$26.59, visit www.amazon.com

2 | CHAISE LOUNGEPump in Gold Leopard by Roberto Cavalli Price upon request, visit www.robertocavalli.com

6 | CLUB CAVALLIRestaurant and Lounge, Dubai Visit www.clubcavallidubai.com


“Travelling around the world is one of my passions. I haven’t got a

particular favourite destination, but I love to sail with my boat without

a specific destination.”

Below: The Cavalli Club in Dubai has successfully

established itself as one of the most premiere bar experiences in the world. The iconic Swarvoski crystal and leopard print interiors feature a 5-star restaurant, three

suspended bar lounges, as well as a private boutique that houses an opulent selection of

custom jewelry, watches and homegoods.

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3

4, 5

6


Nestled in the SoMa District of San Francisco, executive chef Joshua Skenes has unveiled a pro-found new dining experience within the bottom floor of the historic California Electric Light Com-pany building. The core foundation of Saison relies the experience of crafting food that allows diners to connect with the natural sensibility of layered ingredient flavors, subsequently earning praise for its focus on hearth and flame. Working with a leading team of distinguished culinary pros, Saison has developed a cult-like following fans - attracting continuous attention from neighborhood locals and renowned food media experts alike.

Despite the private dining area, which exclusively holds 18 chairs, the one-of-a-kind layout effectively makes every seat a chef’s table. Displaying the original Molteni stove from Saison’s original home on Folsom Street, along with their signature wood-burning stove, the open kitchen floor plan allows every diner to observe the artisan craft behind each chef’s work. The newest addition to the Saison fam-ily is the opulent beverage bar, which showcases a 5,000-bottle wine cellar in addition to the restau-rant’s first ever spirit and cocktail program.

Just as the dining area presents a sense of exclusiv-ity, the daily hand-written menu reflects the same. Every evening for dinner there is only one menu option - Saison’s iconic 18-20 course tasting meal, which runs $248 per person. Wine pairings are an additional $148 - making Saison the most expensive meal in the city. Reservations are difficult to come by, and Skenes advises guests to allot three hours for their meal. Despite the steep price tag, OpenT-able reports this chic dining space to be one of the hottest tickets in town.

Among his passion for design, interior and prodcut designer Jiun Ho also shares a passion for food. Take a closer look into his most recent

restaurant project, in the heart of San Francisco.

SAISONS E T T I N G


Saison’s owners worked closely with

architects Bassel Samaha and Michael

Gibson, as well as interior and product designer Jiun Ho to cohesively create a dining experience

designed around the senses.

Images courtesy Alanna Hale, Grub Street

SPRING 2013 Ligné34888.380.8642 | www.reaganhayes.com

COPYRIGHT 2012 REAGAN HAYES, INC.


Lighting designer Jonathan Browning has revolutionized the technique of casting bronze,

a design foundation which he has built into a product empire. We take a closer look into

the development stages of crafting these masterpieces.

BRONZEC R A F T I N G

Written by Keisha Raines


ew fixtures come out as refined and stunning as those made in cast iron bronze. The material itself is made to withstand the test of time. Many would be shocked at the lengthy and incredibly detailed work involved with creating each individual piece. The art of investment bronze casting or lost wax bronze casting is easily one of man’s earliest technologies. The roots of the method date back to almost 6000 years and has changed very little since then. While 21st century craftsmen have a technical advantage, the process still requires hours of skilled labor.

Product and Interior Designer Jonathan Browning’s en-tire product line is created using this antiquated method. Using only the finest materials available, Jonathan pro-

duces some of the best cast iron bronze fixtures on the market. Making it only fitting that he explains his process to shed light on how much work goes into every on of his pieces.

The first step in Jonathan’s process is to sketch a draft by hand with pencil on vellum paper. From the first sketch it is then digitally rendered into 3D in order to study a virtual model. If necessary, adjustments are made. The drawings and models are then sent over to a wood carver who recreates the model by hand in wood. The finished carving is sent to one of Jonathan’s foundries, where they employ the investment casting process to make a bronze model of the carving. The wood carving is surrounded by eurothane mix in order to create a mold of the piece.

F


Once the eurothane sets, the carving is removed so that a new mold remains. Wax is then heated, melted and poured into the new mold and left to cool. When wax sets and hardens it is removed from the mold. In a very detailed process, the wax models are worked on by hand under a microscope to remove any imperfections. The perfected wax model is put into a steel canister and in-vestment (fine dental plaster) is then poured around the model.

The canister (with the wax model) is sent to the kiln and heated at high degree in order to melt out all wax. Ingots of bronze are heated in crucibles to 1800 degrees turning it into molten bronze. It’s a two man task to pour the mol-ten material into the investment plaster mold. The cru-

cible is set into the kiln and cooled slowly to room tem-perature for over 24 hours. The trick is to make sure it doesn’t cool too quickly otherwise the bronze will crack. Once it is cooled, the investment plaster is chipped off the bronze casting with a hammer. Raw casting is chased then polished by hand. All the parts are plated in nickel or silver. If the fixture (typically sconce or chandelier) re-quires additional elements it is machined and drilled into the piece. These parts and the bronze castings are fitted together to create the fixture.

And there you have it! A high labor, low tech process to create every piece from the Jonathan Browning Collec-tion.


MX: Your new book, Stripes: Design Between the Lines, is eye candy - the colors and bold prints that you present are so visually engaging. What started your intrigue with stripes and how they play a role in so many facets of the visual world we live in?

LO: I’ve always loved stripes. From the earliest age I thought they were truly perennial and I can’t say that of any other pattern or design. It also occurred to me that there’s been no time in my life, no mat-ter my age, when I haven’t worn stripes. Once I had the realization that stripes aren’t ageist it dawned on me that stripes were also not gender specific and are traditionally worn by men and women. Then I applied that logic to upholstery and saw that rather than being associated with any one period or style that stripes were used universally in all budgets and

walks of life. Long story short the more I thought about stripes the more interesting facts and charac-teristics emerged and when I suggested the topic to my publisher, Gianfranco Monacelli, he jumped at it.

MX: What is it about stripes that pulled you in and made you create this fabulous book? Was there a par-ticular designer, piece of architecture or object that really started your intrigue?

LO: I’ve always appreciated Paul Smith’s use of stripes. As well as designing edgy pinstriped suits, shirts and socks for men he has striped everything from toothbrushes to carpets to Mini cars. His stripes vitalize otherwise staid, generic or static designs and immediately energize and update them. Such a powerful result from such a simple pattern.

Discover the impact of stripes in design, derived

from eight thematic chapters including historic,

postmodern and decorative.

Available now on Amazon.com

LINESB E T W E E N T H E

We take a break to catch up with author and former Metropolitan Home creative director Linda O’Keeffe

about her most recent book release.

Interview by Meredith Xavier


“In this showcase of artistic risks, O’Keeffe

demonstrates how, in everything from

modern furniture to classical architecture,

stripes endure as a bold symbol in every

aspect of life.”

-Shannon Sharpe,Metropolis Magazine

Images courtesy The Montecelli Press


MX: You examine the culture of stripes and the role they play in the decorative arts and fashions of the past. Are there particular designers or artists that you feel made their work stand out to be one of the most significant contributions to the history of this bold pattern?

LO: Historically every fashion designer has featured stripes at some point in their careers but some use them as a rule. Agnes B features them in practically every collection and she single handedly immortalized iconic French Breton T shirts. For decades Marimekko has printed painterly stripes onto lengths of textiles and Missoni weaves complex color combinations in their striped clothing and house wares. Most interior designers take advantage of the fact that stripes equal instantly applied architecture. Used appropriately they lengthen or widen a space. They direct the eye and are as at home in a child’s play room as they are in a formal Regency style dining room.

MX: What part of your research for this We of course have to ask - where can we find stripes in your everyday life?

While I was researching, writing and producing the book I saw stripes in every aspect of my life, which is why I decided to include a chapter about stripes found in nature. Nowadays as I work on my next book I don’t automatically see stripes everywhere. I have to say that’s quite a relief!

Shown left: The Double End Chaise

Price upon request, Squint Limited UK


Z Y L I N D E R Z U G


Princes & CrowsWallpaper & Decor

www.princesandcrows.com


Although her client’s expansive home stretched across a 4,000 square foot floor plan, Dallas-based interior designer Abbe Fenimore found herself in a design

dilemma - as the house featured multiple smaller, intimate nooks. Abbe shares her insider tips on how to she created

two exquisite petite spaces- with bold personality!

Interiors by Studio Ten 25 . Photography by Melanie Johnson Photography

charm


t is a small nook just off of the kitchen, but as Fenimore created the floor plan for the main

living room, she didn’t know how quite know how to incorporate this nook as part of the overall de-sign. It sits in-between the main living area and kitchen, but this sneaky space is also the main walkway out to the backyard and patio. This unique area had us scratching our head from the moment we began design develop-ment for this home.

Fenimore decided to create a petite nook that would al-low the homeowners to use the space for the two of them during breakfast or dinner. And since the space sits just behind the main living room sofa, it would also provide

extra seating for guests when they entertain. There was no room for fluff so Abbe used a glass top table, allowing the area to feel open and not as cramped. Streamline aluminum chairs with custom seat cushions brought in the couples’ favorite color and the linen drum shade helped finalize the separate space and give it a bit of light for the evenings.

Moving around near the entrance of the home, it became openly clear that the foyer needed some dire design at-tention. Truly, the home did not have a true entry space - just a long, dark and narrow hallway that sent you into the main living room. Even though the clients utilized their garage as the go-to entrance, Fenimore still wanted

IOwner and Principal,

Studio Ten 25, Shop Ten 25

ABBE FENIMORE


to create a wow moment for their client and guests as they came in through the front door.

The main piece in the space is Shop Ten 25’s gorgeous circle mirrored console to capture the subtle amount of natural light coming from the front room area. The organic reflections provided a sense of openness to up the entry hallway, keeping the stair wall from looking so blank and vast. Salvaging remnants of the origi-nal living room rug, Abbe added a custom cut black and white graphic runner for a dramatic visual impact. In addition, she updated the cli-ent’s existing lamps with new shades, installed a gorgeous wood starburst mirror - topping it all off with a few turquoise accessories that the client had previously collected. The last ad-dition to the space was that gorgeous Jellyfish Chandler. Since the ceilings were over 15’ high, the chandelier brought in some much-needed light into the space but it also pulled the narrow space together visually.


Steadily transforming loft after loft, interior designer Ariel Fox is making a bold impact

throughout prominent penthouses within the Los Angeles skyline. Take a sneak peek

at her most recent projects!

CONDOSC O V E T

Written by Anna M. Bethe

Photograph © Adrian Tieman


riel Fox Design has quickly grown into a full service design studio that creatively balances hospitality design with property developers, management and residential markets. Her expansive design portfolio includes a noteworthy collection of A-list Hollywood commercial projects, including the Hollywood Towers, Broadway Hollywood Building as well as Vista Catalina in Rancho Palos Verdes. Fox’s passion for sul-try details and memorable design has also granted her the opportunity to appear as a designer and co-host on HGTV’s “Room Crashers” for the show’s second season. In the midst of ongoing projects, Fox is currently collabo-rating with her leading design team to launch custom lines of furniture and modern wallpaper.

Kicking off a string of new summer projects, Ariel com-

pleted her first interior project in the breezy atmosphere of Glendale, California. Known in the area as the place to live, the ICIS Living property offers exclusive high end apartments and townhouse living with hospitality level amenities. Many of the three-story townhouses include top of the line furnishing, completely designed and cu-rated by the partnership of designer and resident. Within a studio apartment on the property, Fox endeavored multiple custom installation projects including a wall panel behind the bed in the master suite - highlighting the creative collaboration of art and dogs! The space also includes a wood inlay Nintendo coffee table console, de-signed by the artist Charles Lushear. One of Ariel’s favor-ite pieces within the room is the working record player within the Mid Century sideboard - which consistently played the Beatles throughout the scope of the design.

A


Photography © Manolo Langis

While wrapping up the project in Glendale, Fox was working away on a new project in the heart of Holly-wood - giving a lifeless penthouse suite a mid century modern makeover. Although the Rubix Hollywood is fresh built complex, the property is setting the bar for exceptional standards of luxurious living. The penthouse suites are frequently booked by leading musicians and actors - not to mention Hollywood’s own funny man, Steve Carell. He stopped in Fox’s master bedroom for a quick photo shoot while filming a private interview with The Hollywood Reporter last fall. From the interior spaces, even outside to the pri-vate pool deck and courtyard, Fox executed a distinct translation of refined modernism, with a colorful edge of whimsy. The cohesive mix of patterns and textures within the interior boast a sense of lush comfort with a bold sense of style.


Leading comedian Steve Carell takes a break from an in-depth interview with The Hollywood Reporter, sharing insights on life, comedy and his growing reputation in Hollywood.

Ligné SPRING 2013 55Photography © Manolo Langis


F


Four hours outside of Paris in Nancy, France sits the historic retreat of the late John Hutton - former Design Director of Donghia and creator of Hutton Home. Located within the Place d’Alliance, it was built in the 1750’s by Emmanuel Hera and named after the signing of the Treaty of Alliance of 1756 between Louis XV and Maria Theresa of Aus-tria. The site was coveted amongst the residents of Nancy for its significant historical and cultural influence. In 1983, UNESCO named the building a World Heritage Site for being a “masterpiece of hu-man creative genius” and a building that illustrates a significant stage in human history.

Place d’Alliance’s exquisite architecture resonated with Hutton, so it is no surprise that he chose this location as his French retreat in 1999. After Hutton purchased the apartment he spent several months restoring it to its original grandeur, preserving the 18th Century architectural details of the space. He mixed his classic John Hutton designs, inspired by 18th Century Versailles, with bold pops of color and modern elements inspired by the far east. Red bookshelves and bold fuchsia upholstery provide modern elements of surprise that give the apart-

tour deFranceWritten by Keisha Raines


John Hutton loved putting classic

designs in a space with bold modern

contrasts, seen here through the art and lighting

selections.


ment such unique character. Nancy was heavily in-fluenced by the Art Nouveau movement at the turn of the 20th century, which is subtly presented in details throughout the space.

With soaring ceilings over 5 meters high, the 1,300 square feet apartment boasts its own private court-yard and original interior architecture. Hutton noted the apartment “is a perfect representation of the style during that time. The oak floors were laid directly on the earth spread over the vaulted basement below”. Floor to ceiling drapery accents the open height of the space, while carved and gilded antique mirrors placed sporadically throughout the interior play off the notions of an era of the decorative arts that will forever be held at the highest regard.

Since his passing, the beloved retreat has remained in the care of his family and serves as a present reminder of the elegance and sophistication that em-bodies the work of the legendary John Hutton.


Bold and bright color was an essential characteristic when dreaming up the children’s room. Every square inch of the room offers elements of surprise and whimsy.


We have travelled far and wide, reveling all flavors of design within small diners to upscale

boutique restaurants. From Coast To Coast, we bring you the freshest cut of eateries that

combine a niché for fusion food with signature intimate interiors!

C O A S T T O C O A S T

SAVORYDESIGN

Written by Anna M. Bethe


As his career grew from a nine-year journey within multiple Four Seasons’ kitchens from Vancouver to Boston, executive chef Aaron Brooks has been professionally seasoned around multiple cultures and cuisines. Opening EDGE Steak & Bar within the Four Seasons Hotel Miami, Brooks has focused his culinary expertise on the fusion mix of Latin cuisine paired with a modern steakhouse. A few of his signature highlights include tartares spiked with Peruvian aji Amarillo, citrusy ceviches and earthy chorizo croquetas.

His focus on farm-to-table products and all-natural ingredients help generate perfect technique in the kitchen. Brooks sources only the freshest meats, seafood and produce, with close relation to 13 local farms in the area. He has even planted his own hot-pepper and herb garden on the restaurant’s 7th floor terrace; which he checks on a day to day basis. Brooks has developed the menu based on the sense of welcoming openness, in much correspondence to the laid back atmosphere of the surrounding neighborhood. All interior and exterior seating invites multiple guests to the table, with table tops clear of oversized floral arrangements to engage conversation.

MIAMI


With an all-to-common menu and a crumbling reputation within Manhattan’s lively Upper East Side, the owners of Persephone quickly realized they needed a branding overhaul - and needed it fast. After handing the reigns over to a local design firm, they quickly rebuilt the restaurant’s stature to display the core Mediterranean values the original restaurant had been built upon; highlighting the natural relationship of sustainability through all aspects of ingredients, wine and furnishings. Renamed Amali, the revamped restaurant uses only locally sourced farm-to-table ingredients to emphasize the use vegetables, oils, meats and grains shared by modern day Greece, Italy and Turkey.

The interior of the restaurant was redeveloped to precisely match the menu, focusing on ideas of reusing natural materials and acquiring new product from locally-sourced vendors when needed. Obsolete structural beams

NEW YORK

CHICAGO

from the previous space were repurposed into one-of-a-kind tabletops and chairs for the restaurant. Banquettes were also created from the preexisting materials, then reupholstered for a fresh appearance. Amidst the short time of construction all employees were incorporated into the redesign as well, trained by talented artisans to help develop specialized finishes and mural details within the restaurant.

Nationally acclaimed by the New York Times as “Critic’s Top Pick” in September 2012, Amali continues to receive the highest rankings of success; not only from their menu selection, but to their underlying concept of sustainable design.

Both executive chefs with extensive track records, partners Tony Priolo and Ciro Longobardo found themselves longing to fulfill one of their life passions - to own a premiere Italian restaurant deep in the heart of Chicago. After several months of crafting ideas together, the two proudly opened the doors to “Piccolo Sogno” in the Summer of 2008.

The title translates to “little dream” - but the underlying concept behind the restaurant is anything but small. The eatery offers a vast selection of signature Italian dishes - from homemade pastas to Roman-style pork and Mediterranean sea bass, to homemade gelato and sorbet. Even with hardy portion sizes,


Both executive chefs with extensive track records, partners Tony Priolo and Ciro Longobardo found themselves longing to fulfill one of their life passions - to own a premiere Italian restaurant deep in the heart of Chicago. After several months of crafting ideas together, the two proudly opened the doors to “Piccolo Sogno” in the Summer of 2008.

The title translates to “little dream” - but the underlying concept behind the restaurant is anything but small. The eatery offers a vast selection of signature Italian dishes - from homemade pastas to Roman-style pork and Mediterranean sea bass, to homemade gelato and sorbet. Even with hardy portion sizes,

the menu prices are moderately consistent between $12 to $24.

Sourcing bottles directly from Italy, wine expert Longobardo has hand chosen each of the 400+ selections available. His foremost goal, however, is to keep the wine list comprehensive and approachable, as he has trained all staff to offer well-informed recommendations to customers based upon their individual meal.

With growing success stemming from the past four years, Tony and Ciro are thrilled to expand their horizons - with future plans of another restaurant location later this year.

Locally owned and operated just outside downtown Denver, chef-owner Nelson Perkins has established Colt & Gray as restaurant known for its contemporary mix of five-

star cuisine and relaxed atmosphere. Heavily influenced by the emphasis of local organic products, the Perkins

specializes in nose-to-tail utilization of all meat products. The previous chef of Manhattan’s Blue Hill and Public

understands that running a successful restaurant business relies on one philosophy only - “putting good food and

drink on the table.”

DENVER

Images courtesy Vogue Italia

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electricTEXTURE

3 | NAIL LACQUERNail Polish in Dare by Oscar de la Renta $22.00

4 | RUNWAY WATCHSlim Snake in Green/Golden by Michael Kors$160.00

2 | BICOLOR TOTESaffiano in Bluette/Turchese Cream by Prada$1890.00

1 | VELVET PUMPRuffle Back Platform by Nicholas Kirkwood$950.00

5 | TEARDROP EARRINGSEarrings in Neon Yellow by Alexis Bittar$100.00

7 | ACCENT CHAIRPeacock by CappelliniPrice upon request, visit www.internum.com

6 | NECKLAKEHot Chip by Kate Spade$198.00

8 | RADIO BELTAccent Belt in Mint Cream by Kate Spade$128.00

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It’s time to spice up your Spring wardrobe - with bold accent pieces! Nothing says sunshine and warm weather like the bright hues of coral,

teal and fluorescent yellow.

SPRING 2013 Ligné72Images courtesy Vogue Italia

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boldSTRIPES

Bringing retro back! Enjoy this season’s favorite emerging print - stripes! From head to toe, treat

yourself in the latest trend. It’s a must have!

2 | SUNGLASSESStarburst Inset by Alexander McQueen$340.00

1 | WATERCOLOR ARTCDG in Red #2 by Bruno Grizzo$950.00, available at Jonathan Adler

3 | BUCKLE-FRONT HEELMonti Shootie in Milk Black by Ruthie Davis$928.00

4 | iPAD FOLIOKaleidoscope Stripe by Kate Spade$85.00

6 | LEATHER CLUTCHIsobel in Coral Bone by Marc Jacobs$1195.00

5 | WRAP BRACELETIn The Spotlight by Henri Bendel$128.00

7 | ACCENT LIGHTINGPiiart Sienna Lamp by Hutton Home Price upon request, visit www.huttonhome.com

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SPRING 2013 Ligné74Images courtesy Vogue Italia

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sheerlyNEUTRAL

Looking to soften things up? With subtle shades of ivory, pearl and rose - this mix and

match of A-list products is sure to add a feminine touch to any Spring ensemble.

1 | LACE DRESSDay Dress in Blush by Valentino$2,980.00

2 | ICON CANDLEEiffel Tower Candle by ZGallerie$24.95

3 | SHIMMER CLUTCHMikas Pond Lacey in Gold by Kate Spade$178.00

5 | STUDDED BAGRockstud Naked Tote by Valentino$2,295.00, visit www.valentino.com

4 | PERFUMEKelly Calèche by Hermés$153.00

6 | GREEK KEY CHAIRZelia Dining Chair in Kyle Bunting hide byReagan Hayes, visit www.reaganhayes.com

7 | WOVEN SCARFKimono Watercolor in Cream by Marc Jacobs$198.00

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Images courtesy Vogue Italia


businessCASUAL

Put a twist on your Friday casual with these accent pieces in rich shades of umber, beige

and camel!

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1 | SUEDE JACKET1950’s Vintage in Camel by Levi’s$985.00

7 | SITTING CHAIRTake 5 by Hutton HomePrice upon request, visit www.huttonhome.com

2 | SKULL BRACELETCustom Design by Emile Browne$34.95, visit www.cartycollins.com

3 | FOLDING GLASSESAcetate 714 Polarized Glasses by Persol$360.00

5 | LEATHER FLASKLeather Cased Hip Flask by Paul Smith$425.00

4 | FEDORAContrast Brim Woven Hat by Etro$290.00

6 | WOVEN BELTWoven Leather and Cotton Belt by Etro$280.00


MINERAL NECKLACEDannijo by Alex & Lee

$1,200.00

BOLD WEDGE by Giuseppe Zannoti

$850.00

LYS MÉDITERRANÉEPerfume by Edouard Fléchier

$165.00

Associate Publisher,luxe. interiors + design

BROOKE McLAREN

“My friends and I have often discussed the difficulties of finding

fun, stylish and sophisticated clothes to wear to work. I feel like you can’t go wrong with a classic

pencil skirt in a colorful, geometric pattern for spring. I found this one at H & M and paired it with one of my favorite blouses from J. Crew. I love mixing prints- especially when one of those prints is a considerably neutral black and white polka dot.”

Assistant Editor,California Homes Magazine

NATALIE WAY

Founder and Executive Director,Material Girls Blog

EMILY JOHNSTON-LARKIN

This season is all about the mix and match of bright colors, bold textures and finer details. We

ask a few leading design enthusiasts for their favorite must-haves for Spring!

WEARING?W H AT A R E Y O U “Ever since Pantone announced that their “Color

for Spring 2013” was Monaco Blue, I’ve been obsessed with this gorgeous shade! Falling somewhere between cobalt blue, navy and

sapphire, this hue is now a staple in my Spring wardrobe!”


LYS MÉDITERRANÉEPerfume by Edouard Fléchier

$165.00

“Spring is my favorite time of year to work at the Getty: the sun reflects beautifully and in different hues off of Richard

Meier’s iconic travertine-clad structure, the garden is in

full-bloom of a brilliant rain-bow of colorful flowers, and of course, the works of art in the natural-light-filled galleries

are radiant. My spring fash-ion picks will include suits in

lighter colors and materials, a palette of pastels and primary colors, and stripes, which add

variety and energy to any wardrobe.”

Curatorial Assistant in the Department of Manuscripts,

J. Paul Getty Museum

BRYAN KEENE

Founder and Executive Director,Material Girls Blog

EMILY JOHNSTON-LARKIN

“Ever since Pantone announced that their “Color for Spring 2013” was Monaco Blue, I’ve been obsessed with this gorgeous shade! Falling somewhere between cobalt blue, navy and

sapphire, this hue is now a staple in my Spring wardrobe!”


“Some clients are more involved than others and many have no idea what to-the-trade, high-end luxury means & what they are getting themselves into. Therefore it is crucial for both designer

and client to be on the same page especially when it comes to con-tracted responsibilities.

It is a designer’s job to learn about the clients and their lifestyle. Get a sense of who they are and then functionally design a space

that reflects their personality.

A designer should never forget that it is ultimately all about the client’s preferences. Design, just like fashion, has evolved over

time. There are no rules anymore so don’t be afraid to take risks!”

“I started my business 12 years ago after working for several large firms. There are three main pieces of advice I would give to those trying to branch out. First, make a formal announcement of your new company and send to everyone you know. This makes your decision official and it begins networking opportunities for business. Second, learn your accounting system well and do it

yourself for at least a year, then hire someone to help so you can focus on what you love – design! Third, sign all your checks yourself so you know just how much is going out and coming in. Lastly, the one thing I wish someone would have told me was the importance

of marketing. Make sure you have someone solely dedicated to marketing, specifically job development, bringing a continual

stream of projects in, so you can focus on design.”

Principal,Drake Design Associates

Owner and Lead Designer,Michelle Meredith & Associates

JAMIE DRAKE

MICHELLE MEREDITH

We ask the pros:“What is your best advice for upcoming interior

designers starting their own firm?”

BLACK BOOKL I T T L E


Celebrity Interior Designer, lonnipauldesign

Owner & Designer,PetitNest

Interior and Product Designer

Principal,Kay Lang + Associates

LONNI PAUL

JIUN HO

KAY LANG

“The best piece of advice I can give to up and coming designers starting their own firms

would be to create a business plan and have a plan in place to execute your plan. On the

business side this means your contract format, invoicing and billing system, bookkeeping, all the nuts and bolts needed to run your

company. These are not things to learn while on the job. On the creative side this means

defining how you want to brand yourself and your specific design talent. And finally how

you plan to sell your brand to potential clients.

Advice I wished I had received before starting my company: Know your brand and your value and only say yes to the right jobs. Not all jobs are created equal! Don’t be afraid to say no when the client or the money isn’t right for

“My best advice is to have a good accountant and a good lawyer

for all contracts, and always take risks. I wish someone would have

explained to me how I should charge for my design services and

how to source good vendors!”

you! It’s not what they pay you, it’s what they cost you!

Always know how long the job will take and understand the personality of your client before you give your design

fee. Are they going to make quick decisions or drag things out? Clearly define the perimeters of the work and don’t be afraid to stick to them. You’ll end up with better clients and design jobs that reflect your brand if you do.”

“Great passion for what you do and what believe

about your ability to do it, is the key to start-ing out on your own. It sounds simple and

trite in some way, but, passion, the real deal, is rare and a driving

force. You have to have it in spades to keep

going. What I wish I’d known more about when I began is the

financials. The balance sheet. At the end of the

day, creative or not, it’s a business and you have to keep people employed.

Understand where the money is coming from and where it’s going at all times and have help

you trust.”


Is your desk overdue for a personality makeover? Look no further - our tech savvy gift

guide is here to add flare to any office!

GADGETSG I F T I N G

These desk calendars are going fast - snag one

while you can!

1 | LEATHER JOURNALBOOKMARC Leather Notebook by Marc Jacobs$18.00

2 | iPAD CHARGERMaroc in Apple Green by Arclyte$65.00

3 | iPAD CASESaffiano Case in Papaya by Prada$550.00

5 | PAPERWEIGHT2013 Calendar Paperweight by Neiman Marcus$30.00

4 | TAPE MEASUREMonogrammed Tape Measure by Graphic Image$45.00, available at Neiman Marcus

6 | USB RING4GB Jewel USB Drive by Kate Spade$50.00

7 | LACQUER TABLEArchie in Satin Chalk White by B&B ItaliaPrice upon request, visit www.internum.com

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ligné magazine- spring issue!

Documents

spring trends

lign2lign spring

lign4lign spring

latest spring obsessions

world of modern design

favorite spots coast

industry of set design

west coast