listening in formal academic contexts
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Listening inListening inFormal/Formal/
AcademicAcademic
ContextsContexts
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DIFFERENT PURPOSES INDIFFERENT PURPOSES IN
LISTENINGLISTENING
Listening for enjoyment-easiest of all(music, TV, radio) re!uires littlemental in"ol"ement
Listening for information- re!uiresmore concentration ex#ected toretain info$
listening for information as %ell asanaly&ing and e"aluating it
listening %it' attention to details t'at
gi"e you clues to t'e s#eaers
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LecturersLecturers
presentation orpresentation orlecturing styleslecturing styles
eading 0tyle
Con"ersational 0tyle
'etorical 0tyle
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Other lecturingOther lecturing
stylesstyles
memorisationread aloudtec'ni!ues
c'al and tal
gi"e and tal
re#ort and discuss
rote learning
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Cues to indicate important ideasCues to indicate important ideas
Cues to indicateCues to indicate
important ideasimportant ideas
use of relati"eclauses or ot'er
su##ortingclauses
stress, intonation,
#auses
logical
connectors,num+er, andot'er #'rases
"ocal underlining
1se of macro andmicros marers
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Segmentati
on
Tempora
l
Causal Contrast Emphasis
2ell At t'atmoment
0o 3ot' 4f course
4 And T'en 3ut 5ou can
seeno% After t'is 3ecause 4nly 5ou see
And For t'emoment
6n "ie% oft'at
4n t'eot'er'and
Actually
ig't 7"entually
T'erefore 8o%e"er 4+"iously
All rig't T'en As a result 1n+elie"a+ly
conse!uently As youno%
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7xam#les of 9icros
2'at 6m going to tal a+out today issomet'ing t'at you #ro+a+ly already no% $$$
2'at :'ad; 'a##ened :t'en/after t'at; %as
:t'at; $$$ 2ell see t'at $$$
T'at/T'is is %'y $$$
To +egin %it' $$$
Anot'er interesting de"elo#ment %as t'at$$$
T'is/t'at %as 'o%$$$
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listen to t'e o#ening #art of a tal
listening to 'o% t'e s#eaer lins'er ideas toget'er
listen for ey %ords in t'e se!uenceof ideas (frstly, in addition)
listen to t'e conclusion, %'ic' %illrestate t'e main #oints in t'e same%ay as t'e introduction
LISTENING FORSEUENCE IN IDE!S
LISTENING FOR SPECIFIC L!NGU!GE
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T'ere are cues suc' as %ords,#'rases %'ic' can 'el# you
determine t'e di
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Facts
Facts are o+jecti"e (i$e$, t'ey can +e#ro"en)
Facts include statistical data,re#orts of o+ser"ation andexam#les of actual e"ents and
'a##enings
Facts used #'rases suc' as =6n fact,according to>, as a matter of fact?
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Opinions
o#inions are su+jecti"e (i$e$,t'ey ex#ress a #reference or
+ias4#inions used #'rases suc'
as =I believe, in my opinion,in my view, I think?
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6ntonation refers to t'e use ofmelody and t'e rise and fall oft'e "oice %'en s#eaing$
T'ere are t%o ty#es
Falling intonation ising intonation
LISTENING FOR "E!NINGFRO"
INTON!TION
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Falling Intonation
1sually used %it'#ositi"e statementsand
declarati"e sentences8ig'er in #itc' and slig't fall
in intonation
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used in ans%ers
commands
certain ty#es of !uestions
seeing information
seeing agreement
seeing +et%een c'oices
Falling
Intonation
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6 am #laying foot+all
5ou are standing u#
T'ey are running
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@a"id #lays t'e #iano
6 'o#e you can come
tomorro%2e"e forgotten t'e mil
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Rising Intonation
Accom#anying statementsex#ressing dou+ts, or yes/no
!uestionsising tone indicate
#oliteness and uncertainty
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seeing forassurance
orinformation
5es/Bo uestions
re!uest forre#etition
Rising
Intonation
Rising
Intonation
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listening to lectures or#resentations re!uires one to
get t'e main ideas andsu##orting details
demands ones concentration
and t'e a+ility to tae noteso"er a lengt'y #eriod$
LISTENING TO T!#E NOTESLISTENING TO T!#E NOTES
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Lectures are full of contain
incom#lete sentences, #auses,and "er+al Dllers, organisationalcues, r'etorical !uestions,
deDnitions, conclusions andinferences made$
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sounds or %ords t'at are s#oento Dll u# ga#s in utterances
1'$$$5ou no%$$$
8mm$$$
6 mean$$$
6ts lie$$$
$er%al Fillers$er%al Fillers
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Cues %'ic' are gi"en to 'el# t'elistener understand t'e order,se!uence, or relations'i# of t'e
information in t'e lectureT'e to#ic is
First of all
T'en, 6n conclusion
To reca#
To go +ac o"er
Organisational CuesOrganisational Cues
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A !uestion to %'ic' no ans%er isex#ected, often used for r'etorical e