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-nailing polsdans

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d ra u m kvedet love songs

lullabies ballads

MONOGRAPH SERIES of the ETHNIC FOLKWAYS LIBRARY • FM 4008

ETHNIC FOLKWAYS LIBRARY Album No. FE 4008 Copyright 1954 Folkways Records and Service Corp. 117 W. 46 St. NYC USA

SONGS AND DANCES OF NORWAY

Notes by O. M. Sandvik

SIDE I, Band 1. DANCE SONG - - Kjeringji Mae Stav'en (The OldWomanWith the Staff). This dance song dates from the time when instruments were not used to accompany dancing. From Telemark. Sung by Talleiv Rbysland.

Kjeringji mae stav'en h.¢'gt upp i Hakadalen:

".Atte potter rjome, fire merk'er smJllr, so kjinna Kari, Olav hadde f(6r. "

Kjeringji mae stav'en:

The old woman with her stick, high up in the Haka:' dale, tells about Olav's old wife Kari who has churned two pounds of butter from eight quarts of cream.

SIDE I, Band 2(a): HALLING (acrobatic solo dance) -- Kivledal Girls. From Telemark. Played on willow flute by Eivind Groven.

The Halling is an acrobatic solo dance for men in 2/3 -- a dance which demands great strength and agility. The climax of the halling comes when one of the girls at a country dance stands 'on a chair or table holding a hat on the end of a stick which the solo dancer must then kick off with a turning leap in perfect rhythm.

The seljefl/lfyte or willow flute is the most typical wind in!'ltrument found in Norwegian folklore, being fashioned from a willow branch about two feet long and having a single sound hole only.

SIDE I, Band 2(b): LULLABY. From Telemark. Played on willow flute by Eivind Groven.

SIDE I, Band 3: SPRINGLEIK (dance). From Gudbrandsdal. Played on violin by Hans Brimi. The Springleik (also known as Springdans, Springar or Pols) is a 3/4 dance for -couples related in some respects to the Polish mazurka and its variant, the Swedish polska. In its several variants the Springer can be found with equal stress on the three beats, with the stress on the second beat, or with the stress on the third beat.

SIDE I, Band 4: POLSDANS. From Rdros. Played on violin by Sven Nyhus.

SIDE I, Band 5(a): SAND-VASS-BYLGJUN (Sand­water Waves) -- Younger Stanza. From Setesdal. Sung by Sigrid Faremo.

Sand-vass-bylgjun dei rullar hoglegt, dei tykkjer live'e e berre lJII'glegt.

D'e som dei ropa-r: "Kom her ut p( ska eg lindre sut'i du baer'e pa! "

The waves in sandy water roll smoothly. They think life is beautiful and they seem to say: Get out in the water and we'll ease all your sorrows.

SIDE I, Band 5(b): I VALLE (In Valle) -- Younger Stanza. From Setesdal. Sung by Sigrid Faremo.

I Valle stima dei same lei'i, Og niv'en sit'e so laust i skjei'e;

mae granne-fisl i eit baer-lag, ja so vaknar villmannen mae eitt slag.

Up in Valle the knives are loose in their sheathes and when neighbors quarrel they all turn savage.

SIDE I, Band 5(c): MAE LJOS-BLA AUGO (With Light Blue Eyes) -- Younger Stanza. From Setes­dal. Sung by Sigrid Faremo.

Mae ljos-blil augo og dokk i hoka, so er han laga, den eg hey lova.

Han e so greileg fra topp te t&; der e alli lyti p£ han !l sjl1.

2

The one to whom I am betrothed has light blue eyes and a dimple in his chin. There is no blemish on him from top to toe.

SIDE I, Band 5(d): DEI SAT SO SAELE (So Happily They Sat) - - Younger Stanza. From Setesdal. Sung by Sigrid Faremo.

Dei sat so saele i bjllfrke-lii; dae va i fagraste sumar-tii.

FJ1/r sol'i seig bak den h~ge hei, ha dei b;te svore sin truskaps -ei.

They sit among the birches in beautiful midsummer and before the sun sets they have sworn to be faith­ful to each other.

SIDE I, Band 6 (a): EG KAN 'KJE GL0YME (I Can't Forget) -- younger Stanza. From Setesdal. Sung by Olav Harstad.

Eg kan 'kje glJll'yme den Setesdalen, der nord i gjenom mae preste-garden;

dei Vike -vollan, den Rikes -li, dei koma alIi or hugje mi.

Sin barne-heim, den vil minne gjeste; der e dei finaste strengjer feste.

Dei glae £r'i 'hja far og mor e sol-umkransa pot denne jord.

Som s~te angar fd. aIde-hagar ja, so e minni fr£ barndoms-dagar.

Dei minni huggar meg dag'en lang, som bla og blomar meg drys i fang.

I cannot forget the Setes-dale, the rich pastures and the green hills. The memory goes back to the childhood home. There is a halo around the happy years spent with father and mother. The childhood days are like the sundrenched sweetness of the orchard and I never tire of the memories.

SIDE I, Band 6(b): DEI HUSMANNS-D9hTAN (The Crofter's Daughters) -- Younger Stanza. From Setesdal. Sung by Olav Harstad.

(Han :) Dei husmanns-d,/1fttan e alIi rike; men du, ! du, dei e grei' og fine I

Dei rynner upp som ein hasle-stav; dei bljtmer liksom eit lilje-bla.

(Ho ;)

Lause kara va alIi vanda; hav' dei 'kji garda, so hav' dei anna.

Hav' dei 'kji pening, hav' dei 'kji jord, so hav' dei greileik i overflod.

Ein rik og ljot'e kom inn og fria; ein laus og vEm'e sto ute, bia.

Den rik' og ljote eg alIi lei; men den laus' og v~ne, a ei ei eil

The daughters of the crofters are never wealthy. but they are nice and pretty. They are straight like a stem of a hazel tree and they are pretty like a lily. (The girl sings): The sons of the crofters have never been ignored. If they don't have land they have other assets. If they don't have money or farms, they are nice and lively. A rich and ugly one came in and asked for my hand. A handsome and poor one waited outside. I never could like the wealthy and ugly, but the poor and handsome one - my oh my I

SIDE I, Band 7(a): HALLING (acrobatic solo dance). From Valdres. Played on Langeleik by Ola Brenno.

The langeleik (literally, "the long instrument") which is still played in the province of Valdres is a dul­cimer-like instrument with an elongated case a little over two feet in length. There are eight strings in all, but only one of these plays the me lody, a plectrum being used for this purpose. Customary tuning is in the chord of the 6th and the 4th, and the resulting scale differs considerably from the con­ventional European variety.

3 SIDE I, Band 7 (b): JULEKVELDEN (Christmas Eve). From Valdres. Played.on Langeleik by Ola Brenno.

SIDE II, Band 1 (a): SULLA RULLA GJERTRUE MI (Sulla Rulla My Gertrude) -- Lullaby. From Gud­brandsdal. Sung by O. M. Sandvik.

Sulla rulla Gjertrue mi, vil du h!i. snore p:i tr~a di?

Vil du h! raue, hell vil du h1 blh Vil du h.t gule, so ska du fll.

Sulla rulla Gjertru.

Sleep, my little Gertrude, do you want colored braids on your jacket? Blue or red or yellow -you'll get what you want. Sleep little Gertrude.

SIDE II, Band l(b): VASSRO-FELA (Watercreek Fiddle Was Wooden) -- Lullaby. From Gudbrands­dal. Sung by O. M. Sandvik.

Vassro-fela va t! tre; synst p!i. Losna sokk '0 ne. Ti ein brata fanst '0 att· sia It!t '0 dag og natt: ' Suli luli luli luli lei,

luli, luli leia.

The watercreek fiddle was made of wood, it sank in the Losna Lake, but was found again by a bush and now it sounds day and night: Suli, luli lei.

SIDE II, Band l(c): BISSAM, BISSAM B.KN'E (Sleep, Sleep My Baby) -- Lullaby. From Valdres . Sung by O. M. Sandvik.

Bissam bissam b~n'e. Gryta heng'e i j!n'e, koka full ta rjome-graut £t dae vesle b~n'e. Far han sit'e og harpa k~nn; mor ho blaes 'e i vakkert hJSnn; syste ho sit'e og spinn'e gull; broren g§.r i skog'e jaga aIle ville dyr. E han kvit, so kj!yr 'en hit. E 'n han gr~) so lat 'en g£. E 'n brun i bog'e, so lat 'en ga i skog'e.

Sleep my Baby. The kettle is on the fire full of porridge for you. Father is sifting the corn, mother blows in the pretty horn, sister is spinning gold and your brother is hunting wild animals in the woods. If it's white, bring it home, if it's grey let it go, but if it's brown let it wander in the forest.

SIDE II, Band 2: SPRINGAR (dance). From Te lemark. Played on Hardanger Fiddle by Johannes Dale.

Most celebrated of all Norwegian folklore instru­ments is the hardingfele or hardanger fiddle which seems to have originated among the Norwegian country folk about the middle of the 17th century. It is somewhat smaller in size than the convention­al European violin with a higher arch in the belly. In addition to the customary four 'strings found on the violin, the hardanger fiddle has also four thin metal sympathetic strings. As a result, the hardanger fiddle when played with real skill and musicianship produces an astonishing sonority thanks to the wealth of overtones. The four play­ing strings are usually tuned A D A E with the sympathetic strings tuned D E F# A. Other tunings are A E A E for the playing strings with the sympa­thetic strings CII E FII D. If the playing strings are tuned in customary violin fashion, then the sympa­thetic strings are tuned D EGA. The hardanger fiddle is found in most frequent use throughout Telemark and Western Norway, however, in the Eastern areas of Norway and in the North, the country fiddlers use the conventional violin.

SIDE II, Band 3: SKALGMOYANE (The Girls from Skalg) -- Gangar. F.rom Telemark. Played on Hardanger Fiddle by Olav Heggland.

The Gangar (literally, the "Going dance") is a 6/8 dance for couples which proceeds somewhat in the manner of a processional in circular pattern. This dance is of very ancient origin and was probably at one time a ceremonial dance of religious charac­ter. Only in a very few rural districts can it be found today.

SIDE II, Band 4: MYLLARGUTENS (The Miller Boy's Wedding March). From Telemark. Played by Eivind Groven on Hardanger Fiddle. Edvard Grieg used this theme as No. 8 of his Slatter, Op. 72.

SIDE II, Band 5: SPRINGAR (dance). From Tele­mark. Played on Hardanger Fiddle by Eivind Gro­ven.

SIDE II, Band 6. CATTLE CALLS. From Osterdal. Helene Tronsmo and Ingeborg Jordet.

The cattle calls recorded here are apparently very old and are used in the Norwegian mountains. The charac'teristic meHsma episodes are distinctly

reminiscent of the Kyrie and Hallelujah melodies heard by the Norwegian folk during the five centur­ies that Norway had its religious affiliation to the Church of Rome prior to the Reformation in 1536.

SIDE II, Band 7: VERSES FROM THE DRA UM­KVEDET (ancient heroic ballad). From Telemark. Sung by Gudrun Grave Norlund. A large number of the Kjempevise-melodier or ancient heroic ballads have been preserved in the Province of Telemark. The most famous of them all is the so-called Draumkvedet -- the Vision of Heaven and Hell -­which dates back to the 12th Century. It des'cribes the legendary dream of a man who slept from Christmas Eve to Epiphany and the visions he wit­nessed of souls in purgatory. Most of these old ballads are in the nature of dance songs in which the leader of the group renders the narrative while others join in the refrain.

Vil du meg lye, eg kvea full kan urn einkvan nytan drengjen, urn han Olav Aasteson, som heve sovi so lengje. Aa det var Olav Aasteson, som heve sovi so

iengje.

Han la seg ned urn joleftan og sterkan svevnen fekk vakna 'kje fyrr urn trettandagjen, d£ folkji ~t kyrkjunn gjekk.

If you'll listen I can te 11 you about a brave lad -about Olav Aasteson who slept so long. He fell a­sleep Christmas Eve and didn't wake up until Epiphany when people went to church.

SIDE II, Band 8: ROLAND OG MAGNUS KONGJEN (Roland and Charlemagne) -- Heroic Ballad. From Telemark. Sung by Gudrun Grave Norlund.

"Seks mine sveinar heime vera, gjj1!yme dae gull'e balde;

dei are sekS p~ heilings -londo r~yne dei j¢nn'i kaldel"

Dei slogest ut p£ Rusar-vollen i dagane twa og trj~;

d~ fall heiningan for Rolands -svaere som storr'en for go an ljtt.

Roland sette lur'en for blC;gga munne, bles han i mae vreie;

d~ rivna mur og marmor-stein i nie ~gr av leie.

Six of my lads stayed home to guard my gold, the other six would try their cold irons in heathen countries. For two and three days they fought in Roncevalles and the pagans fell for Roland's sword like grass for the sharp scythe. Roland put his horn to his bloody mouth and blew in great anger. Walls and marble burst and broke as far as nine days' travel.

Harold Courlander, Editor Moses Asch, Production Director

The Ethnic Folkways Library wishes to acknowledge the coope:. .. ation of the American -Scandinavian Foundation's Music Center and its director, David Hall, in making possible this album.

5

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~~lli ~~;,~.:~~~~so~,.,F~~~B ~t,~~~ ~~~~r~: g:::I~SThe Wanoners ~=== FP834 FOLK MU !:J IC 01' HONDURA.8 (Marimbas) FP740 RHTHKS OF WORLD. Lanaston Huoh.s

J:~:~~ ~~~~;'RFC'H~I~~~~: ~~N:Svans) 12" 33lh RrM, LIST $5.95 FP837 PIANO MF:RINOUK , ,.ROM HA ITI. Na.tiv. FP61 DANCE-A-LONO, Rhllthms, Percussion C ::~:~g l?gl~HH~~KB~~~:U~. House FP752 AMERICAN NEGRO HISTORY. L. Huones i ~~m f:R";~~~A;0l~t~~~~'s~f}il!efs~a1~~va LITERATURE SERIES c FP842 SONOS FROli THPJ BIBLIC. Hillel" Aviva 12" 331f] RrM, LlST ·$5.'S ;;

~~~:~ ~~RE~tsNHFI£~~L~Do:'G:V:!~~~aT~~~t:mme ~~:~ ~:N~~O~~~~: ~~:oE:"o~~!:r,~read =1 FP845 PORTUCUESE CHRI:o;TliA~ SONGS FP91/2 ANTHOLOGY OF NlDGRO POm'S, FP848 POLISH FOLK SONG !i. Manll Areas Readinos bJl Arna Bontemps a FP911 FOLK !:tONGS OF FOUR CONTINENTS, FP92 BHA1:AVAUUITA & HAMAYANA. E3;cerp t8 5==-

FP912 i~~~rc~~Wd:.~sst:~: . s;g~fu J:~n /2I;:~EFJRt~il~°'L'!N~(grg!~ Moses Hadas

FP914 ~~~~p~~~g~.rs2. P~!~li~l!ve;der ~~~~~~ ~~I~~~~~' ;:,,~~~u~~:.g~;:';t!!.oses Hadas ;=_ FP916 ITALIAN SONGS AND DANCES. Manv Area~ FP97/6 CICERO. Moses Hadas FP917 ENGLISH FOLKSONGS. Coppard FP97/10 IN.·ERXt) IX ITALIAN . de Ncori FP918 DI'ETS ~'ROM FRENCH C.(NADA, FP99 ALBER'l'-SAM. SMALlr-UTH&B8 (H0U6e)

BaillarDeon and Mills ' FP919 CZ!!:CHOSLO\'A.KIAN FOLKSOXOS. Knight

~~~~~ ~~~~Eii~Osl?UT~"3jik~CX'!~a~~~ro FP9 22 GERMAN FAVORITE SONGS. Woll! FP924 PUERTO RICAN SONG8 & DAN('E:-I FP926 LEBANON FOLK SONGli & DANCES FP946 JA~fAlC:A.N FOLK SONGR. LO'Uise Bennett FP9~7 GERMAN CHRISTMAS SONGS. Wolff

12" 33'/, RPM, LIST $5.95 FP62 EXOTIC DAN(·ES. from, many lands FP54 RU :'SIAN CHORAl. , Byzantine. Ukraine. etc. FP66 HINI>U MUSI ' (cLemottstration) FP80/1 SO~GS & DANCES 0'" TURKEY FP80/2 SONGS & DANn~s 0 .... PUERTO Rrro FP88/1 ANTHFJMS OF THE! WORLD, VOL, 1 FP88/2 ANTHEM8 OF THm WORLD. VOL. 2

SCIENCE SERIES U " 33';' RPM, L15T $5.95 FPXIOO SOUNDS OF FREQUIINCY (TIIST RECORD) FPX101 SCIENCB IN OU R LtVII8 (CALDIIB) FPX 1~0 SUUNDS 010' AMER. TROP. R.6.IN FORBST FPXl21 SOUNDS 0)0' THE SEA FPX122 SOUNDS 0'" AMERICAN SOUTHWEST FPX123 Vox HUMANA FPX 124 SOUNIJS 0,.' ANIMALS (ZOO It F ARM) FPX125 SOUNDS O,.~ SEA ANIMA.LS (NO.2 FL01UDA) FPX126 THE CARNIVAL (THE MIDWAY AND

MERRy -Go-RoUND) FPXl27 SOUNUS OF MEDICINE, Bodll Sounds,

OJJeration F PX1 30 SOt'NIJ PATTERNR FPXl5 1 SOUNDS OF A SOUTH AFRICAN HOMJIISTJIlAD

2· 12" 33';' RPM, L15T $11 .90 FP93/4 JA~JlJS JOV('!: Soc .. Finn.eoan/s Wake FP95/6 POFJM~ MONTAOB.I00 lIrs. 01 Frenchf)oet~

JAZZ SERIES 12" 33,/, RPM, LIST $5.9S FP53 JAZZ, Vor .. 1. THE SOUTH FP65 J.6.ZZ, VOL. 2, 'I'HE BL1lES FP67 J AZZ, VOL. S, NEW ORLEANS FP69 JAZZ, VOL, 4. JAZZ SINGERS FP63 J AZZ. VOL . 5. CH ICAGO FP66 JA7.Z, VOL, 6, CHI('Ar.O it 2 FP67 J AZZ. VOL. 7, NEW YORK (1922-34) FP69 JAZZ. VOL. 8. BIG BANDS before 1935 FP71 JAZZ, VOL. 9, PI ANO FP73 JAZZ, VOL. 10. BOOGIE, JUMP. K.C, FP75 JAZZ, VOL. 11. A IJDItNDA

10" 33';' RPM , LIST $4.25 (deluxe pkg. (0) $4.95) FP30 FOOTNOTIlS TO JAZZ, Babu Dodds Drums FP32 FOOTNOTES TO JAZZ, MaruLou Williams FP33 FOOTNOTES TO JAZZ. Art Tatum Trio FP712 FIRST ALBUM OJ" J AZZ

INSTRUCTION 10" 33 '/, RPM , LIST $4.2S FP303 6-STRING BANJO, Pete Seeoer 12" 33';' RPM , LIlT $5.95 FP354 GUITAR INSTRUCTION. Pete Seeoer 2·10" 33'/, RPM, LIlT $1$.00 (wi.h book) C FP8001 SPANISH-Sfl:1. -TAUOHT = 2. 10" 33';' RPM, LIST $10.00 (with 'u.) ci FP8003 F RENCH CHILDREN'S SONOS

CHilDREN'S SERIES F~80 10 M~~L::':."~~i'..~~'7~~~.UCTION B 10" 33';' RPM, LIlT $4.25 (Wallace Hou se) i ~~l ~~~gs F!r~~R~\~~~:t;oi.oi~NS~:s~iJaus ~~~~~~l/~'::='~~D~~·!OJ;:~::.ok) i FP7 MoslC Tuo:. Charitu Bailell Dr. Yuen Ren Chao ~

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117 West 46th Street • New York 36, N.Y. CllIlIlIlIIlIIClIlllUllIIlIClIIlIlIlIIlIClIIlIIlIlIlIClIlIlIlIlIIlUllIlIIlIIlIlClIlIIllIIlIICllIlIlIlIIlIICll1l1II11111[l1ll1l1l1ll1lCIIIIIIIIIIIIClIIIIIIIIIIIIUlIlIlIlIlIlIClll i

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