more than a product launch: a comparative analysis of selected influencer marketing events in the...

36
More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry A Senior Project presented to the Faculty of the Recreation, Parks, & Tourism Administration Department California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Bachelor of Science by Reanne Franco June, 2016 © 2016 Reanne Franco

Upload: reanne-franco

Post on 28-Jan-2018

187 views

Category:

Marketing


0 download

TRANSCRIPT

Page 1: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

More Than a Product Launch: A Comparative Analysis of Selected

Influencer Marketing Events in the Cosmetics Industry

A Senior Project

presented to

the Faculty of the Recreation, Parks, & Tourism Administration Department

California Polytechnic State University, San Luis Obispo

In Partial Fulfillment

of the Requirements for the Degree

Bachelor of Science

by

Reanne Franco

June, 2016

© 2016 Reanne Franco

Page 2: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

ii

ABSTRACT

MORE THAN A PRODUCT LAUNCH:

A COMPARATIVE ANALYSIS OF SELECTED

INFLUENCER MARKETING EVENTS IN THE COSMETICS INDUSTRY

REANNE FRANCO

JUNE 2016

With the growth of social media, influencers have emerged as a powerful marketing

medium. Influencer marketing has become a method widely used by brands to engage

with target audiences and build strong consumer relationships. The purpose of this study

was to examine the effectiveness of selected influencer marketing events in the cosmetic

industry. The researcher utilized a matrix to analyze the selected events. Brand and

organization websites, as well as personal accounts on social media, were used to collect

data. The study showed that face-to-face interaction during events give influencers the

opportunity to broaden a brand’s reach and positive reputation. Although marketing

specialists can monitor social media impressions, reach, and number of posts produced

from an event, it is recommended that they continue to find a definite measurement of

influencer marketing success.

Keywords: influencer marketing, experience marketing, social media, special events,

customer relationships, brands

Page 3: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

iii

TABLE OF CONTENTS

PAGE

ABSTRACT ........................................................................................................................ ii  

TABLE OF CONTENTS ................................................................................................... iii  

Chapter 1 INTRODUCTION AND REVIEW OF LITERATURE .................................... 1  

Background of Study ...................................................................................................... 1  

Review of Literature ....................................................................................................... 2  

Purpose of the Study ....................................................................................................... 7  

Research Questions ......................................................................................................... 7  

Chapter 2 METHODS ......................................................................................................... 9  

Description of Organization/s ......................................................................................... 9  

Description of Instrument ............................................................................................. 10  

Description of Procedures ............................................................................................. 12  

Chapter 3 PRESENTATION OF THE RESULTS ........................................................... 13  

Overview of Events ...................................................................................................... 13  

Event Experience .......................................................................................................... 14  

Social Media ................................................................................................................. 16  

Financials ...................................................................................................................... 18  

Chapter 4 DISCUSSION AND CONCLUSIONS ............................................................ 19  

Discussion ..................................................................................................................... 19  

Conclusions ................................................................................................................... 22  

Recommendations ......................................................................................................... 23  

REFERENCES ................................................................................................................. 25  

Page 4: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

iv

APPENDIXES .................................................................................................................. 30  

Page 5: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

1

Chapter 1

INTRODUCTION AND REVIEW OF LITERATURE

Background of Study

Many would agree that consumerism plays a vital role in the world economy.

Companies invest millions of dollars each year in order to reach target audiences. In 2015

alone, 553 billion dollars were spent on advertising globally (ZenithOptimedia, 2015).

As current companies rebrand and new companies surface, total ad expenditures are

expected to increase. Although it may be difficult to estimate exactly how many

advertisements a person is exposed to each day, marketing strategies ensure a great

amount of reach to target audiences. In marketers’ constant competition to grab

consumers’ attention, consumers end up being continuously bombarded with

advertisements and other marketing efforts.

The reoccurring issue for companies is finding a way to stand out from the rest.

Many brands sell similar types of products and services, such as Starbucks and Coffee

Bean. Competing brands give rise to a myriad of choices for consumers. However,

brands must create a marketing strategy that fits best with their target market and

persuades the audience why they are the best choice. With the introduction of social

media in marketing strategies, many traditional advertising mediums such as TV, radio,

and print are becoming less effective. Salesforce (2015), found that “66% of marketers

believe social media marketing is core to their business” (p. 3). But companies using

social media as a marketing medium still must differentiate in order to avoid being

looked over by consumers. Brands must continue to find new strategies to effectively

Page 6: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

2

reach their target audiences in order to beat out their competition. This study used a

comparative analysis approach to examine the effectiveness of selected influencer

marketing events in the cosmetic industry.

Review of Literature

Research for this review of literature was conducted at Robert E. Kennedy

Library on the campus of California Polytechnic State University, San Luis Obispo. In

addition to books and other resources, the following online databases were utilized:

Academic Search Premier, Hoovers, ABI/INFORM Complete, Google Scholar, Taylor &

Francis, and Business Source Premier. The following review of literature includes these

subsections: experience marketing, effectiveness of social media, influencers, the brand-

influencer relationship, and influencer marketing in the cosmetic industry.

Marketing strategies have evolved throughout history in order to continually

increase sales. For the past 125 years, marketing methods have gradually developed

through six different eras: the trade era, the production era, the sales era, the marketing

department era, the marketing company era, and the relationship era (Johnson, 2015).

During the 2010s, most marketing specialists were familiar with relationship marketing,

in which companies strived to build value-based relationships with customers in order to

gain loyalty and trust (Garfield & Levy, 2012). However, in the recent years, brands have

shifted their focus onto the newest marketing era: experience. Gentile, Spiller, and Noci

(2007) provide the definition of experience marketing as “a set of interactions between a

customer and a product, a company, or part of its organization, which provoke a reaction”

(p. 397). Companies design experiences take the form of events. During an event,

Page 7: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

3

customers can engage all five of their senses in an experience that forms deeper

connections with a brand and reinforces company values. Tafesse (2016) claims that the

four characteristics of events that set it apart from other types of marketing methods are

high audience involvement, novelty, experiential richness, and transiency. Events allow

consumers to engage in all five of their senses, unlike traditional advertising methods of

print and audio. Novelty comes into play because events stray away from traditional

marketing tactics since each and every consumer experience is different. Since all five

senses are triggered during events, consumers are able to build relationships, discover

new information, and explore the space, providing a rich experience. Lastly, Tafesse

claims that consumers are more fully attentive during events due to its temporal nature,

prompting individuals to live in the moment.

In addition to experiences, word-of-mouth marketing (WOMM) has also emerged

as a successful marketing tactic. The Nielsen Company (2015a) administered the Global

Trust in Advertising survey and found that “more than eight-in-10 global respondents

(83%) say they completely or somewhat trust the recommendations of friends and family

above all other forms of advertisement” (p. 4). In the age of the Internet, where content is

accessible from almost anywhere in the world, companies are now turning to social

media to gain a broader reach towards customers. Papasolomou and Yioula (2012) claim

that “media mentions and considerable word-of-mouth communication can assist the

firm’s sales promotion efforts by generating publicity, can instill trust between the

salespeople and the customers, and can overcome the customer’s inherent resistance to

the salesperson’s and direct marketing efforts” (p. 324). With marketing adapting to the

newest technology trends, companies are now focusing a larger portion of their

Page 8: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

4

advertising efforts towards social media, which studies prove to be more cost effective

than traditional media (Jobs & Gilfoil, 2014). According to Tomoson (2016), “businesses

are making $6.50 for each dollar spend on influencer marketing” (para. 5). Wanda Gill,

Vice President of Media Marketing Effectiveness for Nielsen, said that “offline

advertising still takes on 70% of advertising spend and TV stays as the leading medium,

but there continues to be a gradual shift of advertising budget to digital” (The Nielsen

Company, 2015b, para.1). The total social media ad spending globally was reported as

$25.14 billion in 2015, a 40.8% increase from 2014 (eMarketer, 2015). Because anyone

with access to the Internet can create social media accounts, companies are able to create

interactive conversation with consumers at little to no cost.

Although companies may have a greater reach towards target audiences through

social media, selecting the right individuals to relay the message to consumers is key in

forming a positive reputation. These individuals are called social media influencers,

whom can be identified as early adopters who have acquired positive message credibility

that stem from experience and the strength of their ties with followers (Evan & Fills,

2002; Koo, 2015). The amount of experience and expertise an influencer has within an

industry is directly related to the tie strength. Freberg, Graham, McGaughey, and Freberg

(2010) identify influencers as simply “a new type of independent third party endorser

who shape audience attitudes through blogs, tweets and the use of other social media” (p.

90). Influencers are known to spark conversation within a product market and engage in

WOMM through their own creative content posted online. According to a study by

Vision Critical (2013), 43% of social media users have purchased a product or service

after liking or sharing a post. With a positive review from a social media influencer,

Page 9: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

5

viewers are more inclined to buy a product or service, trusting that the opinion of the

influencer is credible. The viewer then turns into a customer, and may potentially

contribute to online conversations.

Marketers are taking advantage of the value of relationship marketing by

strengthening consumer-brand relationships with influencers, who are identified as key

consumers. Besides choosing an influencer with expertise and credibility, public relation

(PR) specialists and marketers strategically select influencers whose personalities,

lifestyle, and image fit that of the brand or campaign (Uzunoglu & Kip, 2014). With

influencer marketing, it is essential that the target audience of the brand and the selected

influencer’s followers match. After a brand selects a social influencer, it is important that

the influencer is familiar and has a relationship with the brand or campaign in order to

yield “behavioral and/or attitudinal results” (p. 593). Engagement between brand and

influencer is based on two key points: “the high relevance of brands to consumers, and

the development of an emotional connection between consumer and brands” (Rappaport,

2007, p. 138). Public relation specialists or marketers of brands communicate with

influencers in order to build a relationship and strengthen brand reputation. Uzunoglu and

Kip (2014) state that one method of communication is when brands send out samples of a

new, unreleased, product to influencers. Vivek, Beatty, and Morgan (2012) identify this

notion of consumer engagement as connection and participation. The brand creates a

connection with influencers by selecting them as early adopters of the product.

Influencers actively participate in the product launch process by providing an initial

opinion. In addition, brands show that influencers’ opinions are valuable to support

consumer-brand relationships and gain customer loyalty. Other notions of consumer

Page 10: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

6

engagement include co-creation, and cognitive and affective commitment (Vargo &

Lusch, 2004; Mollen & Wilson, 2010). When influencers are involved in the creation of

new products, they are given a clear association with the brand. Now, PR specialists

understand the importance of influencer-brand relationships. The roles and

responsibilities as PR specialists is to “recognize, understand, and satisfy the needs of the

influencers who are critical to the visibility and ultimate success of a company or

campaign” (Solis & Brakenridge, 2009, p. 272).

As marketers understand the values of both experience and social media, it is only

natural that the two strategies are combined. When influencers post event content on their

social media accounts, followers may stir up conversation about the event by

commenting, liking, or reposting. Social media platforms such as Snapchat, Twitter, and

Instagram provide users virtual access to exclusive events (MediaKix, n.d.). To capture

the full experience, companies encourage social media influencers to bridge the gap

between brand and consumers through videos posted on YouTube or SnapChat (Cievents,

2015). Social media provides a way for online viewers to live vicariously through

influencers. Generally, influencers report their experience at these events, and if it is a

positive evaluation, brands may be better perceived by target consumers.

In recent years, the cosmetic industry has been shown to be one of the top sectors

utilizing influencer marketing. Fashion and Beauty Monitor (2016) claim that influencers

play a large role in cosmetic marketing strategies such as crisis management, promotion

and distribution, and events/webinar production. In addition, a study by the organization

found that “69% of respondents say influencers play an important role in product launch”

(p.14). While the future of influencer marketing may not be certain, it is necessary to

Page 11: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

7

study the success and failures of well established companies that have organized special

events specifically for social media influencers. According to MediaKix (2016), Revolve

Clothing was one of the brands marketing at Coachella 2016, inviting various social

influencers to their “Desert House” party. The fashion retail company aimed to increase

sales and raise brand awareness by having social influencers post content regarding the

party on social media. In return, the event accumulated more than 12,700 comments and

1,618,900 likes across several social media channels. Through social influencers,

Revolve Clothing gained an audience of more than 30 million people during the

Coachella 2016 weekend. Influencer marketing efforts have led to a more efficient

method of brand exposure. Brands use events to connect with influencers, and in return,

influencers communicate their experience with followers. From there, a positive opinion

about the brand, product, or service is formed and as well as a potential purchase. This

study used a comparative analysis approach to examine the effectiveness of selected

influencer marketing events in the cosmetic industry.

Purpose of the Study

The purpose of this study was to examine the effectiveness of selected influencer

marketing events in the cosmetic industry.

Research Questions

This study attempted to answer the following research questions:

1.   How do events affect a brand’s relationship with influencers?

2.   What methods of engagement are utilized at the selected influencer events?

Page 12: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

8

3.   How do brands select specific influencers to attend events?

4.   What do marketing specialists use to measure the success of an influencer

event?

Page 13: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

9

Chapter 2

METHODS

The purpose of this study was to examine the effectiveness of selected influencer

marketing events in the cosmetic industry. This chapter includes the following sections:

description of organization/s, description of instrument, and description of procedures.

Description of Organization/s

A comparative analysis was performed on the #YSLBlackOpiumExperience and

#UDSummerNights influencer marketing events. Yves Saint Laurent (YSL) Beauty is a

luxury cosmetic and fragrance brand headquartered in New York City with

approximately 325 employees (Hoovers, Inc., 2016a). Urban Decay Cosmetics is a color

cosmetic brand headquartered in Newport Beach, California (Hoovers, Inc., 2016b).

Both brands are sold worldwide and are publicly traded companies under L’Oreal Paris.

Yves Saint Laurent was founded in 1961 by the fashion designer himself and was

initially a luxury fashion clothing brand (Global Cosmetic News, 2015). In 1971, the

brand extended into personal care for men. In 2008, YSL Beauty debuted as a separate

branch under L’Oreal Paris. It is at the higher end of L’Oreal’s premium segment and is

perceived to be for older audiences, but young women in their twenties and thirties have

also shown interest in the brand (Passport, 2012). Yves Saint Laurent Beauty (2016)

offers a wide range of makeup, fragrance, and skincare products. Some of the best-

selling products include the Mascara Volume Effet Fauc Cils, Touche Eclat, and Black

Page 14: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

10

Opium. Although YSL does not offer an explicit mission statement, it claims to be “the

most subversive Parisian couture brand” (L’Oreal, n.d., para. 1).

Urban Decay (2016) was founded in 1996 by Sandy Lerner and Wende Zomnir.

The two women believed that the products offered in the cosmetic industry at the time

did not offer a wide range colors and seemed too conservative. Lerner and Zomnir then

debuted Urban Decay with 10 lipsticks and 12 nail polishes. Zomnir claims that “the

target Urban Decay consumers fits a lifestyle rather than a demographic” (Romanik,

2009, para. 2). In 2012, L’Oreal Paris acquired the Urban Decay, which resulted in a

larger distribution channel for the brand (L’Oreal, 2012). Urban Decay offers eye, lip,

and face makeup, which are widely known for their whimsical names. Some of the

brand’s best-selling products include the Naked Palette and Eyeshadow Primer Potion.

For the last 20 years, Urban Decay has strived to offer “beauty with an edge”.

Description of Instrument

The instrument utilized in this study was a best practices matrix developed by the

researcher (see Appendix A). The matrix contained required event components that were

gathered through recommendations in literature. The purpose of this matrix was to

identify the key components surrounding each influencer event. The researcher separated

the instrument into four sections: event overview, event experience, social media, and

financials. The event overview asked for information such as event location, number of

guests, event goals, and key influencers. The event experience section asked for specific

examples during the event that involved each of the influencer’s senses. This provided an

in-depth description of what the influencers experienced. The social media section asked

Page 15: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

11

for basic statistics regarding social media platforms such as the number of posts,

engagements, impressions, reach, and quotes from influencers regarding their experience

at the event. Lastly, under the financial section, the earned media value (EMV) attributed

to the selected event analyzed. According to RhythmOne (2016), “earned media value

refers to the dollar value that can be attributed to publicity, social sharing and

endorsement, and other unpaid digital media exposure” (p. 8). In order to measure

financial success, the EMV of the month in which the events took place, as well as the

two months after the event, were noted. Other information regarding brand growth were

listed under notes.

A pilot study was conducted on the Westfield “FASH BASH” campaign. This

program differs from the chosen events because Westfield is not a cosmetic brand, but a

fashion retailer. The event focused on driving sign ups and in store traffic rather than

launching a new product (No Subject, 2015). However, the campaign had the same goals

in marketing the brand through social influencers and creating online buzz. The best

practices matrix was used on this specific event. Event though the event included key

influencers, it was satisfactory for the pilot due to the fact that some details of the event

were hard to find. Although content regarding the event was posted on Twitter and

blogs, there were no extensive accounts of the event. After piloting, the researcher

removed the sections regarding revenue and sales as it was difficult to get ahold of those

figures since some companies do not make them available to the public. A notes section

for other information regarding brand growth were listed under financials in order to

provide more detail about the affect of the events on the brands.

Page 16: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

12

Description of Procedures

A comparative analysis was performed on the #YSLBlackOpiumExperience and

#UDSummerNights influencer marketing events. The instrument utilized in this study

was a case study checklist developed by the researcher (see Appendix A). The researcher

began to gather information on the #YSLBlackOpiumExperience and

#UDSummerNights events on May 13th, 2016 and ending on May 17th, 2016. These

particular campaigns were chosen due to social media exposure, websites, and online

accessibility of necessary documents such as social media reports. Each section was filled

out to great detail, considering each stakeholder at the event. The instrument collected

mostly qualitative data due to the nature of special events, in which each experience can

differ. However, quantitative data was also collected for the financial section.

Information for attendee experience was gathered through the websites of the

agencies that produced each event and the social media posts of the invited influencers.

Influencer Marketing Agency (IMA) produced the Yves Saint Laurent Beauty event and

(No Subject) produced the Urban Decay cosmetics event. Basic social media statistics

such as number of online impressions, social media posts, and engagements were also

found on the agency websites. In addition, by searching the hashtags of both campaigns

across social media platforms such as Twitter, Instagram, YouTube, and WordPress, the

researcher gained a better understanding of each event. More information on social

media statistics and brand financials were found from La Mode Monthly reports by Tribe

Dynamics and annual reports by L’Oreal. In order to describe the success of each event,

the earned media value of each brand was recorded for the month of the event, and the

month after.

Page 17: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

13

Chapter 3

PRESENTATION OF THE RESULTS

The purpose of this study was to examine the effectiveness of selected influencer

marketing events in the cosmetic industry. A comparative analysis approach was utilized

to examine Yves Saint Laurent (YSL) Beauty and Urban Decay Cosmetics. This chapter

includes the following sections: overview of events, event experience, social media, and

financials.

Overview of Events

Yves Saint Laurent Beauty launched the #YSLBlackOpiumExperience campaign

to promote the launch of the Black Opium fragrance. On September 25th, 2015, the two-

part event was held in Amsterdam. First, VIP influencers were invited for a special dinner

at the Hoxton Hotel, followed by a “rock glam” party at Pakhuis West with the rest of the

influencers. Yves Saint Laurent Beauty, together with Influencer Marketing Agency,

selected 15 VIP influencers as campaign ambassadors as well as 55 regular influencers to

represent the brand and generate online conversation around the event. All influencers

were from the region of Benelux, including the countries Belgium, the Netherlands, and

Luxembourg. Key influencers included Noor de Groot and Giaro Giarratana. Urban

Decay Cosmetics launched the #UDSummerNights campaign to promote the launch of

the Naked Skin Beauty Balm and create online buzz using the hashtag. A special event,

produced by No Subject, took place in May of 2014 at a private home located in the

Page 18: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

14

Hollywood Hills. More than 50 influencers from the Los Angeles area were invited to the

event, including Whitney Port and Amy Pham.

Event Experience

As mentioned in the overview of events, before the main party, YSL invited 15

VIP influencers for an intimate dinner and reception at the Hoxton Hotel. The space,

called “The Apartment”, included a kitchen, living room and courtyard. The Apartment

was quaint and cozy, as if the setting took place in someone’s own home. The décor of

the entire space engaged the guests’ sense of sight. In the kitchen, the VIP influencers

saw black, white, and grey tiles, marble counters, and rose gold accents. In the living

room, they saw walls filled with framed photos with wooden floors. The dining set up

had a very simple and neutral color palette, with candles to provide a dimly lit setting.

Each VIP guest had a hand-written name card at their seat, along with a menu, a lily

flower, and a bottle of the Black Opium fragrance. The VIP influencers were free to

socialize and take pictures in the courtyard and kitchen before dinner was served. Each

VIP influencer was given a goodie bag as a thank you and souvenir from the dinner. This

engaged their sense of touch, as they examined each of the items in the bag. Since it was

an intimidate dinner and no DJ was present, it is unclear whether or not there was music

playing at the event. Sounds of chatter and dinner utensils filled the VIP influencers’ ears,

engaging their sense of hearing. Then, VIP influencers were served a full meal in the

living room, engaging in their sense of taste. The star of the dinner was a custom “Black

Opium” cocktail that consisted of Grey Goose Citron, strong jasmine tea, lemon, orange

blossom syrup, and dried jasmine flowers for garnish. The VIP influencers’ sense of

Page 19: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

15

smell was activated by the aroma of food, cocktails, as well as the Black Opium

fragrance itself.

A couple of hours later, the #YSLBlackOpiumExperience at Pakhuis West begun

with the rest of the influencers. The “rock glam” themed party resembled a night club,

with multiple activities in addition to dancing. Engaging in their sense of sight,

influencers entered the venue through a dark tunnel, lit with neon magenta archways.

Near the entrance, was a YSL step and repeat banner to take pictures as soon as they got

inside the venue. The majority of the venue was dark, occasionally being lit by strobe

lights, party lights, camera flashes, and YSL signs in purple or magenta colors. Aside

from other influencers at the event, everyone watched interpretive dancers throughout the

night, who incorporated the Black Opium fragrance into their routine. For a hands-on

experience with the YSL Beauty products and engagement through the sense of touch,

influencers were able to get their make-up done or test the products out themselves at the

vanity area. Here, influencers were able to play with different colors, shades, and looks.

In another area, influencers could get a fake tattoo drawn onto their arms. A photo booth

with props allowed the influencers to take pictures with friends, but also take home a

personalized souvenir. Near the dance floor area, DJ Monsieur Moustache played

electronic music. This engaged the influencers’ sense of hearing, prompting them to

dance. As for taste, the drinks and finger foods were inspired by the Black Opium scent.

To activate the olfactory senses, the Black Opium fragrance was present in every area of

the venue. The fragrance offers nodes of coffee, vanilla, and white flowers.

Urban Decay’s #UDSummerNights party in the Hollywood Hills gave influencers

a view of the Los Angeles skyline. Influencers saw the sky go from bright to dark,

Page 20: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

16

watching the city lights come out as the night went on. The private home gave an

intimate experience, resembling a backyard party. The décor reflected a bohemian,

southwestern style along with a modern look for the outdoor area. A backdrop was set up

adjacent to the pool reading “UD Summer Nights”. Make-up artists were also at the

event to test Urban Decay products on the influencers. In addition to trying out the new

Beauty Balm and other products, influencers also had a hands on experience with partner

companies at the event. Influencers were able to make their own personalized flower

crown with Cult Gaia. Clothes by Whitney Eve and Vitamin A were on display for

influencers to look through. Each influencer was also given an Urban Decay swag bag

with products and samples take home. The music for the night was provided by DJ

Sosupersam, playing mostly hip hop and R&B songs. Cocktails were provided by Veev

Spirits, and featured Vivafrute lemonade, cosmopolitan, margarita and wine. Colorful

finger foods and desserts were displayed including cheese boards, vegetables, hummus,

cake pops, tarts, and mousse. No type of scent was specifically identified by Urban

Decay or any of the influencers invited to the event.

Social Media

The #YSLBlackOpiumExperience and #UDSummerNights events were both

featured on their respective brand’s social media accounts. In addition, both events

resulted in influencers posting event content on the following social media platforms:

Facebook, Twitter, Instagram, YouTube, and various blogging sites.

During the #YSLBlackOpiumExperience event, professional footage was shot

and edited into a post-event experience video that also served as personal clips for

Page 21: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

17

influencers to share on their own channels. The photo booth and step and repeat at the

event also gave influencers opportunities to create social media content. Majority of

accounts were made via blog post and Facebook. Influencers for the YSL Beauty Event

included Noor de Groot, who has 202,000 Instagram followers, and Giaro Giarratana,

who has 181,000 Instagram followers. After the event, Influencer Marketing Agency

reported a total of 392 influencer posts across all social media platforms created at the

event. The posts resulted in a combined influencer reach of 15.4 million and 12.3 million

campaign impressions. The posts also resulted in a total of 256.7 thousand engagements,

including likes, comments, and shares. Lastly, Yves Saint Laurent saw an increase of

50,000 followers on the @YSLbeauty Instagram page. Frequent words and phrases that

appeared on social media platforms regarding the event included, “amazing experience”,

“connection”, and “prestigious event”.

During the #UDSummerNights, the backdrop and swan float were the main

opportunities for photos. Influencers for Urban Decay included Whitney Port and Amy

Pham, who have 1.1 million followers and 407,000 followers on Instagram respectively.

After the Urban Decay cosmetics event, (No Subject) reported a total of more than 480

influencer posts across all social media platforms created at the event. There was a total

of 11.2 million impressions of the #UDSummerNights hashtag. Frequent words and

phrases that appeared on social media platforms regarding the event included “fun", “had

a blast”, and “ready for the summer”.

Page 22: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

18

Financials

In September 2015, the earned media value (EMV) for YSL was reported at

$1,567,943. After the YSL event on September 25th, the EMV for October 2015 was

$1,875,460. A month later in November, the EMV was reported at $783,742. The

platform with the highest EMV for YSL during September 2015 was Instagram at

$3,564,225 and Facebook coming in second at $310,220. The most recent La Mode

Monthly reported YSL as the top fragrance brand with the highest EMV at $4,283,631.

This list included brands such as Jo Malone, Viktor & Rolf, and Dior, to name a few. In

2015, L’Oreal reported the success of Black Opium resulted in a 18.4% increase in brand

growth for YSL Beauty.

In May 2014, the EMV for Urban Decay was reported at $3,542,472. After the

YSL event in May, the EMV for June 2014 was $4,188,141. A month later in July, the

EMV was reported at $1,909,007. The platform with the highest EMV for Urban Decay

that month was YouTube at $1,909,007 and Facebook coming in second at $680,545.

After the event, Urban Decay doubled its sales in two years, having the highest growth

rate in L’Oreal’s Luxe division.

Page 23: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

19

Chapter 4

DISCUSSION AND CONCLUSIONS

With the development of social media, influencer marketing has recently become

a highly practiced method of reaching consumers. Special events have been an important

component in building relationships between brands and influencers. This concluding

chapter will include the following: a discussion of the findings, limitations, conclusions

based on research questions, and implications of the findings, and recommendations for

future research.

Discussion

Face-to-face interaction and engagement can prompt influencers to speak more

positively and more often about a brand to their followers. Unlike online communication,

events provide brands the opportunity for a more memorable and intimate relationship

with influencers. Garfield and Levy (2012) mention that building these value-based

relationships can result in loyalty and trust. Events make influencers feel special,

allowing them to experience a brand rather than simply communicating with a brand. The

selected events demonstrated the essence of each company through engaging guests

through sense of sight, touch, hearing, taste, and smell. For example, Yves Saint Laurent

Beauty integrated elements of the Black Opium fragrance into cocktails and food served

at the event. Urban Decay decorated the event venue to channel the brand’s edgy, modern

image. Events help brands embody a brand’s mission, values, and goals an because of

Page 24: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

20

this, are thought to leave a long lasting impact on influencers. Brands should continue to

focus on event marketing efforts targeted towards influencer relationships.

Events facilitate engagement between brands influencers. An upscale event such

as #YSLBlackOpiumExperience, assured influencers that they are valuable to the

company. Since Yves Saint Laurent (YSL) Beauty is viewed as a luxury brand, they

should continue producing high-class events. While Urban Decay is not viewed to be as

luxurious as YSL Beauty, the brand should create a more an upscale event that would

further display the importance of influencers. However, Urban Decay did offer a sense of

co-creation to Whitney Port, allowing her to showcase her boutique items at

#UDSummerNights. Based on the findings of Vargo and Lusch (2004), Urban Decay

should take advantage of co-creation and release a product in collaboration with a well-

established influencer. With their strong establishment in the cosmetic industry, Urban

Decay would not only benefit from the collaboration, but the influencer would also gain

more exposure and credibility. The integration of multiple customer engagement methods

at these events let to positive feedback on social media. Even though an influencer may

not like a specific product, they may continue the support of a brand due to great

customer service and history.

The amount of brand exposure and the earned media value (EMV) from an event

heavily depends on the influencers that get invited. Influencers determine who receive the

message, and the amount of people that see it. Koo (2015) recognizes influencers as

experts in their respective industries. As influencers build trust and credibility with their

followers, the size of their following continues to grow. Although there were more

guests in attendance at the YSL Beauty event, the Urban Decay event yielded more posts

Page 25: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

21

on social media platforms. In addition, Urban Decay also saw a higher increase in EMV

for the following month after the event compared to YSL Beauty. This may be due to the

fact that the key influencers at #UDSummerNights had greater popularity and a

significantly larger audience than those that attended #YSLBlackOpiumExperience.

Brands similar to YSL Beauty should make it a point to invite a handful of high-status

influencers to events in order to raise EMV.

Earned media value can be useful in measuring the return on investment (ROI) of

a specific event. However, the effect of EMV on product sales and brand growth is still

unclear, although there could be a relation. Vision Critical (2013) claimed that 43% of

social media users have purchased a product or service after liking or sharing a post.

Although there is a positive relationship between YSL Beauty’s brand growth and EMV

for 2015, there could be other factors contributing to brand growth other than EMV.

Brand growth and sales may also be affected by the status of the economy, current

events, and geography. Marketers should move towards perfecting the measurement of

success while paying attention to the buying habits of customers persuaded by

influencers.

The biggest limitation of this study was the use of strictly online resources. Even

though online resources are convenient, online case studies and annual reports may leave

out important information valuable to the study. The L’Oreal annual report did not

breakdown sales of it’s two subsidiary companies, YSL Beauty and Urban Decay.

Instead, only a collective report including the rest of the subsidiary companies was

available to the researcher. Another limitation was the selection of influencers used to

draw out information about the events. The researcher reviewed about 3-5 influencers’

Page 26: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

22

accounts of the events for each brand. The influencer’s social media posts may not

represent the opinions or experience of all the attendees at the event. While the researcher

had not used any of YSL or Urban Decay’s products, familiarity and current word-of-

mouth regarding the two brands may have contributed to pre-existing bias, affecting the

results of the study.

This study aimed to examine influencer marketing-related events within the

cosmetic industry. As influencer marketing is still a recent trend in marketing strategies,

this study has shown broken down each event into smaller components, demonstrating

how experience benefits consumer ties. Brands are able to broaden customer reach by

forming working relationships with key consumers, called influencers. Although

communicating with influencers electronically may increase brand loyalty, face-to-face

interactions strengthen these bonds. This study also illustrated the key components of

influencer events that drive conversation among potential customers. Through the

research of event marketing and experience, recommendations were made for both of the

events in the study on how to maximize the benefits from utilizing influencer events.

Conclusions

Based on the findings of this study, the following conclusions are drawn:

1.   Events engage influencers in all five senses, allowing brands to connect with

their audience on a more personal level, and allowing influencers to

experience the brand rather than know the brand.

Page 27: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

23

2.   Methods of engagement utilized at influencer events include, but are not

limited to, product trials, group photo opportunities, creative activity, and

entertainment.

3.   Brands select influencers with high popularity, credible expertise, and a

following that matches the brand’s target audience.

4.   Although a definite measurement of success within influencer marketing is

still flawed, marketing specialists look to EMV, impressions, reach, and posts

to evaluate success.

Recommendations

Based on the conclusions of this study, the following recommendations are made:

1.   The cosmetic industry should continue investing in influencer marketing

events as it has been shown to be effective in reaching target audiences.

2.   Since YSL Beauty is viewed as a luxury brand, they should continue

producing high-class events.

3.   To raise earned media value, YSL Beauty should invite influencers of high-

status and popularity.

4.   Urban Decay should take advantage of co-creation with an influencer due to

it’s strong establishment of 20 years in the cosmetic industry.

5.   To improve the strength of their relationships, Urban Decay can produce high-

class event to show the importance of influencers.

6.   Influencer marketing specialists can close the gap in measuring the

effectiveness events, by closely monitoring follower buying habits.

Page 28: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

24

Page 29: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

25

REFERENCES

Page 30: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

26

REFERENCES

Cievents. (2015). Vloggers: The role of social influencers at an event. Retrieved from

http://www.cievents.com/

eMarketer. (2015). Social network ad revenues accelerate worldwide. Retrieved from

http://emarketer.com/

Evans, M. & Fills, C. (2002). Extending the communication process: the significance of

personal influencers in UK motor markets. International Journal of Advertising,

19(3), 377-396. doi: 10.1080/02650487.2000.11104807

Fashion and Beauty Monitor. (2016). The rise of influencers. Retrieved from

http://images.fashionmonitor.com/Documents/2016/1/fashion-and-beauty-

monitor-rise-of-influencers.pdf

Freberg, K., Graham, K., McGaughey, K., & Freberg, L. (2010). Who are the social

media influencers? A study of public perceptions of personality. Public Relations

Review. 37(1), 90–92. doi: 10.1016/j.pubrev.2010.11.001

Garfield, B. & Levy, D. (2012). Ignore the human element of marketing at

your own peril: Forget product position, this is the dawn of the relationship era.

Advertising Age. Retrieved from http://www.adage.com/

Gentile, C., Spiller, N., & Noci, G. (2007). How to sustain the customer experience: An

overview of experience components that co-create value with the customer.

European Management Journal, 25(5), 395–410. doi:10.1016/j.emj.2007.08.005

Global Cosmetic News. (2015). Yves Saint Laurent company profile. Retrieved from

http://globalcosmeticsnews.com/

Page 31: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

27

Hoovers, Inc. (2016a). Yves Saint Laurent company overview. Retrieved from

http://hoovers.com/

Hoovers, Inc. (2016b). Urban Decay company overview. Retrieved from

http://hoovers.com/

Jobs, G. & Gilfoil, D. (2014). A social media advertising adoption model for reallocation

of traditional advertising budgets. Academy of Marketing Studies Journal. 18(1),

233-247.

Johnson, C. (2015) Experiences: the seventh era of marketing. EContent Magazine.

Retrieved from http://www.econtentmag.com/

Koo, D. (2015). Impact of tie strength and experience on the effectiveness of online

service recommendations. Businnes Horizons, 57(6), 38-51. doi:

10.1016/j.bushor.2014.07.002

L’Oreal. (n. d.). Yves Saint Laurent Beaute. Retrieved from http://loreal.com/

L’Oreal. (2012). L’Oreal signs an agreement to acquire Urban Decay, specialty makeup

brand in the USA. Retrieved from http://loreal.com/

MediaKix. (n.d.). Snapchat for business: How to do a snapchat takeover. Retrieved from

http://mediakix.com/

MediaKix. (2016). Coachella 2016 marketing case study. Retrieved from

http://mediakix.com/2016/04/marketing-case-study-coachella-2016/

Mollen, A., & Wilson, H. (2010). Engagement, telepresence, and interactivity in online

consumer experience: Reconciling scholastic and managerial perspectives.

Journal of Business Research, 63(9/10), 919–925. doi:

10.1016/j.jbusres.2009.05.014

Page 32: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

28

The Nielsen Company. (2015a). Global trust in advertising: Winning strategies for an

evolving media landscape. Retrieved from

http://www.nielsen.com/content/dam/nielsenglobal/apac/docs/reports/2015/nielse

n-global-trust-in-advertising-report-september-2015.pdf

The Nielsen Company. (2015b). Advertising spending increases but more marketers are

exercising caution in 2015. Retrieved from http://www.nielsen.com/

No Subject. (2015). Marketing case studies 2015. Retrieved from

https://www.dropbox.com/s/rynztmh8mq783xa/case%20studies%202015.pdf

Papasolomou, I. & Melanthiou, Y. (2012). Social media: Marketing public relation’s new

best friend. Journal of Promotion Management, 18, 319-328. doi:

10.1080/10496491.2012.696458

Passport. (2012). L’Oreal company profile – SWOT analysis. Retrieved from

http://euromonitor.com/

Rappaport, S. D. (2007). Lessons from online practices: New advertising models. Journal

of Advertising Research, 47(2), 135–141. doi: 10.2501/S0021849907070158

RhythmOne. (2016). Influencer marketing benchmarks report full year 2015. Retrieved

from https://www.rhythmone.com/rhythmbuzz/insights/2015-influencer-

benchmarks-report

Romanik, R. (2009). Beauty with an edge: Urban Decay lives up to its credo. Package

Design Magazine. Retrieved from http://packagedesignmag.com/

*Salesforce. (2015). 2015 state of marketing. Retrieved from http://www.salesforce.com

Page 33: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

29

Solis, B & Breakenridge, D. (2009). Putting the public back in public relations: How

social media is reinventing the aging business of PR. Retrieved from

http://books.google.com/

Tafesse, W. (2016). Conceptualization of brand experience in an event marketing

context. Journal of Promotion Management, 22(1), 34-48.

doi:10.1080/10496491.2015.1107007

Tomoson. (2016). Influencer marketing study [Web log post]. Retrieved from

http://blog.tomoson.com/influencer-marketing-study/

Urban Decay. (2016). About us. Retrieved from http://urbandecay.com/

Uzunoglu, E. & Kip, S. M. (2014). Brand communication through digital influencers:

Leveraging blogger engagement. International Journal of Information

Management, 34(2014), 592-602. doi: 10.1016/j.ijinfomgt.2014.04.007

Vargo, S. L. & Lusch, R. F. (2004). Evolving to a new dominant logic for

marketing. Journal of Marketing, 68(1), 1–17. doi: 10.1509/jmkg.68.1.1.24036

Vision Critical. (2013). From social to sale. Retrieved from http://teh.net/

Vivek, S. D., Beatty, S. E., & Morgan, R. M. (2012). Customer engagement: Exploring

customer relationships beyond purchase. Journal of Marketing Theory &

Practice, 20(2), 122–146. doi: 10.2753/MTP1069-6679200201

Yves Saint Laurent Beauty. (2016). Homepage. Retrieved from http://yslbeautyus.com/

*ZenithOptimedia. (2015). Executive summary: Advertising expenditure forecasts

December 2015. Retrieved from http://www.zenithoptimedia.com/

Page 34: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

30

APPENDIXES

Page 35: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

31

Appendix A

Instrument

Page 36: More Than a Product Launch: A Comparative Analysis of Selected Influencer Marketing Events in the Cosmetics Industry

32

Event Name #1 Event Name #2

Event Overview

Date

Location

Number of Guests

Purpose of Event

Event Goals

Key Influencers/ Number of Followers

Event Experience

Sight

Touch

Hear

Taste

Smell

Social Media

Number of Posts at Event

Engagements

Impressions

Total Reach

Notes/Quotes from Attendees

Financials

EMV Month Before Event

EMV Month After Event

EMV 2 Months After Event

Notes