o zo - link.springer.com978-3-662-15801-2/1.pdf · 1opb+---+---+---+-----~~~~_r--_r--~--~--~10y ......

19
Appendix Several Equations The following equations are added for the convenience of those who wish to make certain supplemental calculations: 1) Calculation of CIE chromaticity x,y when the tristimulus values X, Y, and Z are given. Y y = X+Y+Z 2) Calculation of the CIE tristimulus values when x, y, and Y are given. X = Y Y Z = (l-x-y) Y y 3) Calculation of the CIELAB color difference ßE: b , when the tristimulus values X, Y, and Z are known for both colors IRef.7.15, p. 106; 7.19,21]. where ßL*, ßa*, and ßb* represent the difference of L*, a*, and b*, respec- tively, for the two colors. L*, a*, and b* are calculated by use of L* = - 16 a* = - b* = 200[(*)1/3 _ X o ' Y o ' and Zo are the tristimulus values of the nominally white object- color stimulus (the illuminant). Y O is taken equal to 100, and X o and Zo are calculated from values of x and y for the illuminant (Table 7.6). The formula is valid only when X/XO, Y/YO, and Z/ZO all exceed 0.01.

Upload: tranhanh

Post on 29-Apr-2018

217 views

Category:

Documents


1 download

TRANSCRIPT

Page 1: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

Appendix

Several Equations

The following equations are added for the convenience of those who wish to make certain supplemental calculations:

1) Calculation of CIE chromaticity x,y when the tristimulus values X, Y, and Z are given.

Y y = X+Y+Z

2) Calculation of the CIE tristimulus values when x, y, and Y are given.

X = ~ Y Y

Z = (l-x-y) Y y

3) Calculation of the CIELAB color difference ßE:b, when the tristimulus values X, Y, and Z are known for both colors IRef.7.15, p. 106; 7.19,21].

where ßL*, ßa*, and ßb* represent the difference of L*, a*, and b*, respec­tively, for the two colors.

L*, a*, and b* are calculated by use of

L* = 116(y~)1/3 - 16

a* = 500[~x:j1i3 -~/oj1/3]

b* = 200[(*)1/3 _ (Z~j1/3].

Xo' Yo' and Zo are the tristimulus values of the nominally white object­color stimulus (the illuminant). YO is taken equal to 100, and Xo and Zo are calculated from values of x and y for the illuminant (Table 7.6).

The formula is valid only when X/XO, Y/YO, and Z/ZO all exceed 0.01.

Page 2: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

121

Plate I. Goehte color circle. The samples were cut from chips in [5.141. The samples were photographed; hence their reproduction here must be considered only approximations of them. (cf.p.41)

Page 3: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

122

0.9 ,..------,---,----,------,---...--------,r--- -,---,

0.8

0.7

0.6

0.5

>- 20_ 0.4 16 1_ 17 15

0 0.3 e21 22 C

-~ 4 5 0.2 2

0. 1 f---~

o 0.2 0.3 0.4 0.5 0.6 0.7 x

Plate 11. Chromaticities of colors of samples compared with the chromaticity limits (MacAdam limits). [Luminance factor Y = 0.30 (approximately), Table 7.3]. The samples were cut from standard color chips (Munsell) and from chips in [5.14]. The samples were photographed; hence their reproduction

here must be considered only approximations of them. (cf.p.68)

Page 4: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

123

09.-----,-----,-----,------r-----.-----.-----.--.

0.8

0.7

0.6

0.5

0.4

0.3

02

0.1 t-----~

o 0 7 x

Plate rrr. Seven pigments and their mixtures with titanium white pigment in a paint film. Curves (mixture lines) show the variation of chromaticity with white pigment content (Table 7.4). The samples were cut from color chips in [5.14]. The samples were photographed; hence their reproduction here must be considered only approximations of them. (cf.p.71)

Page 5: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

124

0.9 .-----,,------y-----,-----,-----,----,----,----,

08

0.7

0.6 I-G

I- F ~ I IIfl ------

0.5 1-0 J

>- l N 0.4 1-8

!-Ä

Q3

p

0.2

5 0.1

0.7 x

Plate IV. Mixtures of pairs of pigments in paint films. Mixture lines are shown for: (I) Milori blue and chrome yellow (K) (Table 7.5) [5.14]; (lI) zinc yellow (J) and deep cadmium red (R) (reproduced from [Ref. 2.2, Fig. 18.7]); (III) Prussian blue (P) and chrome yellow (K) in oil (reproduced from [Ref. 7.12, Fig. 12]); and (IV) Prussian blue (P) and lead white (C) in oil (reproduced from [Ref. 7.12, Fig. 7]). The samples were cut from color chips in [5.14]. The samples were photographed; hence their repro­duction here must be considered only approximations of them. (cf.p. 73)

Page 6: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

125

10R

10P

SY

1oPB+---+---+---+-----~~~~_r--_r--~--~--~ 10Y

SGY

SBG

Plate V. Color samples and a line enclosing the gamut of available Munsell standard color samples at Munsell Value 6 (luminance factor Y = 0.30). The color samples displayed are the same as those in Plate 11; they are de­scribed in Table 7.3. The samples were photographed; hence their reproduc­tion here must be considered only approximations of them. (cf.p.S8)

Page 7: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

126

Y

G R

8

G20Y Y30G

Plate VI. Hering hue circle. (Based on [Ref. 8.15, Fig. 8J,cf.p. 95)

Page 8: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

References

1.1 J.W. von Goethe: Farbenlehre (Color Theory)(1810). C.L. Eastlake's Trans­lation (1940). Introduction by D.B. Judd. (M.I.T. Press, Cambridge, Mass. 1970)

1.2 R. Matthaei (ed.): Goethe's Color Theory. Translated by H. Aach (Van Nostrand Reinhold, New York 1970)

1.3 F. Birren: A sense of illumination. Color Res. Appl. 2, 69-74 (1977) 1.4 A. Garrett: Report on Color 77, Third Congress of the International

Color Association. Leonardo 11, 41-42 (1978) 1.5 F. Birren: Color perception in art: Beyond the eye into the brain. Leo­

nardo 9, 105-110 (1976) 1.6 M.E. Chevreul: The Prineiples of Harmony and Contrast of Colors and

Their Applieations in the Arts (1839). Reprinted. Introduction and Notes by F. Birren (Van Nostrand Reinhold, New York 1967)

1.7 O.N. Rood: Modern Chromaties: Students' Text-Book of Color with Appliea­tions to Art and Industry (1879). Reprinted. Introduction and Notes by F. Birren (Van Nostrand Reinhold, New York 1973)

1.8 J. Albers: Interaetion of Color (Yale University Press, New Haven, Conn. 1971 )

1.9 J.H. Holloway, J.A. Weil: A conversation with Josef Albers. Leonardo 3, 459-464 (1970)

1.10 D. Nickerson: History of the Munsell color system and its scientific application. J. Opt. Soc. Am. 30, 575-586 (1940)

1.11 D. Nickerson: History of the Munsell color system. Color Eng. 7(5),42-51 (1969)

1.12 W. Faulkner: Arehiteeture and Color (Wiley, New York 1972) 1.13 J.M. Carpenter: Color in Art: A Tribute to Arthur Pope (Fogg Art Museum,

Harvard University, Cambridge, Mass. 1974) 1.14 A. Pope: The Language of Drawing and Painting (Harvard University Press,

Cambridge, Mass. 1949). (Russell and Russel, New York 1967) 1.15 R.B. Farnum: Results of a questionnaire on color in art education. J.

Opt. Soc. Am. 32, 720-726 (1942) 1.16 J.T. Luke: Toward a new viewpoint for the artist. Color Res. Appl. 1,

23-36 (1976) 1.17 G. Marcus: A color system for artists. Leonardo 9, 48-51 (1976) 1.18 M.L. Meixner: Instruction on light and color in art at the Iowa State

University. Leonardo 9, 52-55 (1976) 1.19 L. Swirnoff: Experiments on the interaction of color and form. Leonardo

9, 191-195 (1976) 1.20 E. Jacobson, W.C. Granville, C.E. Foss: Color Harmony Manual, 3rd ed.

(Container Corporation of America, Chicago 1948) 1.21 Natural Colour System (NCS) Colour Atlas (Svenskt Färgcentrum, Stockholm) 1.22 Munsell Book of Color. Glossy Finish Collection and Matte Finish Collec­

tion (Munsell Color, Macbeth Division of Kollmorgen Corporation, Balti­more, Md. 1976)

2.1 R.W. Burnham, R.M. Hanes, C.J. Bartleson: Color: A Guide to Basie Faets and Coneepts (Wiley, New York 1963)

2.2 R.M. Evans: An Introduetion to Color (Wiley, New York 1948)

Page 9: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

128

2.3 D.B. Judd, G. Wyszecki: Color in Business, Science and Industry, 3rd ed. (Wiley, New York 1975)

2.4 R.M. Evans: The Perception 01 Color (Wiley, New York 1974) 2.5 R.W.G. Hunt: "Problems in Colour Reproduction", in Colour 73. Second

Congress of the International Colour Association, York, England (Adam Hilger, London 1973) pp. 53-75

2.6 D. Jameson, L.M. Hurvich: From contrast to assimilation: In art and in the eye. Leonardo 8, 125-131 (1975)

2.7 E.F. MacNichol, Jr., R. Feinberg, F.I. Harosi: "Colour Discrimination Processes in the Retina", in Colour 73. Second Congress of the Interna­tional Colour Association, York, England (Adam Hilger, London 1973) pp. 191-251

3.1 CIE (Commission Internationale de l'Eclairage), International Lighting Vocahulary. Publication CIE No.17 (E-l.l). (CIE, Paris 1970)

3.2 A.R. Barlee: Uniform color spaces and colorimeter performance. J. Oil Colour Chem. Assoc. 49(4), 275-298 (1966)

3.3 J.O. Fish: The Perception 01 Color by Ralph M. Evans (Book review). Color Res. Appl. 2, 197-199 (1977)

3.4 R.M. Evans: Fluorescence and its appearance. J. Color Appearance 1(4), 4 (1972)

3.5 R.M. Evans: "The Perception of Color", in Advances in Chemistry Series 107 (American Chemical Society, Washington, D.C. 1971) pp. 43-68

3.6 D.B. Judd: The Language 01 Drawing and Painting by Arthur Pope (Book review).-J. Opt. Soc. Am. 40, 122 (1950)

3.7 G. Wyszecki, W.S. Stiles: Color Science: Concepts and Methods, Quanti­tative Data and Formulae (Wiley, New York 1967)

3.8 H. Osborne (ed.): The Oxlord Companion to Art (Oxford University Press, Oxford 1970)

4.1 S. Ostoja-Kotkowski: Audio-kinetic art with laser beams and electronic systems. Leonardo 8, 142-144 (1975)

4.2 S. Ostoja-Kotkowski: Audio-kinetic art: The construction and operation of my "laser-chrornasonic tower". Leonardo 10, 51-53 (1977)

4.3 C.L. Strong: How to construct an argon gas laser with outputs at several wavelengths. Sci. Am. 220(2), 118-123 (1969)

4.4 P. Sorokin: Organic lasers. Sci. Am. 220(2), 30-40 (1969) 4.4a F.P. Schäfer (ed.): Dye Lasers, 2nd ed., Topics in Applied Physics,

Vol. 1 (Springer, Berlin, Heidelberg, New York 1977) 4.5 F.C. Strome: The dye laser. Eastman Org. Chem. Bull. 46(2), 1-4 (1974) 4.6 C.L. Strong: A tunable laser using organic dye is made at home for less

than $75. Sci. Am. 222(2), 116-120 (1970) 4.7 M. Bass, T.F. Deutsch, M.J. Weber: "Dye Lasers", in Lasers, ed. by A.K.

Levine, A.J. De Maria, Vol.III (Marcel Dekker, New York 1971) p. 270 4.8 T. Kallard: Exploring Laser Light (Optosonic Press, New York 1977) 4.9 A.H. Taylor, G.P. Kerr: The distribution of energy in the visible spec­

trum of daylight. J. Opt. Soc. Am. 31, 3-8 (1941) 4.10 OSA (Committee on Colorimetry, Optical Society of America), The Science

01 Color (T.Y. Crowell, New York 1953) 4.11 J. Beresford: Instrumental measurement of colour. J. Oil Colour Chern.

Assoc. 53(9), 800-820 (1970) 4.12 G. Wyszecki: Development of new CIE standard sources for colorimetry.

Die Farbe 19(1-6), 43-76 (1970) 5.1 H.W. Levison: Artists' Pigments: Lightlastness Tests and Ratings (Color­

lab, Hallandale, Florida 1976) 5.2 R. Mayer: The Artist's Handbook 01 Materials and Techniques, 3rd ed.

(Thomas Nelson, London 1975) 5.3 K. Wehlte: The Materials and Techniques 01 Painting [Translated by

Ursus Dixl(Van Nostrand Reinhold, New York 1975) 5.4 R.J. Gettens, G.L. Stout: Painting Materi~ls: A Short Encyclopedia

(Dover, New York 1966)

Page 10: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

129

5.5 Colour Index (3rd ed., revised). Research Triangle Park, N.C.: American Association of Textile Chemists and Colorists; and Bradford, Yorkshire: Soc i ety of Dyers and Co 1 ouri s ts (1975) _

5.6 E. Wich: The Colour Index. Color Res. Appl. 2, 77-8D (1977) 5.7 N.F. Barnes: A spectrophotometric study of artists' pigments. Tech.

Stud. Field of Fine Arts 7(3), 120-138 (1935) 5.8 N.F. Barnes: Color characteristics of artists' pigments. J. Opt. Soc.

Am. 29(5), 208-214 (1939) 5.9 R. Bowman: Paintings with fluorescent pigments of the microcosm and

macrocosm. Leonardo 6, 289-292 (1973) 5.10 A.K. Schein, W.R. Dana: Fluorescent pigments. Paint Varn. Prod. 60(8),

72-76 (1970) 5.11 R.W. Voedish, D.W. Ellis: Fluorescent Pigments (Daylight). Kirk-Othmer

Enayalopedia of Chemiaal Teahnology, 2nd ed., Vol .IX (Wiley, New York 1966) pp. 483-506

5.12 R. Donaldson: Spectrophotometry of fluorescent pigments. Br. J. Appl. Phys. 5, 210-214 (1954)

5.13 G. Wyszecki: "Current Developments in Colorimetry", in Colour 73. Second Congress of the International Colour Association, York, England (Adam Hilger, London 1973) pp. 21-51

5.14 Du Pont: Pigment Colors for Paint (revised)(E.I. du Pont de Nemours & Co., Wilmington, Del. 1957)

5.15 F. Gerritsen: "Colour Teaching: A New Colour Circle", in Colour 73. Second Congress of the International Colour Association, York, England (Adam Hilger, London 1973) pp. 494-498

6.1 W.D. Wright: The Measurement of Colour, 2nd ed. (Hilger & Watts, London 1958)

6.2 D.L. MacAdam: Color measurement and tolerances. Off. Dig. 37(491), 1488-1531 (1965)

6.3 S.B. Saunders, F. Grum: Measurement of luminance factor. Color Res. Appl. 2, 121-123 (1977)

6.4 D.B. Judd: "Basic Correlates of the Visual Stimulus", in Handhook of Experimental Psyahology, ed. by S.S. Stevens (Wiley, New York 1951) Chap.22

7.1 K.L. Kelly: Color designations for lights. J. Opt. Soc. Am. 33, 627-632 (1943)

7.2 D.L. MacAdam: On the geometry of color space. J. Franklin Inst. 238, 195-210 (1944)

7.3 K. L. Kelly, D.B. Judd: "Color: Universal Language and Dictionary of Names"; NBS Special Publication 440 (U.S. Government Printing Office, Washington, D.C. 1976)

7.4 K.L. Kelly: Twenty-two colors of maximum contrast. Color Eng. 3(6), 26-27 (1976)

7.5 D.L. MacAdam: Theory of the maximum visual efficiency of colored mate­rials. J. Opt. Soc. Am. 25,249-252 (1935)

7.6 D. Nickerson: Light sources and color rendering. J. Opt. Soc. Am. 50, 57-69 (1960)

7.7 D. Nickerson: Terminolgy on color rendering. J. Opt. Soc. Am. 55, 213-214 (1965)

7.8 D.L. MacAdam: Maximum visual efficiency of colored materials. J. Opt. Soc. Am. 25, 361-367 (1935)

7.9 M. Saltzman: Colored organic pigments: Why so many? Why so few? Off. Dig. 35(458), 245-257 (1963)

7.10 Modular Colors (Trade Booklet)(Permanent Pigments, Cincinnati 1975) 7.11 Enduring Colors for the Artist (Permanent Pigments, Cincinnati 1975) 7.12 S.R. Jones: "The History of the Artist's Palette in Terms of Chromatic-

ity", in Appliaation of Saienae in Examination of Works of Art. Proceed­ings of Seminar (Museum of Fine Arts, Boston 1965) pp. 71-77

Page 11: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

130

7.13 P.C. Goldmark, J.W. Christensen, J.J. Reeves: Color television-USA standard. Proc. I.R.E. 39, 1288-1313 (1951)

7.14 R.S. Hunter: Instrumental methods of color and color difference mea­surement. Am. Ceram. Soc. Bull. 36(7),249-255 (1957)

7.15 S. Le Sota, et al. (compilers): Paint/Coatings Dictionary (Federation of Societies for Coatings Technology, Philadelphia 1978)

7.16 D.I. Morley, R. Munn, F.W. Billmeyer, Jr.: Small and moderate colour differences: 11 The Morley data. J. Soc. Dyers Colourists 91, 279 (1978)

7.17 K. McLaren: The Adams-Nickerson color-difference formula. J. Soc. Dyers Colourists 86, 354-366, 368 (1970)

7.18 K. McLaren, D.A. Plant: "ANLAB -A Uniform Colour Space for Pigment Evaluation", in Eleventh Congress, FATIPEC (Florence 1972) pp. 61-66

7.19 K. McLaren: The development of the CIE 1976 (L*a*b*) uniform color space and colour-difference formula. J. Soc. Dyers Colourists 92, 338-341 (1976)

7.20 K. McLaren, B. Rigg: The SDC recommended colour-difference formula: Change to CIELAB. J. Soc. Dyers Colourists 92, 337-338 (1976)

7.21 A.R. Robertson: The CIE 1976 color-difference formula. Color Res. Appl. 2, 7-11 (1977)

7.22 R.F. Patrick: Applications of color difference measurements in porcelain enamels. Am. Ceram. Soc. Bull. 33(12), 361-367 (1954)

8.1 A survey of American color specifications - 1955. Off. Dig. 28(381), 902-921 (1956)

8.2 D. Nickerson: Interrelation of color specifications. Pap. Trade J. (TAPPI Section) 125, 153, 219 (1947)

8.3 M.E. Bond, D. Nickerson: Color-order systems, Munsell and Ostwald. J. Opt. Soc. Am. 32, 709-719 (1942)

8.4 C.E. Foss, D. Nickerson, W.C. Granville: An analysis of the Ostwald color system. J. Opt. Soc. Am. 34, 361-381 (1944)

8.5 W.C. Granville, E. Jacobson: Colorimetric specification of the Color Ha~ony Manual from spectrophotometric measurements. J. Opt. Soc. Am. 34, 382-395 (1944)

8.6 E. Jacobson: Basic Color: An Interpretation of the Ostwald Color System (Paul Theobald, Chicago 1948)

8.7 M. Richter: The Official German Standard Color Chart [Translated by D.B. Judd, G. Wyszeckil. J. Opt. Soc. Am. 45, 223-226 (1955)

8.8 D. Nickerson: Horticultural colour chart names with Munsell key. J. Opt. Soc. Am. 47, 619 (1957)

8.9 The ICI colour atlas. Paint Manuf. 40(3), 29-30 (1970) 8.10 K. McLaren: Colour specification by visual means. J. Oil Colour Chem.

Assoc. 45, 879-886 (1971) 8.10a G.W. Haupt, J.C. Schleter, K.L. Eckerle: "The Ideal Lovibond Color Sys­

tem for CIE Standard Illuminants A and C Shown in Three Colorimetric Systems"; National Bureau of Standards Note 716 (1972)

8.11 A. Kornerup: The colour system in the Methuen Handbook of Colour. J. Oil Colour Chem. Assoc. 47, 955-970 (1964)

8.12 Standard method for specifying color by the Munsell system (ASTM Desig­nation D 1535-62). Off. Dig. 36(471), 373-408 (1964)

8.13 S.M. Newhall, D. Nickerson, D.B. Judd: Final report of the OSA Sub­committee on the spacing of the Munsell colors. J. Opt. Soc. Am. 33, 385-418 (1943)

8.14 D. Nickerson: Spacing of the Munsell colors. Illum. Eng. 40, 373-386 (1945)

8.15 A. Hgrd: Philosophy of the Hering-Johansson Natural Colour System, Pro­ceedings of the International Colour Meeting, Lucerne 1, 357-365 (1965); Die Farbe 15, 296 (1966)

8.16 A. Hgrd: A New Colour Atlas Based on the Natural Colour System by Hering­Johansson. Proceedings of the International Colour Meeting, Lucerne 1, 367-375 (1965); Die Farbe 15, 287 (1966)

Page 12: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

131

8.17 A. H&rd: Quality Attributes of Color Perception. Paper presented at Colour 69, First Congress of the International Colour Association, Stockholm (1969)

8.18 A. Hgrd: "The Natural Colour System and Its Universal Appl ication in the Study of Environmental Design", in Colour for Architecture, ed. by T. Porter, B. Mikellides (Studio Vista, London 1975) pp. 109-119

8.19 D.B. Judd, D. Nickerson: Relations between Munsell and Swedish Natural Color System Scales. J. Opt. Soc. Am. 65, 85-90 (1975)

8.20 D.L. MacAdam: Colorimetric data for samples of OSA uniform color scales. J. Opt. Am. 68, 121-130 (1978); addenda, American Institute of Physics (AIP) Document No. PAPS JOSA-68-121-55 (1978); 570 Pages of Spectrophoto­metric and Colorimetric Data (6 microfiches), Document No. PAPS JOSA-69-206-564 (1979)

8.21 D. Nickerson: Munsell renotations for samples of the OSA Uniform Color Scales. J. Opt. Am. 68, 1343-1347 (1978)

8.22 D. Nickerson: History of the OSA Committee on Uniform Scales. Opt. News 3(1), 8-17 (1977)

8.23 D. Nickerson: Optical Society of America (OSA) Uniform Color Scale Samples. Leonardo 12, 206-212 (1979)

8.24 W.E.K. Middleton: The Plochere color system: A descriptive analysis. Can. J. Res. (F) 27, 1 (1949)

8.25 G. Reimann, D.B. Judd, H.J. Keegan: Spectrophotometric and colorimetric determination of the TCCA Standard Color Cards. J. Opt. Am. 33, 128-159 (1946)

8.26 D. Nickerson, S.M. Newhall: A psychological color solid. J. Opt. Soc. Am. 33, 419-423 (1943)

8.27 D.L. MacAdam: Uniform color scales. J. Opt. Soc. Am. 64, 1691-1702 (1974) 8.28 D.L. MacAdam: "System of OSA Committee on Uniform Color Scales", in AIC

Color 77, ed. by F.W. Billmeyer, Jr., G. Wyszecki. Third Congress of the International Colour Association, Troy, N.Y. (Adam Hilger, Bristol 1978) pp. 399-400

8.29 G. Wyszecki: A regular rhombohedral lattice sampling of Munsell renota­tion space. J. Opt. Soc. Am. 44, 725-734 (1954)

8.30 G. Wyszecki: Uniform color scales: CIE 1964 U*V*W* conversion of OSA Committee selection. J. Opt. Soc. Am. 65, 456-460 (1975)

8.31 ISCC-NBS Centroid Color Charts. Standard Sample No. 2016. Office of Standard Reference Materials, National Bureau of Standards, Washington, D. C. (1965)

8.32 Webster's Third New International Dictionary (Unabridged) (G. and C. Merriam Co., Springfield, Mass. 1971)

Page 13: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

Author and Subject Index

Absorption of light 28,31,33,66 Achromatic colors see Colors,

Achromatic Albers, J. 1 Angle of vision 53 Angstrom 17 ANLAß color difference 76 Appearance, aspects of 7,9 Area (spatial) averaging 39 Arny solutions 84 Art education 1,2,41 Art terms 14 Artists' paints 69,73

Barnes N.F. 28 Bowrnan, R. 33 Black body temperature see Color

temperature "Black light" 15,35 Brightness 11,37,39 Brightness sensitivity, eye 24,45,

49,50 Brilliance 12,92

Centroid number bl,102

Chevreul, M.E. 1 Chroma, Munsell 14,87,88,92 Chromaticity 45,47 Chromaticity (CIE) 52 Chromaticity diagram 45

(CIE) 52,57

Chromaticity limits see MacAdam 1 imits

CIE 23 CIE color space 81 CIE ILL

A 23 B 24 C 24 D65 24

CIE Illuminants 23 CIE standard observer 49 CIE tristimulus values 44,50 CIELAB color difference 76,83 CIELAß color space 83 CIELUV color difference 76 CIE(x,y,Y); CIE 1931(x,y,Y) 51,53 CIE(x,y,Y) color space 81

CIE(X10 'YI0'Y IO); CIE 1964(xI0 'YI0' Y 10) 54

CIE(AD,Pe'Y) 54 Coherent light 19 Color

attributes of 10 dimensions of 81 a property 5 asensation 7

Color circle, Goethe 41,48,61 Color circles 41,59 Color constancy 5 Color contrast see Simultaneous

color contrast

Page 14: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

134

Color contrast maximum 61

Color difference 75,83 Color Harmony Manual 84,94

Color limits see MacAdam limits Color match 36 Color matching functions 50 Color mixture

additive 37,44,49,61,62 subtractive 38 by averaging 39,61

Color-name blocks, ISCC-NBS 102 Color-name map 57,105 Color names 57,101,105 Color perception 6,9,95 Color quality 45 Color rendering 65 Color response 7,14 Color sample systems 83,84 Color scales, uniform 97 Color solid 90,93 Color space, (eIE) 81 Color specification 2,51,91 Color specification (CIE) 3',53,56,

91 Color stimulus 7,14,15,43 Color systems 81,84 Color temperature 77

correlated 79 Color temperature curve 77

Co 1 or terms 13 Color: Universal Languages and Dic­

tionary oi Names 102,105

Co lors achromatic 10,58,64 aperture 9 centroid 61,102 complementary 38,41,48,59,61 chromatic 10,52

film 9 full 93 isolated 9 non-object 10 nonspectral 18,52 object 10 produced by monochromatic light

17,52 psychological 14,81 psychophysical 14,43,45,81

re 1 ated 93 spectral 18,52 surface 10 unrelated 9

Colorants 27 Colorimeter 45 Colorimetry 43 Colour Index 27

Complementary colors see Colors, comp 1 ementa ry

Complementary wavelength 56 Cubo-octahedron 99 Culver, B. 2

Daylight 21,24 Dictionary oi Colors Names see

Color: Universal Language and

Dictionary oi Names

DIN-Color Chart 83,84,106 Disk, spinning 39,61 Dominant wavelength 54 Dyes 27

Electromagnetic spectrum 15 Energy, radiant 15 Equal-energy distribution 21 Equal-energy white 50 Evans, R.M. 11,12,13,14 Excitation purity see Purity

Page 15: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

Eye 6,53 Eye brightness sensitivity 24 Eyesight 10,15,24,36,53

Farnum, R.B. 2

Fluorence 12 Fluorescence 12,33

apparent 12 dayl i ght 34

Fluorescent brighteners 35

Fluorescent lamps, light from 20

135

Inter-Society Color Council (ISCC) 102

ISCC-NBS color names 101,105 Isochrome lines 94 Isotint lines 94,97

Isotone lines 94,97 Isovalent loci 94

Johansson, T. 95

Jones,S.R. 73 Judd see NBS unit

Fluorescent paints, inks and dyes 33 Judd, D.B. 1,37,87 Foss Color-Order System 84 Fovea 53

Glass 31 Glossy surface 28 Goethe, J.W. von 1,41 Gray, neutral 10,59,66,87,93,100

Grayness 12 negative 12

Hardy-Wurzburg tri angle 64

Hearing 36 Hering, E. 10,95 Hickethier Color Atlas 84 Horticultural Colour Chart 84 Hue 10,57 Hue, Munsell 86,88 Hues

nonspectral 17

spectral 17

unitary (unique hues) 10

I CI 23

ICI (Imperial Chemical Industries,

Ltd.J Colour Atlas 84

Incandescent lamps, light from 20 Infrared radiation 15

Kelly, K.L. 57,61,105

Kelvin 77

Lasers 19 "Leonardo" 2

Levison, H.W. 27,76 Light 15,43

selective absorption of 28,31, 33,66

colored 7,37,57,62

psychophysical 43 reflected 28,31,33 scattered 6,28,33 transmi tted 31

Lightness 11,87,92 Lightness level 99 Lovibond Color 84 Luminance 50,51 Luminance factor 51,66,87

Luminosity, relative 24

Luminous objects (self-luminous) 10 Luminous reflectance see Luminance

factor

MacAdam, D.L. 66

MacAdam limits 66,82,90

Page 16: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

136

Maerz, A., Paul, M.R.: The Dictio-

nary of CoZor 84,106

Match, color 36 Maxwell, J.C. 45 Maxwell tri angle 45 Metamerie illumination 37,65 Metamerism 36 Methuen Handbook of CoZour 85

Millimicron 17 Mixing light 62 Mixing paint 70 Mixture diagram 45,62 Mixture line 49,59,62 Monochromatic light 11,17,52 Monochromator 18 Munsell,A.H.1 MunseeZ Book of CoZor 83,85,89,92,

97,106 Munsell Chroma see Chroma, Munsell Munsell color solid 90 Munsell color space 90,102 Munsell color system 84,102,106 Munsell Hue see Hue, Munsell Munsell notation 91,92 Munsell renotation 92 Munsell Value see Value, Munsell

Music 1

Nanometer 16 National Bureau of Standards (NBS)

(USA) 102 NBS un it 75 Natural Colour System (NCS) 94

NaturaZ CoZour System (NCS) AtZas

85,96,106 Newton, 1. 6,7 Nickerson, D. lD1 Nonluminous objects (non-self-lumi­

nous 6,lD

North sky, light from 21 Nu-Hue Custom CoZor System 85

Opaque materials 27 Optic nerve 6 Optical bleaches 35 Optical Society of America (OSA)

43,97 OSA Committee color space 98 OSA uniform color seal es 85,97,

100 Ostwald, w. 93 Ostwald color solid 93 Ostwald color system 85,93

Paint glossy 28,29

matte 28,29

mixing of 70 films 28,29,38

fil ms, transparent 32,34

Phosphors 62,73 Pigments 27

fluorescent 27,35,70 PZochere coZor system 85

Pointillism 39,74 Pope, A. 2 ,13 Primaries

additive 40,45 imaginary additive (CIE) 49

subtractive 40 psychological 10,95

Printing

four-color 41 half tone 39

Psychophysics 14,43 Purity 54,56 Purple line 52

Page 17: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

Radio waves 15,16

Reflectance 28

Refl ectance curve, spectral 28,35

Reflection specular 28

diffuse 28,69

interna 1 30

Relative luminosity see Luminosity,

137

Standard Color C=d of America 85, 106

Stimulus color see Color stimulus isolated color 9

Stimulus object 7 Sunlight 15,20,64

relative Television color 39,73

Relative spectral-energy distribu-tion curve 20,32

Response, color see Color response Retina 6,53

Rood, O. N. 1

Rösch, S. 66

Ross, D. 2 Rotating disk 39,61

Saturation 11,13,14,18,56,87,92

Scattering of light 6,15,28,66

Sensitivity, brightness see Bright-ness sensitivity

Seurat, G. 1

Shadow series 94,97

Signac, P. 1

Simultaneous color contrast 5,61

Spatial averaging 39 Spectral reflectance curve see Re­

flectance curve, spectral Spectral transmittance curve see

Transmittance curve, spectral Spectrophotometer 44

Spectroradiometer 18,20

Spectrum 15,18

Spectrum locus 52

Spectrum, visible 15,17,18

Temperature, kelvins and degrees Cen-ti grade 77

Temporal averaging 39

Transmittance 32 Transmittance curve, spectral 32

Transmitted light 31

Transparent materials 31 Tristimulus values (CIE) 44,46,50

Tungsten-filament lamp, light from

20 Turner, J.M.W. 1

Ultraviolet radiation 15,33

Uniform color scales, OSA 97

Unitary hue (unique hue) 10,95

Value, Munsell 87,88,92,100

Vi Ualobos Co lor Atlas 85

Visual angle see Angle of vision

"Warm" light 30 Wave frequency 16

Wavelength 16

Wavelength composition 20

Wavelength intervals 18,21

White light 47,58,64

Page 18: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

Springer-Verlag Berlin Heidelberg NewYork

W Schu1tze Farbenlehre und Farbenmessung Eine kurze Einführung 3. , überarbeitete Auflage. 1975.57 Abbil­dungen, davon 4 in Farbe, 3 Tabellen. VII, 97 Seiten ISBN 3-540.Q7214-4

Inhaltsübersicht: Das Wesen der Farbe. Die Grundlagen der Farbmetrik und die Normvalenzsysteme. Die Methoden der Farbmessung und Farb­bewertung. Beziehungen zwischen spek­traler Energieverteilung und farbmetrischer Bewertung. Farbsammlungen, Farbord­nungen und die Bewertung des Farbab­standes. Besondere Einflüsse bei der Farb­betrachung. Fluoreszenzfarben. Praktische Anwendung der Farbmetrik. Zur Frage der ästhetischen Farbbewertung.

DyeLasers Editor: EP. Schäfer 2nd revised edition. 1977. 114 figures. XI, 299 pages (Topics in Applied Physics, Volume 1) ISBN 3-540.Q8470-3

Contents: F.P'Schäfer: Principles ofDye Laser Opera­tion. - B. B. Snavely: Continuous-Wave Dye Lasers. - C V.Shank E.P.lppen:Mode­Locking ofDye Lasers. - KH.Drexhage: Structure and Properties ofLaser Dyes. -T. W. Hänsch: Applications ofDye Lasers. -F. P. Schäfer: Progress in Dye Lasers: September 1973 till March 1977.

Page 19: o Zo - link.springer.com978-3-662-15801-2/1.pdf · 1oPB+---+---+---+-----~~~~_r--_r--~--~--~10Y ... standard color samples at Munsell Value 6 ... 3.3 J.O. Fish: The Perception 01

Springer-Verlag Berlin Heidelberg NewYork

metrologia ISSN 0026-1394 Title No. 124

International Journal ofScientific Metrology Published under the auspices ofthe International Committee ofWeights and Measures

Editorial Board: H. Preston-Thomas, Ottawa; E. R Cohen, Thousand Oaks, CA; P. Dean, Middlesex; T. W Hansch, Stan­ford, CA; B. N. Taylor, Washington, DC; G. W Wyszecki, Ottawa.

Advisory Board: V. O.Arontunov, Lenin­grad; 1. deBoer, Amsterdam; G. D. Bourdoun, Moskow; L. E. Howlett, Ottawa; F.1. Lehany, Chippendale; 1.M.Otero, Madrid; L. Plaza, Madrid; 1. Stulla-Götz, Vienna; 1. Terrien, Sevres; Y. Tomonaga, Tokyo; M. S. Vallarta, Mexico City; Z. Yamauti, Tokyo

Metrologiareports research dealingwith the improvement ofbasic measurements in physics. Emphasis is on the refinement of the six units that comprise the International System ofUnits - meter, kilogram, second, ampere, degree, and candela.

Sampie copies and subscription information upon request