1. DIE GANTZE WELT IN EIN KLEBERBLAT, WELCHES IST DER STADT HAN-NOVER MEINES LIEBEN VATERLANDES WAPEN. Heinrich Bunting. Woodblock, c.1581. The world displayed as a clover leaf. A fascinating and early map. The map presents a HolyLand-centric look at the earth, based upon the Scriptures, with Jerusalem at the center of theWorld, based upon the T-O world map model which was prevalent in medieval maps. Europe,Africa and Asia are within the 3 clover leaves, while England, Scandinavia and America lie outsidethe primary circles. Bunting was a theological commentator from Hanover. He first published hisItinerarium Sacrae Scriptura in 1581. The work is famous among collectors as one of the greatcompilations of thematic maps, including Europe as a Queen and Asia as Pegasus. The oceanincludes monsters, mermaids and a large sailing vessel. The work was reprinted at least 10 timesin several languages over the next 70 years. German text on verso. Image size 10 x 14 1/4" (254 x362 mm) plus title, text and margins. Good condition save for some paper repairs along lowercenterfold. One tear in lower right portion of image. Professionally repaired. Attractive modernhand-coloring. Shirley, R. Mapping of the World 142. #6768.2 $6,950.

VOLUME XXXVI, NUMBER 3 OCTOBER 2013

Items are offered subject to prior sale. All are original prints in good to finecondition except as noted. Any major faults or restorations are carefullynoted. Prices are net. Insured shipping is at additional cost. We extendfive-day return privileges. Sales tax applies to Washington, D.C. andNew York orders. “The Old Print Gallery” and “The Old Print GalleryShowcase” are exclusive, federally protected trademarks and their use withoutpermission is expressly prohibited.

2. AUTUMN WOODCOCK. Arthur B. Frost. Published by Charles Scribner's Sons, NewYork. Chromolithograph, 1895-96. From A. B. Frost's Shooting Pictures. The portfoliocontained twelve images of various shooting scenes from upland gunning to water-fowling.Issued on card (a thin sheet of paper attached to a heavier stock). Removed from originalmounting board. Accompanied by sheet of text and clipped signature from old mat. Imagesize 12 7/8 x 19 7/8" (324 x 496 mm). Good condition, slight fading. #14471.2 $950.

Published by: The Old Print Gallery Telephone: 202-965-1818Editor: Laura Graham Fax: 202-965-1869www.oldprintgallery.com Email: info@oldprintgallery.com

In Partnership with THE OLD PRINT SHOP in New York City

2

3. FOSSE DANCER. MayaHardin. Soft-ground, 2000. Edi-tion 10. Signed, titled, and datedin pencil. Inscribed “7/10.” Im-age size 21 1/8 x 17 7/16" (550 x444 mm). Very good condition.#35541.1 $300.

3Autumn has arrived, and with it comes the anticipation and memory of hunting formany of our collectors. So we honor the tradition with a number of sporting prints in thisissue.

Still infused with the spirit of performing arts enlivening our gallery walls this summer, wealso offer a few works from Per-Form.

On exhibit currently is Alessandro Mastro-Valerio: A Retrospective. From his earliestdrypoints to his later experimentation with mezzotints and aquatints, Alessandro Mastro-Valerio (1887-1953) explored the female form through much of his 22 years of printmaking.Stumbling upon a display of mezzotint engravings at the Century of Progress Exposition inChicago, 1933, he was intrigued by the printing method. Mastering the medium quickly, hepublished his first mezzotint in 1934, and one of his earliest mezzotints, “Morning,” waschosen for Fine Prints of the Year in 1935. Rich in tonality, Mastro-Valerio’s prints glow andbreathe, filled with quiet emotion – one that resonates deeply with viewers. Two briefdepartures from the female form occurred in the years 1931–1933, when he producedmostly landscapes, and in the last several years of his printmaking career, 1950–1952, whenhis prints were pure abstractions, created from continuous, or single bite aquatints. “Motifin Seascape,” the 1949 Canon Prize winner, and several original plates are in the show,

which runs through November 9th.

As a participant in FAD Georgetown 2013, an event promoting Georgetown as a culturaldistrict and prominent resource for Fashion, Art & Design, The Old Print Gallery is

presenting Fresh Cuts: Through the Matrix. On Saturday, October 12th, we will host ademonstration, film screening and talk with acclaimed DC printmaker and documentaryfilm director, Susan Goldman. Goldman’s film, Midwest Matrix TM will be screened for thefirst time in DC from 2-4 pm and at 4 pm Goldman will do an informal Q&A about herdocumentary.

Visit our website:www.oldprintgallery.com

Here you will find informationabout gallery events as well as ahuge selection of available maps

and prints.

Visit our blog at:www.oldprintgallery.wordpress.com

and find us on facebook.

4. PATRICK HENRYDELIVERING HISCELEBRATEDSPEECH IN THEHOUSE OF BUR-GESSES, VIRGINIA.A.D. 1765. P. F. Ro-thermel. Published bythe Art Union of Phila-delphia. Engraving,1852. Engraved by Al-fred Jones. Printed byJas. Irwin. A vibrantand dramatic scene ofHenry's defiant speechcriticizing the recentlyimposed Stamp Act. Ahandsome engraving.Image size 22 3/8 x 1711/16" (567 x 449 mm).Very good condition.#68817.1 $1,750.

5. PATRIAE PATER. : ENGRAVEDFROM THE ORIGINAL PAINTING OFWASHINGTON FROM LIFE BY REM-BRANDT PEALE. : RESPECTFULLYDEDICATED TO THE PEOPLE OFTHE UNITED STATES. RembrandtPeale. Stipple engraving on chine-colle,undated, printed c. 1870. RembrandtPeale pinxt. Adam B. Walter sculpt.. Oneof the great 19th-century portraits of Wash-ington, often called the "porthole portrait."According to Charles Henry Hart in Cata-logue of the Engraved Portraits of Washington,there are five states of this print and he listsit as a mezzotint although it is a stippleengraving. This impression is the fifth state.Image size 19 x 15 1/16" (482 x 382 mm).Very good condition, save repaired margin-al tear. Hart, Catalogue, 867d. Baker 384.#50849.2 $3,250.

4

202-965-1818 info@oldprintgallery.com

6. B. FRANKLIN OF PHILA-DELPHIA. L.L.D. F.R.S. Benja-min Wilson. Mezzotint engraving,1761. Engraved by James McArdell(1728-1765). Second state of two.The painter, Wilson, was also anexperimenter with electricity. Hemet Franklin soon after his arrivalin London and received Franklincommissions to paint family mem-bers. Here Franklin is depictedwith a book titled "Electric Expts."A static-electricity machine (theglass globe on a table) appears atright. To the rear, a bolt of light-ning strikes down toward a distantcity. Image size 11 13/16 x 911/16" (300 x 246 mm). Goodcondition, with 1/8" or better mar-gins top and side, which is unusual.Cresswell, The American Revolutionin Drawings and Prints 57. Sellers,Wilson 5, pl. 2. #56275.1 $4,000.

7. IOHN PAUL JONES, COM-MANDER OF A SQUADRON INTHE SERVICE OF THE THIR-TEEN UNITED STATES OFNORTH AMERICA 1779. Mezzo-tint, c. 1779. Scarce anonymous Eng-lish mezzotint engraving of America’sfirst great naval hero, c. 1779. Laterissue. (The drawing is sometimes at-tributed to Richard Brookshaw. TheGerman engraver Johann Haid usedthe same portrait for his own mezzo-tint.) Jones is depicted three-quarterlength, in uniform, holding a telescopein his right arm and an anchor in hisleft hand. To the rear is a burningship. Jones is considered America’smost famous naval hero even thoughthe British called him a pirate becauseof his raids along the Irish coast. Hisgreatest victory was the capture of theBritish Serapis by his flagship Bonhom-me Richard in 1779. Black and white.

Image size 12 1/8 x 9 5/8" (306 x 244 mm). Very good condition with time-toning, savemarginal repair. Black and white. Olds, I.S. Bits and Pieces 457. 44535.1 $4,000.

www.oldprintgallery.com

5

8. PALESTINAE SIVE TOTIUS TERRAE PROMISSIONIS NOVA DESCRIPTIO AVCTORETILEMANNO STELLA SIGENENSI. Abraham Ortelius. Hand-colored copper plate engraving, 1570(1573). A fine map of Palestine or the Holy Land. Cartographically, this map is based on a 1557 mapof the region by Tilleman Stella. Stella's map, as issued by Ortelius, became the prototype for "modern"maps of the Holy Land. This map covers an area from the Nile delta to the Phoenician coast and wascentered on the desert of the Exodus. Well embellished with beautiful strapwork cartouches, sailingships and neoclassical figures. 1573 German text edition. Image size 13 3/4 x 18 1/2" (348 x 471 mm).Good condition save for repaired splitting along centerfold. Van den Broecke, 170. #63788.1 $1,375.

9. PERSICI VEL SOPHORUM REGNI TIPUS.Gerard Mercator. Published by Johann Cloppen-burgh, Amsterdam. Copper engraving, 1630. An-tique map from Atlas Sive Cosmographicae Meditationesby Gerard Mercator and Jodocus Hondius. This isthe scarcer, large-format edition of the Atlas Minor.Most of the maps were engraved by Pieter van denKeere. Image size 7 3/8 x 10 1/8" (184 x 257mm).Fine condition. Black and white. Koeman Me 198.#48794.1 $365.

10. JERUSALEM. Olfert Dapper. Copper-plate engraving, c. 1677. A fine bird's-eye viewof Jerusalem shown from the east. It is based ona drawing made in 1578 by Bernardino Amico.It depicts an accurate picture of the city as itappeared after the walls were rebuilt by Sulei-man the Magnificent (1520-1566). Numberedlegends at the bottom identify 45 holy sites andhistorical landmarks. Image size 11 x 14 1/8"(279 x 360 mm) plus key and margins. Verygood condition. Black & white. Laor, Eran,Maps of the Holy Land 998. #81364.1 $650.www.oldprintgallery.com

6

11. AMERICAE SIVE NOVIORBIS, NOVA DESCRIPTIO.Sebastain Munster. Published bySebastain Petri, Basel. Woodcut,1588. This influential woodcutmap is from Munster’s Cosmograph-ia, was based on Ortelius’ 1570map, with the bulge on the westcoast of South America. This mapreplaced the earlier and highlyspeculative Munster map of 1540.A secondary title in German ap-pears above the map, "Die newenInseln so hinder Hispania GegenOrient bey dem Landt Indie Gele-gen". 1628 edition. Image size 121/8 x 14 1/8" (306 x 360 mm) plusmargins. Very good condition;black and white. Burden, P. TheMapping of North America, 67. #42556.3 $2,800. (Including current museum grade framing: $3,100)

12. NOV. ORBIS SIVE AMERICA SEPTENTRI-ONALIS. DIVISA PER SUA REGNA PROVINC:ET INSUL: CURA ET OPERA. George MatthausSeutter. Published by George Matthaus Seutter, Augs-burg. Copper plate engraving, c. 1744. North Ameri-ca with California an island based on the secondSanson model. The routes of the early explorers areshown. Embellished with a large cartouche featuringnatives and birds. Engraved by Tobias Conrad Lotter.2nd state with "Cum pr. S.R.I. Vicariat" bottom cen-ter. Image size 7 5/8 x 10 1/8" (193 x 257 mm). Goodcondition. Original color. McLaughlin, G. Californiaas an Island 221, 2nd state. #73337.1 $795.

13. A GENERAL CHART EX-HIBITING THE DISCOVERIESMADE BY CAPTN. JAMESCOOK IN THIS AND HIS TWOPRECEEDING VOYAGES;WITH THE TRACKS OF THESHIPS UNDER HIS COM-MAND. Henry Roberts. Publishedby Order of the Lords Commission-ers of the Admiralty. London. En-graving, 1784. A large scale map ofthe world on Mercator's projectionby Lieutenant Henry Roberts. Rob-erts was the Masters Mate on Cook'sthird voyage and was given the task of compiling the surveys for the trip. This chart delineates the tracksfor each of Cook's voyages by color. Many dates and sightings are recorded. A handsome chart. Thischart appeared in "A Voyage to the Pacific Ocean... for making discoveries in the Northern Hemi-sphere... Performed under the direction of Captains Cook, Clerke, and Gore, in his Majesty's ships theResolution and Discovery. In the years 1776, 1777, 1778, 1779, and 1780." Image size 21 x 35 3/8"(535 x 896 mm). Good condition. Original hand-coloring. #57472.1 $2,500.

7

14. MAP OF THE SOUTHERN PACIFICRAILROAD AND CONNECTIONS JUNE1875. F. T. Newbery. No publisher's name givenbut likely the Southern Pacific Railroad Compa-ny. Chromolithograph, 1875. Rare promotionalmap for the Southern Pacific Railroad. This mapwas published more than a year before the linewas completed and is the earliest known mapfocused on the general lines of the SouthernPacific Railroad. The line between Los Angelesand San Francisco was not completed until Sep-tember 5, 1876. The map is a great rarity. OCLClists a single copy in the collection of UC SantaBarbara. The Huntington holds an 1877 broad-side published in Omaha which includes this mapas in inset. In 1865, a group of businessmen inSan Francisco, led by Timothy Phelps, foundedthe Southern Pacific Railroad to build a rail con-nection between San Francisco and San Diego. InSeptember 1868, Charles Crocker, Leland Stan-

ford, Mark Hopkins and Collis Huntington purchased the SPRR and merged it with the CPRR. InNovember 8, 1874, the SPRR tracks had reached Bakersfield and work was commenced on theTehachapi Loop. By September 5, 1876, the first train from San Francisco arrived in Los Angeles aftertraveling over the newly completed Tehachapi Loop. It would be another year before the line reachedYuma, Arizona, as noted on the map. The credit on the map is to F.T. Newbery, who prepared severalother maps for the Union Pacific in the 1880s. Other items published by Newbery were credited byOCLC as having been published in Omaha and San Francisco. Image size 14 x 12 1/4". Goodcondition save for some rodent damage in upper right margin. #76345.5 $2,200.

15. ORNAMENTAL MAP OF THEUNITED STATES & MEXICO. 1847.Humphrey Phelps. Published by H.Phelps, No. 144 Fulton Street, nearBroadway, New York. Wood engraving,1846-47. A decorative broadside mapproduced during the Mexican-AmericanWar. The map shows the entire U.S. andMexico with a separately colored Texas,Mexico, Oregon and California. It delin-eates the proposed transcontinental rail-road. Along the upper quarter are threeportraits: Cortez, George Washingtonand Montezuma. Along the lower quarterare portraits of Mexican General SantaAnna and American General ZacharyTaylor. Surrounding the lower portraits isdescriptive and statistical information onthe U.S., Mexico, Oregon, and Califor-nia. Also includes images of seals of theU.S. and Mexico as well as the GreatTemple to the Sun that was destroyed byCortez in 1521. Sheet size, 28 5/8 x 213/16" (728 x 538 mm). Good conditionsave for a tear in the lower central portionof the map which has been professionallyrepaired. Backed on rice paper. Originalhand-coloring. #51744.1 $3,500.

8

www.oldprintgallery.com

16. UNITED STATESOF AMERICA, COR-RECTED & IM-PROVED FROM THEBEST AUTHORITIES.Benjamin Warner. Pub-lished by B. Warner, Phila-delphia. Engraving, 1820.One of the earliest sepa-rately published maps toshow the United Statesfrom coast to coast. Themap shows a MichiganTerritory, a double-wideArkansas Territory, andNorthwest Territory (Min-nesota and Wisconsin).Removed from original covers. Image size 16 1/2 x 25 1/4" (420 x 644 mm) plus hairline margins.Good condition and color. Backed on rice paper. Phillips, Maps, p. 881; Wheat 341. #66668.1$1,750.

17. MAP OF THE STATE OF OHIO… INCLUD-ING THE INDIAN RESERVATION, PUR-CHASED AND LAID OUT INTO COUNTIESAND TOWNSHIPS IN 1820. J. Kilbourne. Cop-per engraving, July 1820. Drawn by A. Bourne andJ. Kilbourne. Engraved by A. Reed. E. Windsor,Connecticut, July 1820. Issued in Caleb Atwater’sDescription of the Antiquities Discovered in the State of Ohioand Other Western States and in Transactions of theAmerican Antiquarian Society. This map is signifi-cant because it is the “result of the combined effortsof two of Ohio’s leading early l9th century mapmak-ers,” writes Thomas Smith in The Mapping of Ohio. Themap shows 70 counties, major roads, and the mostimportant incorporated settlements. Image size 19 x16 5/16" (485 x 415 mm). Good condition save twoexpertly repaired 2" tears from left and the usualpartially extended right margin. Smith, Mapping ofOhio, p. 167-8. Phillips, Maps, p. 627. #56534.1 $850.

18. [AMERICAN INTERIOR] John Gibson.Published in Gentleman's Magazine, London, June1763. Copper engraving. Issued at the end of theFrench and Indian War, this English map of theAmerican interior shows the southern colonies ex-tending from the Atlantic Ocean to the MississippiRiver. To the west, the map shows topographicalfeatures, the lands of various Indian tribes and La-hontan’s non-existent lake to the north. Image size7 x 9 7/16" (178 x 240mm). Fine condition. Blackand white. Jolly, Maps of America, 220. 46871.2$350.

9

www.oldprintgallery.com

19. WOODCOCK SHOOTING. A. B. Frost. Published by Harper's Weekly. Hand-coloredphoto-engraving, Sept. 9, 1893. A double page fold-out from Harper's Weekly. Goodcondition. #46837.1 $325.

20. WOODCOCK SHOOTING. PL. 9.Thomas Doughty. Published by J. & T.Doughty, Philadelphia. Lithograph, hand-colored, 1830-33. Printed by Childs &Inman Press. From the Cabinet of NaturalHistory, and American Rural Sports - 48 litho-graphs issued monthly via subscription. Itwas the first major book published in theUnited States to be illustrated with handcolored lithographs. Image size 6 5/8 x 83/8" (168 x 213 mm) plus title and margins.Fine condition and color. #49179.2 $275.

21. GOOSE SHOOTING. FredericRemington. Published by Bradlee Whid-den, Boston. Chromolithograph, 1889-90. A print from a portfolio entitled Sportor Fishing and Shooting. The total seriesconsisted of fifteen different prints byvarious famous artists. The prints do nothave printed titles. The titles are fromthe descriptive text which accompaniesthe complete set. The original text is notavailable. Image size 12 x 18" (305 x 457mm) plus margins. Fine condition andcolor. #8305.6 $450.

10

22. AMERICAN FIELD SPORTS. : "RETRIEVING." Arthur F. Tait. Published byCurrier & Ives, 152 Nassau St, New York. Two-stone lithograph, hand-colored, 1857. Onstone by Ch. Parsons. Large folio - image size 18 3/4 x 26 3/4" (476 x 679 mm). Goodcondition with somewhat faded color, save for tear in the title margin to image edge.Conningham 151. Gale 164. #3302.2 $4,000.

23. DOG, BOY AND CLUMBER SPANIELS. GB. Goddard. Published by The Illustrated London News.Wood engraving, Nov. 9, 1872. A rural scene show-ing a boy with the game he has hunted, surroundedby the dogs. Image size 12 1/2 x 19 1/4" (316 x 489mm). Hand-colored double page centerfold. Finecondition. Backed with Japan. #50053.1 $285.

24. FLAT-COATED RE-TRIEVER. Published by Cas-sell & Co. Ltd. Woodengraving, c. 1885. From TheIllustrated Book of the Dog byVero Shaw and G. A. Cantab.Image size 8 3/4 x 6 5/8".Good condition with modernhand color save light surfacescratch at top. #66888.1 $75.

11

www.oldprintgallery.com

25. SNIPE SHOOTING. A. B. Frost. Published by Harper's Weekly. Hand-colored photoengraving, May 21, 1892. A double page fold-out from Harper's Weekly. Image size 13 5/8x 20 1/4" (346 x 515 mm). Good condition. Backed with Japan. #46830.1 $325.

26. MALLARD SHOOTING. Sherman F. Denton. Published by Bradlee Whidden,Boston. Chromolithograph, 1889-90. A print from a portfolio entitled Sport or Fishing andShooting. The prints do not have printed titles. The titles are from the descriptive text whichaccompanies the complete set. The original text is not available. Image size 12 x 18” (305 x457 mm). Fine condition and color. #8293.9 $250.

www.oldprintgallery.com

12

27. SNIPE SHOOTING. Fanny F. Palmer. Published by N. Currier, 152 Nassau St., NewYork. Two-color lithograph hand-colored, 1852. From nature and on stone by F. F. Palmer.Large folio - image size 12 3/4 x 20" (324 x 509 mm). Good condition and color.Conningham 5577. Gale 5974. #34261.3 $4,200.

28. AMERICAN SNIPE. Alexan-der Pope, Jr. Published CharlesScribner's Sons, New York. Chro-molithograph, 1878. From UplandGame Birds and Waterfowl of The Unit-ed States. Printed by Armstrong &Co. Mounted on a card as issued.Alexander Pope, Jr., was an Ameri-can sculptor and painter todayknown primarily for this series ongame birds and a similar one ondogs. The simple composition andclear color of these chromolitho-graphs have made them desired

collector's items ever since their creation. Image size 14 x 20" (354 x 509 mm). Goodcondition. #23765.4 $550.

29. RAIL. PL. 18. Thomas Doughty. Publishedby J. & T. Doughty, Philadelphia. Lithograph,hand-colored, 1830-33. Printed by Childs & In-man Press. From the Cabinet of Natural History, andAmerican Rural Sports - 48 lithographs issued month-ly via subscription. It was the first major bookpublished in the United States to be illustratedwith hand-colored lithographs. Image size 6 5/8 x8 5/8" (168 x 217 mm) plus title and margins.Good condition with original color, save a fewsmall spots. #49186.1 $265.

13

30. GOOSANDER. GOLD-EN EYE. PL. 10. ThomasDoughty. Published by J. & T.Doughty, Philadelphia. Litho-graph, hand-colored, 1830-33.Printed by Childs & InmanPress. From the Cabinet of Natu-ral History, and American RuralSports. It was the first majorbook published in the UnitedStates to be illustrated withhand colored lithographs. Im-age size 6 5/8 x 8 5/8" (168 x217 mm) plus title and margins.Good condition with originalcolor. #49185.1 $245.

31. CANVAS-BACK DUCK.RED-HEADED DUCK. PL. 4.VL. 2. Thomas Doughty. Pub-lished by J. & T. Doughty, Phila-delphia. Lithograph, handcolored, 1830-33. Lithographedby Childs & Inman. From theCabinet of Natural History and RuralSports. Average size 6 1/2 x 81/2" (167 x 217 mm). Goodcondition with original colorsave spot in left margin.#49191.1 $245.

32. BLUE CRANE. HUDSO-NIAN GODWIT. PL. 14, VOL.2. Published by J. & T. Doughty,Philadelphia. Lithograph, hand-colored, 1830-33. Lithographedby Childs & Inman. From theCabinet of Natural History and RuralSports. Average size 6 1/2 x 8 1/2"(167 x 217 mm). Good condi-tion with original color. #49192$235.

14

33. GOLDEN EYE DUCK.(MALE AND FEMALE). PL.405. John James Audubon.Lithograph, hand-colored, 1840-44. From the first octavo editionof The Birds of America. Printedand colored by J. T. Bowen, Phil-adelphia. Average paper size 61/2 x 10 1/4" (167 x 261 mm).Good condition and color.#3061.4 $525.

34. HARLEQUIN DUCK.(OLD MALE, FEMALE,YOUNG MALE). PL. 409. JohnJames Audubon. Lithograph,hand-colored, 1840-44. From thefirst octavo edition of The Birds ofAmerica. Printed and colored by J.T. Bowen, Philadelphia. Averagepaper size 10 1/4 x 6 3/8" (259 x162 mm). Good condition andcolor. #32491.2 $500.

35. GANNET (YOUNG). GAN-NET (ADULT). PL. 18. VOL 2. J.G. Clonney. Published by J. & T.Doughty, Phildelphia. Lithograph,hand-colored, 1830-33. Litho-graphed by Mesier's Lith. From theCabinet of Natural History and RuralSports -- the earliest major sportingbook with colored plates to be pub-lished in America. Image size 6 1/2x 8 1/2" (167 x 217 mm). Goodcondition with original color.#49201.1 $245.

15

36. VIEW GENERAL OF THECITY OF HAVANA OF AME-RIQUE. VUE GENERALE DELA VILLE DE HAVANNE ENAMERIQUE. Published byDaumont, rue St. Martin, Paris.Copper engraving, hand-col-ored, c. 1755. A dramatic "vued'optique" of Cuba’s great capi-tal city. Looking shoreward fromthe sea, this view depicts the citywith Morro Castle and manychurch spires. Various kinds ofsea vessels fill the foreground,

which is dominated by a large Spanish galleon. As is typical for vue d'optiques, the titleappears in reverse above the image. Image size 10 1/8 x 14 1/4" (258 x 360 mm). Goodcondition with original color. #81402.1 $850.

37. JERUSALEM MIDDEN INHET JOODFCHE LANT…Petrus Schenk. Copper plate en-graving, 1702. This is a scarceview of Jerusalem from Schenk'simportant town atlas. Taken fromCornelius de Bruyn's panoramaof the city in a reduced format.The Latin title is at lower right,“Hierosolyma Judeae medeterra-nean urbs.... “ Image size 7 7/8 x10 1/8" (200 x 257 mm) plus titleand margins. Very good condi-tion. Hand-colored. #81366.1$975.

38. COUR DU LOUVRE.NO. 4. Phillippe Benoist.Published by Charpentier,quai des Augustins, 55, Paris.Toned lithograph, hand-col-ored, c. 1860. Figures by A.Bayot. Lithographed by Nant-es. From Paris dans sa Splendeur.Image size 9 7/8 x 14 1/4"(251 x 361 mm). Fine condi-tion with modern hand-color.#50125.1 $285.

16

39. GIBRALTAR. Tir-penne. Published by L.Turgis, Paris. Litho-graph, hand-colored,backed by India paper,c. 1860. From Ports demer d'Europe – Espagne.Image size 12 1/8 x 19"(310 x 482 mm). Goodcondition and color,save repaired marginaltears. #46581.1 $485.

40. PALAIS IMPERIALDE PETROVSKOIPRES DE MOSCOU.Andre Durand. Pub-lished by Ernest Bourdin,Paris. Toned lithograph,hand colored, c. 1860.Drawn from nature andon stone by Andre Du-rand and Raffet. FromAnatole de Demidoff'sVoyage Pittoresque et Arche-ologique en Russie. Printedby Auguste Bry. A re-nowned Russian traveler, philanthropist and art patron, Demidoff was married to PrincessMatilde Bonaparte, daughter of Joseph Bonaparte. Image size 10 1/2 x 17" (265 x 431 mm).Good condition with old color. #51417.1 $385.

41. VUE LATERALE DUCHATEAU DE CHAU-MONT, SUR LA LOIRE.Copper engraving, hand-colored, undated. Attrac-tive scene depicting aFrench chateau in a countrysetting above the Loire Riv-er. Engraved by Piringerand Perdoux after Ct. Bour-geois. Image size 10 3/4 x16 3/16" (271 x 412 mm).Good condition with mod-ern color. #50161.1 $365.

www.oldprintgallery.com

17

Three copper engravings from ENGLISH THEATERS [Great Britain] published by Robert Wilkin-son, London. Paper size 13 x 10” (332 x 255 mm). Fine condition and color.

42. ARENA OF ASTLEY'SAMPHITHEATRE, SURREYROAD. George E. Jones. 1815.E ngraved by W. Wise afterGeo. Jones. #50677.1 $285.

43. E.N.E. VIEW OF COV-ENT GARDEN THEATREFROM BOW STREET. C. J.M. Whichet. 1813. Engraved byW. Wise after C. J. M. Whichet.#50672.1 $285.

44. THE THEATRE ROY-AL, DRURY LANE. W.Capon. 1811. Engraved byW. Wise after W. Capon.#50673.1 $285.

45. COVENT GARDEN THE-ATRE. Thomas Rowlandson. Pub-lished by R. Ackermann's Repositoryof Arts, 101 Strand, London. Aqua-tint, original hand-color, 1808-10.From THE MICROCOSM OF LON-DON. Drawn and engraved by Thom-as Rowlandson and Charles AugustusPugin; aquatinted by Hill, Stadler andBluck. The architectural draftsman-ship of Pugin combines with Rowland-son's charming figures in these printsto provide the best known and appre-ciated mirror of London manners,commerce and society at the beginningof the 19th century. Image size 7 3/4x 10 1/4" (197 x 260 mm). Fine con-dition and color. #50652.1 $350.

46. SHAKSPEARE. TWO GENTLEMEN OFVERONA. ACT V. SCENE III. Angelica Kauff-man. Stipple engraving, 1796. Engraved by L.Schiavonetti. From A Collection of Prints from thePictures Painted for the Purpose of Illustrating the DramaticWorks of Shakespeare, published 1803-1805. Thiswork was John Boydell's life-long ambition. Hisprints are the best-known illustrations of the greatplaywright's work. Image size 17 1/4 x 23 1/8"(440 x 588 mm). Good condition save set intonew margins. #45181.1 $325.

18

47. HAIL AND FAREWELL. Rockwell Kent. Woodengraving. 1930. Edition 120. Signed in pencil. Imagesize 7 15/16 x 5 7/16" (203 x 139 mm). Very goodcondition. Burne Jones 55. #37460.2 $4,500.

48. EVENING MUSIC. Doel Reed.Published by The Associated AmericanArtists. Aquatint, 1946. Special plate pub-lished in an edition of 100 prints. Signedin pencil by the artist. Image Size: 1513/16 x 11 3/16" (403 x 287mm). Verygood condition. #56076.1 $2,600.

49. DANCER KREUTZBERG IVIN LIGHT. Eugene C. Fitsch. Lith-ograph, 1933. Edition 6. Signed,titled and dated in pencil. Inscribed"4/6." Image size 11 3/4 x 8 13/16"(299 x 223 mm). Very good condi-tion. #12408.1 $600.

19

50. SPOLETO DUO "F". Robert Cook.Bronze, unique, 1978. Signed. Made with thelost wax process. Inspired by dancers at theFestival dei Due Monde (Festival of TwoWorlds), an annual summer music and operafestival held in Spoleto, Italy. 9" tall (228 mm).Very good condition. #81594.1 $3,000.

51. CENTER RING. Robert Riggs. Lithograph, 1933. Edition unknown. Signed andtitled in pencil. According to Bassham, "the equestrian performers are the Reiffenach sisters,billed as two beautiful ladies from the Ural Mountains…" Image size 14 15/16 x 19 5/16"(363 x 491 mm). Very good condition, save for small tear in the outer edge of the bottommargin. Bassham 30. #15836.1 $3,850.

52. ON THE HIGH WIRE. [NEWYORK, NY.] Ellen Nathan Singer.Woodcut, 2010. Edition 10. Signedand titled in pencil. Inscribed “4/10.”Image size 9 x 7 1/16" (229 x 179 mm).Very good condition. #69438.1 $175.

53. SETTING THE LIGHTS. Eugene C.Fitsch. Lithograph, c. 1935. Edition 16. Signedand titled in pencil and inscribed "12/16." Imagesize 12 3/16 x 9 9/16" (310 x 243 mm). Verygood condition. #152.2 $750. www.oldprintgallery.com

20

54. CARNEGIE HALL REHEARSAL. Eugene C. Fitsch. Lithograph, undated. Edition16. Signed in pen. Inscribed "16/16." Image size 10 7/8 x 16 7/8" (278 x 415 mm). Goodcondition. F 84. #26213.1 $750.

55. VIBRATO II. Stanley Kaplan. Colorlinocut, 2006. Edition 25. Signed and titledin pencil. Inscribed “13/25.” Image size 12x 18" (305 x 457 mm). Very good condition.#42709.1 $500.

56. THE JAZZ MUSICIANS #1. BruceWaldman. Etching, 1992. Artist’s proof.Signed and titled in pencil. Inscribed“A/P.” Image size 11 15/16 x 8 13/16"(303 x 223 mm). Very good condition.#36177.4 $275.

57. ZASIS IV. StanleyKaplan. Soft ground, aqua-tint, and etching, 1979.Edition 50. Inscribed"3/50." Image size 11 7/8x 17 5/8" (302 x 447 mm).Very good condition.#878.1 $300.

21

T: 202-965-1818

58. REVERIE. AlessandroMastro-Valerio. Mezzotint,1942. Edition 35. Some im-pressions inscribed edition 30.Estate signed, inscribed withartist's name and initialed"N.M.V.", Nola Mastro-Valerio,the artist’s wife. Image size 63/4 x 6 11/16" (171 x 176 mm).Very good condition. OPS 102.#40739.5 $950.

59. LANDSCAPE WITH BUILDINGS. (SUM-MER LANDSCAPE). Alessandro Mastro-Valerio.Aquatint, 1934. Edition 30. Signed in pencil. Verygood condition. #17602.1 $450.

60. THE MODEL. Alessandro Mastro-Valerio.Mezzotint, 1945. Edition 45. Estate signed, in-scribed with artist's name and initialed "N.M.V."Image size 7 7/8 x 6 3/4" (198 x 173 mm). Very goodcondition. #17715.1 $950.

61. RECLING NUDE (SMALL). Ales-sandro Mastro-Valerio. Mezzotint, 1937.Edition 50. Signed in pencil, inscribed"1/50." Plate Size: 1 15/16 x 2 15/16"(50 x 75mm). Very good condition.61399.2 $650.

22

62. TROUBLED NIGHT. AlessandroMastro-Valerio. Aquatint, c. 1951. Edi-tion c. 25. Signed in pencil. Image size 87/8 x 9 13/16" (226 x 249 mm). Very goodcondition. OPS 149. #81560.1 $225.

63. MOTIF IN A SEASCAPE. (THREENUDES). Alessandro Mastro-Valerio.Aquatint, 1949. Edition 25. Estate signedin pencil, initialed "G.V.P." the artist'sdaughter. Image size 13 1/8 x 9 7/8" (329x 247 mm). Very good condition. 17624.1$675.

64. ANDANTE. Alessandro Mastro-Valerio. Wood engraving, c. 1945. Edi-tion 50. Signed in pencil. Image size 71/8 x 6 3/16" (180 x 157 mm). Verygood condition. OPS #114. #81559.1$600.

66. GENESIS. Alessandro Mastro-Valerio. Aqua-tint, c. 1925. Edition c. 25. Estate signed, inscribedwith artist's name and initialed "G.V.P.", the artist'sdaughter. Image size 12 9/16 x 10" (315 x 251 mm).Very good condition. #17630.1 $725.

23

65. MOTHER AND CHILD. AlessandroMastro-Valerio. Wood engraving, c. 1945.Edition c. 40. Estate signed, inscribed withartist's name and initialed "G.V.P.", the art-ist's daughter. Image size 5 x 5 7/8" (126 x147 mm). Very good condition. #17629.2$350.

67. DAWN. Alessandro Mastro-Valerio. Wood engraving, 1946. Edition 40. Signed inpencil. Image size 5 3/4 x 3" (145 x 77 mm). Very good condition. OPS 120. #17713.2$425.

24