print making report
TRANSCRIPT
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MAKING
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Printmakingis the process of
making artworks by printing,normally on paper.
it gives multiple original copies.Print is a shape made from a plate
orstone or other object that is coveredwith ink and then it is pressed on to
aflat surface like paper.
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Print Known as IMPRESSION.
Created by transferring ink from a matrix or through a prepared screen to a sheet of paper or other material. May also be printed in book form.
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Print making seems to have originated in Chinaand started in Europe started around the 6th century.
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In the early stages of print making, it was not considered an art form but by the 18th century art prints began to be considered as originals and in 19th century artists began to produce limited editions along with the technical information to authenticate the work.
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Basic Categories of Printmaking
Intaglio Stencil
Relief Plano graphic
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Intaglio
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INTAGLIOwhere ink is applied
beneath the original surface of the matrix. Opposite of relief.Intaglio technique: Engraving Etching Mezzotint Aquatint Dry point
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Engraving
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Engraving This is done using a tool
called burin. It is a harder skill to learn. the metal burin is pushed through the metal to make the image. The deeper the burin is pushed the wider the lines get. The lines formed above the surface are then scraped off.
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To make a print, the engraved plate is inked all over, then the ink is wiped off the surface, leaving only ink in the engraved lines. The plate is then put through a high-pressure printing press together with a sheet of paper (often moistened to soften it).
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This process can be repeated many times; typically several hundred impressions (copies) could be printed before the printing plate shows much sign of wear, except when drypoint, which gives much shallower lines, is used.
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The process was developed in Germany in the 1430s from the engraving used by goldsmiths to decorate metalwork. The burin produces a unique and recognizable quality of line that is characterized by its steady, deliberate appearance and clean edges.
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In the 20th century, true engraving was revived as a serious art form by artists including Stanley William Hayter whose Studio 17 in Paris and New York City became the magnet for such artists as Pablo Picasso, Alberto Giacometti, Mauricio Lasansky and Joan Miró.
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"Melencolia I",
engraving by Albrecht Dürer, one of the most important
printmakers.
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Mezzotint
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Is a method of engraving areas of tone rather than lines. It is the first tonal method to be used. Mezzotint achieves tonality by roughening the plate with thousands of little dots through a metal tool with small teeth called a rocker. A good quality and richness in the print can be achieved.
Mezzotint
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An intaglio variant of engraving in which the image
is formed from subtle gradations of light and shade.
Mezzotint— from the Italian mezzo ("half") and tinta
("tone")—is a "dark manner" form of printmaking, which
requires artists to work from dark to light.
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To create a mezzotint, the surface of a copper printing plate is roughened evenly all over with the aid of a tool known as a rocker; the image is then formed by smoothing the surface with a tool known as a burnisher.
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The mezzotintprintmaking method was invented by Ludwig von Siegen (1609–1680). The process was used widely in England from the mid-eighteenth century, to reproduce oil paintings and portraits.
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The Fruit Peeler, Waller ant Valliant
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Head of a Man Wearing a Turban, 1760 by Thomas Frye
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Etching
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The process is believed to have been invented by Daniel Hopfer (circa 1470-1536) of Augsburg, Germany, who decorated armour in this way, and applied the method to printmaking.
Etching
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An etching is opposite of a woodcut in that the raised portions of an etching remain blank while the crevices hold ink. In pure etching, a metal (usually copper, zinc or steel) plate is covered with a waxy or acrylic ground. The artist then draws through the ground with a pointed etching needle.
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The plate itself is covered
with wax and the artist
draw with a sharp needle
like instrument. This is then
exposed to acid which then
eats through the metal
leaving lines in the plate.
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The plate is then dipped into acid (e.g. nitric acid or ferric chloride). The acid bites into the surface of the plate where it was exposed. Biting is a printmaking term to describe the acid’s etching. After plate is sufficiently bitten, the plate is removed from acid bath, and ground is removed to prepare for the next step in printing.
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Artists using this technique include
Albrecht Dürer, Rembrandt, Francisco Goya, Whistler, Otto Dix, James Ensor, Edward Hopper, Käthe Kollwitz, Pablo Picasso, Cy Twombly, Lucas van Leyden, Carlos Alvarado Lang.
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The Three
Crosses, etching
byRembran
dt
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Aquatint
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Aquatint Aquatint is a form of engraving
with acid on a plate to some extent covered with varnish that produces a print somewhat similar to a watercolor. The plate is capable of holding ink and it is passed through printing press along with a sheet of paper which leaves an engraved image on the paper.
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Like etching, aquatint technique involves the application of acid to make marks in a metal plate. Where the etching technique uses a needle to make lines that retain ink, aquatint relies on powdered rosin which is acid resistant in the ground to create a tonal effect. The rosin is applied in a light dusting by a fan booth, the rosin is then cooked until set on the plate.
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At this time the rosin can be burnished or scratched out to affect its tonal qualities. The tonal variation is controlled by the level of acid exposure over large areas, and thus the image is shaped by large sections at a time.
Francisco Goya used aquatint for most of his prints.
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"The sleep of Reason creates monsters", aquatint and etching by Francisco Goya
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The Giant, Francisco de Goya y Lucientes
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The Russian Dance, 1769Jean-Baptiste Le Prince
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Dry point
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A variant of engraving, done with a sharp point, rather than a v-shaped burin. While engraved lines are very smooth and hard-edged, drypoint scratching leaves a rough burr at the edges of each line. This burr gives drypoint prints a characteristically soft, and sometimes blurry, line quality.
Dry point
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The technique appears to have been invented by the Housebook Master, a south German fifteenth century artist, all of whose prints are in drypoint only. Among the most famous artists of the old master print: Albrecht Dürer produced 3 drypoints before abandoning the technique; Rembrandt used it frequently, but usually in conjunction with etching and engraving.
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Maternal Caress, 1891Mary Cassatt
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The Three Tress, Rembrandt (Rembrandt van Rijn)
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Stencil
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where ink or paint is pressed through a prepared screen.
Dry point technique: Screen printing
Pochoir
Stencil
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Screen printing
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Screen printing (occasionally known as “ silkscreen“ , or “serigraphy“ ) creates prints by using a fabric stencil technique.
SCREEN PRINTING
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It is generally originated in China. It involves the process of allowing ink to pass through different areas until the final composite image is achieved.
Screen printing
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The ink is simply pushed through the stencil against the surface of the paper, most often with the aid of a squeegee. Generally, the technique uses a natural or synthetic 'mesh' fabric stretched tightly across a rectangular 'frame,' much like a stretched canvas.
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The fabric can be silk, nylon monofilament, multifilament polyester, or even stainless steel. Unlike many other printmaking processes, a printing press is not required, as screen printing is essentially stencil printing.
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Screen printingMaterial
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Caviar beads
Is a glue that is printed in the shape of the design, to which small plastic beads are then applied.
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Caviar beads
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Cracking Ink
Cracking ink effect is when the ink procedures an intentional cracked surface after drying.
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Cracking Ink
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Is the use to printed colors onto dark background fabrics, they work by removing the dye of the garments , this means they leave a much softer texture.
Discharge Inks
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Discharge Inks
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Is an additive to plastic inks which raises the print of the garment, creating a 3D feel and look to the design. Mostly used when printing on apparel.
Expanding Ink (puff)
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Expanding Ink (puff)
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Consist of a glue printed onto the fabric and then flock material is applied for a velvet touch.
Flocking
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Flocking
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Is much like flock, but instead of a velvet touch and look it has a reflective/mirror look to it.
Foil
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Foil
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Is when the art work is created and then separated into four colors (CMYK) which combine to create the full spectrum of colors needed for photographic prints.
Four color process or the CMYK color model
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Four color process or the CMYK color model
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Is when metallic flakes become an additive in the ink base to create this sparkle effect- Usually available in gold or silver but can be mixed to make most colours.
Glitter/ Shimmer
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Glitter/ Shimmer
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Is when a clear base laid over previously printed inks to create a shiny finish.
Gloss
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Gloss
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Metallic
Is similar to glitter, but smaller particles suspended in the ink.
A glue is printed onto the fabric, then nano-scale fibers applied on it.
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Metallic
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Is highly reflective, solvent based ink.
Mirrored silver
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Mirrored silver
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Is a special ink additive for printing onto technical or water proof fabrics.
Nylobond
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Nylobond
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Is the most common ink used in coomercial garment decoration.
Plastisol inks require heat (approximately 150 oC (300 oF )
Plastisol
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Plastisol
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Is relatively new breed of ink and printing with the benefits of plastirol but without the two main toxic components. It also has a soft texture.
PVC and Palate free
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PVC and Palate free
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Is a milky colored additive that is added to plastisol have a suede feel.
Suede Ink
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Suede Ink
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These penetrate the fabric more than the plastisol inks and create a much colored garments.
Water-base Ink
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Water-base Ink
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Screen printing
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T-shirt, 1975–77Vivienne
Westwood
Example of sreen
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Roofs and Sky, 1939Louis Lozowick
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S
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Pochoir
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is a direct method of hand coloring throughout a stencil. This technique involves spray-painting which is done around a three-dimensional object to create a pessimistic of the object instead of an activist of a stencil design.
Pochoir
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Pochoir
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A pochoir print of Matisse’s “Polynesia”From Henri Matisse: Les Nus bleus III, published by
Bernard Chauveau Editeur
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Illustration (plate 4) by E. A. Séguy (1889-1985)
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Foil imaging
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A printmaking technique made using the Iowa Foil Printer, developed by Virginia A. Myers from the commercial foil stamping process.
This uses gold leaf and acrylic foil in the printmaking process.
Foil imaging
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Shoot for the moon by Stephanie Stein
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Plano graphic
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where the matrix retains its original
surface, but is specially prepared and/or inked to allow for the transfer of
the image. .
Plano graph
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Plano graphic technique:
Lithography mono typing
digital techniques
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Lithography
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is a process of printing an image using a stone or metal plate with a smooth flat surface. An image is drawn on the flat surface of limestone or metal plate using a greasy medium.
Lithography
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A technique invented in 1798 by Alois Senefelder and based on the chemical repulsion of oil and water.
Some of the artists who used the technique:
Honoré Daumier Vincent van Gogh George Bellows Pierre Bonnard
Lithography
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Lithography
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The Boxer, Théodore Gericault
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Rue Transnonain, April 15, 1834 by Honoré Daumier
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La Goulue, Lithograph poster byToulouse-Lautrec
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Monotyping
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is done by drawing an image on a smooth and non-absorbent surface. Using a printing press which holds up the ink the image is transferred on to the paper .
Monotyping
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The surface, or matrix, was historically a copper etching plate, but in contemporary work it can vary from zinc or glass to acrylic glass. The image is then transferred onto a sheet of paper by pressing the two together, usually using a printing-press.
Monotyping
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Koi and Lily pads
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Monotype by Giovanni Benedetto Castiglione,
probably a second impression
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Monotype by Jules Henri
Lengrand
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Contemporary printmaking
may include : * digital printing, *photographic mediums, or a * combination of digital,
*photographic, and * traditional processes.
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Digital printing
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Refers to images printed using a digital printer instead of a traditional printing press.
These images can be printed to a variety of substrates including paper, cloth, or plastic canvas.
Digital printing
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Istvan Horkay, Ralph Goings, Enrique Chagoya
Artist using this technique:
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Pigment- based Ink Printing
Dye- based Ink Printing
Giclée – a neologism coined in 1991 by printmaker Jack Duganne for digital prints made on inkjet printers.
Types of Digital Printing
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ELEMENTS OF PRINTMAKING
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Line - the most basic element for artistic creation. It can be created as a mark that connects two dots and comes in all shapes, sizes, and is infinitely manipulable.
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Shape - the form that a combination of lines take, resulting in the subject of the image.
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Form - the 3-D version of a shape and can be measured by height, width and depth.
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Space- determines the way that objects relate to each other within the artwork, it’s the location on which the elements are placed.
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Color- created by the way our eye interprets light and has a huge impact on the way a piece is interpreted by the audience.
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Texture -the illusion of a tactile surface that is achieved in 2-D format.