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Differentiation in Language Arts: Teaching for ALL Can Learn Richmond November 2013 Faye Brownlie www.slideshare.net/fayebrownlie/ richmond.differen?a?on

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Full day session, K-7, on differentiation in Language Arts. Focus on engaging ALL students in meaningful, purposeful reading, writing, speaking and listening, in such a way as to support their learning and their joy in learning.

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Differentiation in Language Arts: Teaching for ALL Can Learn

Richmond  November  2013  Faye  Brownlie  

www.slideshare.net/fayebrownlie/richmond.differen?a?on    

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Learning Intentions •  I  am  more  confident  in  my  ability  to  teach  the  full  range  of  my  learners.  

•  I  can  find  evidence  of  current  reading  research  in  my  prac?ce.  

•  I  have  a  plan  to  incorporate  a  differen?ated  prac?ce  in  Language  Arts  that  is  different  to  me.  

•  I  have  a  plan  to  work  with  a  colleague.  

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We CAN teach all our kids to read.

•  Struggling  readers  need  to  read  MORE  than  non-­‐struggling  readers  to  close  the  gap.  

•  Struggling  readers  need  to  form  a  mental  model  of  what  readers  do  when  reading.  

•  Struggling  readers  need  to  read  for  meaning  and  joy    

•  Struggling  readers  do  NOT  need  worksheets,  scripted  programs,  or  more  skills  prac?ce.  

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Differentiation -­‐ongoing  opportuni?es  for  students  to  engage  in    individually  appropriate,    

 meaningful  and  purposeful    

 reading,  wri?ng,    

 speaking  and  listening  

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Differentiated Instruction

The  intent  is  to  maximize  each  student’s  growth  and  individual  success  by  mee?ng  each  student  where  he  or  she  is...rather  than  expec?ng  students  to  modify  themselves  for  the  curriculum.”  (Hall,  2002)    

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Differentiated Instruction

Content  Process  

Product  

Learning  environment  

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Differentiated Instruction

An  approach  to  teaching  and  learning  that  gives  students  mul?ple  op?ons:  

-­‐  for  taking  in  informa?on  

-­‐  for  making  sense  of  ideas  

-­‐  for  presen?ng  ideas  

-­‐  for  being  evaluated  on  their  learning  

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Some Key Understandings: •  Access  to  the  content  •  Present  learning  goals,  learning  inten?ons  •  Focus  on  concepts  and  principles  •  Use  flexible  groups  •  Use  on-­‐going  assessment  (assessment  FOR  learning)  

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The teeter totter

kids

kids curriculum

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Frameworks

It’s All about Thinking (English, Humanities, Social Studies) – Brownlie & Schnellert, 2009

It’s All about Thinking (Math, Science)– Brownlie, Fullerton, Schnellert, 2011

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Universal Design for Learning Mul?ple  means:  -­‐to  tap  into  background  knowledge,  to  ac?vate  prior  knowledge,  to  increase  engagement  and  mo?va?on  

-­‐to  acquire  the  informa?on  and  knowledge  to  process  new  ideas  and  informa?on  

-­‐to  express  what  they  know.  

                     Rose  &  Meyer,  2002  

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access not adapt

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Backwards Design •  What  important  ideas  and  enduring  understandings  do  you  want  the  students  to  know?  

•  What  thinking  strategies  will  students  need  to  demonstrate  these  understandings?    

                 McTighe  &  Wiggins,  2001  

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Teaching Approach that Differentiate

•  Open-­‐ended  teaching  •  Strategies:    connect,  process,  transform  &    personalize  

•  Workshop  •  Choice  •  Inquiry  learning  •  Literature/informa?on  circles/reading  groups/literacy  centres  

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According  to  teachers,  what  worked  in  CR4YR  2012-­‐13?  

For  students  who  showed  major  gains,  what  worked  was:  

•  1:1  support  (this  didn’t  necessarily  mean  pull  out)  

•  feeling  safe  and  supported;  rela?onships  

•  choice/personaliza?on  (kids  who  struggled  the  most  oaen  had  the  least  amount  of  choice)  

•  A  focus  on  purpose  and  meaning    

Sharon  Jeroski,  August  2013  [email protected]  

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“The  most  powerful  single  influence  enhancing  achievement  is  feedback”-­‐Dylan  Wiliam  

•  Quality  feedback  is  needed,  not  just  more  feedback  •  Students  with  a  Growth  Mindset  welcome  feedback  

and  are  more  likely  to  use  it  to  improve  their  performance  

•  Oral  feedback  is  much  more  effec?ve  than  wrihen  •  The  most  powerful  feedback  is  provided  from  the  

student  to  the  teacher  

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“Every  Child,  Every  Day”  –  Richard  Allington  and  Rachael  Gabriel  

In  Educa?onal  Leadership,  March  2012  

6  elements  of  instruc?on  for  ALL  students!  

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1.    Every  child  reads  something  he  or  she  chooses.  

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2.  Every  child  reads  accurately.  

-­‐intensity  and  volume  count!  

-­‐98%  accuracy  

-­‐less  than  90%  accuracy,  doesn’t  improve  reading  at  all  

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Our key questions:

Did  that  make  sense?  

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Our key questions:  

How  did  you  figure  that  out?  

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M  –  meaning  

Does  this  make  sense?  

S  –  language  structure  Does  this  sound  right?  

V  –  visual  informa?on  Does  this  look  right?  

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3.  Every  child  reads  something  he  or  she  understands.      -­‐at  least  2/3  of  ?me  spent  reading  and  rereading  NOT  doing  isolated  skill  prac?ce  or  worksheets      -­‐build  background  knowledge  before  entering  the  text      -­‐read  with  ques?ons  in  mind        

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The Richmond Experience Lisa Schwartz

Lisa  Schwartz  

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First  Steps  

•  Collec?ng  baseline  data  (forma?ve  assessment)  

•  What  do  they  know?    What  are  their  strengths?  •  What  areas  need  further  development?  •  How  will  we  support  this  development?  

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•  Looked  at  the  results  as  coded  on  the  performance  standard  

•  Developed  an  inquiry  ques?on  •  Made  a  plan  

•  Spent  a  term  in  each  classroom.  Two  blocks  each  week.  

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Inquiry  Ques?ons  

•  How  does  the  implementa?on  of  literacy  centres,  that  focus  on  reading  rather  than  isolated  skills,  change  the  engagement  and  mo?va?on  of  the  students  and  will  they  become  more  skilled  readers?  

•  How  does  implemen?ng  guided  reading  or  small  group  reading  instruc?on,  with  my  support  teacher,  further  our  students’  reading  development?  

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Literacy Centres in FI •  Brooke  Douglas  at  Bridge  with  Kara,  Chantale  and  Wanda  

•  Focus  on  building  a  balanced  and  differen?ated  literacy  program    

•  Borrowing  from  others  

•  Things  I  no?ced  

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Think Aloud •  Gradual  release  •  Builds  interest  and  background  knowledge  •  Builds  oral  language  •  Introduces  key  concepts  and  vocabulary  •  Builds  ques?ons  •  Models  and  prac?ces  ‘close’  reading  

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1975:    Year  of  the  Cat  

Today  is  Tet,  

the  first  day  

of  the  lunar  calendar.  

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Every  Tet  we  eat  sugary  lotus  seeds  

and  lu?nous  rice  cakes.  

We  wear  all  new  clothes,  

even  underneath.  

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Mother  warns  how  we  act  today  

foretells  the  whole  year.  

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Everyone  must  smile  No  maher  how  we  feel.  

No  one  can  sweep,  

for  why  sweep  away  hope?  

No  one  can  splash  water,  

for  why  splash  away  joy?  

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•  Inside  Out  and  Back  Again  –  Thanhha  Lai  

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4.  Every  child  writes  about  something  personally  meaningful.    -­‐connected  to  text    -­‐connected  to  themselves    -­‐real  purpose,  real  audience  

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K/Grade  1  Wri?ng  Commons  &  Jakovac  

Samples  from  June  7th,  2012  

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Gallery Walk – writing lesson •  In  groups,  3  things  that  count  in  wri?ng  •  Made  class  list  and  categorized  •  Focus  on  meaning  and  thinking  

–  Descrip?on  –  Imagina?on  –  Detail  –  Knowledge  –  Focus  –  Ideas  –  Passion  –  Intriguing  –  Understandable  

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•  Place  a  series  of  pictures  around  the  room  •  Students  in  groups  of  3  •  3  minutes  per  picture  

•  Chat  –  How  could  you  use  this  image  in  your  wri?ng?  

•  Build  on  one  another’s  thinking  •  View  4  pictures  

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•  Eagle  Dreams  -­‐    WriCen  by  Sheryl  McFarlane  ;  IllustraKons  by  Ron  Lightburn;    

•  ISBN:  1-­‐55143-­‐016-­‐9  

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•  Task:    a  piece  of  wri?ng,  choose  your  genre,  think  about  the  criteria  

•  As  you  are  moving  to  your  desk,  keep  walking  un?l  you  have  your  first  line  in  your  head  

•  12  minutes  to  write  

•  As  students  are  wri?ng,  move  about  the  room,  underlining  something  powerful  (criteria  connected)  in  each  person’s  wri?ng  

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•  Each  student  shares  what  was  underlined  •  Listen  to  hear  something  you  might  want  to  borrow  

•  As  a  class,  decide  on  why  each  was  underlined  •  Create  the  criteria:  – Words  that  are  WOW  – Details  that  showed  emo?on  or  made  a  picture  

– Hook  –  first  line  made  me  want  to  keep  reading  

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Sample  1  

One  cool  and  breezy  night,  in  a  prairie,  a  boy  sat  on  the  rim  of  his  open  window,  looking  out  at  the  moon,  hoping  for  something  to  happen.    Aaer  a  few  minutes,  he  went  back  in  and  close  his  window.    Robin  sighed.  “I  wished  my  life  has  more  excitement  in  it,  “  he  thought,  before  he  turned  off  his  light  and  went  to  bed,    he  took  one  quick  look  at  his  kite  on  top  of  his  bed  that’s  shaped  like  an  eagle,  and  went  to  sleep.  

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Sample  3  Once  upon  a  ?me  there  was  a  boy  that  was  facinated  by  eagles,  he  

asked  his  father  to  get  one  for  him  but  he  couldn’t.    Then  the  boy  thought  about  a  way  to  catch  an  eagle  and  then  a  different  gender  one  for  more  eagles.    Delighted  with  his  idea  that  he  thought  of  last  night,  he  con?nued  his  plan.    He  put  3  fishes  in  the  open  with  a  trap,  and  went  to  bed.    Then  he  heard  a  noise  that  sounded  like  an  eagle.    When  he  had  checked  the  trap,  he  found  an  eagle  that  was  in  his  trap.    Happily  jumping  around,  the  eagle  made  him  inspired  to  make  a  home  for  the  eagle.    He  created  a  bond  with  the  eagle.    He  remembered  how  much  his  father  despised  eagles.    He  lead  the  eagle  to  a  secret  place  in  the  forest  where  his  father  never  went.    He  came  downstairs  and  his  father  was  in  a  rage.    He  threatened  to  ground  his  son  if  he  didn’t  kill  the  eagles.  Shocked,  the  boy  asked  why  he  told  him  so.    The  father  said  they  …  

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Sample  4  

At  Sunday,  the  Ximing  and  his  father  mother  go  travel.    On,  Ximing  say  “I’m  see  a  eagle!”    His  father  and  his  mother  is  going  to  his.    And  his  mother  say  “Oh,  Help  it!”    OK.    It  was  heal.    OK.    We  are  go  back  home!  

At  home:  Today  is  very  funning.  Because  we  are  helpa  eagle!    I’m  so  happy  now!  Ximing  is  ?me  to  eat  a  dinner  say  mother  say  …  

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•  Kids  can  add/edit/con?nue  to  work  •  Set  up  for  next  class  – Work  on  same  criteria  – Hear  again,  pieces  that  work  – Move  to  where  kids  can  iden?fy  criteria  in  their  own  work  and  ask  for  help  with  criteria  that  are  struggling  with  

•  Aaer  repeated  prac?ce,  students  choose  one  piece  to  work  up,  edit,  revise,  and  hand  in  for  marking  

•  Feedback  is  con?nuous,  personal,  ?mely,  focused  

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5.    Every  child  talks  with  peers  about  reading  and  wri?ng.  

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6.  Every  child  listens  to  a  fluent  adult  read  aloud.  

   -­‐different  kinds  of  text  

   -­‐with  some  commentary  

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Literature Circles: Residential Schools

•  A  unit  co-­‐developed  by    – Marla  Gamble,  gr.  6  Classroom  Teacher,  Prince  Rupert,  BC  

– Marilyn  Bryant,  Aboriginal  Educa?on  Program  Resource  Teacher  

– Raegan  Sawka,  LUCID  Support  Teacher  (Learning  for  Understanding  through  Culturally  Inclusive  Imagina?ve  Development)  •  Lesson  2:    co-­‐designed  and  co-­‐taught:    Marla  &  Faye  

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•  1st  lesson  –  Slide  presenta?on  on  First  Na?ons  background  in  the  

geographic  area  with  some  reference  to  residen?al  schools  •  2nd  lesson  

–  Whip  around  –  Fishbowl  on  1st  paragraph  of  Fa4y  Legs  –  C.  Jordan-­‐Fenton  &  M.  

Poliak-­‐Fenton  (Annick  Press)  –  Co-­‐created  criteria  for  effec?ve  group  –  Envelopes  of  5-­‐6  pictures  from  Fa4y  Legs  –  Make  a  story  –  Share  some  stories  –  Walk  and  talk  –  4  minute  write  –  story  behind  the  pictures    

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K – Building Connections/Response to Reading

•  Prac?ce  making  connec?ons  •  Choose  a  symbol  •  Talk  about  how  this  helps  our  reading  •  Read  together  and  make  connec?ons  •  Students  show  their  connec?ons  by  drawing  and  wri?ng  

•  with  Jessica  Chan,  Burnaby  

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Strong  Na?ons  Publishing  

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Gr 3 JC, Richmond

•  Building  vocabulary  from  pictures  •  Establishing  fic?on/non-­‐fic?on  •  Predic?ng    •  Directed  drawing  •  Wri?ng  to  retell  and  connect  

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The Swaps Who   Give  away   Want  

scarecrow   hat   walking  s?ck  

badger   walking  s?ck   ribbon  

crow  

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•  What’s  your  plan?  •  Who  will  you  work  with?  

•  How  will  you  know  that  what  you  have  done  is  making  a  difference?