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DESCRIPTIONcontain 13 short stories of different authors with interpretations such as point of view, irony, characters and etc
Oral Reproduction of Stories IIDr. Mehdi Nowruzi[Type the abstract of the document here. The abstract is typically a short summary of the contents of the document. Type the abstract of the document here. The abstract is typically a short summary of the contents of the document.]
Gathered by: Mojgan Fathzadeh
UNIT 27: ALL THE YEARS OF HER LIFE Morely Callaghan "All the years of her life" was a short story about the love a mother had for her son. The son did not appreciate his mother until the night his actions caused her emotional collapse, as he realized the depth of her affection. As the story began, Sam Carr, the owner of a drugstore, asked his young employee, Alfred Higgins, if there might be some items in his pockets. Alfred immediately sensed that something is wrong. Mr. Carr claimed that Alfred Had taken two tubes of toothpaste, a compact and a lipstick, but Alfred denied stealing anything. Mr. Carr persisted in his calm tone, and eventually Alfred showed the stolen items and put them on the counter. Mr. Carr called Alfred's mother and explained the unfortunate situation for her. They waited in the quiet darkness of the store for Alfred's mother to arrive. Finally, Mrs. Higgins arrived. She bore an elegant composure in spite of the circumstances. She placed her hand on Mr. Carr's arm and asked what his intentions were. Mr. Carr had planned to phone the police, but Mrs. Higgins calmly requested Mr. Carr to choose advice instead of punishment. Mr. Carr who was impressed by the calm manner of Alfred's mother, relented and did not call the police and let Alfred go home with her. He and Mrs. Higgins parted as if they had been good friends. At home, Mrs. Higgins chastised Alfred for his bad behavior and sent him to bed with a warning not to mention the incident to his father. In his bedroom, Alfred could hear the sounds of his mother making tea in the
kitchen and he walked quietly toward her and was stopped by what he saw. His mother trembled as she tried to pour the hot water for tea she was so distressed. Her face was old and tired and so different from the brave countenance she displayed just a short while ago in Mr. Carr's store. Alfred now understood what his mother had endured and he saw all the years of her life reflected in her trembling hands.Point of view: limited omniscient. Theme: unconditional motherly love Characters: Alfred, Mrs. Higgins, Sam Carr Mrs. Higgins character: she is a clever woman. She displays a mother's devotion to her son and used her wiles to get her son out of troubles. She offers an unconditional motherly love. In the kitchen, it is clear that she is under great strain. She seems to be at a breaking point. It must have taken a huge amount of effort for her to control her emotion at the Mr. Carr's store. She seems to have two sides of personality. At the store she is calm, friendly and devoted to his son but once she and Alfred get in the car the cracks in her strong personality start to show and weakness becomes apparent. Mr. Sam Carr character: he was a shrewd man. Not easily fooled. He possessed some patience. He does not explode in anger at Alfred but remain polite. Climax: the moments the Mrs. Higgins attempts by changing her personality to save Alfred from jail.
UNIT 29: THE DOLL'S HOUSE Katherine Mansfield The Dolls House was a story about the cruelty of children towards each other. Three middle-class girls of the Burnell family, Isabel, Kezia and Lottie, were given a beautiful dolls house as a present by Mrs. Hay. The house was minutely described, with especial emphasis on a lamp inside of it. Everybody liked the house except Aunt Beryl because she could not stand the smell of the paint. Kezia liked the small lamp best. The next morning they could not wait to show it off to their school friends. Isabel, bossily, said she would be the one to decide who was allowed to come and see the house as she was the eldest. She boasted about their new doll's house and all the girls crowded around her and flattered her. But there were two sisters from a very poor family, the Kelveys, whom they despised and laughed at; they would not let them saw the dolls house. The Kelveys' mother was only a washerwoman and their father was in prison. The parents of the other children told them not to talk with the Kelveys because they were lower class people. After showing the house to all of her school friends, Kezia pursued to show the house to the Kelvey girls. She asked her mother if the Kelveys were allowed to see the house, but her mother only said "Certainly not". Despite her mother's unjustified demands she invited them to come into their yard to see the doll's house. But before they could have a good view of the house, they were shooed out as if they were chickens by Aunt Beryl.
They were drawn in the purity of the light as Kezia.Point of view: dramatic or objective. Narrator just describes what was happening in the stories. None of the characters' thought had mentioned. Theme: class discrimination (blind faiths). The school was portrayed as a melting pot of all social classes, and the Kelveys as the lowest. The other children were discouraged from talking to them; they were outcasts. Major Characters: Kezia. Conflict: conflict is between Kezia's treats toward the Kelveys in comparison to other characters. Kezia offers an opposition to common ways of thinking. As the two children admire the red carpet, red plush chairs and gold frames of the house, Kezia takes an interest in the simple lamp. While others blindly follow the class consciousness, Kezia was against conformity when she invites the Kelveys to see the doll's house. She doesnt see anything wrong in being friend with Kelveys. Metaphor: the appreciation of the lamp is a metaphor. Kezia and the Kelveys are drawn in the purity of the light to battle and ignore things based on blind faith.
UNIT 30: THE TELL-TALE HEART Edgar Allan Poe Plot Summary: "The Tell-Tale Heart" is a first-person narrative of an unnamed narrator who insists he is sane but suffering from a disease which causes "overacuteness of the senses." The old man with whom he lives has a clouded, pale, blue "vulture-like" eye which so distresses the narrator that he plots to murder the old man. The narrator insists that his careful precision in committing the murder shows that he cannot possibly be insane. For seven nights, the narrator opens the door of the old man's room, a process which takes him a full hour. However, the old man's vulture eye is always closed, making it impossible to do the deed. On the eighth night, the old man awakens and sits up in his bed. The narrator does not draw back and, after some time, decides to open his lantern. A single ray of light shines out and lands precisely on the old man's eye, revealing that it is wide open. Thinking he hears the old man's heartbeat beating unusually loudly from terror, the narrator decides to strike, smothering the old man with his own bed. The narrator proceeds to chop up the body and conceal the pieces under the floorboards. The narrator makes certain to hide all signs of the crime. Even so, the old man's scream during the night causes a neighbor to call the police. The narrator invites the three officers to look around, confident that they will not find any evidence of the murder. The narrator brings chairs for them and they sit in the old man's room, right on the very spot where the body was concealed, yet they suspect nothing, as the narrator has a pleasant and easy manner about him. The narrator, however, begins to hear a faint noise. As the noise grows louder, the narrator comes to the conclusion that it is the heartbeat of the old man coming from under the floorboards. The sound increases, though the officers seem to pay
no attention to it. Shocked by the constant beating of the heart and a feeling that the officers must be aware of the sound, the narrator confesses to killing the old man and tells them to tear up the floorboards to reveal the body. Point of view: a first-person narrative of an unnamed narrator Theme: exposing the dark side of humankind Major character: is an unnamed narrator. Since he tells the story in first-person, the reader cannot determine how much of what he says is true; thus, he is an unreliable narrator. Setting: the story is physically set in the home that the narrator shares with the old man, mainly in the old man's bedroom. It is also set in the narrator's twisted mind. Questions: Why does the narrator only talk about one of the old man's eye? One of the old man eyes is blind. What is the relationship between the narrator and the old man? The relationship is unclear. The narrator may be a servant of the old man's or his son. In that case, the "vulture" eye of the old man is symbolizing parental surveillance and possibly the paternal principles of right and wrong. What does show that the narrator is really mad? The narrator seems too anxious to prove that he is not mad which might indicate that he is. Secondly, anyone who would go to the trouble to take an entire hour to stick his head inside a door must be mad. How does the narrator defend his sanity? He is trying to prove that he is sane by talking about careful precision he processes to commit the murder.
UNIT 31: MIRIAM Truman Capote Mrs. H. T. Miller was a widow who lived alone in a small apartment near the East River in New York City. She dressed simply and wore no makeup. She spent her days cleaning her apartment, fixing her own meals, tending her canary, and smoking an occasional cigarette. One evening, she decided to go to the movies. While waiting in line at the box office, she became aware of a thin little girl standing nearby. Mrs. Miller was struck by the girl's old-fashioned clothes and her silverwhite hair. She introduced herself as Miriam. It was also Mrs. Miller's first name. The girl handed her some money and asked her to buy a ticket for her.