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EISITY Mil 8 IB AIL SOCIETY EARL V. MOORE, Musical Director CHARLES A. SINK, Business Manager BOARD OF DIRECTORS FRANCIS W. KELSEY, HARRY B. HUTCH INS DURAND W. SPRINGER LEVI D. WINES G. FRANK ALLMENDINGER JUNIUS E. BEAL MARION LEROY BURTON JAMES INGLIS President Vice-President Secretary- Treasurer HORACE G. PRETTYMAN SHIRLEY W. SMITH ALBERT A. STANLEY JAMES H. WADE Til OOIHT SEiEl 1 A % FIFTH SEASON FIRST CONCERT No. CCCXCVIII COMPLETE SERIES SOUSA AND HIS BAND Lieutenant-Commander JOHN PHILIP SOUSA, Conductor HARRY ASKIN, Manager Miss NORA FAUCHALD, Soprano MR. JOHN DOLAN, Comet Miss RACHEL, SENIOR, Violin MR. GEORGE CAREY, Xylophone MONDAY EVENING, OCTOBER 22, 1923, AT EIGHT O'CLOCK HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM 1. RHAPSODY, "THE INDIAN" Orem Among those who have made careful records and researches of the music of the Aborigines of America may be named Thurlow Lieurance, Charles Cadman, and Arthur Farwell. The Indian themes introduced into this rhap- sody were recorded by Mr. Lieurance and welded into rhapsodic form by the well-known composer, Preston Ware Orem. 2. CORNET SOLO, "CLEOPATRA" Denture MR. JOHN DOLAN 3. PORTRAITS, "AT THE KING'S COURT" Sousa (a) "Her Ladyship, the Countess" (b) "Her Grace, the Duchess" (c) "Her Majesty, the Queen" 4. SOPRANO SOLO, "THE LARK NOW LEAVES HIS WAT'RY NEST" Parker (OVER)

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Page 1: SOUSA - AADL

EISITY Mil 8 IB AIL SOCIETY EARL V. MOORE, Musical Director

CHARLES A. S I N K , Business Manager

BOARD O F D I R E C T O R S

FRANCIS W. KELSEY, HARRY B. H U T C H INS DURAND W. SPRINGER LEVI D. W I N E S

G. FRANK ALLMENDINGER J U N I U S E. BEAL MARION LEROY BURTON JAMES INGLIS

President Vice-President

Secretary-Treasurer

HORACE G. PRETTYMAN SHIRLEY W. S M I T H ALBERT A. STANLEY JAMES H. W A D E

Til OOIHT SEiEl 1 A

%

F I F T H SEASON FIRST CONCERT

No. CCCXCVIII COMPLETE SERIES

SOUSA AND HIS BAND Lieutenant-Commander JOHN P H I L I P SOUSA, Conductor

HARRY ASKIN, Manager

Miss NORA FAUCHALD, Soprano MR. J O H N DOLAN, Comet Miss RACHEL, SENIOR, Violin MR. GEORGE CAREY, Xylophone

MONDAY EVENING, OCTOBER 22, 1923, AT EIGHT O'CLOCK

HILL AUDITORIUM, ANN ARBOR, MICHIGAN

P R O G R A M

1. RHAPSODY, " T H E I N D I A N " Orem Among those who have made careful records and researches of the music

of the Aborigines of America may be named Thurlow Lieurance, Charles Cadman, and Arthur Farwell. The Indian themes introduced into this rhap­sody were recorded by Mr. Lieurance and welded into rhapsodic form by the well-known composer, Preston Ware Orem.

2. CORNET SOLO, "CLEOPATRA" Denture MR. J O H N DOLAN

3. PORTRAITS, " A T THE KING'S COURT" Sousa (a) "Her Ladyship, the Countess" (b) "Her Grace, the Duchess" (c) "Her Majesty, the Queen"

4. SOPRANO SOLO, " T H E LARK NOW LEAVES H I S WAT'RY NEST" Parker (OVER)

Page 2: SOUSA - AADL

P R O G R A M—Continued

5. FANTASY, " T H E VICTORY BALL" ScJielling This is Mr. Schelling's latest-completed work. The score bears the

inscription, "To the memory of an American soldier." The fantasy is based on Alfred Noyes' poem, "The Victory Ball," here­

with reprinted, by permission, from "The Elfin Artist and Other Poems," by Alfred Noyes, copyright 1920, by Frederick A. Stokes Company.

The cymbals crash, and the dancers walk, "What did you think we should find," said a With long silk stockings and arms of chalk, share, Butterfly skirts, and white breasts bare, "When the last shot echoed and peace was And shadows of dead men watching 'em there. made ?"

"Christ!" laughed the fleshless jaws of his Shadows of dead men stand by the wall, <<T friend, <

Watching the fun of the Victory Ball. l though* they d be praying for worlds to They do not reproach, because they know, mend. If they're forgotten, it's better so. „_.. , , . ' . « ..

r i sn said a statesman standing near, TT . - , . p . "I'm glad they can busy their thoughts else-Under the dancing feet are the graves. where! Dazzle and motley, in long, bright waves, W e mustn't reproach them. They're wrong, Brushed by the palm-fronds, grapple and whirl v o u s e c » Ox-eyed matron and slim, white girl. «Ah," said the dead men, "so were we!" See, there is one child fresh from school, Victory! Victory On with the dance! Learning the ropes as the old hands rule. Back to the jungle the new beasts prance! God! how that dead boy gapes and grins God! how the dead men grin by the wall, As the tom-toms bang and the shimmy begins. Watching the fun of the Victory Ball!

I N T E R V A L

6. CAPRICE, " O N W I T H THE: DANCE" Strung together by Sousa Being a medley of famous tunes

7. (a) XYLOPHONE SOLO, "NOCTURNE AND WALTZ" Chopin MR. GEORGE CAREY

(b) MARCH, "NOBLES OF THE MYSTIC S H R I N E " (new) Sousa

8. VIOLIN SOLO, "FAUST FANTASIA" Sarasate Miss RACHEL SENIOR

9. FOLK T U N E , "COUNTRY GARDENS" Grainger

Encores will be selected from the following compositions and arrangements of J O H N P H I L I P S O U S A :

Semper Fidelis; Blue Danube; King Cotton; High School Cadets; The Glory of the Yankee Navy; Mr. Gallagher and Mr. Shean; Comrades of the Legion; U. S. Field Artillery; The Stars and Stripes Forever; Humorcs of "The Silver Lining" from "Sally"; March of the Wooden Soldiers; Ramcscs; Bl Capitan; Washington Post; The Gallant Seventh; The Fairest of the Fair.

NOTICES

The next concert in the CHORAL UNION SERIES will be given by VLADIMIR DE PACHMANN, Pianist, Monday evening, November 5.

The next concert in the EXTRA CONCERT SERIES will be given by the DETROIT SYMPHONY ORCHESTRA, OSSIP GABRILOWITSCH, Con­ductor, MICHAEL PRESS, Violinist, Monday evening, November 12.

The First Concert in the FACULTY TWILIGHT SERIES will be given Sunday afternoon, October 28, at 4:15 o'clock, by OR A LARTHARD, Violon­cellist; JAMES HAMILTON, Tenor, and MAUD OKKELBERG, Pianist. The general public, with the exception of small children, are invited.

(OVER)

THE ANN ARBOR PRESS