syracuse symphony orchestra february 2009
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Syracuse Symphony Orchestra February 2009 Program Book.TRANSCRIPT
FEBRUARY 2009
Daniel Hege Music Director
Philippe Quint
SyracuseSymphonyOrchestraInConcert
w w w. m a c k e n z i e h u g h e s . c o m
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Customer ServiceMonday-Friday, 10:00 a.m. – 5:00 p.m.Saturday, Noon – 5:00 p.m.(315) 424-8200 · (800) 724-3810www.SyracuseSymphony.org
AdministrationKaren Gahl-Mills, President & Executive Director411 Montgomery StreetSyracuse, NY 13202-2981Phone (315) 424-8222Fax (315) 424-1131www.SyracuseSymphony.org
Concert MagazineEditorMargery Meyers HaberProgram AnnotatorNick JonesCover DesignChristine SmithProgram Design Kevin MannPrintingEagle NewspapersAdvertising SalesEagle Newspapers (315) 434-8889
Syracuse Symphony Orchestra performances are made possible with public funds from Onondaga County, the National Endowment for the Arts, the Natural Heritage Trust and the New York State Council on the Arts, a state agency. The SSO is a partner in the Central Upstate Regional Alliance of New York’s Creative Core, and a member of the Arts & Cultural Leadership Alliance of CNY and the League of American Orchestras.
TABlE OF CONTENTS - FEBRUARY 2009
M&T Bank Pops SeriesFebruary 6-7, 8:00 p.m.
Forbidden BroadwayCatherine Stornetta, conductorFriday Sponsor: Anoplate CorporationSaturday Sponsor: Carrier CorporationMedia Partner: 570-WSYR
The Post-Standard Classics SeriesFebruary 13-14, 8:00 p.m.
Ravel’s BoleroDaniel Hege, conductorKirill Gerstein, pianoFriday Sponsor: Francis Audio-Visual Service, Inc.Saturday Sponsor: The Wellington HouseMedia Partner: WCNY ClassicFM
The Post-Standard Classics SeriesFebruary 27-28, 8:00 p.m.
From the New WorldSamuel Wong, conductor Philippe Quint, violinMedia Partner: WCNY ClassicFM
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9F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
A NOTE OF WElCOME
W elcome back for more great music! Coming concerts are superb examples of the
amazing talent and versatility of our musicians. Along with much loved pieces by Ravel, Gershwin and Dvořák, this month, the SSO welcomes Arrival from Sweden in a rocking tribute to Abba on February 20.
You have probably heard or read about the challenges that many arts organizations, including our Symphony, are facing in this difficult economy. The Symphony exists for the benefit of our community, and we rely
on the community to ensure that the Symphony keeps on playing. How can you help us in these uncertain times?
First, subscribe. There are many subscription options available, including the Post-Standard Classics, M&T Bank Pops, Stained Glass and Central New York Community Foundation Family Series. Our Customer Service representatives will even customize a series for you. Just call Christie or Melissa at (315) 424-8200 or go to SyracuseSymphony.org.
Second, bring your friends, neighbors or relatives to a concert so they may also experience this fine Orchestra.
Third, please give generously to the SSO’s Annual Fund.
The quality of music you are experiencing would not be possible without the generous support of patrons like you. If you have already contributed, THANK YOU.
Fourth, volunteer. The SSO is always in need of volunteers to assist with education programs, mailings and other projects. For only $25, you may also join the Syracuse Symphony Association, which is engaged in many projects that support the SSO, including the Encore Thrift Shop and Prelude Store, the Practice Marathon and twice-yearly musician luncheons. This is a great opportunity to go behind the scenes and get to know our staff and musicians.
Lastly, please give us your input. You may contact the SSO staff by mail, or through the SSO website.
Thank you again for supporting the SSO. I hope to see you at many concerts in the coming months.
Rocco ManganoChairman
O ne of the things that I enjoy about the Syracuse Symphony Orchestra is the diversity of our
offerings.We at the SSO have always
taken seriously our charge to provide something for every taste, and as you leaf through this book, you’ll see that mission in action. An irreverent Broadway revue; Ravel’s Bolero;Dvořák’s New World Symphony—our concerts in February, including a special event, an ABBA retrospective on February 20, demonstrate our commitment to diverse programming,
and we hope that you will encourage your friends to take advantage of the many and varied concerts that your orchestra will present this winter.
We also take seriously our charge as stewards of the funds that we raise. As longtime Symphony goers know, ticket revenues alone cannot provide the funds that we need to continue to bring great music to the Crouse-Hinds Concert Theater stage week after week. We rely on the generosity of donors from all walks of life to provide the operating support we need, and we are careful to spend those dollars wisely. We spend less than 10 cents on administrative costs for every dollar we raise, and our donors can feel confident that at least 90% of their contributions are applied directly to the costs of producing concerts and education programs.
You may have seen a recent newspaper article that detailed the work of professional telefunders, companies that are hired to help raise money through soliciting contributions over the phone. Yes, the SSO uses such a firm, a firm that is well respected and used by many orchestras around the country. And yes, some of those transactions are more expensive than 10 cents on the dollar.
But the dollars raised through telefunding are dollars that we would not otherwise be able to bring in to support the programs that you enjoy. Telefunding has proven to be an efficient way to bring new donors into the SSO family and to obtain feedback from our community about our programs and services. It is an important tool in our overall development toolbox, one that we will continue to use prudently.
Why is this important to mention? Now, more than ever, we need our donors’ support, and we need them to trust that we use their contributions wisely and well. You have my word that our raised funds are spent efficiently and with our donors’ best interests at heart.
Thank you for supporting the SSO through your attendance here today. Enjoy the performance!
Karen Gahl-Mills President & Executive Director
EXECUTIVE DIRECTOR’S MESSAGE
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Co-ChairsRon & Sue Berger
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11F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
2008-2009 ORCHESTRA ROSTER
Daniel Hege, Music Director, Faye & Henry Panasci ChairKazuyoshi Akiyama, Conductor Emeritus
Muriel Bodley, Youth String Orchestra Conductor
First ViolinAndrew Zaplatynsky ConcertmasterJeremy Mastrangelo Associate ConcertmasterVladimir PritskerCristina BuciuMichael BosettiFred KlempererSusan JacobsD.J. IglesrudHeather FaisStephanie KoppeisLucille TeufelAmelia Christian Sara MastrangeloMao Omura
Second ViolinRose MacArthur PrincipalPetia Radneva-ManolovaAssistant PrincipalFedor SaakovAnita GustafsonJanet Masur-PerrySonya WilliamsJulianna MethvenDylana LeungJin Joo YoonAlexandra Dotcheva Travis Newton
ViolaEric Gustafson Principal, Mrs. B.G. Sulzle ChairCen Wang Assistant PrincipalKit DoddCarol SassonMarywynn KuwashimaLi LiJudith Manley DreherWendy RichmanChris Albright
CelloDavid LeDoux Principal, Mrs. L.L. Witherill ChairLindsay GrovesAssistant PrincipalGregory WoodAssistant PrincipalHeidi Hoffman*Walden BassGeorge MaceroJacqueline WogickGeorge Teufel
ContrabassEdward Castilano PrincipalPeter DeanAssistant PrincipalAngel SicamDarryl PughMichael Fittipaldi
FluteDeborah Coble PrincipalCynthia Decker Assistant PrincipalLinda Greene
PiccoloLinda Greene
OboePhilip MacArthur PrincipalPatricia Sharpe Assistant First ChairDaniel Carno
English HornDaniel Carno
ClarinetAllan Kolsky PrincipalVictoria Bullock KrukowskiJohn FriedrichsAssistant First Chair
E-flat ClarinetVictoria Bullock Krukowski
Bass ClarinetJohn Friedrichs
BassoonGregory Quick PrincipalDavid RossMartha Sholl
ContrabassoonDavid Ross
HornMichael WinterPrincipal, Nancy & David Ridings ChairPaul BrownJulie Bridge Associate PrincipalStephen LaiferJon Garland
TrumpetGeorge CoblePrincipal, Robert C. Soderberg ChairRyan BarwiseJohn RaschellaAssociate Principal
TromboneWilliam HarrisPrincipal, Arthur “Sandy” West ChairDouglas Courtright
Bass TromboneJ. Donald CraftonJeffrey Gray*
TubaEdwin Diefes Principal
TimpaniPatrick Shrieves Principal
PercussionHerbert Flower PrincipalErnest MuzquizMichael BullLaurance Luttinger
HarpUrsula KwasnickaPrincipal, Flora Mather Hosmer Chair
Piano/KeyboardsDaniel Kim
LibrariansDouglas CourtrightKit Dodd, Assistant
Personnel ManagerCynthia DeckerPeter Dean, Assistant*Leave of Absence
12 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ARTISTIC LEADERSHIP
DANIEL HEGEMusic DirectorNow in his ninth season as Music Director of the Syracuse Symphony Orchestra, Daniel Hege is recognized as one of America’s finest young conductors and has earned acclaim for his fresh interpretations of the standard repertoire and his commitment to creative programming. In 2001, he finished a five-year tenure as Resident Conductor of the Baltimore Symphony
Orchestra, where he worked closely with David Zinman and Yuri Temirkanov.
Mr. Hege first attracted attention when he won the post of Music Director and Principal Conductor of the Young Musicians’ Foundation Debut Orchestra in Los Angeles. He served, concurrently, as Director of Instrumental Music at the Orange County High School of the Arts and Assistant Conductor of the Pacific Symphony Orchestra. Since then, he has served as Music Director of the Chicago Youth Symphony Orchestra (where he was twice honored by the American Symphony Orchestra League for innovative programming), Encore Chamber Orchestra of Chicago, Haddonfield Symphony Orchestra in New Jersey, and Newton Mid-Kansas Symphony Orchestra.
Mr. Hege has guest conducted leading orchestras including the Baltimore, Columbus, Colorado, Detroit, Houston, Louisville, Oregon, San Diego and Seattle Symphony Orchestras, the Rochester, Calgary,
Naples and Louisiana Philharmonics, and has won acclaim abroad for his performances with the Leicester Orchestra of England, Singapore and St. Petersburg Symphony Orchestras, Auckland Philharmonia, and the Symphony Orchestra of Lima, Peru. He has guest conducted at the Music Academy of the West, National Orchestra Institute, the National Repertory Orchestra, the Aspen and Grand Teton music festivals, and in most recent years, has regularly conducted opera and ballet performances.
Under Mr. Hege’s artistic leadership, the Syracuse Symphony Orchestra performed a critically acclaimed concert to a sold-out audience at Carnegie Hall in April 2003. He oversaw the release of the SSO’s live Classics Concert CD in 2000, the Holiday Pops release just two years later, and the SSO’s July 2006 release, Big Band Bash. Other recordings include Done Made My Vow, a CD of works by Adolphus Hailstork with the Baltimore Symphony Orchestra and Morgan State Choir; Violin Concertos by Black Composers of the 18th and 19th Centuries (Cedille), with violinist Rachel Barton Pine and the Encore Chamber Orchestra (nominated for a 1998 NPR Heritage Award); and The Gift, a collection of Christmas arrangements on Woodland Records with oboist Brad Smith.
Mr. Hege studied with Daniel Lewis of the University of Southern California and with Paul Vermel at the Aspen Music Festival and holds degrees in history and music at Bethel College and a masters degree in orchestral conducting at University of Utah.
A 2001 40 under 40 Honoree, Mr. Hege received an honorary doctorate in Humane Letters from Le Moyne College in 2004. He is active as a guest clinician and adjudicates various musical competitions nationally. He resides in Jamesville, NY with his wife, Katarina Oladottir Hege, and their three daughters.
Free Pre-Concert Talks Please join us prior to every Post-Standard Classics concert, on Friday and Saturday at 7:00 p.m. in the concert hall, and hear Daniel Hege and guests discuss the works to be performed that evening.
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David Amodio College of Wooster
Seth RothschildSyracuse University
John RobertsSUNY Cobleskill
Jason YaganLoyola College in Maryland
Kathryn YatesEugene Lang College
Laura YoungUniversity of Hartford
Xuran WuClarkson University
Christopher WolongeviczCazenovia College
Cameron WinfieldUniversity at Buffalo
Steven WilliamsOhio State University
Christopher WhiteWashington & Jefferson
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Jefferson TaylorBucknell University
Keagan TaflerMcGill University
Elizabeth SutphenThe Juilliard School
Shane SullivanUniversity of Richmond
Benjamin SulikowskiUniversity of Colorado
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Emily SuitsPurdue University
Carina SposatoYale University
Jesse SmithPratt Institute
Munson Williams Proctor
Dennis SmalleyColgate University
Soo Ran ShinCornell University,
College of Architecture, Art and Planning
HyeSoo ShinUniversity of Washington
Nicholas ShaylerUniversity of Miami, School of Business
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Wesley ShamlianUniversity of North Carolina
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Mohammad SerajiUniversity of Rochester
Louis ScuderiSt. Lawrence University
Katherine ScheibelCornell University, College
of Agriculture and Life Sciences
Molly RedfieldMount Holyoke College
Annie PrestonHaverford College
Jennifer PetersSUNY Fredonia
Lirit PendellEarlham College
Brandon Owens-CollieRensselaer Polytechnic
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Jordan OstranderLe Moyne College
Katherine MurrayAllegheny College
William MosesonCornell University
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Dimitri MishkoGettysburg College
Sasha MillerSUNY Geneseo
Natalie MelchionnaReturning to Florence,
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Scott MeehanWashington and Lee
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Makeda McGowanHamilton College
Kevin McCarthySt. Michael’s College
Salamo Manetti-LaxEmerson College
Katia KoziaraBard College
Wookyung KooCarnegie Mellon
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Hyun Ji KimPratt Institute
School of Architecture
Alexander KimHamilton College
Samina KhanUniversity of Rochester
Carl JonesCornell University, College
of Agriculture and Life Sciences
Sabrina HsiangUndecided
E. Robert Heitzman IVPace University
Ryland Heagerty Sarah Lawrence College
Noah HausknechtUndecided
Samuel HandlerLoyola College in Maryland
Abby GrossmanDrew University
Chad GrecoUniversity of Pennsylvania
Sean GradyFlorida Institute of Technology
Abigail GotchGettysburg College
Alex FriedmanBates College
Cody FowlerUniversity of Vermont
SophiaFinlayson-Schueler
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Joseph FanelliSyracuse University
Emily Falso Hamilton College
Samantha EscobarChapman University
Alexandra ErwinLafayette College
Stefan EngstCornell University, College
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Aleksandr DyeCazenovia College
Thomas DeeOnondaga
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Peter DayColumbia University
Meghan CrawfordBucknell University
Arianna CoursenLe Moyne College
Peter CambsFranklin and Marshall
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William BuniakRochester Institute
of Technology
Justin BruckelSyracuse Stars
Junior Hockey Club
Roxanne Broda-BlakeSyracuse University
S.I. Newhouse Schoolof Public Communications
Archibald BrechinSyracuse University
Adam BersaniIthaca College
Kenneth BennettMuhlenberg College
Taylor BakerSyracuse University, College of Visual and
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David Armstrong Bentley College
Jonathan SaltmanCornell University,
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16 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ORCHESTRA LEADERSHIP
Syracuse Symphony Orchestra Board of DirectorsOfficersRocco Mangano, Chairman* Mangano, Lucchesi & CollinsKaren Gahl-Mills, President* Syracuse Symphony OrchestraDavid A.A. Ridings, Vice Chairman*Lou Lemos, Vice Chairman* BTI The Travel ConsultantsMichael Spoont, Vice Chairman* Visory Group
Andrew S. Mistur, Treasurer* KPMG LLPAlice Kendrick, Secretary* Jamesville-DeWitt Central SchoolsFran Nichols, Immediate Past Chairman* Eric Mower and Associates
Richard AlberdingHewlett Packard, RetiredCurt Andersson Cooper Crouse-HindsJoseph T. Ash, Jr. National GridBruce E. Baker, M.D.* PhysicianRonald C. Berger Bond, Schoeneck & King, PLLCBill Branson, Jr. RBC Dain RauscherSandra BrownGrandma Brown’s Beans, Inc.Steven F. BruceLockheed Martin CorporationMargaret M. CassadyExcellus BlueCross/BlueShieldStephen Y. L. Chow Smith BarneyGeorge CobleSyracuse Symphony OrchestraDavid L. ColangeloHill Partner, LLCDaphne B. CrossleyPPD, Inc.R. Paul Dodd Northwestern Mutual LifeVicki Feldman*Syracuse Symphony AssociationDorothea K. FowlerR. H. Fowler, Inc., RetiredDonna GraberPlanning Sense, Inc.
Edward S. Green*Green & Seifter, Investment Advisors, LLCGary Grossman*Green & Seifter, Certified Public Accountants, PLLCNorman Hamilton Audi of AmericaNathan Hoak Outside the Box Thinking, Inc.Robert KashdinPort, Kashdin & McSherryAmy Kremenek Onondaga Community CollegeDaniel Larson, D.M.A.Cayuga Community CollegeLinda M. LeMura, Ph.DLe Moyne CollegeDavid MacLachlanDominick Falcone Agency, Inc.Jeremy Mastrangelo*Syracuse Symphony OrchestraJ. Kemper Matt, Sr. Dupli GraphicsWalter L. Meagher, Jr.Hancock & EstabrookWilliam H. MeyerOnondaga County LegislatureMichael R. O’Leary, M.D.Laboratory Alliance of Central New YorkFrederick B. Parker, Jr., M.D.*Physician
Philip C. Pinsky* Pinsky & SkandalisHelen Reed, Ph.D.SUNY College at OneontaStephen A. Rogers The Post-StandardLisa Ryerson Wells CollegeMatthew N. Schiro M&T BankCraig A. Simmons, D.D.S.DentistJon SoderbergWelch Allyn, Inc.Mark Steigerwald Cathedral Candle CompanyMilton F. Stevenson, Sr. Anoplate CorporationMelvin T. StithSyracuse UniversitySusan E. Stred, M.D. SUNY Upstate Medical UniversityDale A. SweetlandCommunity VolunteerJaime L. TuozzoloFirst NiagaraJohn ValentinoGreen & Seifter, Attorney, PLLCDarvin Varon, M.D.Physician, Hutchings Psychiatric Center
Dan J. Vick, M.D. St. Joseph’s HospitalRobert W. Weisenthal, M.D. Physician, Upstate Medical CenterJeffrey S. Wittig* Brown & Brown Empire StateGeorge L. Wladis The George L. Wladis Companies, Inc.
*Executive Committee†Deceased
Past Board Presidents and Chairpersons
2005-2008 Fran Nichols 2001-2005 Frederick B. Parker, Jr., M.D.1999-2001 Gerald C. Groff 1995-1999 David A.A. Ridings1993-1994 Karl A. Smith1992-1994 Melvin A. Eggers1991-1992 Barbara Wheler1990-1991 Daniel C. Petri1988-1990 Eric Mower 1984-1988 David J. Connor1982-1984 Edward S. Green1980-1982 Joseph Walsh, Jr.1980-1981 James Van Buren1979-1980 Horace J. Landry1978-1980 Raymond W. Cummings1977-1979 Henry A. Panasci, Jr. 1984-1988 Henry A. Panasci, Jr. 1976-1978 Winifred Isaac 1974-1977 Kenneth D. Williams1973-1974 Joseph F. Owens, Jr.1972-1973 Richard C. Pietrafesa1971-1972 John S. Dietz1969-1974 Gretchen Ralph1968-1971 Theodore M. Hancock1967-1968 Donald T. Pomeroy1966-1967 George Dowley1961-1969 Carolyn Hopkins
Daniel Burdick, M.D.Kathleen FeyErnest L. Sarason, M.D.†
Peter H. Soderberg
T. Urling WalkerBarbara B. Wanamaker
Directors
Emeritus Directors
17F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ORCHESTRA LEADERSHIP
Syracuse Symphony AssociationOfficersVicki Feldman, PresidentCatherine Davies, Executive Vice PresidentNancy Slavens, Treasurer
Janet Mallan, Assistant TreasurerErma Rech, Secretary
Virginia ChmielewiczMarilyn CrosbySherly Day-BernthalKay Fey*Peggy GinniffKatarina Hege*
Betty HillPatricia Howard*Shannon KingSusan KlenkBetty LambCarol Louise
Margi Nasemann Donna NeuhauserMarcia NeumillerLaurie OlanderSydney RadkaSandy Rosenfeld
Mary ThompsonJill WalshLucia WhisenandLinda Williams
*Honorary
David A.A. Ridings, ChairmanStephen E. Chase, Treasurer
Barbara Wanamaker, Secretary Robert Daino
Gary GrossmanRocco Mangano
Elsa SoderbergBarbara Wanamaker
Artistic StaffDaniel Hege, Music DirectorKazuyoshi Akiyama, Conductor Emeritus
Muriel Bodley, Youth String Orchestra Conductor
Administrative StaffExecutive OfficeKaren Gahl-Mills, President & Executive DirectorAshleigh Milner McGovern, Project Manager,
Organizational Renewal
DevelopmentNicki Inman, Director of Development & Patron RelationsWhitney Snyder, Corporate Relations Manager Jessica Logan, Patron Relations ManagerJordan Ryan, Development Coordinator
FinanceDonna Scrimale, CPA, Director of FinanceMaureen Schiller, Staff Accountant/Office Manager
Operations and EducationRichard Decker, Vice President & General ManagerJon Mosbo, Orchestra Manager Robert Allen, Education Manager Jocelyn Rauch, Syracuse Symphony Youth Orchestra ManagerBrittany Hall, Intern
Marketing and Public RelationsEdgar Herrera-Arizmendi, Director of Marketing
& Patron RelationsJason Gilbert, Assistant Director of Marketing
& Patron RelationsMargery Meyers Haber, Manager of Publications Alyssa DiRienzo, Public Relations &
Communications CoordinatorMelissa Washington, Box Office ManagerChristie DeFazio, Customer Service Representative &
Volunteer CoordinatorJesse Sprole, Customer Service RepresentativeMinhee Cho, Intern
Board of Directors
Syracuse Symphony Foundation
Celebrating 60 Years of Service to
Central New York.
Learbury Centre, Suite 400401 North Salina Street
Syracuse, NY 13203
Phone: 315-475-7213Fax: 315-475-7206
www.kssl.com
Certified Public Accountants
Kruth, Stein, Squadrito, Liberman & Silverman, LLP
IF THE SYRACUSE SYMPHONY HAD AN ACCOUNTING SECTION,
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We’re proud to support the Syracuse Symphony Orchestra
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21F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A 21
M&T BANK POPS SERIESFebruary 6-7, 2009 - 8:00 p.m. Mulroy Civic Center at Oncenter
Patrons are requested to silence signal watches, pagers and cell phones. The use of any recording equipment is prohibited by law. Thank you.
Starring
DANICA CONNORS KRISTEN MENGELKOCHBRIAN PATRICK MILLER EDWARD STAUDENMEYER
Musical DirectorCATHERINE STORNETTA
Choreographer Stage Manager
PHILLIP GEORGE JOSHUA PILOTE
Costume Design Wig Design
ALVIN COLT CAROL SHERRY
Created, Written and Originally Directed by
GERARD ALESSANDRINI______________________________________
Cast Albums available on DRG records
Tour Direction by Windwood Theatricals
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DANICA CONNORS is a graduate of the Boston Conservatory of Music. Off Broadway: Lizzie Borden, Me & Juliet Tours: Forbidden Broadway, Oklahoma. Regional: Elliot Ness In Cleveland, Cabaret, Little Shop Of Horrors, And The World Goes Round, Chicago, Godspell and Jesus Christ Superstar. She is thrilled to be a part of the quick-change family of Forbidden Broadway, and would like to thank her friends and family for their love and support. To her husband Chuck: Thanks for being the eye of my storm. Blessed Be!
KRISTEN MENGELKOCH currently performs with Forbidden Broadway in NYC and on tour. Kristen resides in New York City and made her Off-Broadway debut in FB: Special Victims Unit, and has since worked on FB: The Roast of Utopia, FB: Rude Awakening, FB Dances With The Stars and most recently FB Goes to Rehab. Regional credits credits include The Most Happy Fella, Pete ‘n’ Keely, The Last Five Years, The Nerd, Tomfoolery and Gypsy. Television: “Veronica Mars” (co-star). Kristen is a graduate of San Diego State University’s Master of Fine Arts in Musical Theatre program. A native of Wichita, KS, she holds a Bachelor of Fine Arts in Theatre from Emporia State University. She is the enthusiastic co-founder of the Manhattan based non-profit Ampersand Theatre Company. www.kristenmengelkoch.com.
BRIAN PATRICK MILLER is no stranger to Forbidden Broadway and is delighted to be celebrating his tenth year with the show. He has performed Forbidden from New York to LA and everywhere in between! Brian was most recently seen as Riff Raff in the critically acclaimed Rocky Horror Show.Other credits - Regional/Off Broadway: Forbidden Broadway Strikes Back; Closer Than Ever (International Tour); Maybe, Baby It’s You (Drama Desk Award); Carnival (Best of Florida - Best Actor); Return to the Forbidden Planet; The King and I; Phantom; Secret Garden; Noises Off; and Jesus Christ Superstar. In addition to theater, Brian has had the privilege of singing backup for Barbra Streisand, Gloria Estefan, Ben Vereen and Shirley Jones. He is currently pursuing his doctorate in Music Education, and would like to thank his amazing wife Leah for all her understanding and support.
EDWARD STAUDENMAYER comes directly from starring in Monthy Python’s Spamalot (Sir Galahad, et al.) in Las Vegas and from playing opposite Martin Short for many performances in Martin Short: Fame Becomes Me on Broadway. Ed has had a more-than-14-year association with the Tony award winning Forbidden Broadway, taking him Off-Broadway, around the world and onto two cast recordings. He has toured with Beauty and the Beast (Gaston), National Theater Award Nomination, Joseph and the Amazing Technicolor Dreamcoat (Pharaoh), and The Scarlet Pimpernel—he later played the title role at the Starlight Theater and Performance Riverside in Southern California (ITL Award, LA Robbie Nominee). He starred in the world premieres of Cy Coleman’s Exactly Like You (Goodspeed and York Theaters); The Great Ostrovsky (Prince Music Theater, Barrymore Nomination); Maury Yeston’s In The Beginning (Maine State); I’ll Be Seeing You (Kimmel Center); as the Villain in Disney’s Hercules (New Amsterdam Theater); and Neil Sedaka’s Breaking Up Is Hard To Do (Capitol Repertory Theater, The Actor’s Playhouse, Miami, and The Ogunquit Playhouse. Other credits include: Newsical (Studio 54), On The Twentieth Century(American Musical Theater, of San Jose), Noises Off (Papermill and Cape Playhouses), Bye Bye Birdie and 1776 (Sacramento CLO), Jane Eyre and Gigi (Papermill Playhouse), Children of Eden (Performance Riverside), The Cabaret Girl (42nd St. Moon, Cast Recording), and many roles with the Music Theater of Wichita. Concerts with Town Hall’s Broadway By the Year; The Musicals of 1953, Live Cast Recording; Musicals of the 70’s and Forbidden Broadway with the Adelaide Symphony in Australia. Ed also performed as Rum Tum Tugger/ Munkustrap in Cats in Hamburg, and performed voices for MTV’s “Celebrity Deathmatch.” He is a graduate of UCLA and a recipient of the Carol Burnett Award. AEA, SAG, AFTRA, AGVA member.
CATHERINE STORNETTA (Musical Director) has performed Forbidden Broadway in many cities including Boston, New York and San Diego; in Japan and Singapore; and on cruise ships circumnavigating the globe. She has also orchestrated and conducted the orchestral version with the Hartford, Minnesota, Winnipeg, North Carolina, Rochester, Detroit and Adelaide (Australia) symphonies. She composed the score for the Cable ACE award-winning documentary Christa McAuliffe, Teacher in Space; produced for the Arts and Entertainment Network “Biography” series; and has written and produced two cabarets—Intriguing People for People magazine and 12 Angry Reindeer—and one musical, The All-of-a-Kind Family. Most recently, she was the musical director for the Ogunquit Playhouse production of My Fair Lady. She has worked extensively as a composer, musical director, arranger and teacher in Boston, where she currently lives, and in an increasingly confusing number of other locations about the country. In her salad days, she was an occasional piano soloist with the Boston Pops.
JOSHUA PILOTE (Stage Manager) New York credits include: Forbidden Broadway, I Love You, You’re Perfect, Now Change! Blue Man Group: Rewired; INKY; The Constant Wife and Howard Katz. The Public: Shakespeare in the Park, Roundabout Theatre Co., World Of Disney NYC, and various sub positions. Regional: Idaho Shakespeare Festival, Utah Shakespearean Festival, American Players Theatre. B.A. Theatre, Albertson College of Idaho. AEA Member.
GERARD ALESSANDRINI (Creator, Writer and Director) is best known for writing and directing all the editions of Forbidden Broadway and Forbidden Hollywood in New York, Los Angeles, London, and around the world. He was also a member of the original cast of Forbidden Broadway.Gerard is from Needham, MA and the Boston area, where he graduated from the Boston Conservatory of Music. In 1982, he created Forbidden Broadway, which has spawned 15 editions, eight cast albums and a 25-year-and-counting run in New York. Television credits include writing comedy specials for Bob Hope and Angela Lansbury on NBC; Carol Burnett on CBS; and “Masterpiece Tonight,” a satirical revue saluting “Masterpiece Theatre” on PBS. He can be heard on four of the eight FB cast albums and on the soundtracks of Disney’s Aladdin and Pocahontas. Directing credits include many corporate industrials and regional musicals, including a production of Maury Yeston’s musical, In the Beginning. Gerard also co-directed a revival of Irving Berlin’s last musical, Mr. President, which he updated and “politically corrected.” Gerard is the recipient of an Obie Award, an Outer Critics Circle Award, two Lucille Lortel Awards, a Lifetime Achievement Award from the Drama League and three Drama Desk Awards for Best Lyrics for Forbidden Broadway. Most recently, Gerard received a 2006 Tony Honor for Excellence in the Theatre.
PHILLIP GEORGE (Director). As director Off-Broadway: Shout!, Forbidden Broadway: SVU, Forbidden Hollywood, Whoop-Dee-Doo (Drama Desk Award, Best Musical Revue), Forbidden Broadway Twentieth Anniversary Edition, Forbidden Broadway Cleans Up Its Act, Forbidden Broadway Strikes Back, Forbidden Broadway 2001: A Spoof Odyssey (Drama Desk Award, Best Musical Revue), The Remarkable Ruth Fields (1993 Bistro Award, Best Musical Best Director), When Pigs Fly (as Assoc. Director to Mark Waldrop), Blackout (Amas), Bring Me a Dwarf (Wing & Drop Co.), Miss Pretty Hard (Dance Theater Workshop with Katherine Griffith), Forbidden Broadway 1988–93. London: Kean (nominated for Evening Standard Award, Best New Musical); Forbidden Broadway (The Albery, West End); Shout!; Frankly, Scarlet (co-author with Peter Morris); Listen to the Wind; Much Revue About Nothing; Forbidden Broadway; The Famous Five; The Arcadians; Escape from Pterodactyl Island (1999 Michael Steward
Continued on Page 26
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26 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
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Award). Regionally: Forum (5th Ave Theatre, Seattle), Best Little Whorehouse, Footloose, Return to the Forbidden Planet, Annie Get Your Gun, The Secret Garden (Paper Mill). Currently Artistic Director: Wing & Drop Co. Club Acts: Ruben Flores, Randall Frizado, Chris DiCristo.
ALVIN COLT’s (Costume Design) costumes have been represented in 88 Broadway shows which include the original productions of On the Town and Guys and Dolls, plus Li’l Abner, Fanny, Destry Rides Again, Sugar, Pipe Dream, Wildcat, Lorelei, Greenwillow and numerous others. A Tony Award winner, he has also been nominated four times for both the Tony Award and television’s Emmy Award, having designed costumes for over 90 programs on all major networks. Mr. Colt is the recipient of TDF’s Irene Sharaff’s Award in costume design, and received a Drama Desk nomination for Forbidden Broadway. He was inducted into the Theatre Hall of Fame in 2001. Recently, The Museum of the City of New York celebrated Mr. Colt’s work with “Costumes and Characters: The Designs of Alvin Colt.”
JOHN FREEDSON (Producer) currently is co-producer of Forbidden Broadway Goes to Rehab in New York. John is also producer of the current national tour of the Off-Broadway hit I Love You, You’re Perfect, Now Change.With his partner Harriet Yellin, he has co-produced Forbidden Broadway in Los Angeles, San Diego, Detroit, Denver and on tour, as well as Forbidden Hollywood in Los Angeles, Japan and Off-Broadway. He has directed both
shows in cities across the US, for four national tours and in Sydney, Australia; he won a Jefferson Award for Best Direction for the Chicago production of FH. Mr. Freedson was Associate Producer of six Forbidden Broadway CD’s for DRG records and appeared in the Off-Broadway and Boston productions. As a composer/lyricist, he wrote three hit children’s musicals: A Swan is Born, Aesop’s Follies and Country Mouse/City Mouse, which toured with the New England Theatre Guild. His voice can be heard on numerous radio and television spots and jingles, two Forbidden Broadway CD’s and Disney’s Aladdin. Originally from Reading PA, Mr. Freedson attended the Boston Conservatory and is a graduate of Brandeis University.
HARRIET YELLIN (Producer) produced and managed Forbidden Broadway in Boston, which ran for over six years, as well as the Los Angeles, San Diego, Washington, D.C., Detroit and Denver productions of the show. With John Freedson, she is co-producing the current Forbidden Broadway SVU in New York and was a co-producer of Forbidden Hollywoodin Los Angeles, Chicago, Japan and New York. She was co-producer and General Manager of Forever Plaid in Boston, and is currently the CFO for Blue Man Group, with shows running in New York, Boston, Chicago, Las Vegas, Toronto and London. In another life, she was a high-powered political consultant; clients included a variety of senatorial and gubernatorial candidates and she was National Media Director for the Dukakis and Tsongas Presidential campaigns.
FORBIDDEN BROADWAY AND FORBIDDEN HOLLYWOOD
Forbidden Broadway was first seen at Palsson’s Supper Club on New York’s Upper West Side in January 1982. What began as a simple cabaret act to give creator/lyricist Gerard Alessandrini a showcase for his talents and the opportunity to “find an agent” became New York’s longest running musical comedy revue. Hailed by critics and audiences alike, Forbidden Broadwaywon Drama Desk, Obie and Outer Critics Circle awards and captured the heart of the theatre industry itself. Many of its legendary “victims,” including Mary Martin, Ethel Merman, Bernadette Peters, Tommy Tune, Angela Lansbury, Stephen Sondheim, Hal Prince, and Andrew Lloyd Webber, were among the celebrities who stopped by to applaud first-hand. Updated regularly for each new theatre season, Forbidden Broadway ran to packed houses at the 75-seat Palsson’s through August 1987. In September 1988, the show re-opened at the 125-seat Theatre East, where it ran an additional five-and-a-half years.
The show also became known for talented but as yet unknown actors, many of whom have gone on to stardom in various venues: Jason Alexander (Seinfeld’s George Costanza), Chloe Webb (Twins and the PBS series Tales of the City), Davis Gaines (Phantom), as well as Roxie Lucas (Damn Yankees), Gregg Edelman (City of Angels), Dee Hoty (Will Rogers Follies), Michael McGrath (Spamalot, The Martin Short Show) and Brad Oscar (The Producers).
Forbidden Broadway’s success was repeated in Boston, where it enjoyed a 6-1/2-year stay at the 250-seat Terrace Room; Chicago and Boca Raton, Toronto and Philadelphia, Kansas City, Denver, San Diego (two engagements including Forbidden Christmas), a record-breaking run in 1994 at the Tiffany Theatre in Los Angeles, Sydney, Tokyo, and Singapore among many others. In 1999, after a sell-out engagement at London’s Jermyn Street Theatre, it transferred for the summer to the famed Albery Theatre in the West End. Forbidden Broadway’s return to the Tiffany Theatre in Los Angeles in the spring of 2000 garnered two more Ovation Awards.
In the fall of 1996, the Forbidden crew turned their attention back to their first love: Broadway. A new edition of the show, Forbidden Broadway Strikes Back! returned to New York and its original home on West 72nd (now called the Triad), where it once again delighted audiences with its fast-paced spoofs of current Broadway shows and stars. The return of FBwas again greeted with raves from critics (The New York Times called it “triumphant”) and the show won the Drama Desk, Lucille Lortel and Drama League Awards. Bob Hope, Bea Arthur, Stephen Sondheim, Angela Lansbury, Savion Glover, George C. Wolfe, Elaine Paige, Rosie O’Donnell, Dame Maggie Smith and the casts of Lion King, Aida, and Rent are among the recent attendees. The show moved to the Douglas Fairbanks Theatre on 42nd Street with a brand new edition, Forbidden Broadway 2001: A Spoof Odyssey, which won the 2001 Drama Desk Award for Best Revue. Forbidden Broadway’s 20th Anniversary Edition was followed by Forbidden Broadway:SVU, which won yet another Drama Desk Award for Best Musical Revue in 2005. Most recently, the show was recognized with a Tony Honors Award, for being an integral part of the theatre community for over twenty-five years.
As long as there’s a Broadway, Forbidden Broadway will be there, poking, prodding, teasing, pleasing, jeering and cheering, but always with love.
——————————————————————————
THE ACTORS AND STAGE MANAGERS EMPLOYED IN THIS PRODUCTION ARE MEMBERS OF ACTORS EQUITY ASSOCIATION, THE UNION OF PROFESSIONAL ACTORS AND STAGE MANAGERS IN THE UNITED STATES
From Page 22
27F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
SSO FEBRUARY BROADCASTS ON
Monday, February 2, 8:00 p.m.Sunday, February 8, 12:00 noonDaniel Hege, conductorJulie Albers, Priscilla Lee, Caroline Stinson and Laura Bontrager, cellos
BRAHMS Symphony No. 3 in F MajorWAGGONER Stretched on the BeautyRESPIGHI The Pines of RomeRecorded November 2007
Monday, February 9, 8:00 p.m.Sunday, February 15, 12:00 noonFabio Mechetti, conductor Julie Newell, soprano
WELCHER Bright WingsR. STRAUSS Four Last SongsSHOSTAKOVICH Symphony No. 5 in D minorRecorded December 1997
Monday, February 16, 8:00 p.m.Sunday, February 22, 12:00 noonKazuyoshi Akiyama, conductorJennifer Frautschi, violin RAVEL La ValseLALO Symphonie espagnoleSAINT-SAENS HavanaiseDEBUSSY “Iberia” from Images Recorded February 2008
Monday, February 23, 8:00 p.m.Sunday, March 1, 12:00 noonDaniel Hege, conductorOlga Kern, piano
GRIEG Piano Concerto in A minorBRUCKNER Symphony No. 9 in D minorRecorded February 2007
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31F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
THE POST-STANDARD CLASSICS SERIESFebruary 13-14, 2009 – Mulroy Civic Center at Oncenter, 8:00 p.m.
Patrons are requested to silence signal watches, pagers and cell phones. The use of any recording equipment is prohibited by law. Thank you.
David Diamond Music for Shakespeare’s Romeo and Juliet1915-2005 Overture
Romeo and Juliet: Balcony SceneRomeo and Friar LaurenceJuliet and her NurseThe Death of Romeo and Juliet
Maurice Ravel Concerto in G Major for Piano and Orchestra1875-1937 Allegramente
Adagio assaiPresto
Intermission
George Gershwin Rhapsody in Blue1898-1937
Maurice Ravel Boléro1875-1937
Steinway piano donated by Wilbur R. and Eveline M. LePage.
Mr. Gerstein appears by arrangement with C/M Artists New York.
RAVEL’S BOLERODaniel Hege, conductor
Kirill Gerstein, piano
Friday’s concert sponsored by The Wellington House
Saturday’s concert sponsored by
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32 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
THE POST-STANDARD CLASSICS SERIES
KIRILL GERSTEIN, PIANOBorn in 1979 in Voronezh,
Russia, Kirill Gerstein attended one of the country’s music schools for gifted children. He came to the United States at 14 as the youngest student ever to attend the Berklee College of Music in Boston, to continue his studies in jazz piano. During his years at Berklee, he continued to practice the classical piano repertoire and attended the Boston University summer program at Tanglewood in 1995 and 1996. Choosing to focus
on classical music, he studied with Solomon Mikowsky at Manhattan School of Music and earned both his Bachelor and Masters of Music degrees by age 20. Mr. Gerstein continued his studies in Madrid with Dmitri Bashkirov, and currently coaches with Ference Rados in Budapest.
Mr. Gerstein’s recent and coming engagements in North America include appearances with the Los Angeles Philharmonic; National Arts Centre Orchestra in Ottawa and the San Francisco; Detroit, Dallas, Houston, Indianapolis, Baltimore, Vancouver, Oregon and
Utah symphonies; the Ravinia Festival with the Chicago Symphony; the Mann Music Center and Saratoga Festival with the Philadelphia Orchestra; the Blossom Festival with the Cleveland Orchestra and Chicago’s Grant Park Festival; chamber music performances at Zankel Hall at Carnegie and the 92nd St. Y; and recitals in Boston, New York, Cincinnati, Detroit, Vancouver, Kansas City, Portland, OR and the Kennedy Center.
Internationally, Mr. Gerstein has worked with prominent European orchestras including the Munich, Rotterdam, Royal Liverpool and London Philharmonics, Dresden Staatskappelle, Tonhalle, Finnish and Swedish Radio Orchestras and the Deutsches Symphony Orchestra Berlin. He appears in recital this season in Paris, Prague, Hamburg, London’s Wigmore Hall and the Liszt Academy in Budapest, and makes his debut at the Salzburg Festival performing with Andras Schiff.
Mr. Gerstein received the First Prize at the 2001 Arthur Rubinstein Piano Competition in Tel Aviv and was a recipient of a 2002 Gilmore Young Artist Award. He was also selected as Carnegie Hall’s “Rising Star” for the 2005/06 season. He became an American citizen in 2003 and is professor of piano at the Musikhochschule in Stuttgart.
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33F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
THE POST-STANDARD CLASSICS SERIES
Diamond’s Music for Romeo and Juliet – Diamond wrote that he wanted to convey “the innate beauty and pathos of Shakespeare’s great drama” in a setting for small orchestra. Although stemming from a story set in Renaissance Italy, the music has the contemporary feel of American music in the mid-20th century. Each of the five movements paints a glowing picture of one of the memorable scenes from Shakespeare’s play.
Ravel’s G-Major Piano Concerto – Sparked by a snap of the whip, the concerto’s first movement is effervescent, though tinged with irony and spiced by jazz sonorities. The deceptively simple slow movement is lyrical and transparent, an exquisite span of pure melodic filigree. Brassy, irreverent chords and a thump of the bass drum reestablish the opening mood of gaiety, as the playful finale brings the concerto to an exhilarating conclusion.
Gershwin’s Rhapsody in Blue – Gershwin said he conceived most of this one-movement jazz “concerto” on a train, and many of its tunes have the jangly rhythm of a train ride. From its eye-popping opening bars—a low clarinet trill giving way in a rising smear to a high melody for muted trumpet—it has the restless, urban energy of the jazz age. A dignified interlude for lush strings that occurs later on has become one of the iconic themes of American music.
Ravel’s Boléro – Though he was writing it as a ballet score, Ravel intended this piece primarily as an exercise in composing for contrasting instrumental sounds. He began with a single hypnotic melody and repeated it multiple times over unvarying rhythmic accompaniment, with little change beyond instrumentation and constantly increasing volume. But this dry statement of the work’s technical means gives no idea of its cumulative effect in performance, where the obsessive repetition builds tension to an overwhelming climax.
BRIEF NOTES
Music for Shakespeare’s Romeo and JulietThis is the SSO’s first performance of Music for Shakespeare’s Romeo and Juliet.
D iamond, who followed Aaron Copland’s lead by studying in Paris with Nadia Boulanger, has become one of America’s most honored and respected composers. He is credited with 11 symphonies,
three violin concertos and one for cello, several ballets, and numerous other works for orchestra, piano, chamber ensembles, and voices. He also composed the theme used in the 1950s for the CBS series “Hear It Now” (on radio) and “See It Now” (on television). His writing is lyrical and usually tonal, enjoyable for audiences and performers alike. Listening to his music, one can get the feeling that Diamond would have been more famous if Copland had not already become so widely known and honored.
Born near here in Rochester, Diamond trained at the Cleveland Institute and at the Eastman School under Bernard Rogers, with additional studies under Roger Sessions and Mlle. Boulanger. He was a longtime member of the faculty of the Juilliard School, where his students included Adolphus Hailstork, Eric Whitacre and Lowell Liebermann. He was named honorary composer in residence by the Seattle Symphony, which has recorded much of his music, including the Music for Shakespeare’s Romeo and Juliet.
His five-movement suite was inspired by Shakespeare’s play Romeo and Juliet and composed as “pure concert music” in 1947. Thomas K. Sherman, to whom the work is dedicated, conducted the first performance in the same year with the Little Orchestra Society of New York. The Overture is sunny and festive, giving little hint of the unhappiness in store. The “Balcony Scene” mainly uses the strings of the
orchestra to suggest the welling of emotions that accompanies the lovers’ first nocturnal meeting. In “Romeo and Friar Laurence,” the confessor’s wise counsel elicits music of warmth and compassion. The childishly carefree writing of “Juliet and Her Nurse” reminds us that Juliet is a young girl, not yet 14. Her bright, skipping music from the woodwinds is contrasted with smoother and lower-voiced music from the strings to represent the good-natured Nurse. Diamond ends his suite with “The Death of Romeo and Juliet,” providing music of nobility and tenderness as the scene in the tomb moves to its heartbreaking close.
Actress Olivia de Havilland, who owned a copy of the 78-RPM recording that was made at the time of this suite’s concert premiere, liked Diamond’s music and recommended it to the producer and director when she starred in a 1951 Broadway production of Romeo and Juliet.Rather than letting them chop his music up into short snippets, the composer wrote an entirely separate score of incidental music for that production. (Though never published, it is available for rental for use with the play.)
Instrumentation: 2 flutes doubling piccolo, 2 oboes and English horn, 2 clarinets and bass clarinet, 2 bassoons, 2 horns, 2 trumpets, trombone, timpani, percussion, harp and strings.
THE BIG PICTURE
David Diamondb. July 9, 1915
in Rochester, NYd. June 13, 2005
in Brighton, NY
34 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
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Concerto in G Major for Piano and OrchestraLast performed by the SSO in May 1999 with Grant Cooper conducting and Alan Feinberg as piano soloist.
Composed in the autumn of his life, the two piano concertos of Maurice Ravel show a refreshing wit and brilliance of conception. Elements of jazz and blues jostle with Parisian élan. “Wrong-note” harmonies and bitonality add sparkle to their assured formal construction. The one-handed D Major Concerto is darker, more tortured. Although the G Major features a middle movement of great depth of feeling, its outer movements adopt a joyful, carefree attitude. Neither shows any evidence of the debilitation that would shortly end Ravel’s composing.
In 1928 conductor Serge Koussevitzky, who had earlier premiered Ravel’s orchestration of Pictures at an Exhibition, approached the
composer about a new work for the 50th anniversary of the Boston Symphony Orchestra, the celebration that was to elicit Stravinsky’s Symphony of Psalms along with works by Hindemith, Prokofiev, and others. Although Ravel mentioned the possibility of writing a piano concerto for Boston, he never did so. A project for an opera about Joan of Arc was occupying him at the time. The opera was never written, but he began work on a concerto the following year.
Ravel had not gotten far when the one-armed pianist Paul Wittgenstein asked him for a piano concerto for left hand alone. Intrigued by the challenge, Ravel worked primarily on the vaguely menacing left-handed Concerto in D Major over the next nine months, even as the brighter G Major Concerto continued to progress slowly. Once the D Major Concerto was completed, Ravel turned full attention once again to the two-handed one, finishing it in another year.
He later said in an interview: “The G-major Concerto took two years of work, you know. The opening theme came to me on a train between Oxford and London. But the initial idea is nothing. The work of chiseling then began....Writing music is 75 percent an intellectual activity.”
American jazz was all the rage in Paris in the 1920s and ’30s, influencing such composers as Milhaud, Honegger and Ibert. Ravel had met George Gershwin and spoke glowingly of his jazz-infused music. The atmosphere of jazz that pervades Ravel’s own concerto has made it a favorite with such jazz luminaries as Gil Evans and Miles Davis. The work’s central movement, Adagio assai, is said to have been used in the soundtrack of a new movie called The Missing Person, now in post-production.
Ravel planned to be soloist in the new concerto and to take it on a world tour. His health was deteriorating, however, and he decided to conduct the work instead and entrust the solo part to Marguerite Long, whose interpretations of his solo works he admired. After the successful premiere (called “the finest artistic event of the season” by reviewer Emile Vuillermoz), he ignored doctors’ orders that he should rest and went on a four-month tour with Miss Long, performing the concerto in 20 European cities. They also recorded it.
Ravel’s composing career was cut short by an undisclosed nervous malady well before death claimed him in December 1937. His only composition after the G-Major Concerto was the 1933 song cycle Don Quichotte à Dulcinée.
Instrumentation: flute and piccolo, oboe and English horn, clarinet and E-flat clarinet, 2 bassoons, 2 horns, trumpet, trombone, timpani, bass drum, cymbals, snare drum, slapstick, gong, triangle, woodblock, harp and strings.
Maurice Ravelb. March 7, 1875
in Ciboure, Franced. December 28, 1937
in Paris, France
L’ultimo bacio dato a Giulietta da Romeo by Francesco Hayez. Oil on canvas, 1823.
Robert Bridge, D.M.A.Professor of Music
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Rhapsody in Blue, for Piano and OrchestraOrchestrated by Ferde Grofé
Last performed in February of 2001 with Daniel Hege conducting and Terrence Wilson as piano soloist.
It is hard now to imagine the excitement that Gershwin’s Rhapsody in Blue created when it was first heard. Jazz was considered low-brow music, fit for dancing or as a background for social chit-chat, but not at all welcome in the concert hall alongside the music of the great masters. George Gershwin was known as a songwriter, a tunesmith who could set toes tapping with a Broadway melody or hips swaying with a well-wrought ballad. True, he had written a one-act opera, Blue Monday, but that was for inclusion in George White’s Scandals of 1922 on Broadway, and it had lasted for only one performance before being cut from the show.
Most people did not know that Gershwin had been fostering classical ambitions since childhood, that he had studied harmony and counterpoint for a number of years with the Hungarian-born composer Edward Kilenyi, or that he had accompanied the classical recital of mezzo-soprano Eva Gauthier in New York in 1923.
The pit-band conductor for George White’s Scandals of 1922 was Paul Whiteman, who like Gershwin had higher ambitions for his music. Whiteman told Gershwin that someday he planned to put jazz into the concert hall, and he promised to commission a work from Gershwin. Rhapsody in Blue was premiered two years later as the centerpiece of just such a concert. The event got plenty of notice because of Whiteman’s astute promotion: this was to be not simply a series of dance tunes but an important “Experiment in Modern Music.” Jazz was to be “emancipated,” a concept underlined by scheduling the concert on Lincoln’s birthday.
In the audience that evening were Fritz Kreisler, Jascha Heifetz,
Leopold Stokowski, Walter Damrosch, Sergei Rachmaninoff and John Philip Sousa, as well as several respected critics. Deems Taylor wrote in his review that Gershwin’s work was of such quality that “he may yet bring jazz out of the kitchen.” The public sensation was so great that the February concert was repeated in March and again in April, and Gershwin and Whiteman recorded the Rhapsody that June and again three years later.
Gershwin later recalled how he went about composing the work: “I was summoned to Boston for the premiere of Sweet Little Devil [January 1924]. I had already done some work on the rhapsody. It was on the train, with its steely rhythms, its rattle-ty-bang that is often so stimulating to a composer...I frequently hear music in the very heart of noise. And there I suddenly heard—and even saw on paper—the complete construction of the rhapsody, from beginning to end...I heard it as a sort of musical kaleidoscope of America—of our vast melting pot, of our unduplicated national pep, of our metropolitan madness. By the time I reached Boston, I had a definite plot of the piece.”
Jazz tunes and Broadway songs, even today, are seldom arranged in their final instrumentation by the composer. That’s a job for specialists. Rhapsody in Bluewas prepared for performance by Whiteman’s arranger, Ferde Grofé (whose talent for instrumental color is most famously displayed in one of his own compositions, the Grand Canyon Suite). Grofé did both the jazz-band version heard at the work’s premiere and the arrangement for full orchestra that was published two years later, which has become the version of the piece most often performed.
Ravel at the piano, accompanied by Canadian singer Éva Gauthier, during his American tour in March 1928. At far right is George
Gershwin.
George Gershwinb. September 26 1898,
in Brooklyn, NYd. July 11, 1937
in Beverly Hills, CA
Continued on Page 54
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41F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
THE POST-STANDARD CLASSICS SERIESFebruary 27-28, 2009 – Mulroy Civic Center at Oncenter, 8:00 p.m.
Patrons are requested to silence signal watches, pagers and cell phones. The use of any recording equipment is prohibited by law. Thank you.
Karel Husa Fresque (1963)b. 1921 Erich Wolfgang Korngold Concerto for Violin and
Orchestra in D Major, Op. 351897-1957Moderato NobileRomanzeAllegro Assai Vivace
Intermission
Antonin Dvořák Symphony No. 9 in E Minor, Op. 95, From the New World1841-1904
Adagio - Allegro moltoLargoMolto vivaceAllegro con fuoco
FROM THE NEW WORLDSamuel Wong, conductor
Philippe Quint, violin
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SAMUEl WONG, CONDUCTOR
Samuel Wong first came to international attention with his New York Philharmonic debut in 1990, stepping in for the late Leonard Bernstein, and then, in 1991, replacing Zubin Mehta.
In addition to having held music directorships with the Hong Kong Philharmonic Orchestra, Honolulu and Ann Arbor symphony orchestras and New York Youth Symphony,
Samuel Wong has appeared as guest conductor with major orchestras across the globe. He has presented world premieres with many orchestras, including 15 premieres in Carnegie Hall. He was featured in the 1991 PBS special, “Carnegie at 100” and on “CBS Sunday Morning.” He regularly collaborates with many of today’s most distinguished artists.
A graduate of Harvard College and Harvard Medical School, Dr. Wong began his dual career as assistant conductor of the New York Philharmonic in 1990 and music director of the New York Youth Symphony in Carnegie Hall. He writes and lectures on the power of music in healing the mind and body. His essay, “Musical Healing” was published as the cover article for the summer 1999 issue of the Harvard Medical Alumni Bulletin.
PHIlIPPE QUINT, VIOlINPhilippe Quint was born in
St. Petersburg, Russia. He left the former Soviet Union in 1991 and is now an American citizen who harbors a strong commitment to the music of his new country, frequently performing works by William Schuman, Lukas Foss, Leonard Bernstein, Ned Rorem, John Corigliano, Erich Wolfgang Korngold and Lera Auerbach.
Mr. Quint studied at Moscow’s Special Music School for the Gifted with violinist Andrei
Korsakov, and made his orchestral debut at age 9. After coming to the United States, he earned both Bachelor’s and Master’s degrees from Juilliard and graduated in 1998. He has studied with Dorothy Delay, Cho-Liang Lin, Masao Kawasaki and Felix Galimir, as well as Isaac Stern, Itzhak Perlman and Arnold Steinhardt. Mr. Quint has amassed top prizes at the Juilliard Competition (‘98); Spain’s Pablo de Sarasate International Violin Competition (‘97), where he also received the Special Audience Prize; and the Salon de Virtuosi Award (‘97). He has been a Career Grant recipient of the Clarisse B. Kampel Foundation since 1996 and the Bagby Foundation since 2002.
He plays the Stradivarius 1723 “Ex-Kiesewetter” violin on loan to him from Clement and Karen Arrison, through the generosity of the Stradivari Society.
Husa’s Fresque – Can music be compared to painting? In this 11-minute tonal picture, listen for emphatic strokes in bright colors, for contrasts of lower instruments (darker pigments) and higher sounds (lighter colors), and for recurrences of melody and rhythm that help bind the work into a pleasing composition.
Korngold’s Violin Concerto – Here is powerful support for the theory that romantic music went underground and found a home in Hollywood movies in the middle of the 20th century, while such modern techniques as serialism and atonalism reigned over the classical-music world. A great composer, who happened to write soundtrack music, used themes from his film scores (see the note below for their titles) to create a wonderful concert work for violin and orchestra.
Dvořák’s “New World” Symphony – This picturesque postcard sent to the Old World of Europe is as thoroughly Czech as anything that Dvořák wrote, but its inspiration comes from his experiences in America. A theme in the first movement suggests a few notes from the middle of “Swing Low, Sweet Chariot.” Both the Largo and the Scherzo, he said, were inspired by scenes from Longfellow’s epic poem, The Song of Hiawatha. The dynamic finale begins with a noble, forward-looking march and incorporates reminiscences of all the preceding movements.
Fresque This is the SSO’s first performance of Fresque on the Classics Series.
I n a 1988 interview, Karel Husa said: “If to express human feelings—joy, love—is romantic, then I am romantic. Expressing a fight for freedom must be romantic, too. I think that music can express these
things and I don’t want to be a cerebral composer. I want to be inventive, to have a score that will reveal something interesting and intriguing and sophisticated to the performer or conductor, or to another composer. At the same time, it must be musical and warm, and show that I care about other people.”
When the Nazi occupation of Czechoslovakia forced the closing of all the technical schools, Husa was frustrated in his ambition to become a civil engineer. Falling back on his love for music, he entered the Prague National Conservatory to study composition and conducting. Even before receiving his graduate degree in 1947, he accepted a scholarship for study in Paris, working with Arthur Honegger and Nadia Boulanger in composition and such conducting teachers as André Cluytens. In 1948 the communist government that had seized power in Czechoslovakia summoned him to return home, but he resisted, instead making his early career as a conductor and composer deeply involved in the musical life of Paris.
Accepting a three-year teaching position at Cornell University
BRIEF NOTES THE BIG PICTURE
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in 1954, Husa moved to Ithaca with his wife and two daughters, becoming a U.S. citizen in 1959 after the position became a permanent appointment. He remained on the Cornell faculty in an endowed chair as Kappa Alpha Professor until 1992. At Cornell, he conducted the
university orchestra, and he has led an active guest-conducting schedule across America and Europe, leading bands and orchestras large and small, amateur and professional.
Many honors have come to Husa, including the Grawemeyer Award in 1963 for his Cello Concerto and the Pulitzer Prize in 1969 for his Third String Quartet. Cornell University has named an endowed position for him, the Karel Husa Visiting Professor of Composition. Among his honorary degrees are ones from Ithaca College and the Cleveland Institute of Music.
Among Husa’s most popular compositions is Music for Prague 1968, a moving threnody for Czech freedom, snuffed out by the brutal Soviet-bloc invasion of that year. It has by now received more than 7,000 performances around the world. After the fall of communism, he made an emotional return to his
homeland, where his music had not been heard since 1948, to conduct this work in Prague itself. A favorite of his own is The Apotheosis of This Earth, composed for band in 1970 and later revised for chorus and orchestra, which he describes as motivated by his lifelong love of the natural world and “by the present desperate stage of mankind and its immense problems with everyday killings, war, hunger, extermination of fauna, huge forest fires, and critical contamination of the whole environment.”
The music heard at this weekend’s performance began during Husa’s earliest Paris years, as part of his Tři fresky for orchestra, published with the French title Trois fresques (Three Frescoes), Op. 7, in 1947. Sixteen years later, the composer revised the first of these and issued it as Fresque.It was originally composed during his studies with Honegger, and many listeners compare it to Honegger’s colorful symphonic poems such as Pacific 231 and Rugby. Other commentators have noted influences of Bartók, noting that Husa conducted the first European recording of Bartók’s ballet The Miraculous Mandarin.
This is music that compares itself to a large fresco painted on a wall or ceiling. In the liner note for a recording of the work, Leland Jonathan Yee wrote, “Darker hues are represented by the piano, low, muted brass, and woodwind, while lighter colors are suggested by the brighter timbres of piccolo, flute, and strings. The middle of the piece blends the different hues, while strong chords, heard most emphatically towards the end, bind this piece together. Repeated syncopated rhythmic motifs areRepeated syncopated rhythmic motifs are prevalent throughout the composition and serve to add cohesion to all the diverse elements.””
Instrumentation: 2 flutes and piccolo, oboe and English horn, 2 clarinets and bass clarinet, 2 bassoons and contrabassoon, 4 horns, 3 trumpets, 3 trombones, tuba, timpani, percussion, piano, harp and strings.
Concerto in D Major for Violin and Orchestra, Op. 35Last performed by the SSO in September 2001 with Daniel Hege conducting and Pip Clarke as soloist.
Born in the provincial Bohemian city of Brno, Korngold grew up in Vienna, where his father was a respected and influential music critic. His talent ripened early, and his ballet The Snowman, composed when he was just 11 years old, was produced at the court opera. By age 14 he had an international reputation, supported by works premiered by such eminent musical figures as Bruno Walter, Artur Schnabel, and Arthur Nikisch. He had been pronounced a genius by Mahler and praised wonderingly by Richard Strauss and Puccini.
Korngold’s best-known theatrical works are his incidental music for Shakespeare’s Much Ado About Nothing (1919) and his opera Die tote Stadt (The Dead City, 1920), in which Maria Jeritza made her Metropolitan Opera debut. For the concert hall he composed a sprightly Sinfonietta (at age 14) along with other works. In 1932 a Vienna newspaper polled its readers to determine the greatest living composers. The winners were Schoenberg and Korngold.
He first visited Hollywood in 1934 to adapt Mendelssohn’s music for the Warner Brothers film of A Midsummer Night’s Dream.Subsequent scoring projects included Captain Blood, The Prince and the Pauper and Anthony Adverse, for which he won an Academy Award in 1937. Warner Brothers rushed him back to Hollywood from Vienna in January 1938 to score The Adventures of Robin Hood, but Korngold took one look at the half-completed movie and turned the project down. Before he could leave, however, the Nazis took over in Austria. Korngold could not return home. He scored Robin Hood (which won him another Oscar) and settled in Hollywood, eventually becoming an American citizen.
After the war, while continuing to work on movie scores, Korngold returned to writing classical works, including his fifth opera, The Silent Serenade. Among the orchestral scores of his later years were concertos for violin and for cello, a Symphonic Serenade for strings, Theme and Variations, and a Symphony. Where his childhood works had been considered amazing for their modernity, however, the subsequent musical revolution led by Stravinsky and Schoenberg now made his late-Romantic language seem old-fashioned to critics and commentators. His involvement with Hollywood worked against him, too—no one who wrote for the movies, it was felt, could be taken seriously as a
Karel Husab. August 7, 1921
in Prague, Czechoslovakia
Erich Wolfgang Korngoldb. -May 29, 1897
in Brno, Bohemia d. November 29, 1957
in Hollywood, CA
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composer. His music suffered neglect and denigration until the mid-1970s, when Die tote Stadt was revived in New York and recorded. The Symphony was recorded in the same period, and Korngold’s reputation as a classical composer began to receive an overdue reappraisal.
The Violin Concerto was begun in 1937, at the suggestion of the composer’s father, the eminent Viennese music critic Julius Korngold. Impressed with a theme Erich had written for the Errol Flynn movie Another Dawn, Julius suggested that it might serve as the basis for a violin concerto. Erich quickly sketched out the entire work and asked a violinist friend to play it for him. This private performance reportedly went so badly that the composer shelved the work. He did not revive and complete it until 1945, when his wife encouraged him to resume classical composition. All three movements share themes with his film scores of the late 1930s, and commentators find it tantalizing to wonder whether he borrowed themes from his films for the concerto or vice versa.
The work is lush and rhapsodic, intended, the composer said, “for a Caruso rather than a Paganini.” Though Korngold hoped that his friend, the violinist Bronislaw Huberman would premiere the work, that honor eventually went to the great Jascha Heifetz, who introduced it at a 1947 concert in St. Louis. The score is dedicated to Mahler’s widow, Alma Mahler-Werfel, who was also living in Hollywood then and whom Korngold had known since childhood.
The main theme of the first movement is the one inspired by the music from Another Dawn, and the second subject is a love theme he used for the 1939 film Juarez. The middle-movement Romance has an ardently singing melody that also appears in the 1936 movie Anthony Adverse. The vivacious Finale is a rondo whose recurring theme comes from The Prince and the Pauper of 1937.
Instrumentation: 2 flutes and piccolo, 2 oboes doubling English horn, 2 clarinets, bass clarinet, 2 bassoons doubling contrabassoon, 4 horns, 2 trumpets, trombone, timpani, orchestral bells, xylophone, vibraphone, cymbals, bass drum, harp, celeste and strings.
Symphony No. 9 in E Minor, Op. 95, From the New WorldLast performed by the SSO in February 2004 with David Lockington conducting.
Dvořák’s celebrated sojourn in America served as capstone to an already illustrious career. The son of a butcher from a small town in Bohemia, he had been named Professor of Composition at the Prague Conservatory, elected to the Czech Academy of Art and Science, decorated with an order from the imperial government in Austria, and awarded honorary doctoral degrees from both the University of Prague and England’s Cambridge University.
Small wonder that the energetic American philanthropist, Jeannette M. Thurber, wanted him as director of her recently opened National Conservatory of Music. Besides the publicity value of his name, an important part of her plan in bringing him to New York was the hope that he could spark the formation of a school of nationalist American composers. His teaching duties were intentionally kept light to allow time for composition.
Dvořák responded well to America’s call for leadership. He sought out different types of folk music, using melodic fragments or folk-like themes in several works written during his stay here. He was especially impressed with African and Native American songs sung to him by students of the Conservatory. The composer’s principal source of African American songs was Henry T. Burleigh, a young student who later made a career singing and publishing arrangements of spirituals. To expose Dvořák to music of Native Americans, Mrs. Thurber took him to see Buffalo Bill’s Wild West Show. He was later to meet a traveling band from the Kickapoo tribe when he spent the summer of 1893 among Czech compatriots in Spillville, Iowa.
With so much folk material as stimulus, he began work on a new symphony, his first in four years. Intended to show that indigenous American music could permeate a serious work in much the same way that his earlier symphonies had partaken of Czech influence, it was subtitled From the New World, both as an indication of where it was written and in acknowledgement of its sources of inspiration. At its first performance an outpouring of applause greeted every movement. After the Largo, Dvořák had to stand and bow from his seat. The critic H. E. Krehbiel wrote that “the staidness and solemn decorum of the Philharmonic audience took wings.” Published soon after, the symphony quickly penetrated wherever orchestra concerts were given, even in
Korngold dedicated his Violin Concerto to childhood friend Alma Mahler-Werfel, a Viennese-born socialite who became the wife of composer Gustav Mahler, architect Walter Gropius and finally novelist Franz Werfel, as well as the consort of several other prominent men including Oskar Kokoschka. Bride of the Wind, oil on canvas, is Kokoschka’s 1913 self-portrait expressing his unrequited love for Alma,
Antonín Dvorákb. September 8, 1841 in Nelahozeves, Bohemia d. May 1, 1904 in Prague, Bohemia
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countries that previously had ignored Dvořák’s music. More than a century later, it remains his best-loved composition, performed not only in the USA and Europe, but also in Asian and South American countries.
Analysts agree that, despite Dvořák’s researches into indigenous music and his intention to write an American-flavored symphony, the New World is still a strongly Czech work. Dvořák could not shed a lifetime of immersion in Czech music. The American songs to which he was most attracted were probably those that bore some resemblance to the music he already knew. But whatever its essence, it is an undoubted masterpiece, a sincere and original utterance of great dramatic power.
The symphony’s opening movement, in sonata form, is preceded by a slow introduction that sets the work’s mood of earnest nobility. As the Allegro molto begins, two horns play the up-rising main theme (already heard in the introduction) together, echoed by solo oboe.
The beginning of another, softer theme, heard first from solo flute, sounds like the notes for chariot in “Swing Low, Sweet Chariot.”
The movement ends in a triumphant climax.The Largo features a sad song for English horn.
This lovely melody is so strong in folk-like flavor that, when sung as “Goin’ Home” to words added later, it has often been mistaken for an actual spiritual. Dvořák explained, however, that it was inspired by the scene of Minnehaha’s funeral in The Song of Hiawatha.
A symphony’s third movement is the traditional place for a stylized dance music, and Dvořák has evoked a spirited country dance in his scherzo. Although the dancers could just as convincingly be Czech peasants, he wrote that he had in mind “the feast in Hiawatha where the Indians dance.” The “chariot” theme is quoted at the end.
A dignified and majestic march provides the finale, a movement of splendid sweep and assertiveness. In the course of the music, themes from all three previous movements are recalled, a final unifying element in an already impressively cohesive work.
Instrumentation: 2 flutes and piccolo, 2 oboe and English horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, cymbals, triangle and strings.
– Program notes ©2009 by Nick Jones
The title page of the autograph score of Dvořák’s New World Symphony
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March 12, 11:00 a.m.High School Concert
BROADWAY STARSFollowing on the popularity of last season’s concert for high school students, the SSO will team up with local school districts to showcase the talents of our young people! Students participating in high school musicals will be eligible to audition to perform with the Syracuse Symphony Orchestra, displaying their talents to an audience of their peers! In addition to solo performances, the orchestra will also perform music from Broadway blockbusters Les Misérables and Wicked. Visit ssokids.org for tickets.Grades 9 through 12 | Arts Standards 1-4
March 13-14, 8:00 p.m.M&T Bank Pops Series
WHEN SWING WAS KINGCarl Topilow, conductor/clarinetWith energetic selections from the Dixieland and Swing eras, Carl Topilow and his signature red clarinet will pave the way for a vibrant musical experience that the Cleveland Plain Dealerhas called “a high-octane romp through the highlights of one of popular music’s most rollicking eras.”Saturday’s concert is sponsored by Cooper Crouse-Hinds.Media Partner: 570-WSYR
March 20-21, 8:00 p.m.Post-Standard Classics Series
BEETHOVEN PIANO CONCERTO 4Daniel Hege, conductorMarkus Groh, pianoSyracuse Children’s ChorusBACH Brandenburg Concerto No. 3 in G MajorBEETHOVEN Piano Concerto No. 4 in G Major CUSTER Talking to the SunTCHAIKOVSKY 1812 OvertureFriday’s concert sponsored by Onondaga Coach Saturday’s concert sponsored by Michael, Roberts Associates, Inc.Media Partner: WCNY ClassicFM
March 22, 2:00 p.m.Syracuse Symphony OrchestraSyracuse Symphony Youth OrchestraSyracuse Symphony Youth String Orchestra
SIDE-BY-SIDEMembers of the SSO youth ensembles will perform together with their parent orchestra. The concert will also feature solo performances by the winners of the Syracuse Symphony Orchestra and Civic Morning Musicals 39th Annual Youth Concerto Competition.
March 29, 3:00 p.m.Stained Glass Series Most Holy Rosary Church
MOZART’S CORONATIONDaniel Hege, conductorCaroline Stinson, cello and David LeDoux, celloSyracuse University Oratorio Society, Elisa Dekaney, directorHAYDN Symphony No. 30, AllelujaBOCCHERINI Cello Concerto in G Major VIVALDI Double Cello Concerto in G minorMOZART Mass in C Major, Coronation
April 3-4, 8:00 p.m.Post-Standard Classics Series
THE PlANETSPeter Bay, conductorDeborah Coble, fluteELGAR Cockaigne, Op. 40 (In London Town)JACOB Concerto for Flute and OrchestraHOLST The PlanetsSponsored by Lockheed Martin Corporation These concerts are presented with support from the Mary Hatch Marshall Endowed Fund.Media Partner: WCNY ClassicFM
April 4, 10:30 a.m.Central New York Community Foundation Family Series
THE PlANETSPeter Bay, conductorIn this thrilling journey through space, you’ll experience Gustav Holst’s timeless suite, The Planets, performed by the Syracuse Symphony Orchestra, while award-winning, real-time interactive 3-D animation of our solar system is projected on a giant screen above the orchestra! Sponsored by Lockheed Martin Corporation Enjoy bagels from Bruegger’s Bakeries and the Instrument Petting Zoo at 9:30 a.m.
April 6, 10:00 and 11:30 a.m.Young Person’s Concert
THE PlANETSThis exciting exploration begins at Planet Earth and travels through the galaxy to each planet featured in Holst’s suite, providing a true multimedia experience! Visit ssokids.org for tickets.Grades 4 through 8 | Science Standard 4
TICKET HOTlINE (315) 424-8200 OR (800) 724-3810 Online Ticketing at www.SyracuseSymphony.org
All concerts presented at the Mulroy Civic Center at Oncenter unless otherwise noted.
Friday’s performance features 3-D animation.
49F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
MARCH/APRIl 2009 CONCERTS
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Can’t use your tickets?Exchanges are EASY!
Subscribers may turn in tickets no later than24 hours prior to the performance and receive a tax
deduction for the value of the seats, or exchange tickets for a future series performance during
the season.
Exchanges are free for subscribers and $3 per ticket for non-subscribers. Deadline for exchanges is
May 16, 2009.
Exchange seating is subject to availability and the SSO reserves the right to limit the number of exchanges into any given concert. Seating prices
vary and exchanges may require additional payment.
For more information, call SSO Customer Service, (315) 424-8200 or (800) 724-3810, or visit the SSO
Box Office at 411 Montgomery Street, Syracuse (street level, near Columbus Circle).
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Not only will your ad appear in all programs for the remainder of the year, but it will also appear in pdf format onwww.syracusesymphony.org along with a hot link to your website!
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· If you are contributing to the SSO for the first time, the entire amount of your gift will be doubled.· If you gave a gift last season, any increase over that amount will be doubled.
Since 1985, the Fund has been matching financial gifts to the SSO, resulting in more than $1,250,000.
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54 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
THE POST-STANDARD CLASSICS SERIES
The Syracuse Symphony Orchestra is in the midst of a $2 million campaign to raise funds to improve the retirement benefits for our musicians. We are pleased to announce that long time supporters Elsa and Peter Soderberg have pledged $1 million toward this campaign as a challenge to the SSO Family to raise an additional $1 million to match their generous gift. More than $500,000 has already been pledged toward this challenge, and we would like to thank the Soderbergs and the following donors for their extremely generous support and their commitment to our musicians.
Jean F. & Joseph T. Ash Dr. & Mrs. Daniel BurdickDavid C. Brittain Ms. Sandra L. BrownMs. Margaret CassadyJudith M. & Robert J. Daino Dr. & Mrs. William Harmand
Frank R. Heath David G. Murray & Judith M. SaylesFaye PanasciIn memory of Chris J. Witting by Mrs. Chris J. WittingJoanne Zinsmeister-Yarwood
For more information contact Jessica Logan at (315) 424-8222, ext. 242
Retirement Improvement Initiative
Rhapsody in Blue has never flagged in popularity since that electrically charged evening in 1924. It easily lays claim to the title of most frequently performed work by any American composer, heard everywhere from airplane earphones to the British TV series Dr. Who. It gives its name to and is performed in its entirety in the film biography of Gershwin (1945), and it can been heard in many other movies, including Woody Allen’s Manhattan and Disney’s Fantasia/2000.
Instrumentation: 2 flutes, 2 oboes, 2 clarinets and bass clarinet, 3 saxophones, 2 bassoon, 3 horns, 3 trumpets, 3 trombones, tuba, timpani, bass drum, cymbals, orchestral bells, gong, snare drum, triangle and strings.
BoléroMaurice Ravel
Last performed by the SSO in January 2006 with Grant Cooper conducting.No one was more surprised than Ravel at the popularity of Boléro.Writing against a short deadline for a ballet commission from the dancer Ida Rubinstein in 1928, he produced what he considered to be less a composition than an exercise in orchestration. Deciding to create a ballet score by arranging some piano pieces from Ibéria by Albéniz, he discovered to his indignation that Albéniz’s heirs had assigned all orchestration rights to Fernández Arbós (who subsequently issued five of the pieces from Ibéria as an orchestral suite). Ravel would have to write some original music after all.
Still determined to concentrate on orchestration, he came up with what he later described impersonally as “a rather slow dance, uniform throughout in its melody, harmony, and rhythm, the latter being tapped out continuously on the drum. The only element of variety is supplied by the orchestral crescendo.” The choreographer for the ballet’s premiere was Bronislava Nijinska, sister of the famous Ballets Russes dancer, Vaslav Nijinsky. Other choreographers have responded to the work’s challenge, and it has even been danced in the annual Christmas spectacular at Radio City Music Hall.
Ravel was convinced that without the visual interest of choreography the music would be boring. He predicted no life for Boléro in the concert hall, but as soon as the work was released for performance, it was taken up by most of the world’s major orchestras. The demand was such that he also had to produce a version for two pianos. The work has since led a busy career in concerts, on recordings, and especially at the movies, where it has been used in films from 1930’s Soup to Nuts to 2006’s Cashback—its most famous appearance, of course, being its starring role as the indispensable soundtrack for seduction in the Dudley Moore movie 10.
Ravel’s title for this work is surprising, since its theme bears little relation in form, tempo, or rhythm to the classic Spanish bolero. When this was pointed out by his friend, the Cuban-born composer Joaquín Nin, he answered, “That is of little importance.” To him the name’s formal connotations meant less than the exotic and passionate mood evoked by the word itself.
Instrumentation: 2 flutes and piccolo, 2 oboes doubling oboe d’amore and English horn, 2 clarinets and bass clarinet, E-flat clarinet, saxophone, 2 bassoons and contrabassoon, 4 horns, 4 trumpets, 3 trombones, tuba, timpani, cymbals, snare drum, gong, harp, celeste and strings.
– Program notes by Nick Jones
©2008
From Page 36
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56 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
CORPORATE CIRClE
S upport from community businesses is essential to the wellbeing of the Syracuse Symphony Orchestra. When corporations and businesses invest in the SSO, outstanding programming and performances are ensured and the quality of life of all Central New York residents is enhanced. As a member of the Corporate Circle, your firm can receive event recognition, great publicity, complimentary tickets to concerts and events,
advertisements and logo recognition, in addition to many other benefits. With your support, the SSO can continue to bring world-class music to you and the Central and Northern Communities. If your organization is interested in supporting the SSO, call the Development Office at (315) 424-8222, ext. 241.
SSO CORPORATE CIRClE
Wellington House
STRADIVARIUS MEMBERS — $25,000 PlUS
STERLING MEMBERS — $10,000-24,999
57F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
CORPORATE CIRClE
Onondaga CoachSINCE 1897
GOlD MEMBERS — $2,500-4,999
PlATINUM MEMBERS — $5,000-9,999
Onondaga Community College
58 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
CORPORATE CIRClE
Silver Members $1,000-2,499Bob’s True ValueBrookfield Power, New York Hydro LPByrne, Costello & Pickard, PCCrucible Materials Corp./Crucible Specialty MetalsDal Pos Architects, LLCThe Events CompanyGale & Dancks, LLCHarris Beach, PLLCHaylor, Freyer & Coon, Inc.Higbee, Inc.Mackenzie Hughes LLPMangano, Lucchesi & CollinsMenter, Rudin & Trivelpiece, P.C.New York Air Brake CorporationOneida Savings BankPinsky & SkandalisRome Strip Steel Co. Samaritan CenterScolaro, Shulman, Cohen, Fetter
& Burstein PCSkaneateles Symphony Guild Inc.Slack Chemical Company, Inc.Stewart’s ShopsSyracuse Hematology/Oncology, P.C.Tessy Plastics Corp.Val’s Summit Dodge, Inc.Varflex Corporation
Patron Members $500-999Bianchi Industrial Services, LLCExpress Personnel ServicesHaun Welding Supply, Inc.Law Office of Keith D. MillerOsborne Memorial AssociationRapid Response MonitoringYoung & Franklin, Inc.
Sustaining Members $250-499ACLSA.R. Made Construction Company, Inc.Leonardi Manufacturing Company, Inc.Midgley Printing Inc.Money Federal Credit UnionStatewide Aquastore, Inc.Urist Financial & Retirement Planning, Inc.
Associate Members $100-249Cannon Recreation Corp.Cazenovia CollegeDiamond Roofing Company, Inc.Dominick Falcone AgencyE.F Thresh, Inc.Freeman Bus Corp.Fulton Savings BankJohnson Brothers Lumber Co.Sirchia & Cuomo, LLPUnited Auto Workers Local 624WWNY-TV/7 News & WNYF TV Fox 28
The Auburn Citizenbc RestaurantCentral New York Business JournalCowley & AssociatesDupliEagle NewspapersEmpire Expo CenterFrancis Audio-VisualImmediate Mailing ServicesKS&RMidstate PrintingMorse Manufacturing CompanyEric Mower and AssociatesNewsChannel 9The Post-StandardSauro Photographic ArtTime Warner CableVisory GroupY94 FMCharles WainwrightWCNY TV/24 and ClassicFMWRVO
WSENWSTM-TV3WTVH-5
Organizations And Government AgenciesCity of AuburnCayuga County Parks & TrailsCity of Syracuse, Parks DepartmentVillage of FayettevilleNational Endowment for the ArtsNatural Heritage TrustNew York State Council on the ArtsOnondaga County
Matching GiftsAllied Signal Foundation, Inc.Altria Employee Involvement ProgramsAetna Foundation, Inc.American International Group
American Express FoundationAT&T FoundationAXA FoundationBill & Melinda Gates FoundationBMC FoundationThe Chase Manhattan FoundationCitigroup FoundationCooper Industries FoundationGannett FoundationGeneral ElectricIBM CorporationKemper National Insurance CompaniesKey FoundationMattel Children’s FoundationPfizer Foundation Pitney BowesThe Prudential FoundationRBC Wealth ManagementUnited TechnologiesVerizon FoundationWarner-Lambert Company
SPECIAl THANKS We would like to acknowledge the generous in-kind support of the following:
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60 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ANNUAL FUND LEVELS & BENEFITS
S upport from local individuals allows the Syracuse Symphony Orchestra to continue its rich tradition of musical excellence. Donations help bridge the gap between ticket revenue and the cost of providing the Central and Northern New York communities with world-class orchestral performances.
PRESTISSIMO $500-1,249 ($65 non-tax-deductible)The benefits listed below, plus…
Intimate post-concert receptions with conductors, guest artists and musicians
ALLEGRO $250-499 ($24 non-tax-deductible)The benefits listed below, plus…
Special invitation to the Symphonic Affair and other SSO eventsTwo complimentary tickets to a 2008-2009 Post-Standard Classics concert (subject to availability)
ANDANTE $100-249 ($24 non-tax-deductible)The benefits listed below, plus…
Two tickets to the Contributors ConcertListing in every issue of the concert program
Voting privileges at the annual MeetingInvitation to open rehearsals
ADAGIO $75-99 ($21 non-tax-deductible)Subscription to Notes, the newsletter of the SSO
Listing in first and last issues of the concert programSSO Membership Decal
M usic. It is an intimate experience that takes you on a unique and personal journey that is exciting and engaging. At the Syracuse Symphony Orchestra, we want that experience to extend beyond the concert hall to your entire relationship with us. And now it can. With your membership in the Baton Society, the Syracuse Symphony is pleased to offer a program designed to fit your unique needs and make your evenings out with the
Symphony evenings to remember. Enjoy unparalleled service, and personalized benefits including:• Convenient Parking: Baton Society members never have to bother with the hassle of finding parking at SSO concerts. Members have access to
complimentary spaces just steps away from the doors of the Civic Center.• Personalized Assistance: When members of the Baton Society need to purchase tickets or make
reservations for events, they simply call their own personal SSO contact who is ready to help with any request.
• Invitations to Exclusive Receptions: From formal dinners to casual gatherings, Baton Society members are offered opportunities to socialize with Music Director Daniel Hege, SSO musicians and special guest artists throughout the season.
• Keep up to date on news and events with High Notes, the newsletter exclusively for Baton Society members.
The Baton Society program is customized for its individual members. To learn more about the benefits of becoming a member, call SSO Director of Development and Patron Relations Nicki Inman at (315) 424-8222, ext. 240.
Become a member today by calling the Development Office at (315) 424-8222, writing 411 Montgomery Street, Syracuse, New York 13202 or donating online at www.SyracuseSymphony.org. Your support is a personal commitment to the future of our Orchestra and all gifts, regardless of size, are gratefully received. Current Internal Revenue Service regulations require that the Fair Market Value (FMV) of dinners, receptions and certain other types of benefits be subtracted from the tax-deductible value of a gift, even if donors do not take advantage of the benefits. If you want your entire gift to be tax deductible, you may waive your FMV benefits by notifying the Orchestra in writing.
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purchase of two Dinner Entrees.
Offer valid for dine-in only and may not be combined with any other discount or promotion. Expires5/9/2009
MEDICAL SERVICES, P.C.
Dr. Robert A. Dracker
INFUSACARE™MEDICAL SERVICES, P.C.
4811 Buckley Road, Liverpool, NY 13088Ph. (315) 457-3091 • Fax (315) 457-4305
Dr. Robert A. Dracker • Medical Director
QUALITY CARE FOR PATIENTS OF ALL AGES
• Minimal referral requirements• Immediate patient scheduling• Physician on site at all times
• Continuous medical supervision by nursing staff• Follow-up treatment documentation• Comfortable, pleasant environment ensuring patient satisfaction
THE INFUSACARE DIFFERENCE
• Immunoglobulin Therapy, including IVIG, Respigam, RhoGam, and HepBig• Monoclonal Therapy including Remicade, Orencia & Tysabri• Antibiotic Administration
• High Dose Steroid Therapy• Parenteral Hydration• Hyperemesis Therapy• Therapeutic Phlebotomy• Prolastin Therapy
• Boniva and Reclast Treatments• Nutritional, Fluid and Electrolyte Supplementation• Vascular Access Device Placement and Maintenance• Immune Suppressive Treatments
Out PAtIENt INFuSION/NYS LICENSED tRANSFuSION CENtER
62 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ANNUAL FUND
Y our support of the Syracuse Symphony Orchestra is worthy of an ovation! The annual contributions of local businesses, foundations and individuals allow the SSO to continue bringing the best in
world-class orchestral music to Northern and Central New York. Ticket sales account for less than half the actual cost for each performance; the remainder is made up by the generosity of the individuals and foundations listed below.
If you would like to help keep the music playing in our community, please become a supporter of the Symphony today!This list reflects gifts to the Annual Fund received between December 1, 2007 and January 14, 2009.
Stradivarius Baton Society$25,000+Fred L. Emerson
Foundation, Inc.
Mrs. Henry Panasci
Richard Mather Fund
Elsa & Peter Soderberg
The Bernard & Anne Spitzer Charitable Trust
Sterling Baton Society $10,000-24,999Dick & Marilyn Alberding
Thomas A. Bersani & Joan Christy
Mrs. BeVard In Memory of Her Husband Ralph BeVard, Sr.
Mr. & Mrs. Bill Branson, Jr.
Ms. Sandra L. Brown
Mr. W. Carroll Coyne
Judith M. & Robert J. Daino
Eggers Family Charitable Foundation
The Rosamond Gifford Charitable Corporation
John Ben Snow Memorial Trust
Drs. Alice & Michael J. Kendrick
Mr. & Mrs. Lou Lemos
Fran & Sally Lou Nichols
Frederick & Virginia Parker
H. Edward & Elizabeth Perry
Mr. & Mrs. David A. A. Ridings
Mrs. Chris J. Witting in memory of Chris J. Witting
Platinum Baton Society $5,000-9,999ABB Foundation Inc.
The Allyn Foundation
Jean & Joseph Ash
Mrs. Carl Ast
Marion & Bob Barbero
Margaret M. Cassady
Mr. & Mrs. Stephen Y. L. Chow
Malcolm & Beverly Clark
David & Anne Colangelo
Mr. & Mrs. S. Todd Cornell
Robert P. & Felicia Corp
Mary Louise Dunn Fund
Jud & Roz Gostin
Mr. & Mrs. H. W. Gouldthorpe
Grandma Brown Foundation, Inc.
Edward S. & Joan F. Green
Gary & Bonnie Grossman
Mr. & Mrs. Harry T. Hale
The Family of Hans Hartenstein
Lawrence E. Higbee
Mr. & Mrs. Nathan Hoak
The Horowitch Family Foundation
Guy & Patricia Howard
The Howard L. Green Foundation, Inc.
Dr. Hope & Mr. Bruce Irvine
Mrs. Robert B. King
The Gladys Krieble Delmas Foundation
Mr. & Mrs. Michael Madden
Rocco & Roberta Mangano
Mr. & Mrs. Salvatore Mangano
Mr. & Mrs. J. Kemper Matt
Drs. Michael R. & Colleen O’Leary
Mr. & Mrs. Philip C. Pinsky
Peter & Nancy Rabinowitz
Ms. Judith Sayles & Dr. David Murray
Jon & Libby Soderberg
Dr. Elinor Spring-Mills & Dr. Darvin Varon
The Gorman Foundation
Peter & Cherry Thun
Dr. & Mrs. Robert Weisenthal
Mrs. Arthur A. West
Gold Baton Society$2,500-4,999Mr. & Mrs. Wilbur
T. Albrecht
Vivian Anderson & Paul Mosbo
Mr. & Mrs. Robert R. Andrews
Ann and Gordon Getty Foundation
Dr. & Mrs. Richard H. Aubry
Dr. Bruce & Patricia Baker
Mr. & Mrs. Ronald Berger
Mrs. Carolyn H. Bernstein
Mr. & Mrs. Peter E. Black
Donald C. Blair & Nancy L. Dock
Dr. & Mrs. W. Douglas Bunn
Craig & Kathy Byrum
Ronald & Nancy Caravan
Leonard & Ginny Chmielewicz
Mr. & Mrs. Richard V. Cross
Mr. & Mrs. Richard G. Decker
Mrs. John G. Dietz
Ms. Susan A. Estabrook
Ms. Betty Feng
Dr. & Mrs. G. Frittelli
Karen Gahl-Mills & Laurence Mills-Gahl
Donna Graber, JD, CFP
Charles A. Gray
Sidney M. & Winifred E. Greenberg
Beth & Jerry Groff
Frank R. Heath
Daniel & Katarina Hege
Mr. & Mrs. Lee P. Herrington
Della & Philip Holtzapple
Dr. Leslie Howard
Drs. Harold Husovsky & Susan E. Stred
Nicki & Brian Inman
Elizabeth Jensen & Robert Turner
Randy & Elizabeth Kalish
Dr. & Mrs. Eugene A. Kaplan
Robin & Mark Kasowitz
Mrs. Norma A. Kelley
James & Barbara Kelly
Mr. & Mrs. Michael J. Keoghan
Edward & Jean Kokernak
Dr. & Mrs. Anthony J. LaTessa
Ms. Theodora Lohnas
Mr. & Mrs. David MacLachlan
Dr. & Mrs. Peter Mariani
Mid Atlantic Arts Foundation
Mrs. Eleanor E. Moloney
Eric & Judy Mower
Dr. & Mrs. David T. Nash
Dr. Paul E. Phillips & Ms. Sharon Sullivan
Selma Radin
Dr. Helen H. Reed
Mrs. Dene Sarason
Bob & Lynne Scheer
Dr. Craig A. Simmons & Richard K. Ernst
Dr. & Mrs. Robert Slavens
Dr. Frank C. Smith
Dr. & Mrs. Sam C. Spalding
Michael & Martha Spoont
Mrs. Irwin K. Stone
Dr. Dan & Anne Marie Vick
Dr. & Mrs. Gary Walford
Dr. & Mrs. Harold H. Wanamaker
Dr. & Mrs. Thomas Welch
Drs. Andrij & Martha Wojtowycz
Silver Baton Society $1,250-2,499Dr. & Mrs. Robert Alessi
Curt & Susan Andersson
Mr. George S. Bain
Mr. & Mrs. H. Douglas Barclay
Margery & Dallas Bowser
Evelyn Brenzel
Jane Burkhead & Robert Sarason
Mr. & Mrs. E. William Celano
Dr. & Mrs. Richard Cherny
Dr. & Mrs. Armand J. Cincotta
Dr. & Mrs. William R. Clark
George & Deborah Coble
Stephen & Shari Cohen
THANK YOU!
63F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ANNUAL FUND
David A. Corp
Ann-Marie Cronin
Frederick & Doris Davey
Ms. Carol Davison
Mr. & Mrs. Victor A. DiSerio
Dominion Foundation
Kay Fey
Mr. & Mrs. Sherwood Finn
Heidi & David Francey
Frank and Frances Revoir Foundation
Drs. Paul & Carolyn Frymoyer
Kathy & Gary Gilbert
Dr. & Mrs. John Gorman
Dr. & Mrs. William M. Harmand
Dr. & Mrs. Daniel Harris
Bud & Nancy Haylor
Mr. & Mrs. Allan Hendon
Ms. Margaret G. Hermann
Elizabeth C. Hill
Dr. Peter and Mary Huntington
Judith S. & Giampaolo Huober
Judith Jager & Stuart Davis
Susan & John Jones
Dave Joor
Linda & Robert Kashdin
Dr. & Mrs. H.E. Khalifa
Ms. Susan R. Klenk
Mr. & Mrs. Fred M. Kuehn
Lake Placid Education Foundation
Dr. Daniel Larson
Mr. & Mrs. Raymond D. Letterman
Dr. & Mrs. Robert Lockwood
Mr. Douglas H. Lyon
Mr. John H. MacAllister
Candace & John Marsellus
Garry & Katia Marsted
Ms. Judy McAllaster
Mrs. Roy G. McLean
Mr. & Mrs. Donald Meinig
William J. & Evelyn B. Mercer
Mr. & Mrs. Andrew S. Mistur
Don Mitchell & Susan Millar
Ms. Sandra A. Murphy
Margi Nasemann
Dorothea & Douglas Nelson
Dr. S. Nostrame
Maria H. Pendall
Dr. Joel Potash & Ms. Sandra Hurd
Mr. & Mrs. Kraig Pritts
Ms. Eleanor M. Ramos
Ms. Margaret J. Rees
Mrs. Stephen Rogers
Dr. & Mrs. Leonard Savedoff
Mary & Anthony Scaringe
Matthew & Sue Schiro
Phyllis & Doc Schwartz
Marilyn & James Seago
Mr. John Sheehan
Elaine & Michael Shende
Frank V. & Janet J. Smith
Phil & Dorie Speller
Mrs. George L. Stanley
The Tiso Family
Paul & Mary Torrisi
Ms. Jamie Tuozzolo
Ms. Corrine Valerio
Anita & Howard L. Weinberger
Dr. Edwin Yarwood & Mrs. Joanne Zinsmeister-Yarwood
Prestissimo $500-1,249
Anonymous (9)Mr. & Mrs. James H. AbbottStephen & Eileen AlbaneseMr. Eugene ArmaniMary Ann BanerMs. Nancy BarnumAnita BaroneMs. Rachel BassIrmi & Richard BauerAgnes & Rudolf BenfeyDr. & Mrs. William
H. BergstromDr. & Mrs. William
P. BerkeryMs. Catherine BertiniMr. & Mrs. Marion
E. BickfordDr. & Mrs. William
A. BillinghamDave Birchenough &
Carrie LazarusGuthrie & Louise BirkheadMs. Cynthia A. BlumeMrs. Diane BodenMarvin & Muriel BodleyDorothy & Jeffrey BooherWilliam & Audrey BoydBernard B. & Ona
Cohn BregmanMr. & Mrs. Joseph BrinMrs. William L. BroadPaul Brown & Susan
LoevenguthDr. Charles & Marian
BullockDr. & Mrs. Daniel BurdickRobert E. & Mary
P. BurdickDr. & Mrs. William
B.P. CadwalladerDr. & Mrs. Raymond
J. CassadyAnn R. & Stephen E. ChaseJames H. & Catharine
N. ChuDr. & Mrs. Chung T. ChungNicholas & Carolyn CifraMr. & Mrs. Richard
W. ClarkDr. & Mrs. Bill CohenIris & Elihu CohenMr. & Mrs. Robert J. CongelJames H. CoxJudith & Carl CrosleyBunny & Greg CrossDr. & Mrs. Theodore
G. DalakosEvelyn M. DavisChristie & Charles DeFazioMr. & Mrs. Robert
A. DerrenbackerMr. D.C. DittmerMr. & Mrs. Charles DoyleDavid & Robin DruckerMr. & Mrs. John W. DwyerBrian J. & Elizabeth EdwardBill & Betsy ElkinsGordon & Judy EyerMrs. Dorothy FagerstromMr. & Mrs. William FallonDr. & Mrs. Robert FeldmanPhilip & Barbara FerroPatricia & John FeyJohn M. & Marya FrantzMichael & Judith FrumkinCharles Gallagher
Harold & Janet GarmanMrs. Nan GartnerMr. David Georgius &
Ms. Elizabeth HughesConnie & Al GetmanGrace & Reno GhezziRev. Elizabeth R. H. GillettJack & Carol GleasonBarbara & Alan GoldbergDr. & Mrs. William &
Marilyn GraberJack & Yana GraverDrs. Louis M. Green
& Nanette SableJean GreeneMrs. Dorothy G. GriffinJudge & Mrs. John W. GrowEden J. GruenbergRobert & Ellen HagenMr. & Mrs. Lamont
W. HahnMarvin & Joan HahnMr. & Mrs. Albert
O. HalsteadDan Bingham &
Gail HamnerThe Stewart HancocksDouglas & Nancy HatchMs. Wendy HeathDavid Heisig &
Donna MaharE. Robert Heitzman, Jr.Rev. Kenneth C. HeuermannDrs. Richard & Janice HezelMr. John HoffmanMike & Vicki HoffmanMs. Ruth HotalingSharon & Richard
C. HowlandWu-Teh Hsiang &
Marjory BaruchRev. Patricia B. JelinekDr. & Mrs. Fathi JishiMr. & Mrs. Dudley
D. JohnsonMr. & Mrs. Stephen
L. JohnsonOlga & Ed KaishMr. & Mrs. John Ward KeibBruce D. KellerMartha KepplerMr. & Mrs. Walter KetchamRobert O. Kimball &
Beth LindermanJohn & Maren KingMr. & Mrs. Russell A. KingRichard & Sally KinseySpyros & Joan KitromilisDr. Nanci L. Knox D.C.Dr. Leslie Kohman &
Mr. Jeffrey SmithKaren & Larry KohnRobert & Suzanne KotcherMs. Mary Rose KottDr. & Mrs. David KunzHarry & Nancy LambrightLawrence & BJ Wright
Charitable FundJohn W. & Sue-Ann LengyelMrs. Marilyn LermanJoan M. LeskoskeLettie H. Rohrig FundBarbara & Bob LevineMr. & Mrs. Hank LiivDr. & Mrs. Robert E. LongConnie Lowe
Mr. & Mrs. David LysackRichard R. & Mary
H. MacSherryThomas & Anne MartinMichael Mazur & Anna-
Luise A. KatzensteinMsgr. James A. McCloskeyMary & John McNeillWalter & Gail MeagherMrs. Ann R. MelvinJohn H. MillerDr. Patricia C. MillerDr. & Mrs. Don MilmoreDr. Walter A. MinaertMs. June M. MitchellDr. Reid Muller & Dr.
Shelley GilroyBetty Jane &
Lawrence MyersLeslie & M. Robert
NeulanderLesley & Paul NewmanDr. & Mrs. John D.
NicholsonDr. & Mrs. Dana L. OviattMr. & Mrs. David
H. PanasciRobert & Teresa ParkeMr. & Mrs. Ralph PennerMr. & Mrs. David PerfettiMr. & Mrs. Donald
R. PerriconeCarol N. PerryThomas Krahe & Carl PeskoDr. & Mrs. Eric O. PettitMr. David PidaWilliam & Joan PoormanEdwin & Rosemary PostJames & Cheryl PriceDrs. Heidi & Mihael PucMr. & Mrs. H. A. PugsleyGary, Nancy & Lydia RadkeArlene M. RainoneAva & Irving RaphaelMarvin & Sylvia ReimerMs. Donnie RichmanElizabeth & James RingMrs. David RobinsonRev. John RoockGeorgina & Paul B. RothDr. Geeta RoyMr. & Mrs. Arnold
RubensteinMr. & Mrs. Melvin
RubensteinDrs. Lionel & Claire
RudolphMickie Rumaner in Memory
of Buddy RumanerRussell & Linda RuthigMs. Margaret RyanPatine & Byuong RyuPaul & Betsy SacksDr. & Mrs. Leonard
SavedoffDr. & Mrs. Ernest ScalzettiMr. Robert SchravenLois & Ted SchroederMr. & Mrs. George
J. SchunckHoward & Suzanne SearsDr. & Mrs. Kendrick SearsMike & Marilyn SeesThelie & Jon SelzerKenneth & Mary Ann ShawMr. & Mrs. Stewart
ShermanMr. & Mrs. Eli H. ShockeyDr. & Mrs. Thomas
R. SimonMr. James D. SmallDr. & Mrs. J. Robert SmithHarold & Ruth SmulyanMr. & Mrs. J. William
SorensenGeorge & Rita SouflerisL. F. SovikMr. & Mrs. Richard
C. SpeidelDr. Kenneth & Lois SpitzerMr. & Mrs. Lewis SpringerDrs. James & Lois StackHelene & George StarrElizabeth SteigerwaldMr. Edward C. StephensDr. & Mrs. Ralph L. StevensMr. & Mrs. James StevensonBradley & Nancy StraitMr. & Mrs. Charles
E. SwansonSally & Bob TheisMary & Jonathan ThompsonMs. Carla P. TillCarol & George TilleyCynthia & Charles S. TracyDick Tuttle & Sharye
SkinnerThe Van Sant Family
in memory of Walter Grunfeld
Anita & Robert WagnerDr. & Mrs. Donald
W. WashburnMr. Mike WatersRoger & Barbara WhiteMr. & Mrs. P. Owen
WillamanDr. Jannie WooMr. & Mrs. John ZawadzkiJohn J. Ziegler &
David W. TraversMs. Loretta A. Zolkowskii
Allegro $250-499Anonymous (9)Bud & Judy AdamsGeorge & Bev AdamsMs. Esther L. AdelsonE.B. AgrestiRita S. AlcornMr. David AllenDr. & Mrs. John AlleyDr. & Mrs. Robert AndersonNevart ApikianPaul & Kathryn Ann
ArchibaldDr. & Mrs. S. G. ArvantidesTim Atseff & Peggy OgdenDr. & Mrs. Lansing
G. BakerRev. W. Gary & Jean BakerGail & Dennis BaldwinJoe BallMichael BarkunMr. Alan BarnesJohn & Christine BartMr. & Mrs. Richard
L. BeebeDr. & Mrs. Richard
64 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ANNUAL FUND
H. BennettMr. & Mrs. Israel BerkmanDr. & Mrs. Frank
A. Bersani, Sr.Ms. Kathleen BiceJoyce A. BirdMarilyn M. BittnerMs. Elizabeth BlakelyThomas & Arlene BloomerHelen BoatwrightMr. & Mrs. C. Adam BockSue BoettgerMr. & Mrs. Edward
J. BognaskiMr. & Mrs. Robert BojanekMr. Robert BoscoLaurence & Lauri BousquetIrene BowenMr. Philip BradyGinny & Bill BrennanDr. & Mrs. Robert
A. BrennerMr. David BrittainMr. Harold E. BrittonThomas & Kristen BrittonDr. Michael J. BrodowskiJack & Charlotte BrownMrs. Joann P. BrownMark & Maren BrownMr. Ron BrownDrs. Scott & Tracy
BuckinghamMs. Mary F. BuckleyMr. David BurchMs. Rosalie BurdBrian & Mary Jane BurkeMr. & Mrs. Alexander
A. BurtonMrs. Cynthia CambareriDr. & Mrs. Salvatore
J. CaponeMrs. Mary CarelloMr. & Mrs. Martin
CarpenterMr. Richard E. CarrMs. Emily CarverMr. & Mrs. Robert
F. CaswellAl & Dotty CazaMr. & Mrs. Gerald CervoniDavid J. & Linda F. ChurchMr. & Mrs. Bart ClapsaddleMrs. Charles ClarkMr. & Mrs. Richard
G. ClarkWilliam & Sylvia CohenMilton & Margaret ColemanDr. & Mrs. George
H. CollinsCarl & Mary ColtonMrs. Carol M. ColvinMarguerite O. ConanMr. & Mrs. Robert
D. ConineMuriel ConnertonGeorge & Lis CouchDr. & Mrs. Timothy
M. CreamerDr. & Mrs. Donald
A. CrumbMr. & Mrs. Raymond
W. Cummings, Jr.Mr. & Mrs. J. Raymond
Curtin, IIIMs. Mary-Anne DeaneGeraldine de Berly, Ph.D.Mrs. Marilyn DeLorenzoLes & Marsha Deming
Mr. & Mrs. Sidney Devorsetz
Mr. Donald F. DewVirginia & Robert F. DeweyLarry & Rasheeda DewittMr. & Mrs. David DibbleMr. & Mrs. Donald DoerrAddie Rae & Dennis DoleMs. Anne DomanicoDr. & Mrs. Daniel
L. DombroskiNan & Patrick DorrKenneth DowdMs. Mary DowneyCorrine & Eugene DruckerSusan Drummond &
Patrick HahnPatricia & Dr.
Francis DurginRobert & Linda EberlyBarbara & Sarabeth EdlundMr. Calvin EdmistonMr. & Mrs. Paul EganDr. & Mrs. Robert H. EichMr. & Mrs. Craig EwartMs. Cissie FairchildsMr. & Mrs. F. William FaisMr. Kevin FayleRev. Janet Fechner-Pelletier
& Jeff PelletierJohn & Mary Jane
FennesseyBenjamin & Marsha FerraraMr. & Mrs. Russel FieldingJoseph H. & Lillian FischerDr. & Mrs. James B. FishJohn FolmerC. Gregory ForbesMrs. Rhoda FreedmanMr. Stan & Dr. Eileen
FriedmanDavid & Sylvia FryMr. David FulmerRev. & Mrs. Richard GahlMrs. Lillian B. GaleAllen & Nirelle GalsonMr. & Mrs. J. Michael GatesMrs. Earl GeorgeMr. & Mrs. Peter GibbsChris & Ed GibsonMr. & Mrs. Don A. GladleMr. & Mrs. Irwin GoldbergMs. Shelia GoldieMs. Lilia GonzalezGreg & Lisa GoodwinStephen & Julia GrazianoDr. & Mrs. Kenneth
R. GreenMrs. Jeanne GreenhalghDr. & Mrs. Seth S. GreenkyDrs. William & Ann GriffithJonathan & Elisabeth GroatMr. & Mrs. Joseph GrygaMr. Tim GuhlMs. Alice M. GuilfoosDr. & Mrs. Gabriel P. HaasKevin & Denise HanlonMs. Theresa HarrisMr. & Mrs. Richmond
S. HayesWill O. HeadleeMrs. Patrick HeagertyDr. & Mrs. H. Richard
HellstromElaine Abrams &
Lowell HenkinMary HershbergerMr. & Mrs. Greg Hinman
Kirk & Linda HinmanMr. & Mrs. Mark F. HinmanMs. Sally HinmanRandy Lalonde &
Patricia HomerPat & John HottensteinMr. & Mrs. John
HouseworthNorma Jean HussongRandy IrishEllen Cook Jacobsen, M.D.Ms. Marcia H. JamesMrs. Helen JenningsMary & LaRue JonesMrs. Mildred JonesLinda & Harvey KaiserDr. & Mrs. Ronald KamenyMr. James KanikStephen & Barbara KarpMr. John E. KeenanPat & Jim KehoeMr. & Mrs. Scott D. KelleyMrs. Mary Lee KellnerMr. & Mrs. David P. KennaMr. Rodney KentMr. John KiankaMr. & Mrs. Richard
C. KimmKathryn A. KingMs. Sandra KinsellaLorraine Rapp &
Jeffrey KirshnerMrs. C. Miriam KnoxLeslie Kohman &
Jeffrey SmithDr. & Mrs. Richard
KopeckyDr. Sylvia Betcher &
Martin N. KornMs. Barbara L. KotulaAnthony W. & Kathy KotzMs. Gloria KrehDr. Barbara E. Krenzer
& Mr. John StoneMrs. Richard KunderMrs. Thomas F. Kyle IIIMr. & Mrs. T. Hume
LaidmanMr. & Mrs. L. Herbert LangRichard W. LathamJeanne M. LawlerMary & Larry LeathermanDr. Susan LeesonMr. Richard LelongMr. Harry LevineMs. Lena G. LobelloStewart & Jenny LohCarlos & Louisa LopezDr. & Mrs. Eugene
C. LoznerMartha V. LyonHelen & Richard LyonsMs. Mary MaleskiMr. & Mrs. Paul D. ManionPeggy MarshallMs. Mary Lee MartensMary Lee & Ralph MartensCarolyn W. & Lloyd
F. Martin, Jr.Mary and Ted MascottJohn Mathiason &
Jan ClausenLes & Loretta MauerJohn & Margaret McDivittMs. Catherine McDonoughThomas J. McKay &
Dianne ApterRichard H. McMahon
Mr. William H. MeyerMr. William J. MeyerMr. J. William MignaultMr. & Mrs. Christopher
MillerDavid R. & Beth F. MitchellLeslie & Bernhard
MolldremMs. Pauline M. MonzMr. & Mrs. Joseph
MoormanDr. Frank T. MoranMr. Jon MosboDr. & Mrs. Arnold
M. MosesDonald & Annette MottMarcia K. MurphyCarl & Maggie NeuhierlMr. & Mrs. James
L. NewmanMr. & Mrs. James NicholasEdwina NortonDr. & Mrs. Michael NupufDaniel & Martha O’LearyJune A. OrgelMr. & Mrs. Karl OrlickMr. & Mrs. Michael O’SheaIrwin & Elaine PachterAnne PadgetLen & Judy PaduanoJoan & Lawrence PageCathy L. PalmWilliam ParryDr. Umesh B. & Viji PatilMs. Hilda PatoRon & Margaret PeckhamDr. & Mrs. William A. PennMrs. Sheldon P. PeterfreundBarry & Mary PickardNeva & Richard PilgrimElizabeth & John PlaceMaurice & Joan PomfreyAndy & Lorraine PompoHoward & Ann PortMr. & Mrs. Thomas
A. PotterMr. Scott PowersMs. Tina Press & Dr.
David RubinJohn & Murial PriantiNelson PriceDrs. Patricia A. Randall
& Stanley P. MeltzerLenore A. RapalskiDebbie and Joe ReaganMrs. Carol Recker-HughesDonald & Carol ReedMr. & Mrs. Marvin S. ReedDr. Mark & Connie RegerDouglas & Rita ReicherJet Heat, LLC - Art
& Jeanette ReidThe Dorothy & Marshall
M. Reisman FoundationClaude J. ReithDonald & Joan RichMs. Dorothy W. RiesterThomas Rinefierd &
Mary BeckelhimerValerie RobbinsDr. & Mrs. Frederick
N. RobertsBuzz & Gretchen RobertsMr. & Mrs. Richard
P. Robinson
Mr. & Mrs. Terrence L. Roche
Bill & Karen RocheMr. & Mrs. Ronald
J. RohmerPaula Rosenbaum &
Jacques LewalleMr. & Mrs. Neil RosenfeldLois RothDonald & Susan RothwellMrs. Elaine RubensteinMr. & Mrs. Anthony RussoMr. Ernest L. SarasonMr. & Mrs. William
E. SavageAlbert & Marijean SchaeferDr. Ellen Schaeffer &
Dr. John FazioTony & Jackie SchianoHerbert & Hillery
SchneidermanJames & Jean SciaraMs. Shari ScottMr. & Mrs. David ScrimaleMr. & Mrs. Thomas A. SearsDonald SeibertPatricia SharpeJim & Polly ShaudTina & Chris ShepardsonDr. & Mrs. Edward ShillitoeJudge & Mrs. Richard
SimonsMr. & Mrs. Robert
N. SkalwoldKaren Quint & David SmallMiss Charlotte SmithGlenn SpiegelDr. & Mrs. Michael
SponslerMr. & Mrs. Charles
M. SprockMr. Sriram SrinivasanJeanne & David StanleyMichael & Kathleen
StapletonMrs. Duane SteinerKhatuna & Jason
StepkovitchMary & Milton
Stevenson, IVNona D. StewartMr. & Mrs. James R. StoneMr. & Mrs. John J. SutterMr. & Mrs. Roger
W. SwansonDr. Miriam SwiftMr. & Mrs. James TalamoMr. & Mrs. Daniel TartagliaMr. & Mrs. Leland TaylorMr. Stewart ThauDorothea TheodoreEleanor TheodoreMrs. Nancy E. TiedemannDr. & Mrs. James G. TifftNorma TippettArthur TollJames & Suzanne TompkinsBarbara & William TracyAlex & Pat TurkettDr. & Mrs. Hideo UeharaMark J. Van HusenMrs. Charlotte Van LoanMs. Susan VendittoMrs. Ursula VenierMr. & Mrs. Larry VicksMr. & Mrs. John V. VinquistEarl & Jean Voorhees
Ms. M. Kristine Waldron & Mr. Burton W. Thomas
Mr. & Mrs. Robert WallJo Ann WallaceBen WareMr. Torin WashingtonMr. & Mrs. Clifford WatkinsMark Watkins &
Brenda SilvermanRose & Philip WeaverLaurence & Linda WebsterGustave & Erna
Wedemeyer, Jr.Ms. Miriam WeinerMr. Edward WeinheimerMs. Agnes H. WeisBarry & Kathleen WeissMr. Charles L. WestMs. Mary K. WestMs. Rebecca F. WestJean & Steve WhalenMs. Patrica A. WilderFather Leo WileyKenneth & Nancy WilliamsMs. Hildegard WillisMr. & Mrs. Jeffrey WittigJohn & Mitzi WolfMr. & Mrs. Bernhard
I. WolffJean B. WolffKaren Lawitts &
Howard WolhandlerLinda WozniakMr. & Mrs. Roger E. YanowPolly YoungRobert & Mary ZimmerRick & Colleen Zogby
Andante$100-249Anonymous (41)Mr. & Mrs. William
E. AbdallahHarriet & Jerrold AbrahamCheryl and David AbramsDr. & Mrs. Russell
A. AcevedoHelen & Ted AckroydMr. & Mrs. John W. AdamsDr. & Mrs. Mark AdelsonDr. & Mrs. Stephen AhlgrimMr. & Mrs. Carl AhnertMr. & Mrs. Thomas AistonRonald & Dorothy AjemianMr. Wilbur Albrecht IIIBarbara & Douglas AllenRev. & Mrs. Robert AllenHonorable & Mrs.
Anthony AloiEttarae & Herbert AlpertMs. Ella M. AlsheinerRoger & Rosa AltmanMs. Barabara AlvordJoseph & Susan AmoreMr. & Mrs. Douglas
AndersonMrs. Charlotte AngellMs. Jeanette C. AngellMrs. Hernando ArandiaMrs. Maria AraujoMr. & Mrs. Manuel AresMarian N. AtkinsonMr. Bob AttridgeCarl & Mary AustinDr. & Mrs. Lester E. AustinDonald & Allene Ayling
www.upstate.edu/gch/
Opening Summer 2009
66 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ANNUAL FUND
Ms. Marilyn BaaderMrs. Gordon W. BabcockMr. Samuel BadalianMr. & Mrs. Holmes BaileyMr. & Mrs. James R. BakerMr. Michael BalduzziMr. & Mrs. Edward
S. BalianMs. Amy BalogMs. Theresa BalotinMr. Christopher BaltusEdward & Joan BangelMollie & Charlie BangsRichard & Nancy BaranelloJeffery BarberoDr. & Mrs. Michael BarkunAnn & Mark BarlowMs. Joan BarnesMrs. Gary L. BartellMr. & Mrs. William BartellaMs. Lynette BartlettRichard & Susan
BartolomeoMs. Janet BartowMichelle & Joel BassMr. & Mrs. Ronald BassettMr. & Mrs. Charles
BatchelderMr. & Mrs. Robert BatleyDr. Cynthia BattagliaDr. & Mrs. Gregory
A. Baum
Charles & Elizabeth BeachMs. Suzanne B. BeechingMrs. Suzanne BelleGwynne & Neal BellosMr. & Mrs. Peter BensonRoberta BenvenutiMr. William BercumeMrs. Archangel BergJulia BerganMr. & Mrs. Thomas
E. BergemannMs. Arlene BerkmanMr. & Mrs. Murray BernthalDr. Carol BerriganHerbert & Myra BerryRobert & Ivy BesdinLynn BeverageDilip L. BholeMrs. Mary BickfordMr. John BiermanSusan J. BiglerDr. & Mrs. Richard E. BilboStanley & Clara BinghamSue & Tim BinghamBarbara & Gerald BlackDr. & Mrs. Robert M. BlackMrs. Vivian BlackMs. Patricia BlackwellMr. & Mrs. Allen W. BlairRichard & Andrea BlairMoira & Beau BlairMrs. Beverly E. Blanchard
Mr. & Mrs. Carlton Blanchard
Mrs. Edmond BleibtreyMr. & Mrs. David T. BlissMr. & Mrs. Albert BlissertKarl & Florence BlixtMs. Barbara BloomCarl & Janet BollerMr. Paul BoltonJune R. BombergerNancy K. BondMr. Chris J. BonnerDr. & Mrs. Elwood F. BoothJon & Patricia BoothMr. & Mrs. Bruce
BorensteinMr. Miles BottrillBeth BoudreauDr. & Mrs. Fouad BoulosMargot BourkeMr. Fred BrabantMrs. Maxwell BraceNancy & Roy BraggerMr. & Mrs. Joseph BrandJoost & Ulla BraszMargaret BratgeRichard & Barbara BrattWalter & Marjorie BrauerMarcia BrenizerMr. & Mrs. Edward BrennanElizabeth T. BrevettMr. & Mrs. Daniel Brisk
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Anoplate Corporation provides surface engineering solutions to industrial manufacturers worldwide to overcome the rigors of corrosion, friction and wear. As an ISO 9001 and ISO 14001 registered firm, Anoplate is committed to serving its customers, employees and community with quality electroplating and anodizing services performed in an environmentally responsible manner. Contact Anoplate for engineered
solutions to your product’s surface requirements in the medical, defense, aerospace, computer, electronics or mass transit industry.
Carrier Corporation enthusiastically supports the Syracuse Symphony Orchestra. Central New York is justifiably proud of our orchestra and its substantial contributions. Carrier is proud to be a continued supporter of the arts and culture in this community.
The Wellington House has been providing Central New York with the perfect setting for all types of functions for over 30 years be it Weddings and Rehearsal Dinners, Birthday Celebrations,
Anniversaries, Graduations, Family Reunions, Corporate or Business functions, luncheons or meetings. The Wellington House is a fabled old mansion located in the heart of Fayetteville across from the Fayetteville Town Center. It is furnished with oriental rugs, furniture, antiques and posters from the 1920’s. The Wellington House is not only noted for its charm, but elegance, fine dining, service and privacy and offers valet service for most functions. For further information, please visit our web site at: www.wellingtonhousefayetteville.com or we can be contacted at: [email protected] and by phone at: (315) 637-3155
With nearly 12,000 students and 40,000 alumni, Onondaga Community College is the second-largest undergraduate institution in Central New York and in 2007 and 2008 was named one of the fastest-growing community colleges in the country by Community College Week. Onondaga offers nearly 50 programs of study, bachelor and master’s degrees available on campus through a partnership with Keuka College, and more than 80 other transfer agreements with four-year colleges and universities. The 270-acre hilltop campus offers panoramic views of the city, three state-of-the-art residence halls and Arts Across Campus, which offers a arts and cultural programming to students and the community alike. Recent arts initiatives include a partnership with Sculpture Space and a self-guided Sculpture Tour featuring ten unique outdoor monumental sculptures from local and nationally-known artisans. Onondaga is home to the 2008 NJCAA national champion men’s tennis team and the 2006 and 2007 NJCAA national champion men’s lacrosse team and offers nine intercollegiate men’s and women’s athletic teams. In 2008, Onondaga publicly launched its first Capital Campaign in a decade, Reach Beyond: The Campaign for Onondaga Community College. The campaign seeks to raise $6 million for the Presidential Scholars Program, the Children’s Learning Center, the Employee & Innovation Fund and the Onondaga Arena and Sports Complex. More than $3.7 million has already been raised.
Wellington House
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Marjorie MellorGoldye MeltzerMr. Luis MendezMs. M. Menon M.DClark R. & Nancy MercerBen & Julie MerchantMr. & Mrs. Merino
Merola, Jr.Ann S. MerrillMs. Faith MerrillBert & Peggy MersereauDr. & Mrs. Robert MesiresMs. Hope R. MetcalfHelen G. MeyerMary Ann MeyerMr. Frederick J. MicaleBeverly & Martin MichaelsDr. & Mrs. Paul MichaelsonDr. & Mrs. Donald B. MillerMs. Donna MillerDr. James A. Miller &
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MontgomeryCarl & Clara MonzMs. Mary K. MooreMrs. Francis L. MoranMrs. Susan MoranMs. Karen MorelRev. Elizabeth R. Morey &
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The Syracuse Symphony Orchestra strives to provide an accurate and complete list of its members. However, if your membership is not listed, or is listed
incorrectly, please contact the Development Office at (315) 424-8222, ext. 244.
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L. ReaganMr. & Mrs. Jack RealeMr. & Mrs. Bruce
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E. Robertson
Joyce & Jack RobertsonMs. Cheryl RobinsonMr. & Mrs. Edson
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M. SanfordJean M. & Joseph W. SangerC. James SantoferraraMr. Gerald SantoferraraDr. Robert G. SargentMrs. Dorothy SarvayMs. Kathleen SauroAllan & Elissa SawyerCharles & Alyce SawyerMrs. Jennifer F. ScalioneKelly & Tony ScalzoMs. Ann ScanlanLois & Mike SchafferRobert D. SchafferMr. & Mrs. Dolph SchayesRev. & Mrs. Richard
SchefflerGary & Maureen SchillerMs. Suzanne SchillerMr. Bernard A. SchmidtMr. & Mrs. Timothy
SchmidtMrs. Jane SchmittMr. & Mrs. John SchneidMs. Dora SchneiderHelju & Bernard SchneiderMs. Jacqueline
Schneider-RevetteDr. & Mrs. Edward
SchoenheitMs. Anne SchofieldDavid & Marcia SchotzMr. Irving SchotzMr. & Mrs. William SchuHonorable Jack &
Sybil Schultz
Richard Schultz & Mary Dunn
Louise SchulzMs. Hildegard B. SchulzeJohn & Suzanne
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G. SollishMr. & Mrs. Paul C. Soper Jr.Alfred & Janet SopperMr. William SovikMr. Patrick SpadaforaMark & Beverly SparlingRichard & Patricia SparrowRuth SpeiserRichard & Susan SpenceMr. & Mrs. Edward Spencer
Ralph & Marion SpencerThomas SpencerArlene & Larry SpizmanWilliam & Patricia SpizuocoDouglas & Karen SpoonerLawrence & Beverly
SpoonerMr. & Mrs. Robert SprafkinMs. Juanda StackhouseGeorge C. StaffordMrs. Irene L. StaffordDrs. David & Deirdre StamMr. & Mrs. David St. AmourMarion StanislawMs. Marian M. StantonFrances Abriola &
Jay Stark, MDMrs. Michael StasiwMr. & Mrs. Donald StehleMrs. Virginia SteigerwaldMatthew & Lynn SteinbergCat StephensChristine StephensonMartha StevenerAnn Roesgen StevensGlenn & Ann StevensMr. & Mrs. Edgar StevensMs. Mary StevensMrs. Audrey StevensonMr. & Mrs. Arthur Stever, IIIMs. Cynthia StewartDr. & Mrs. James P. StewartMs. Susan StilesMr. & Mrs. Jonathan StoberlMs. Wendy StockwinDr. & Mrs. Frederic StoneMr. & Mrs. John P. StopenMrs. Nita J. StormannMark & Linda StorringsMrs. George Strang in
memory of George StrangMr. & Mrs. Raymond
Straub, Jr.Mr. & Mrs. Richard StraussDr. Barbara StreetenMr. & Mrs. John C. SudduthMrs. Pamela SunshineDr. & Mrs. Zigurd SuritisAnn Sutherland &
Mark MeisnerDouglas Sutherland &
Nancy KramerBarbara A. SuttonDrs. John & Anne SveenMr. David SvendsenMr. & Mrs. Richard
A. SwansonCarl & Suzanne SweeneyDavid & Barbara TaggMr. & Mrs. Paul TaggettMs. Margaret TandohMs. Thelma M. TarbellMr. & Mrs. Philip TaurisanoBarfoot - TaylorMr. Frederick H. Taylor, Jr.Justin & Debra TaylorMrs. Gertrude TeckMr. & Mrs. Frederick
V. TeillonMr. & Mrs. James TelonisJohn & Tammy TerpeningMr. Carl TerryMr. Raymond R. ThielkeMr. & Mrs. David
ThompsonMr. & Mrs. Oscar
ThompsonVirginia C. Thorne
Mrs. Virginia ThorneMr. & Mrs. Eric ThreshAngela P. ThurlowMr. John TiffanyMs. Karen TifftMs. Margaret TimofyMs. Santa J. TindallLarry & Suzanne TingleyMr. Robert L. TisdellMs. Patricia TobinMr. & Mrs. O. Perry TookerTed & Carolyn TopalianDavid J. & Diane ToscanoMr. & Mrs. Wilbur
TownsendMr. & Mrs. G.
Thomas TranterJames A. Traver &
Marguerite ConanMs. Joan TreadwellMr. & Mrs. John TreadwellDennis & Deborah
TrepanierMary & Andrew TresnessMrs. Gitta TrippanyLewell and Catherine
Troast Jr.Richard & Mary
Anne TrompeterMr. & Mrs. Jeffrey TrueMrs. Juanita TschudyTom & Mollie TuckerMr. Richard TuckerCarl & Diane TurnerDr. & Mrs. Eugene TurnerMr. & Mrs. Terry &
Lydia TurnipseedMr. & Mrs. Thomas TuroMr. & Mrs. Robert TwardzikMr. Francis UhlirMr. David UrbanGustav Niebuhr
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72 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
ANNUAL FUND
Drs. Hayes Wanamaker & Tammy Anthony
Bruce Ward & Sarah WiderMr. George WardMs. Jane WardMrs. Betsey D. WarnerMs. Janice WarnerMs. Melissa WashingtonJames & Jackie WassenaarLouis & Tikva WassermanGeorge & Shirley WatersMr. & Mrs. Richard
J. WatkinsMs. Patricia WatsonMs. Priscilla WatsonMs. Mary WayDrs. Stephen &
Margaret WebbMr. & Mrs. T.
Edmund WebbMr. & Mrs. Norman
Webber, IIIDr. & Mrs. Daniel WeberMs. Laraine WebsterDr. & Mrs. Irwin WeinerTom & Gladys WeinmanHarold & Ralpha WeisbergDr. Richard Weiskopf &
Ms. Linda A. DeStefanoDr. & Mrs. Robert J. WeissMs. Maureen WeitzelMr. & Mrs. Brian Welder
Mrs. James WertzMr. Donald J. WesternDr. & Mrs. Robert
E. WestlakeMs. Marcia WheelerDavid & Patricia WhiteMrs. Nathaniel WhiteWilliam & Janet WhylandMs. D.J. WhyteDr. & Mrs. Kenneth
P. WickmanMrs. Mary WiesnerGarrett & Marilyn WiggersBetsy & Jim WigginsMr. & Mrs. C. Donald
WilliamsMr. & Mrs. Charles
WilliamsMr. Clarence WilliamsHugh & Jean WilliamsMs. Linda WilliamsMs. Marlene WilliamsMr. & Mrs. Thomas
WilliamsDr. Traci WilliamsMrs. Carolyn WilsonHarry & Mary WinbergMs. Catherine WingerThe Rev. & Mrs. John
A. WingertMs. Margaret WinterMs. Virginia Winters
Phyllis B. WiseMr. & Mrs. David WissinkMrs. Rochette S. WithersMr. Wilfred H. WithersMr. & Mrs. Timothy
& Jane WitzMs. Allison WoegerKaethe & Jochen WoickeLarry & Janet Wolf In
memory of Frederick WolfDrs. Cynthia Wong &
Joseph PinkesStewart & Mary Jane
WoodcockJohn & Elizabeth WoodsMs. Lois WoodsMr. Richard M. Woods, Jr.Rodger & Donna WoodsMarsha & James WoosterRev. Dr. & Mrs.
Landrum H. WootenMr. & Mrs. Paul A. WorlockMr. & Mrs. William
H. WormuthFred & Joan WozniakMr. John A. WrapeBruce WrightMs. Olwen T. WrightMr. & Mrs. John C. WymanMr. & Mrs. Harry Yeiser, Jr.Mr. & Mrs. Douglas
H. Young
Mrs. Verena YoungDr. & Mrs. Andrew ZaleskiCarol & Horace ZellarMr. & Mrs. Eric F. ZeltmannMr. & Mrs. Edmund
J. ZielinskiMr. Tom ZientekMr. & Mrs. Brian ZinkLinda & Peter ZubalWoickeLarry & Janet Wolf In
memory of Frederick WolfJean B. WolffMr. & Mrs. Robert
J. WondrackDrs. Cynthia Wong &
Joseph PinkesStewart & Mary Jane
WoodcockJohn & Elizabeth WoodsMr. Richard M. Woods, Jr.Rodger & Donna WoodsMarsha & James WoosterRev. Dr. & Mrs.
Landrum H. WootenMrs. Cynthia Worden LeeMr. & Mrs. Paul A. WorlockMr. & Mrs. William
H. WormuthLinda WozniakMr. John A. WrapeBruce WrightMs. Olwen T. Wright
Ms. Phyllis WrightMr. & Mrs. John C. WymanMr. & Mrs. Harry Yeiser, Jr.Mr. & Mrs. Douglas
H. YoungMrs. Verena YoungMs. Joyce ZadzilkaDr. & Mrs. Andrew ZaleskiCarol & Horace ZellarMr. & Mrs. Eric F. ZeltmannRev. Donald Zewe, S. J.Mr. Tom ZientekMr. & Mrs. Brian ZinkLinda & Peter Zubal
In Memory of Albert Lawrence BanerMary Ann Baner
In Memory of Bernard A. Bernstein, M. D.Mrs. Carolyn H. Bernstein
In Memory of Ralph BeVard, Sr.Marcus BeVardMrs. Ralph BeVardEraser Company
In Memory of Ann BoucherLeonard & Ginny Chmielewicz
In Memory of Loretta & Robert BrownMs. Sandra L. BrownWarren & Connie Emerson
In Memory of Miriam BrownMr. Ron BrownMr. & Mrs. Philip CliftEleanor R. FilburnMr. & Mrs. Patricia MainThaddeus & Shannon MantaroMr. & Mrs. Theodore NalleMr. & Mrs. John O’DwyerMs. Laura RothschildArlene & Larry SpizmanSUNY Oswego Physics DepartmentMr. Garo & Mrs. Sue Taft
In Memory of Ralph M. CobleFaculty & Staff of Harrisburg Area Community College His Children
In Memory of Cleveland Ward CochranMs. Gretchen StappenbeckSyracuse Symphony Musicians Association
Ms. Patricia SharpeMr. & Mrs. Kevin Edgar
In Memory of Rodney EmersonWarren & Connie Emerson
In Memory of David FirleyMr. & Mrs. Charleton Masten
In Memory of Terry ForanMr. & Mrs. Leonard Chmielewicz
In Memory of Mr. Daniel GrossmanMs. Jackie AyresDr. & Mrs. David CicconeDr. & Mrs. Bill CohenSharry W. DoyleKay FeyGreen & Seifter, Attorneys PLLCMr. & Mrs. William & Judy HiderHospice of the ValleyElaine & Steven JacobsMs. Mildred MatuszakMr. & Mrs. Fran & Letha PalczynskiSeymour & Marilyn RibyatMrs. Dene SarasonMs. Mildred SauterMr. Steven St. Amour
In Memory of Walter GrunfieldThe Van Sant Family in memory of Walter Grunfeld
In Memory of Bruce O. JacobsJoan G. Jacobs
In Memory of Fred LermanSidney M. & Winifred E. GreenbergDr. & Mrs. Daniel HarrisMarilyn LermanClifford W. & Marjorie Mellor
In Memory of Charles LeVineGeorge & Bev AdamsCarl & Janet BollerMr.& Mrs. Ralph J. BrownLeonard & Ginny ChmielewiczMs. Annette DenardoElfun Society - Syracuse ChapterMr. & Mrs. Jeffery FunschMr. & Mrs. Douglas HindsMs Mary H. JerniganMs. Lois KempsonMr. Harry LevineMr. & Mrs. Hank LiivMs. Rebecca LoosMr. Robert MckayMr. & Mrs. Donald NashMr. & Mrs. John O’RourkeOnetia PiersonMr. & Mrs. Boyd RimelMary & Andrew TresnessJim & Annetta TurekDr. & Mrs. Harold H. WanamakerMr. & Mrs. Kenneth D. Williams
In Memory of Anna M. NowickiMarcia NeumillerJill WalshBetty HillMary Lou SmullenPat HowardGinny ChmielewiczLaurie Olander
In Memory of Cathy & Stewart ThauMrs. Glenda CrenshawMrs. Anne HayesMrs. William C. Jordan
In Memory of Dr. Soriano Uy SoDr. Mohamed AhmedMrs. Hernando ArandiaMichelle & Joel BassMr. & Mrs. Edward J. BognaskiCNY Chapter American Harp SocietyMs. FIlomena DalopeDr. & Mrs. Daniel L. DombroskiMr. & Mrs. John GodwinMrs. Ursula Kwasnicka-SoMr. Daniel P. MalayDr. Antonio MarasiganDr. & Mrs. Anthony PapaliaMs. Emma Lorene PagcliwaganMr. & Mrs. Michael ParobekMs. Kay ScottMr. & Mrs. Tomasz SkwarnickaMs. Patricia SharpeSyracuse Symphony Musicians AssociationMr. Edward UyMr. Kevin UyMs. Regina UyMr. & Mrs. Zygmunt WychowskiDr. & Mrs. Andrew ZaleskiDr. & Mrs. Jozef J. Zwislocki
In Memory of Allen SpeiserRuth Speiser
In Memory of Dr. Irwin K. StoneMollie & Charlie BangsMr. & Mrs. Paul W. BrownMrs. Ted FibisonDr. & Mrs. James B. FishDr. & Mrs. Henry L. GeorgeAnn Glanton
Mr. Richard GrissingerMr. & Mrs. Frederick S. HaggertyOlive B. HoffmanJohn & Carole HoffmanRobert & Kristin HoffmanMrs. Robert G. HorrMr. Darryl KingMs. Barbara LadukeDr. & Mrs. Bernard R. LustickMrs. Leonard MarshMs. Hope R. MetcalfMs. Barbara MeyerdierkDr. James OliverMr. & Mrs. Robert ParkerJanet ProbstMr. & Mrs. Edson E. RobinsonMr. John SheehanMs. Janet SummervilleMrs. Frederick H. Taylor, Jr.Ms. Marcia TreadwellWest High School World Languages DepartmentMr. & Mrs. P. Owen Willaman
In Memory of Arthur WestMs. Elizabeth BlakelyMs. Mary K. WestMr. Charles L. West
In Memory of Frederick Ian WolfLarry & Janet Wolf
In Honor of the SSO Administrative StaffSelma RadinKaren Gahl-Mills & Larry Mills-GahlDaniel & Katarina Hege
In Honor of our 50th Wedding AnniversaryMs. Sylvia Miske
In Honor of Mackenzie & Meaghan AllenRev. & Mrs. Robert Allen
In Honor of Betty Cynthia DavisJudith Jager & Stuart Davis
In Honor of Dr. & Mrs. Robert LockwoodBeth Boudreau
In Honor of June MitchellMrs. Donna Neuhauser
In Honor of Rev. & Mrs. PotterDr. Rebecca K. Potter
In Honor of David RidingsDrs. Michael R. & Colleen O’Leary
In Honor of Mike & Lois SchafferMrs. Arthur A. West
In Honor of Ross SeigartMrs. Corinne H. Farnham
In Honor of Torin WashingtonSelma Radin
In Honor of Peggy WestLois & Mike SchafferMr. & Mrs. J. William Sorensen
In Honor of Ruth WinstonHarold & Irene SmallRoberta & George Wladis
A special thank you to the following individuals who have made gifts to the Syracuse Symphony Orchestra in honor of or in memory of a family member or friend.
73F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
THE CHRISTOPHER KEENE LEGACY SOCIETY
How to make a planned gift to the Syracuse Symphony Orchestra
Thank you for considering a planned gift to help support the Syracuse Symphony Orchestra. We know that if you make a contribution, it will be because you believe in what we do, and because you want to help make a difference in the lives of others. We’d also like to make sure you benefit from making a gift to us. The Christopher Keene Legacy Society is set up to recognize patrons who have decided to make a planned gift, ensuring the future excellence of the Syracuse Symphony Orchestra.
Your planned giving optionsWill/Living Trust – You can name a beneficiary in your estate plan by visiting with your estate planning attorney and having a new will or revocable living trust drafted. If you already have these documents in place, you can easily make a beneficiary change by having your attorney draft a codicil to your existing will or an amendment to your revocable living trust.
A specific bequest gives a specific dollar amount or asset“I give the Syracuse Symphony Orchestra, ($___ or designated asset.”A residuary bequest gives a percentage of your estate after other bequests are made.“I give ____ percent of the residue of my estate to the Syracuse Symphony Orchestra.”
Life Insurance Policies – Life insurance is a popular method of providing much-needed fund to a beneficiary at your death. It is also a low-cost way to provide a large benefit for someone in need. Life insurance proceeds are almost always income tax-free to the beneficiary. Simply contact your insurance company for a change of beneficiary formYou would then decide what percentage of the policy’s value you would like delegate. Life Income Gifts - A life income gift allows you to make a substantial gift of cash, appreciated securities or real estate, while retaining income for your lifetime. You can receive tax benefits such as charitable income tax deductions, avoidance of capital gains tax, increased and possibly tax-free income. Charitable Remainder Trusts and Charitable Lead Trusts are just two examples of life income gifts.
For more informationOur staff is readily available to assist your in any questions that you may have about estate planning.
For questions, please contact Jessica Logan at (315) 424-8222, ext. 242.
Bruce & Patricia BakerBob & Marion BarberoNorma E. Bentley*Barbara BloomDr. & Mrs. William T. Bradner
Penny Eger & Mary Jane OsborneGary GrossmanPeter & Mary HuntingtonRichard & Lois KearneySara Keene
Susan KlenkYvonne & Dan KoslandHorace J. Landry*Judith McAllasterHenry* & Faye PanasciMrs. Sheldon Peterfreund
David Rubin & Tina PressIlse Ruppel Salomon* In Memory of Dr.
Kenneth RuppelPhyllis & Doc SchwartzJohn Sheehan
Milton & Ann StevensonDouglas SutherlandJack & Claudies WellsJoanne Zinsmeister-Yarwood
*deceased
We honor the following individuals for their foresight and commitment to the future of the Syracuse Symphony Orchestra:
74 F E B R U A R Y | S Y R A C U S E S Y M P H O N Y O R C H E S T R A
PATRON INFORMATION
SSO Box Office/Customer ServiceMonday-Friday, 10:00 a.m.-5:00 p.m.Saturday, 12:00 p.m.-5:00 p.m. (8:30 p.m. concert nights)(315) 424-8200 or (800) 724-3810Located at street level in the Mulroy Civic Center411 Montgomery Street, Syracuse, NY 13202www.SyracuseSymphony.org
Theater ManagementThe Mulroy Civic Center is managed by Oncenter. For further information, contact Sales and Marketing at (315) 435-8000.
Fire NoticesThe red EXIT sign nearest your seat is the shortest route to the street. In the event of fire or other emergency, PLEASE DO NOT RUN...WALK TO THAT EXIT.
Handicapped AccessibilityAccommodations for wheelchairs and disabled persons are available at the theater. For SSO concerts, space is limited for wheelchair seating on the orchestra level; please let the Customer Service Center know your needs. The theater has an elevator for the convenience of patrons.
Coat CheckA coat check is provided in the main foyer next to the Box Office where personal apparel or packages may be stored. Theater management is not responsible for personal belongings left in the hall.
Phone ServiceTheater staff will attempt to find you in case of an emergency during the performance if you leave the following information with your service or babysitter: Name of the show you are attending and seat location. The phone number you should leave for your caller is (315) 435-8053.
SmokingNew York State Law strictly prohibits smoking in the building.
Food and BeveragesCash bars are open in the theater lobbies 30 minutes before the beginning of an event. Food and beverages are not permitted in the auditorium. Dinner available during M&T Bank Pops performances and selected Post-Standard Classics concerts starting at 6:00 p.m.
First AidContact your nearest usher if you require assistance.
Photographs, Videos and RecordingsSection 31.0 of the New York State Arts and Cultural Affairs Law prohibits the use or possession of any recording or photographing device at a live performance.
LatecomersAs a courtesy to patrons and the Orchestra, latecomers will not be seated until the completion of the first selection, or at an appropriate break.
Listening SystemFor hearing impaired concertgoers, the theater is equipped with an infrared listening system. Headsets are available at no charge from theater management one hour before curtain time. This service is free of charge.
TICKET HOTLINE (315) 424-8200 OR (800) 724-3810
Online Ticketing at www.SyracuseSymphony.orgAll concerts presented at the Mulroy Civic Center
at Oncenter unless otherwise noted.
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