tesi didattica dello strumento mysj77
TRANSCRIPT
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I test indicano: nome alunno e insegnante-data di esecuzione
Punteggi base: possibili sino a 40 punti /risposte nel punteggio singolo (tonale e ritmico)
Percentile su base 80 (40 +40)
fino a 20 Low = attitudine bassa21-79 Average = media80 e oltre High = alta
Si riportano in questa sede i soli punteggi e tipo di risposte sbagliate.
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grade Ton Rit Com Ton Rit Comp
SIMONE:simone-vera 06 35 35 70 35 60 50
A A AIMMA 16/10/08Risposte errate TONALI (8,20,28,31,38) D S S S S ha sentito diversi
2 pattern uguali e viceversa simili 2 diversiRITMICHE (16,19 24,3135) D D D D S
simonefine 06 39 36 75 90 70 85H A H
IMMA 17/03/09ERRATE TONALI 37, D R 16,24,31,35 S D D D
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grade Ton Rit Com Ton Rit Comp
ILARIAIlaria vera 06 34 35 69 20 60 40
L A AIMMA 29/09/08Errate T 4,11,20,28,31,40 S D S S S S R 8,26,31,35,39, S D D S D
Ilaria2 vera 06 37 35 72 65 60 70A A A
IMMA17/03/09ERRATE T 20,28,34 S S S R 19,20,27,35,39 D S S S D
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grade Ton Rit Com Ton Rit Comp Liv.
LEOPOLDOLeopoldo vera 06 40 37 77 99 80 93
H H HIMMA 02/10/08
GIULIAGiulia 06 32 32 64 5 30 10
L A LIMMA 16/10/08Errate T 14,19,23,32,36,38,39,40R 19 ,23,24,26,27,28,30,31
Giulia2 06 36 34 70 50 50 50 A A A
IMMA 17/03/09Errate T 31,37,38,40 S D S S R 8,9, 10,26,33,34 D S D DD
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FRANCESCO-GRUPPO DI CONTROLLO
Grade Ton Rit Com Ton Rit Comp
Francesco 06 33 31 64 10 20 10L L L
IMMA 21/11/08
Francesco2 06 34 32 66 20 30 20L L L
IMMA13/01/09
FrancescoFine 06 35 35 70 35 60 50A A A
IMMA 23/04/09
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grade Ton Rit Com Ton Rit Comp
MICHELA
Michela 05 34 33 67 20 40 25L A A
IMMA 03/10/08
Errate T 7,20,28,31,38,40 S S S S S
R 1,7,9,14,27,29,35 S S S S S
Michela2 05 36 36 72 50 70 70 AA A
Errate 20,28,31,40 SS S S
R 14,19,24,35, S DD S
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FRANCESCO SCALA - AMPIEZZA
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FRANCESCO SCALA - SPETTRO
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FRANCESCO SCALA – SPETTRO INGRANDITO
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LEOPOLDO DUVERNOY - AMPIEZZA
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LEOPOLDO DUVERNOY – ARMONICHE – fondam, 1, 6 armon, no 10
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ILARIA PIATTA – AMPIEZZA - -9db, -12db, poco margine
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• ILARIA PIATTA - AMPIEZZA
ILARIA PIATTA - SPETTRO
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ILARIA PIATTA – ARMONICHE – 1 armon > fondam, armon poco elev
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ILARIA PIATTA – SPETTRO INGRANDITO – uniforme, andam confuso, mov dito veloce
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ILARIA PIATTA – LA4 FOTO1 – in fase
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ILARIA PIATTA – LA4 FOTO2
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ILARIA PIATTA – LA4 FOTO3
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ILARIA PIATTA – LA4 FOTO4
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ILARIA BELSUONO – AMPIEZZA - -7/9db, -6db, maggiore il forte
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ILARIA BELSUONO – SPETTRO – differenza picchi costante
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ILARIA BELSUONO – ARMONICHE – timbro più corposo, fondam < 1 e 2 arm, no disp
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ILARIA BELSUONO – SPETTRO INGRANDITO – suono cantabile, non vuoto
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ILARIA BELSUONO – LA4 FOTO1 – in fase ma più intenso per ampiezza
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ILARIA BELSUONO – LA4 FOTO2
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ILARIA BELSUONO – LA4 FOTO3
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ILARIA BELSUONO – LA4 FOTO4
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GIULIA VALZER – AMPIEZZA – sonorità tutta troppo forte
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GIULIA VALZER – SPETTRO – poca escursione tra valori
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GIULIA VALZER – SPETTRO INGRANDITO – forte intensità, casuale
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GIULIA VALZER – LA4 FOTO1 – fondam molto presente, suono definito
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GIULIA VALZER – LA4 FOTO2 – arm poco intense e distanti, suono duro
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GIULIA VALZER – LA4 FOTO3 – 2 arm (3 picco) contro-fase
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GIULIA VALZER – LA4 FOTO4 – suono schiacciato
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GIULIA VALZER2 – SPETTRO
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GIULIA VALZER2 – AMPIEZZA – forte, meno intenso
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GIULIA VALZER2 – ARMONICHE – prog arm scalare, suono brillante non duro
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GIULIA VALZER2 – LA4 FOTO1 – fondam picco discend
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GIULIA VALZER2 – LA4 FOTO2 – 2 arm in salita, contro-fase
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GIULIA VALZER2 – LA4 FOTO3
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GIULIA VALZER2 – LA4 FOTO4
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MICHELA SCALE3 – AMPIEZZA – poco suono, max -9db, min -oo
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MICHELA SCALE3 – SPETTRO – uniforme, poco suono
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MICHELA SCALE3 – SPETTRO INGRANDITO
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MICHELA SCALE3 – ARMONICHE – fondam poco presente, no arm dispari
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MICHELA SCALE3 – LA4 FOTO1 – fondam picco più alto
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• ILARIA PIATTA – LA4 FOTO1
MICHELA SCALE3 – LA4 FOTO2 – 1 arm picco aguzzo
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MICHELA SCALE3 – LA4 FOTO3 – fondam sale, 2 arm scende
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MICHELA SCALE3 – LA4 FOTO4 – iniziale contro-fase, rientro in fase
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MICHELA SCALE1 – AMPIEZZA – tracciato simile preced
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MICHELA SCALE1 – SPETTRO INGRANDITO – picchi inizio-fine = no contr mov
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MICHELA SCALE1 - ARMONICHE
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MICHELA SCALE4 – LA4 FOTO1 – fondam picco sx basso, suono poco timbrato
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MICHELA SCALE4 – LA4 FOTO2 – arm in fase, poche arm ampie
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MICHELA SCALE4 – LA4 FOTO3 – migliore la progress intensità arm
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MICHELA SCALE4 – LA4 FOTO4