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The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

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The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Similarities: •  Logically organized thoughts

•  Messages tailored to audience

•  Stories told for maximum impact

•  Feedback adapted to audience

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Differences: •  Public speaking more highly

structured

•  Public speaking requires more formal language

•  Public speaking requires different method of delivery

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Anxiety over prospect of speaking in front of audience

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Acquire experience

•  Prepare, prepare, prepare

•  Think positively

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Use power of visualization

•  Know most nervousness is not visible

•  Don’t expect perfection

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Controlled nervousness that energizes speaker for presentation

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Picturing oneself giving successful presentation

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Focus speech to fit time limit

•  Develop topic creatively

•  Use colorful, descriptive language

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Carefully prepared, rehearsed speech presented from brief notes

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Rehearse aloud

•  Ask friends, family members for feedback

•  Time your speech

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Plant feet, smile to audience

•  Gesture naturally

•  Establish, maintain eye contact

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Gain attention, interest

•  Reveal topic

•  Establish credibility, goodwill

•  Preview body

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Relate topic to audience

•  State importance of topic

•  Startle audience

•  Arouse curiosity

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Question audience

•  Begin with quotation

•  Tell story

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Generating emotional appeal by fading to dramatic final statement

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Audience foremost in mind during speech preparation, presentation

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  To whom am I speaking?

•  What do I want them to know, believe, do?

•  What is most effective way of accomplishing that?

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Emphasizing common values, goals, experiences

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Size

•  Physical setting

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Assess how audience will respond

•  Adjust to make speech clear, convincing & passionate.

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Adjust for unexpected circumstances

•  Watch for feedback

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Objects & models

•  Photos & drawings

•  Graphs

•  Charts

•  Video

•  The speaker

•  PowerPoint

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Enlarge for audience

•  Avoid passing

•  Display with PowerPoint

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Keep short

•  Cue to start of clip

•  Integrate smoothly

•  Avoid low-resolution

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Prepare well in advance

•  Keep simple

•  Make large enough

•  Limit amount of text

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Based on use of voice, body

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Manuscript

•  Memory

•  Impromptu

•  Extemporaneous

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Little or no immediate preparation

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Volume

•  Pitch

•  Rate

•  Pauses

•  Vocal variety

•  Pronunciation

•  Articulation

•  Dialect

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Loudness or softness of voice

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Speed at which person speaks

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Momentary break in vocal delivery

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

When speaker says “uh,” “er,” “um,” etc.

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Changes in rate, pitch, volume

•  Gives voice expressiveness

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

Physical production of speech sounds

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Personal appearance

•  Movement

•  Gestures

•  Eye contact

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Formulate answers to possible questions

•  Practice delivery of answers

The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.

•  Approach with positive attitude

•  Listen carefully

•  Direct answers to entire audience

•  Be honest, straightforward

•  Stay on track