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The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Similarities: • Logically organized thoughts
• Messages tailored to audience
• Stories told for maximum impact
• Feedback adapted to audience
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Differences: • Public speaking more highly
structured
• Public speaking requires more formal language
• Public speaking requires different method of delivery
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Anxiety over prospect of speaking in front of audience
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Acquire experience
• Prepare, prepare, prepare
• Think positively
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Use power of visualization
• Know most nervousness is not visible
• Don’t expect perfection
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Controlled nervousness that energizes speaker for presentation
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Picturing oneself giving successful presentation
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Focus speech to fit time limit
• Develop topic creatively
• Use colorful, descriptive language
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Carefully prepared, rehearsed speech presented from brief notes
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Rehearse aloud
• Ask friends, family members for feedback
• Time your speech
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Plant feet, smile to audience
• Gesture naturally
• Establish, maintain eye contact
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Gain attention, interest
• Reveal topic
• Establish credibility, goodwill
• Preview body
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Relate topic to audience
• State importance of topic
• Startle audience
• Arouse curiosity
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Question audience
• Begin with quotation
• Tell story
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Generating emotional appeal by fading to dramatic final statement
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Audience foremost in mind during speech preparation, presentation
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• To whom am I speaking?
• What do I want them to know, believe, do?
• What is most effective way of accomplishing that?
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Emphasizing common values, goals, experiences
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Size
• Physical setting
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Assess how audience will respond
• Adjust to make speech clear, convincing & passionate.
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Adjust for unexpected circumstances
• Watch for feedback
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Objects & models
• Photos & drawings
• Graphs
• Charts
• Video
• The speaker
• PowerPoint
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Enlarge for audience
• Avoid passing
• Display with PowerPoint
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Keep short
• Cue to start of clip
• Integrate smoothly
• Avoid low-resolution
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Prepare well in advance
• Keep simple
• Make large enough
• Limit amount of text
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Based on use of voice, body
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Manuscript
• Memory
• Impromptu
• Extemporaneous
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Little or no immediate preparation
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Volume
• Pitch
• Rate
• Pauses
• Vocal variety
• Pronunciation
• Articulation
• Dialect
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Loudness or softness of voice
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Speed at which person speaks
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Momentary break in vocal delivery
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
When speaker says “uh,” “er,” “um,” etc.
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Changes in rate, pitch, volume
• Gives voice expressiveness
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
Physical production of speech sounds
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Personal appearance
• Movement
• Gestures
• Eye contact
The McGraw-Hill Companies · The Art of Public Speaking, 11th Edition © 2012 Stephen E. Lucas. All rights reserved.
• Formulate answers to possible questions
• Practice delivery of answers