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Trends in TV Technology b B d Pl t by Brad Plant Ross Video Ltd.

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Page 1: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Trends in TV Technologyy

b B d Pl tby Brad PlantRoss Video Ltd.

Page 2: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Audience Measurement

Page 3: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Audience Measurement

Why is it important?

Is it a global concept?

Page 4: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The early days

What was used?• Surveys / Diariesy• Quarterly Sweeps

What were the problems?• Mistakes / Human error

F tf l• Forgetfulness• Subjectivity

Page 5: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Electronic People Meters

• Invented by a British company AGB, now TNSy p y ,• Know as the “Frequency based meter”• Used in over 30 countries world wide• Tracked the UHF/VHF frequency• Still relied on Diary method to track individual shows

N t St A di S l t hi• Next Step: Audio Sample matching

Page 6: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Audio Watermarking

• An audio encoding technology to track program viewingg gy p g g• Using phsyco-acoustics, audio codes are inserted into the

audio signal at audible frequencies that can not be heard by the human earby the human ear.

• This allows for channel and program tracking using a set-top box in the consumer’s home

• What about compression?

Page 7: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Audio Watermarking

The NAES II Encoding

• Encoded between 4.5 – 6.2 kHz• Only survived compression to 96kbps• 2 code slots using time division multiplexing: How do we track

a program from Network -> Syndicator -> Local Affiliate?• Could easily be overwritten• Could easily be overwritten

Page 8: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Audio Watermarking

New Nielsen Watermarks

• Encoded between 2.99 – 4.8 kHz• Survives compression to 16kbps• 3 code slots using time division multiplexing• Can not be overwritten

Mi h d t t bl• Microphone detectable

Page 9: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Audio Watermarking

Page 10: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Watermarks Data Structure

Source ID16 Bits

Mode1 Bit

Type2 Bits

DST/BRK1 Bit

Course Time29 Bits

• Source ID is unique for each encoder/distribution path• Mode: 0 = Timestamp, 1 = Time in Content (TIC)• Type: 00 = Program Content Code, 01 = Final Distributor 1, 10 = Final Distributor 2yp g , ,• DST/BRK: If Mode bit = 0, DST/BRK indicates Daylight Saving Time (0 = Standard,

1 = DST), If Mode bit = 1, DST/BRK = 1 indicates Service Breakout• Course Time is a Date/Time if TransType bit = 0, otherwise it is Time in Content yp

(TIC)• Time value is seconds elapsed since Jan 1, 2010• If BRK = 1, 29 bits identifies Breakout Type, Provider

Page 11: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Watermarks Design Considerations

Nielsen Watermarks coexists with NAES II and does NOT negatively g yimpact NAES II based crediting

S SID d Di t ib ti S ID• Same SID and Distribution Source ID

Tracking becomes more accurateTracking becomes more accurate

Page 12: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The Future of Audience Measurement

Live streaming to the iPad

Can’t detect audio watermarksCan t detect audio watermarks

Transcode watermarks to ID3 TagsTranscode watermarks to ID3 Tags

Page 13: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Audience Measurement around the World

• Nielsen offers audience measurements in several countries in Asia as well as North and South America

• Europe doesn’t rely on advertising income as a primary source of revenue and therefor ratings are not factoredsource of revenue and therefor ratings are not factored

• Middle east in the process of implementing audio sample matching, but it is being run by the broadcasters, not an independent body.

Page 14: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Automated Production Control Implementation and Integration Considerations

Page 15: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

10/9/2012 15

Page 16: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Automated Live Production

An automated control room is not the same as a conventional control roomconventional control room

10/9/2012 slide 16

Page 17: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Control Room Design

Engineering Considerations• Level of Automation

• Room Layout

• Manual Overrides

• Level of Redundancy

10/9/2012 slide 17

Page 18: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

10/9/2012 slide 18

Page 19: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Readiness for Automation

There are many steps to prepare for automation, but the first is to have a working control room with all thethe first is to have a working control room with all the

necessary media available

10/9/2012 slide 19

Page 20: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

10/9/2012 slide 20

Page 21: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Implementation Timeline

This is a timeline project, not an accordion

10/9/2012 slide 21

Page 22: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

What is my Live Control?

10/9/2012 slide 22

Page 23: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

What is my Live Control?

10/9/2012 slide 23

Page 24: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Beyond the Launch

Plan on advanced training• Initial training helps build fundamentals and

change the culture of productions • Advanced training after a successful launch helps

maximize the potential of a system• Live production automation is designed to help

improve the quality and consistency of your news p q y y ycast

10/9/2012 slide 24

Page 25: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Managing an Open PlatformManaging an Open Platform

Page 26: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Open Hardware Platforms

Industrial, Mil/AeroVME T l i tiCompactPCIuTCA

Telecommunications

ATCAuTCA

Desktop ComputingPCIPCIePCIeAGP

Page 27: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Open Hardware Platforms

Page 28: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Open Hardware Platforms

M f t AManufacturer A

Manufacturer BManufacturer B

Manufacturer C

Page 29: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The openGear Frame

DFR-8321 – openGear High Density, Multi Definition Frame

Hot Swappable Fans

High Density 2 RU Chassis

Hot Swappable, Redundant Power Supplies

Page 30: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The openGear Frame

DFR-8321 – openGear High Density, Multi Definition Frame

Ventilation throughgRear I/O Front/Back

cooling

10/100 MB/s Ethernet

Dual looping frame wide references

Locking retainers for AC

Page 31: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The openGear Frame

DFR-8321 – openGear High Density, Multi Definition Frame

• One sole manufacturer of the frame• One sole manufacturer of the frame• 2RU model is the only model available• 150W power supplies can be limiting to manufacturers• Considerations for a new frame?

• Power – More power means more heatControl Bus: High Speed / GigE?• Control Bus: High Speed / GigE?

• Other Sizes? 1RU, 3RU, 4RU

Page 32: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The openGear Hardware Standard

Page 33: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The openGear Control Standard

openGear Protocol• Designed for network monitoring and control• Does not require custom GUI’s to be loaded• Protocol is open and royalty free • Ross Video provides free software

– DashBoard

SNMP• Simple Networking Management ProtocolSimple Networking Management Protocol• Excellent for system wide monitoring

Page 34: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

DashBoard Control System

Navigation

Device Control

OS Independent – runs on OS/ Control

windowsWindows, Mac OS/X, and Linux

Page 35: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

DashBoard Control System

The Unsurpassed Power of DashBoard

Vendor B Vendor X

Vendor A

Vendor C Vendor Y

Page 36: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

openGear Connect

Page 37: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

openGear Acceptance

30

openGear Partners

152025

www openGear tv

Partners05

10 www.openGear.tv

Partners

Page 38: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

openGear Acceptance

4000

openGear Frames

2000

3000

Frames0

1000

Frames

Page 39: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

The openGear Goal

P id th b d t i d t ith thProvide the broadcast industry with the most flexible and advanced terminal

equipment platform possible, with the q p p p ,opportunity to select products from a wide

range of technology leaders, all in one platform all under one control systemplatform, all under one control system.

Page 40: Trends in TV Infrastructure 2012 · top box in the consumer’s home • What about compression? Audio Watermarking The NAES II Encoding • Encoded between 4.5 – 6.2 kHz • Only

Questions?

Thank YouB ad Pla tBrad Plant