ucsb department of art + college of creative studies

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UCSB Department of Art + College of Creative Studies Spring 2016 Arts Colloquium The UCSB Department of Art & College of Creative Studies presents Spring 2016 Visiting Artist Colloquium. The COLLOQUIUM offers a wide range of voices exploring the topics of contemporary art, theory, and cultural production by emerging and established visiting artists, as well as members of UCSB's own distinguished Art faculty. Presentations will take place each Thursday, from March 31 through June 2 2016. All lectures are free and open to the public, held every Thursday from 5:00 to 6:50pm in UCSB’s Embarcadero Hall in Isla Vista. For directions to location, please visit campus map link: http://www.aw.id.ucsb.edu/maps/images/aw_pdfs/EmbarcaderoHall.pdf 4.31.2016 Yara El-Sherbini My playful interdisciplinary practice uses pop culture and humor to engage audiences in questioning social and political systems of power and influence. I appropriate familiar objects and social events, which are universally recognizable within specific cultural contexts (games, souvenirs), to invite audiences to take a look at the society that they live in, often revealing underlying belief systems, drawing audiences into a series of questions that ask ‘how do we come to know what it is that we know’ – Yara El-Sherbini, 2015

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UCSBDepartmentofArt+CollegeofCreativeStudies

Spring2016ArtsColloquiumTheUCSBDepartmentofArt&CollegeofCreativeStudiespresentsSpring2016VisitingArtistColloquium.TheCOLLOQUIUMoffersawiderangeofvoicesexploringthetopicsofcontemporaryart,theory,andculturalproductionbyemergingandestablishedvisitingartists,aswellasmembersofUCSB'sowndistinguishedArtfaculty.PresentationswilltakeplaceeachThursday,fromMarch31throughJune22016. Alllecturesarefreeandopentothepublic,heldeveryThursdayfrom5:00to6:50pminUCSB’sEmbarcaderoHallinIslaVista.Fordirectionstolocation,pleasevisitcampusmaplink:http://www.aw.id.ucsb.edu/maps/images/aw_pdfs/EmbarcaderoHall.pdf4.31.2016YaraEl-Sherbini

Myplayfulinterdisciplinarypracticeusespopcultureandhumortoengageaudiencesinquestioningsocialandpoliticalsystemsofpowerandinfluence.Iappropriatefamiliarobjectsandsocialevents,whichareuniversallyrecognizablewithinspecificculturalcontexts(games,souvenirs),toinviteaudiencestotakealookatthesocietythattheylivein,oftenrevealingunderlyingbeliefsystems,drawingaudiencesintoaseriesofquestionsthatask‘howdowecometoknowwhatitisthatweknow’–YaraEl-Sherbini,2015

YaraEl-Sherbini(1978,London)receivedherMAfromtheSlade,UCL.In2015shepresentedworkattheVeniceBiennial,andhadsoloshowsattheNewArtExchange,Nottingham,WolverhamptonArtGalleryandtheMuseumofContemporaryArt,SantaBarbara.RecentcommissionsincludeTheVictoria&Albert,LondonfortheirNationalArtLibrary’snewinitiativetoarchivecontemporary&modernArab,Turkish&Iranianartanddesignin2012.ArtistinResidence’sincludetheHaywardGalleryaspartofWideOpenSchool,in2012,andatZKM,GermanyaspartofTheGlobalContemporaryin2011.ShehasshownworkatModernArtOxford,DavidRobertsArtFoundation(London),RCA(London)andLombard-FriedProjects(NewYork).HerworkhasbeenshownattheV&A(London),Arnolfini(Bristol),NationalPortraitGallery(London),TateBritain(London),IkonGallery(Birmingham),CCCBMuseum(Barcelona),QuadGallery(Derby),BALTIC(Gateshead).http://www.yaraelsherbini.com/

4.7.16

KipFulbeck* *UCSBArtsFaculty

KipFulbeckisapioneeringartist,spokenwordperformer,andfilmmaker.HehasbeenfeaturedonCNN,MTV,TodayShow,andPBS,andhasperformedandexhibitedinovertwentycountriesandthroughouttheU.S.Heistheauthorofseveralbooksincludingmixed:portraitsofmultiracialkids;partasian,100%hapa;andpermanence:tattooportraits,aswellasthedirectorofadozenshortfilmsincludingbananasplitandlilo&me.FulbeckteachesasaProfessorofArtattheUniversityofCalifornia,SantaBarbara,wherehereceivedtheuniversity’sdistinguishedteachingawardandhasbeennamedanoutstandingfacultymemberfivetimesinrecognitionforhisworkpromotingmultiracialawareness,hewasawardedtheinaugurallovingprizeatthe2009mixedrootsfilm&literaryfestivalandalsonamedaculturalpioneeratHarvardUniversity.in2014,hewasnamedalocalherobySouthernCalifornia’skcetpublicbroadcastingserviceandalsoreceivedthecommunitybuilderawardatVancouver’sHapa-Paloozafestival.Acompleteoverachieverdespitebeingonlyhalf-Chinese,Kipisalsoanavidsurfer,guitarplayer,oceanlifeguard,doglover,andmultiple-timenationalchampioninUSmastersswimming.http://kipfulbeck.com/

4.14.16LewisDeSoto

LewisdeSoto,born1954,inSanBernardino,Californiaisknownforhisinstallations,sculptureandpublicartthatengagescosmologicalquestions,notionsofself,andplayswithinherentphenomena.HisSpanishandCahuilla(NativeAmerican)heritageareoftensubjectsofhiswork;as,forexample,inhisconstructed,fictionalautomobileswithtitlessuchasthe“1965DeSotoConquest”(2004),andthe“1981GMCCahuilla(2006).” HewaseducatedatUCRiversideandClaremontGraduateUniversity.HetaughtatOtisArtInstituteinLosAngeles,CornishCollegeoftheArtsinSeattle,servedastheDirectorofGraduateStudiesatCaliforniaCollegeofArtsandCraftsandasiscurrentlyaProfessorofArtatSanFranciscoStateUniversity.HisworkhasbeenexhibitedinJapan,EuropeandtheUnitedStates.HisworkisinthecollectionsoftheSeattleArtMuseum,theMuseumofModernArtinNewYorkandtheMuseumofContemporaryArtinLosAngelesaswellasmanyprivatecollections.Hisexhibition,“Paranirvana”,currentlyonviewattheSantaBarbaraMuseumofArt,travelledfrom2003-4intheUnitedStates,organizedbyBucknellUniversityinLewisburg,PA.andcuratedbyDanMills,theDirectoroftheSamekArtCenter.Hehasalsopublishedseriesofphotographicandprintprojects,including“Appellation,”alargescaleexaminationoftheviticulturallandscape,“KLS,”agraphicillustrationofaHermannHessenovelette,andiscurrentlyworkingon“CoreSamples,”graphicextractionsfromscansfrompersonalphotographsthatengageautobiographyandpoetry.Hismostrecentbook,“Empire”,isacollectionofphotographsabouttheCaliforniaLandscape. https://www.sbma.net/exhibitions/desoto#sthash.lCEVRPKL.dpuf

4.21.16LisaJevbratt* *UCSBArtsFaculty

LisaJevbrattisaSwedishbornartistandaprofessorintheArtDepartmentandintheMediaArtTechnologyprogramatUniversityofCalifornia,SantaBarbara.FormorethanadecadesheexploredtheexpressionsandexchangescreatedbytheprotocolsandlanguagesoftheInternetandtheWeb,oftenmanifestingasvisualizationsoftware.Sheisnowapplyingherunderstandingoftheseunintentionalcollaborationsontoexchangeswithanimalsofotherspeciesandtheirexperiencesoftheworldaroundthem.Inherongoingendeavor"InterspeciesCollaboration"sheinvitesstudentstocollaboratewithindividualsofotherspeciesandhercurrentsoftware-artprojectZoomorphissoftwaregeneratingsimulationsofhownon-humananimalssee.Jevbratt'sworkhasbeenexhibitedextensivelyinvenuessuchasTheWalkerArtCenter(Minneapolis),BanffCentrefortheArts(Canada),TheNewMuseum(NewYork),TheSwedishNationalPublicArtCouncil(Stockholm,Sweden),andtheBiennialattheWhitneyMuseumofAmericanArt(NewYork);HercurrentprojectZooMorph-issupportedbyaCreativeCapitalgrant.http://jevbratt.com/

4.28.16MayaGurantz* *UCSBArtsFaculty

Iamanartistwhomakesvideos,performances,movement-basedworks,installations,andcommunity-generatedprojects.Iusethesediversemediatointerrogatehowconstructionsofgender,race,classandprogressoperateinAmericancommunities,sharedmyths,publicritualsandprivatedesires;insodoing,Idissectthecontradictionsembeddedinperformancesofpower.Formally,Idrawonmyextensivebackgroundinmovement-basedtheateranddance,aswellashistoricalvernacularformsofmanipulatingsensation.MyworkhasbeenshownbytheMuseumofContemporaryArtDenver,HighDesertTestSites,HumanResources,AutonomieGallery,LAX><ART,workspacegallery,GLAMFA,andMovementResearchatJudsonChurch.IrecentlycompletedmyfirstpublicvideoartcommissionfromtheGreatWallofOakland,incollaborationwithartistEllenSebastianChang.Iwasa2014VisualistinResidencewiththeInstituteofCulturalInquiry.From1998-2008,Iwroteanddirectedoriginaldevisedtheater,creatingnewworksinNewYork,ruralMississippi,SanDiego,theSFBayArea,andLosAngeles.IndividuallyandwithhrtcompanyTemescalLabs,GurantzhavereceivedgrantsandawardsfromtheNEA,theCenterforCulturalInnovation,theFleishhackerFoundation,theZellerbachFamilyFoundation,TheaterBayArea,thePuffinFoundation,andtheBayAreaCriticsCircle.IhaveaB.A.fromYaleandanM.F.A.inStudioArtfromUCIrvine.– Maya Gurantz

http://mayagurantz.com/about/

5.5.16

LJRoberts

L.J.Robertsisanartistandwriterwhosestudiopracticeincorporatesawiderangeoftraditionalandunconventionaltextiletechniques,andrecentlycollagedworksonpaperandfilmmaking.Theirworkexplorestheintersectionsoffeministqueerandtranspolitics,activism,theon-goingAIDSepidemic,collectiveaction,community,andprotest.

TheirworkhasbeenshownnationallyandinternationallyinsuchvenuesasTheSmithsonianMuseumofAmericanArt,YerbaBuenaCenterfortheArts,VoxPopuli,LaMamaGallery,TheMillerGalleryatCarnegieMellonUniversity,LeslieLohmanMuseumofGayandLesbianArt,OakvilleGalleries,TheOrangeCountyMuseumofArt,TheBagFactory,TheSanJoseMuseumofQuiltsandTextiles,andA.I.R.Gallery.CurrentlytheirworkcanbeseeninthenationallytouringexhibitionAlienShe,presentlyatMuseumofContemporaryCraftinPortland,Oregon,andintheexhibitionDisobedientObjectswhichoriginatedattheVictoriaandAlbertMuseuminLondonandopensin2015atThePowerhouseMuseuminSydney,Australia.L.J.’srecentembroideryworkexhbitiedinupcomingshowsattheBowdoinCollegeMuseumofArtandtheONENationalGayandLesbianArchivesatTheUniversityofSouthernCaliforniainLosAngeles.

http://ljroberts.net/

5.12.16MarkoPeljhan* *UCSBArtsFaculty

AnativeofSloveniaandatheatreandradiodirectorbyprofession,Peljhanfoundedthearts+technologyorganizationProjektAtolandcofoundedoneofthefirstmedialabsinEasternEurope,LJUDMILAintheearly90s.Inthesameyear,thefoundedthetechnologybranchofProjektAtolcalledPACTSYSTEMS,wherehedevelopedtheGlobalPositioningSystembasedparticipatorynetworkedmappingproject,theUrbanColonisationandOrientationGear144,oneofthefirstworksinthes.c.“locativemedia”genre.HehasbeenworkingontheMakrolab,aprojectthatfocusesontelecommunications,migrationsandweathersystemsresearchinanintersectionofartandsciencefrom1997-2007,theInterpolarTransnationalArtScienceConstellationduringtheInternationalPolarYear(project417)andiscurrently,togetherwithMatthewBiederman,coordinatingtheArcticPerspectiveInitiativeart/science/tacticalmediaprojectfocusedontheglobalsignificanceoftheArcticgeopolitical,naturalandculturalspheres.PeljhanhasalsobeentheflightdirectoroftenparabolicexperimentalflightsincollaborationwiththeMicrogravityInterdisciplinaryResearchinitiativeandtheYuriGagarinCosmonautTrainingCentre,creatingconditionsforartiststoworkinalternatinggravityconditions.Peljhanistherecipientofmanyprizesforhiswork,includingthe2001GoldenNicaPrizeatArsElectronicatogetherwithCarstenNicolaifortheirwork,polar,andtheUNESCODigitalMediaPrizeforMakrolabin2004.During2008,PeljhanwasappointedasoneoftheEuropeanUnionAmbassadorsofInterculturaldialogue.Hisworkwasexhibitedinternationallyatmultiplebiennalesandfestivals(Venice,Gwangju,Brussels,Manifesta,Johannesburg,Istanbul),atthedocumentaXinKassel,severalISEAexhibitions,severalArsElectronicapresentationsandmajormuseums,suchastheP.S.1MOMA,NewMuseumofContemporaryArt,ICCNTTTokyo,YCAMYamaguchiandothers.From2009onheistheoneoftheserieseditorsoftheArcticPerspectiveCahiersseries(HatjeCantz).http://www.ladomir.net/bio-summary

5.19.16ArtistsofLightWorks2016

LightWorksIslaVista,isalight-basedpublicartsfestival,takingplacefromMay20-21,2016indowntownIslaVista,CA.IslaVistaisthedenselypopulatedcollegecommunityof21,000inhabitantslocatedalongthebeautifulcentralcoast,adjacenttothecampusofUniversityofCalifornia,SantaBarbara.

SelectedartistsacrossCaliforniahavebeencommissionedtocreatetemporaryoutdoorartworksdesignedtotransformthecentralparksofIslaVistaintoilluminatedspacesforart,performance,andeveningengagementbythecommunity.Artistswillemploylight-emittingtechnologiesasamediuminthecreationofexperimentalperformance,site-specificinstallation,free-standingsculptureand/orpublicart(ranginginscaleandscope)areencouragedtoapply.Light-emittingtechnologiesmayincludebutarenotlimitedtoLED,projections,digital,andsurface/screen-basedworks.

LightWorksIslaVistaispartofalong-termcommunityimprovementeffortledbyastrategicgroupofpartnersandagencies,includingtheUCSantaBarbaraDepartmentsofVisualandPublicArt,SantaBarbaraCountyArtsCommission,Officeofthe3rdSupervisorialDistrictandCountySheriff,IslaVistaRecreationandParksDistrict(IVRPD),IslaVistaCommunityNetwork(IVCN),UCSBMaterialsResearchLaboratory,SantaBarbaraFoundation,andtheSantaBarbaraCenterforArt,ScienceandTechnology(SBCAST).http://www.arts.ucsb.edu/lightworksiv/

5.26.16BlackSaltCollective

BlackSaltCollectiveistheworkofSarahSassBiscarra-Dilley,GraceRosarioPerkins,AnnaLuisaPetrisko,andAdeeRoberson.BlackSaltembodiesculturalandcontemporarynarratives.Theworkiscultural,butnot“cultural”intheanthropologicalsenseoftheword,asculturalartisoftenseenthroughaWesternlens.BlackSaltisaboutcontemporarynon-linearidentityinwhichexperienceresultsinatmosphere.http://blacksaltcollective.tumblr.com/

6.2.16Cog.nateCollective

Cog•nateCollectiveisabinationalcollectiveofartists+researchersanalyzingdynamicsofexchangeacrosstheUS/Mexicoborderthroughcollaborativeresearchprojects+publicinterventions+experimentalpedagogicalprograms.Theirworkproposesanunderstandingofthebordernotasabifurcatingline,butasaregionthatexpandsandcontractswiththemovementofpeopleandobjects,invitingcriticalengagementwithissuesofmigration,informaleconomiesandtheconstructionofcollectiveidentitiesintheBaja/AltaCaliforniatransborderregion.From2011-2014theyranCognateSpace,aresearch+workshopspacesitedinacraftmarketattheSanYsidroPortofEntry–thebusiestlandbordercrossingintheworld–betweenTijuanaB.C.andSanDiego,CA.Programsincluded:artworkshops,aresidencyhostingaco-opofpreviouslyexcludedMixtecwomenartisans,ahyper-localpirateradiostationproducedin-sitetosharetestimoniesofborderworkers&crossers,andDialogueinTransit,amobileconferencethattookplaceinacaravanofcarswaitingtocrosstheborderdiscussingtheeffectsoftheNorthAmericanFreeTradeAgreement(NAFTA)20yearsafteritsimplementation.Cog•nateCollectiveiscurrentlyin-residenceatGrandCentralArtCenterinSantaAna,CA,wheretheyareexpandingtheirworktracingcultural+economicnetworksestablishedandmaintainedthroughmigrationandinformalmarketsstretchingbetweenTijuana+LosAngeles.TolearnabouttheworkofCog.nateCollective,visit:cognatecollective.comhttps://www.kcet.org/shows/artbound/dialogue-in-transit-evolution-of-a-line