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6 th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals Unit 1: Bend 2 Table of Contents Moving through the Writing process and toward Our Goals Section Page Number Unit Essential Questions 3 Unit Goals and Sub Goals (Task Analysis) 3-4 Unit Language (Spanish, Russian, English) 6-9 Unit Assessment Checklist 10-13 Unit Assessment Rubric 14-19 Sample Unit Calendar 20 Anchor Charts 21-24 Works Cited 24 1 | Page

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Page 1: Web viewW.6.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific

6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Unit 1: Bend 2Table of Contents

Moving through the Writing process and toward Our Goals

Section Page Number Unit Essential Questions 3 Unit Goals and Sub Goals (Task Analysis) 3-4 Unit Language (Spanish, Russian, English) 6-9 Unit Assessment Checklist 10-13 Unit Assessment Rubric 14-19 Sample Unit Calendar 20 Anchor Charts 21-24 Works Cited 24

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Page 2: Web viewW.6.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific

6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Grade 6Content: Unit 1, Bend 2

Dates of Unit:

Unit Title: Moving through the Writing process and toward Our GoalsStage 1 Identify Desired ResultsStandards:(Alpha-numeric listing of standards incorporated in the unit)

Writing W.6.3 Write narratives to develop real or imagined experiences or events using effective technique, relevant descriptive details,

and well-structured event sequences. W.6.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and

audience. (Grade-specific expectations for writing types are defined in standards 1-3 above.) W.6.5 With some guidance and support from peers and adults, develop and strengthen writing as needed by planning, revising,

editing, rewriting, or trying a new approach. W.6.9 Draw evidence from literary or informational texts to support analysis, reflection, and research.

o a. Apply grade 6 Reading standards to literature (e.g., "Compare and contrast texts in different forms or genres [e.g., stories and poems; historical novels and fantasy stories] in terms of their approaches to similar themes and topics")

W.6.10 Write routinely over extended time frames (time for research, reflection, and revision) and shorter time frames (a single sitting or a day or two) for a range of discipline-specific tasks, purposes, and audiences.

Reading Literature RL.6.1 Cite textual evidence to support analysis of what the text says explicitly as well as inferences drawn from the text. RL.6.2 Determine a theme or central idea of a text and how it is conveyed through particular details; provide a summary of the

text distinct from personal opinions or judgments. RL.6.3 Describe how a particular story's or drama's plot unfolds in a series of episodes as well as how the characters respond or

change as the plot moves toward a resolution. RL.6.4 Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings;

analyze the impact of a specific word choice on meaning and tone RL.6.5 Analyze how a particular sentence, chapter, scene, or stanza fits into the overall structure of a text and contributes to the

development of the theme, setting, or plot. RL.6.6 Explain how an author develops the point of view of the narrator or speaker in a text.6.RL.10 By the end of the year, read

and comprehend literature, including stories, dramas, and poems, in the grades 6–8 text complexity band proficiently, with scaffolding as needed at the high end of the range.

RL.6.10 By the end of the year, read and comprehend literature, including stories, dramas, and poems, in the grades 6-8 text complexity band proficiently, with scaffolding as needed at the high end of the range.

Speaking and Listening SL.6.1 Engage effectively in a range of collaborative discussions (one-on-one, in groups, and teacher-led) with diverse partners on

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Page 3: Web viewW.6.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific

6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goalsgrade 6 topics, texts, and issues, building on others' ideas and expressing their own clearly.

SL.6.4 Present claims and findings, sequencing ideas logically and using pertinent descriptions, facts, and details to accentuate main ideas or themes; use appropriate eye contact, adequate volume, and clear pronunciation.

SL.6.6 Adapt speech to a variety of contexts and tasks, demonstrating command of formal English when indicated or appropriate.Language

L.6.1 Demonstrate command of the conventions of standard English grammar and usage when writing or speaking L.6.2 Demonstrate command of the conventions of standard English capitalization, punctuation, and spelling when writing. L.6.3 Use knowledge of language and its conventions when writing, speaking, reading, or listening. L.6.4 Determine or clarify the meaning of unknown and multiple-meaning words and phrases based on grade 6 reading and

content, choosing flexibly from a range of strategies. L.6.5 Demonstrate understanding of figurative language, word relationships, and nuances in word meanings. L.6.6 Acquire and use accurately grade-appropriate general academic and domain-specific words and phrases; gather vocabulary

knowledge when considering a word or phrase important to comprehension or expression.

Essential Questions: (These goals should be aligned to Essential Questions.)

How can I develop my own techniques as a writer as I move through the writing process?¿Cómo puedo desarrollar mis propias técnicas como escritor/a mientras me muevo a través del proceso

de escritura?Goals:(These should be aligned to the Goals above)

SWBAT write a lead the hints what the story is really about.

SWBAT build stamina by writing over extended time frames.

SWBAT revise their writing by using strategies that are driven by communicating what the story is about.

Learning Targets(aligned to goals)

I can analyze leads from mentor texts noticing what the writer has done and try to use their techniques in my writing. (Session 7)

Puedo analizar los comienzos de textos mentores notando lo que el escritor ha hecho y tratar de utilizar sus técnicas en mi escritura. (Sesión 7)

I can plan my first draft by choosing a lead that will set me up to write a great story and begin writing. (Session 8)

Puedo planificar mi primer borrador eligiendo un comienzo que me va a ayudar a escribir un buen cuento y comenzar a escribir. (Sesión 8)

I can use a strategy from a mentor narrative to revise several previous entries from my Writer’s Notebook. (Session 9)

Puedo usar una estrategia de una narrativa mentor para revisar varias entradas anteriores de mi Cuaderno de Escritor. (Sesión 9)

I can write a memorable lead that will set me up to write a great story. (Session 7)

I can write a first draft without pausing, even if it is my best writing or not. (Session 8)

I can create plan (eg. external-internal story arc) for revisions. (Session 10)

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Puedo escribir un comienzo memorable que me va a ayudar a escribir una gran historia. (Sesión 7)

Puedo escribir un primer borrador sin detenerse, incluso si es mi mejor escrito o no. (Sesión 8)

Puedo crear el plan (eg. un Arco del cuento externa-interna) para las revisiones. (Sesión 10)

I can write 2-3 different leads to rehearse my writing keeping in mind a specific technique I observed in a mentor narrative. (Session 7)

Puedo escribir 2 o 3 comienzos diferentes para practicar mi escritura con una técnica específica en mente que observé en una narrativa mentor. (Sesión 7)

I can work silently and write a first draft of 2-3 pages in one sitting. (Session 8)

Puedo trabajar en silencio y escribir un primer borrador de 2 o 3 páginas en una sola sesión. (Sesión 8)

I can share my plan for revisions (eg. external-internal story arc) with a partner. (Session 10)

Puedo compartir mi plan para las revisiones (eg. un Arco del cuento externa-interna) con un compañero. (Sesión 10)

I can give feedback to a partner on what their story is about. (Session 10)

Puedo dar comentarios a un compañero acerca de su cuento. (Sesión 10)I can rewrite my first draft by re-envisioning my story. (Session 10)

Puedo volver a escribir mi primer borrador con una nueva concepción de mi historia. (Sesión 10)I can revise my first draft by developing deeper meaning throughout the story. (Session 10)

Puedo revisar mi primer borrador mediante el desarrollo de un significado más profundo a lo largo del cuento. (Sesión 10)

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Page 5: Web viewW.6.4 Produce clear and coherent writing in which the development, organization, and style are appropriate to task, purpose, and audience. (Grade-specific

6th - Unit 1: Bend 2: Moving through the Writing process and toward Our GoalsI can choose the most important scenes from my story and elaborate to communicate meaning. (Session 11)

Puedo elegir las escenas más importantes de mi cuento y elaborar para comunicar significado. (Sesión 11)I can add new scenes from the past or future that connect to the story’s meaning. (Session 11)

Puedo añadir nuevas escenas del pasado o del futuro que se conectan con el significado del cuento. (Sesión 11)I can use different tools (anchor charts, Writer’s Notebook, reference tools) during the revision process. (Session 12)

Puedo usar diferentes herramientas (modelos, Cuadernos del Escritor, herramientas de referencia) durante el proceso de revisión. (Sesión 12)I can use checklists to guide my work. (Session 12)

Puedo usar Listas de Control para guiar mi trabajo. (Sesión 12)

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Stage 2 Determine Assessment EvidenceENGLISH Academic Language (What language will students need to sound like experts?)

Academic Language Function(s): Retelling/relating past eventsAcademic Vocabulary:

lead stamina extended time frames driven communicating notice memorable rehearse mentor narrative entries feedback envision elaborate connect checklist guide

OnomatopoeiaEasy for Beginners Medium for

IntermediateDifficult for Advanced

and Fluent◦ achoo◦ bang◦ bam◦ bark◦ beep◦ boing◦ boink◦ boo◦ boo-hoo◦ boom◦ bow-wow◦ brring◦ buzz◦ choo-choo◦ clap◦ cock a doodle

doo◦ cough◦ crunch◦ ding◦ ding dong◦ haha◦ hohoho◦ honk

argh bash belch blab blurt bonk bong bubble bump burp chirp click clink cluck drip flip-flop giggle growl hiccup hiss hoot howl◦ hum jangle

ahem bawl blare clunk crackle creak croak fizz cackle chatter cheep chomp clang clash clank clack clatter clip clop flick flip flop◦ flutter◦ glug grunt

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals◦ huh◦ jingle◦ knock◦ meow◦ moo◦ oink◦ ouch◦ quack◦ rattle◦ ribbit◦ ring◦ rip◦ roar◦ slap◦ smack◦ snap◦ splash◦ squeak◦ tick-tock◦ tweet◦ vroom◦ whack◦ wham◦ woof◦ zap◦ zing◦ zip◦ zoom

moan mumble munch neigh phew ping ping pong poof pong pop pow purr shush slash slurp◦ sniff snip snort splat splish splosh swish swoosh squish sway tinkle trickle ugh whip whish whoop whoosh

gurgle hack ker-ching kerplunk murmur mutter ooze pitter patter plink plop pluck plunk rumble rush rustle screech shuffle sizzle slither slosh◦ snarl◦ splatter◦ squawk thud thump thwack twang squelch waffle◦ whimper◦ whirr◦ whizz◦ yelp

Assessment Tools: Goals Rubric Assessment Checklist

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Stage 2 Determine Assessment EvidenceSPANISH Academic Language (What language will students need to sound like experts?)

Academic Language Function(s):

Volver a contar eventos pasados

Academic Language Stems (to talk about their writing):Onomatopeya

Facíl para Nivel Principiante

Mediano para Intermedio Difícil para Avanzado y Fluidez

¡Bang! ¡Bang! (disparos)¡Biiiip! ¡Biiiip! (sonido de un móvil)¡Boom! (explosión)¡Clic! (apretar el gatillo de un arma descargada)¡Crac! (crujido)¡Crash! (golpe)¡Cronch! (crujido)¡Ding! ¡Dong! (campanas)¡Pop! (pequeño estallido)Tic-tac, tic-tac (segundero del reloj)¡Toc, toc! (llamar a la puerta)¡Riiiing! (timbre)¡Psst! (llamada)¡Glup! (tragar un líquido)Sniff, sniff (olisquear)Zzz, zzz, zzz (sueño profundo)¡Ay! (dolor)¡Brrrr! (sensación de frío)¡Buaaaa! (llorar)

¡Boing! (rebotar)¡Chof! (líquido derramado)¡Plic! (gota de agua)¡Tolón! ¡Tolón! (cencerro)¡Zas! (golpe)¡Achís! (estornudo)¡Chissst! ¡Chsss! (pedir silencio)¡Paf! (bofetada)¡Clap, clap, clap! ¡Plas, plas, plas! (aplausos)¡Sigh! ¡ains! (suspiro)¡Bah! (desprecio)¡Uff! (alivio)¡Yuuujuu! (alegría desbordante)¡Puaf! ¡puaj! (asco)¡Auuuu! (aullar el lobo)¡Croa-croa! (croar la rana)¡Glu-glú! (gluglutear el pavo)¡Iii-aah! (rebuznar el burro)¡Iiiiih! (relinchar el caballo)

Cof, cof… (carraspeo de interrupción)¡Muac! (beso)¡Aghgggggh! (terror)Tsk, tsk… (chasquear la lengua en símbolo de contrariedad)¡Cruaaac-cruaaac! (croajar el cuervo)¡Hiiiic! (chillar la rata)¡Beeee! (berrear el toro)¡Fu! (bufar el gato)

Academic Vocabulary: Comienzo Resistencia Extendido periodos de tiempo impulsado comunicar darse cuenta memorable ensayar modelos narrativos entradas consejos de compañero imaginar elaborar conectar lista de control

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

guía ¡Buuu! ¡Buuu! (abucheos)Hum… (duda)¡Huy! (lamento)¡jajaja! (risa fuerte)¡jejeje! (risa astuta)¡jijiji! (risa contenida)¡jojojo! (risa socarrona)¡Mmmm! (sabroso)¡Ñam-ñam! (comer)¡Bzzzz! (zumbar la abeja)¡Beeee! (balar la oveja)¡Oink! (chillar el cerdo)¡Miau! (maullar el gato)¡Quiquiriquí! (cacarear el gallo)¡Clo-clo! (cloquear la gallina)¡Cua-cua-cua! (graznar el pato)¡Cri-cri! (cantar el grillo)¡Guau! (ladrar el perro)¡Muuuu! (mugir la vaca)¡Pío! (piar el pájaro)¡Groar! ¡Grrrr! ¡Grgrgr! (rugir el león)¡Ssssh! (silbar la serpiente)¡Uh-uh! (ulular el búho)

https://jackmoreno.com/2013/06/08/onomatopeyas/

Assessment Tools:

Goals Rubric Assessment Checklist

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Assessment Checklist – Unit 1 Bend 1

Student Name I can

ana

lyze

lead

s fro

m m

ento

r te

xts n

otici

ng w

hat t

he w

riter

ha

s don

e an

d tr

y to

use

thei

r te

chni

ques

in m

y w

riting

. (S

essio

n 7)

I can

writ

e a

mem

orab

le le

ad

that

will

set m

e up

to w

rite

a gr

eat s

tory

. (Se

ssio

n 7)

I can

writ

e 2-

3 di

ffere

nt le

ads t

o re

hear

se m

y w

riting

kee

ping

in

min

d a

spec

ific

tech

niqu

e I

obse

rved

in a

men

tor n

arra

tive.

(S

essio

n 7)

I can

pla

n m

y fir

st d

raft

by

choo

sing

a le

ad th

at w

ill se

t me

up to

writ

e a

grea

t sto

ry a

nd

begi

n w

riting

. (Se

ssio

n 8)

I can

writ

e a

first

dra

ft w

ithou

t pa

usin

g, e

ven

if it

is m

y be

st

writi

ng o

r not

. (Se

ssio

n 8)

I can

wor

k sil

ently

and

writ

e a

first

dra

ft of

2-3

pag

es in

one

sitti

ng. (

Sess

ion

8)

I can

use

a st

rate

gy fr

om a

m

ento

r nar

rativ

e to

revi

se

seve

ral p

revi

ous e

ntrie

s fro

m

my

Writ

er’s

Not

eboo

k. (S

essio

n 9) I c

an c

reat

e pl

an (e

.g. e

xter

nal-

inte

rnal

stor

y ar

c) fo

r rev

ision

s.

(Ses

sion

10)

Notes

B = Beginning D = Developing P = Proficient M=Mastery

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Student Name I can

shar

e m

y pl

an fo

r re

visio

ns (e

.g. e

xter

nal-

inte

rnal

stor

y ar

c) w

ith a

pa

rtne

r. (S

essio

n 10

)

I can

giv

e fe

edba

ck to

a

part

ner o

n w

hat t

heir

stor

y is

abou

t. (S

essio

n 10

)

I can

rew

rite

my

first

dra

ft by

re-e

nvisi

onin

g m

y st

ory.

(S

essio

n 10

)

I can

revi

se m

y fir

st d

raft

by d

evel

opin

g de

eper

m

eani

ng th

roug

hout

the

stor

y. (

Sess

ion

10)

I can

cho

ose

the

mos

t im

port

ant s

cene

s fro

m m

y st

ory

and

elab

orat

e to

co

mm

unic

ate

mea

ning

. (S

essio

n 11

)

I can

add

new

scen

es fr

om

the

past

or f

utur

e th

at

conn

ect t

o th

e st

ory’

s m

eani

ng. (

Sess

ion

11)

I can

use

diff

eren

t too

ls (a

ncho

r cha

rts,

Writ

er’s

N

oteb

ook,

refe

renc

e to

ols)

du

ring

the

revi

sion

proc

ess.

(S

essio

n 12

)

I can

use

che

cklis

ts to

gui

de

my

wor

k. (S

essio

n 12

)

Notes

B = Beginning D = Developing P = Proficient M=MasteryLista de control – Unit 1 Bend 1

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Nombre del/la Estudiante Pu

edo

anal

izar l

os

com

ienz

os d

e te

xtos

m

ento

res n

otan

do lo

que

el

escr

itor h

a he

cho

y tr

atar

de

utiliz

ar su

s téc

nica

s en

mi

escr

itura

. (Se

sión

7)Pu

edo

escr

ibir

un c

omie

nzo

mem

orab

le q

ue m

e va

a

ayud

ar a

esc

ribir

una

gran

hi

stor

ia. (

Sesió

n 7)

Pued

o es

crib

ir 2

o 3

com

ienz

os d

ifere

ntes

par

a pr

actic

ar m

i esc

ritur

a co

n un

a té

cnic

a es

pecí

fica

en

men

te q

ue o

bser

vé e

n un

a

Pued

o pl

anifi

car m

i prim

er

borr

ador

elig

iend

o un

co

mie

nzo

que

me

va a

ay

udar

a e

scrib

ir un

bue

n cu

ento

y c

omen

zar a

Pued

o es

crib

ir un

prim

er

borr

ador

sin

dete

ners

e,

incl

uso

si es

mi m

ejor

es

crito

o n

o. (S

esió

n 8)

Pued

o tr

abaj

ar e

n sil

enci

o y

escr

ibir

un p

rimer

bor

rado

r de

2 o

3 p

ágin

as e

n un

a so

la

sesió

n. (S

esió

n 8)

Pued

o us

ar u

na e

stra

tegi

a de

una

nar

rativ

a m

ento

r pa

ra re

visa

r var

ias e

ntra

das

ante

riore

s de

mi C

uade

rno

Pued

o cr

ear e

l pla

n (e

g. u

n Ar

co d

el c

uent

o ex

tern

a-in

tern

a) p

ara

las r

evisi

ones

. (S

esió

n 10

)

Pued

o co

mpa

rtir m

i pla

n pa

ra la

s rev

ision

es (e

g. u

n Ar

co d

el c

uent

o ex

tern

a-in

tern

a) c

on u

n co

mpa

ñero

.

Apuntes

C = Comenzando D = Desarrollando P = Proficiente M=Maestría

Lista de control – Unit 1 Bend 1

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Nombre del/la Estudiante Pu

edo

dar c

omen

tario

s a

un c

ompa

ñero

ace

rca

de

su c

uent

o. (S

esió

n 10

)

Pued

o vo

lver

a e

scrib

ir m

i prim

er b

orra

dor c

on

una

nuev

a co

ncep

ción

de

mi h

istor

ia. (

Sesió

n 10

)Pu

edo

revi

sar m

i prim

er

borr

ador

med

iant

e el

de

sarr

ollo

de

un

signi

ficad

o m

ás p

rofu

ndo

a lo

larg

o de

l cue

nto.

(S

esió

n 10

)Pu

edo

eleg

ir la

s esc

enas

m

ás im

port

ante

s de

mi

cuen

to y

ela

bora

r par

a co

mun

icar

sign

ifica

do.

Pued

o añ

adir

nuev

as

esce

nas d

el p

asad

o o

del

futu

ro q

ue se

con

ecta

n co

n el

sign

ifica

do d

el

cuen

to. (

Sesió

n 11

)

Pued

o us

ar d

ifere

ntes

he

rram

ient

as (m

odel

os,

Cuad

erno

s del

Esc

ritor

, he

rram

ient

as d

e re

fere

ncia

) dur

ante

el

proc

eso

de re

visió

n.

(Ses

ión

12)

Pued

o us

ar L

istas

de

Cont

rol p

ara

guia

r mi

trab

ajo.

(Ses

ión

12)

Apuntes

C = Comenzando D = Desarrollando P = Proficiente M=Maestría

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Unit of Study Narrative Writing Checklist

STRUCTURE

OVERALL LEAD TRANSITIONS ENDING ORGANIZATION

Student Name I wro

te a

stor

y th

at h

as te

nsio

n, re

solu

tion,

re

alisti

c ch

arac

ters

, and

also

con

veys

an

idea

, les

son,

or t

hem

e.

I wro

te a

beg

inni

ng th

at n

ot o

nly

set t

he

plot

/sto

ry in

moti

on, b

ut a

lso h

inte

d at

the

larg

er m

eani

ng th

e st

ory

wou

ld c

onve

y. It

in

trod

uces

the

prob

lem

, set

the

stag

e fo

r th

e le

sson

that

wou

ld b

e le

arne

d, o

r sh

owed

how

the

char

acte

r rel

ates

to th

e se

tting

in a

way

that

matt

ers i

n th

e st

ory.

I not

onl

y us

ed tr

ansiti

onal

phr

ases

and

cl

ause

s to

signa

l com

plic

ated

cha

nges

in

time,

I al

so u

sed

them

to a

lert

my

read

er to

ch

ange

s in

the

setti

ng, t

one,

moo

d, p

oint

of

vie

w, o

r the

tim

e in

the

stor

y (s

uch

as

sudd

enly

, unl

ike

befo

re, i

f onl

y sh

e ha

d kn

own)

.

I wro

te a

n en

ding

that

con

nect

ed to

wha

t th

e st

ory

is re

ally

abo

ut. I

gav

e th

e re

ader

a

sens

e of

clo

sure

by

show

ing

anew

re

aliza

tion

or in

sight

, or a

cha

nge

in th

e ch

arac

ter/

narr

ator

. I m

ight

hav

e sh

own

this

thro

ugh

dial

ogue

, acti

on, i

nner

th

inki

ng, o

r sm

all a

ction

s the

cha

ract

er

I use

d pa

ragr

aphs

pur

pose

fully

, per

haps

to

show

tim

e an

d se

tting

cha

nges

, new

par

ts

of th

e st

ory,

or t

o cr

eate

susp

ense

for

read

ers.

I Cr

eate

d a

logi

cal,

clea

r seq

uenc

e of

eve

nts.

- = Not Yet √ = Starting To + = Yes!

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Conventions

SPELLING PUNCTUATION AND SENTENCE STRUCTURE

15 | P a g e

Development

ELABORATION CRAFT

Student Name I dev

elop

ed re

alisti

c ch

arac

ters

, and

dev

elop

ed

the

deta

ils, a

ction

, dia

logu

e,

and

inte

rnal

thin

king

that

co

ntrib

ute

to th

e de

eper

m

eani

ng o

f the

stor

y.

I dev

elop

ed so

me

rela

tions

hip

betw

een

char

acte

rs to

show

why

th

ey a

ct a

nd sp

eak

as th

ey

do. I

told

the

inte

rnal

, as

wel

l as t

he e

xter

nal s

tory

.

I wov

e to

geth

er p

reci

se

desc

riptio

ns, fi

gura

tive

lang

uage

, and

som

e sy

mbo

lism

to h

elp

read

ers

pict

ure

the

setti

ng a

nd

actio

ns, a

nd to

brin

g fo

rth

mea

ning

.

I use

d la

ngua

ge th

at fi

t my

stor

y’s m

eani

ng a

nd c

onte

xt

( for

exa

mpl

e,

- = Not Yet √ = Starting To + = Yes!

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Student Name I use

d re

sour

ces t

o be

sure

the

wor

ds in

my

writi

ng a

re sp

elle

d co

rrec

tly.

I use

d pu

nctu

ation

such

as

dash

es, p

aren

thes

es, c

olon

s, an

d se

mic

olon

s to

help

me

incl

ude

extr

a de

tail

and

expl

anati

on in

som

e of

my

sent

ence

s.

I use

d co

mm

as a

nd q

uota

tion

mar

ks o

r ita

lics o

r oth

er w

ays t

o m

ake

clea

r whe

n ch

arac

ters

are

sp

eaki

ng.

- = Not Yet √ = Starting To + = Yes!

Lista de Control de la Unidad de Escritura Narrativa

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

17 | P a g e

ESTRUCTURAEN

GENERAL EL PRINCIPIO TRANSICIONES LA CONCLUSIÓN ORGANIZACIÓN

Nombre del/la Estudiante Es

crib

í una

hist

oria

que

tien

e la

tens

ión,

la

reso

luci

ón, p

erso

naje

s rea

lista

s, y

tam

bién

tr

ansm

ite u

na id

ea, l

ecci

ón o

tem

a.

Escr

ibí u

n pr

inci

pio

que

no so

lam

ente

es

tabl

ece

la tr

ama/

hist

oria

, per

o ta

mbi

én

dio

a en

tend

er e

l sen

tido

más

am

plio

que

la

hist

oria

tran

smiti

rá. S

e in

trod

uce

el

prob

lem

a, e

stab

lece

el e

scen

ario

par

a la

le

cció

n qu

e se

apr

ende

rá, o

mue

stra

cóm

o el

per

sona

je se

refie

re a

l esc

enar

io d

e un

a m

aner

a qu

e es

impo

rtan

te e

n la

hist

oria

.

No

sola

men

te u

tilic

é fr

ases

de

tran

sició

n y

cláu

sula

s par

a se

ñala

r los

cam

bios

co

mpl

icad

os e

n el

tiem

po, t

ambi

én lo

s uti

licé

para

ale

rtar

a m

i lec

tor a

los c

ambi

os

en e

l esc

enar

io, e

l ton

o, e

stad

o de

áni

mo,

pu

nto

de v

ista,

o e

l tiem

po d

e la

hist

oria

(p

or e

jem

plo,

de

repe

nte,

a d

ifere

ncia

de

ante

s, a

unqu

e só

lo h

abía

con

ocid

o).

Escr

ibí u

na c

oncl

usió

n qu

e co

nect

a al

pr

opós

ito v

erda

dero

de

la h

istor

ia. L

e di

al

lect

or u

na se

nsac

ión

de c

ierr

e, m

ostr

ando

de

nue

vo re

aliza

ción

o v

isión

, o u

n ca

mbi

o en

el p

erso

naje

/nar

rado

r. Po

dría

hab

er

mos

trad

o a

trav

és d

el d

iálo

go, l

a ac

ción

, el

pens

amie

nto

inte

rno,

o p

eque

ñas a

ccio

nes

que

el p

erso

naje

tom

a.

Usé

pár

rafo

s con

un

prop

ósito

, tal

vez

par

a m

ostr

ar lo

s cam

bios

del

tiem

po y

del

es

cena

rio, n

ueva

s par

tes d

e la

hist

oria

, o

para

cre

ar su

spen

so p

ara

los l

ecto

res.

He

crea

do u

na se

cuen

cia

lógi

ca, c

lara

de

los

even

tos.

- = No Todavía √ = Comenzando + = ¡Sí!

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

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DESAROLLO

ELABORACIÓN ARTESANÍA

Nombre del/la Estudiante He

des

arro

llado

per

sona

jes

real

istas

, y d

esar

rolla

ron

los

deta

lles,

la a

cció

n, e

l di

álog

o y

el p

ensa

mie

nto

inte

rno

que

cont

ribuy

en a

l sig

nific

ado

más

pro

fund

o de

la

hist

oria

.

He d

esar

rolla

do a

lgún

tipo

de

rela

ción

ent

re lo

s pe

rson

ajes

par

a m

ostr

ar

por q

ué a

ctúa

n y

habl

an

com

o lo

hac

en. C

onté

el

cuen

to in

tern

o, a

sí co

mo

la

hist

oria

ext

erna

.

Com

biné

des

crip

cion

es

prec

isas,

el l

engu

aje

figur

ado,

y u

n sim

bolis

mo

para

ayu

dar a

los l

ecto

res

de im

agen

El e

ntor

no y

las

acci

ones

, y p

ara

dar a

luz

signi

ficad

o.

He u

tiliza

do le

ngua

je q

ue

enca

ja e

l sig

nific

ado

y el

co

ntex

to (p

or e

jem

plo,

di

fere

ntes

per

sona

jes u

san

dife

rent

es c

lase

s de

idio

ma)

de

mi h

istor

ia.

- = No Todavía √ = Comenzando + = ¡Sí!

CONVENCIONES GRAMATICALES

ORTOGRAFÍA PUNTUACIÓN y ESTRUCTURA de las ORACIONES

Nombre del/la Estudiante He u

tiliza

do re

curs

os p

ara

esta

r se

guro

/a d

e qu

e la

s pal

abra

s en

mi e

scrit

ura

está

n es

crita

s co

rrec

tam

ente

.

He u

tiliza

do p

untu

ació

n co

mo

guio

nes,

par

énte

sis, d

os p

unto

s,

punt

o y

com

a pa

ra a

yuda

rme

incl

uir d

etal

les a

dici

onal

es y

ex

plic

ació

n de

alg

unos

de

mis

orac

ione

s.

Usé

com

as y

com

illas

o c

ursiv

a u

otra

s for

mas

par

a de

jar e

n cl

aro

cuan

do lo

s per

sona

jes e

stán

ha

blan

do.

- = No Todavía √ = Comenzando + = ¡Sí!

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our GoalsSAMPLE UNIT CALENDAR

Stage 3 Plan Learning Experiences and Instruction

Monday Tuesday Wednesday Thursday FridayI can analyze leads from mentor texts noticing what the writer has done and try to use their techniques in my writing. (Session 7)

I can write a memorable lead that will set me up to write a great story. (Session 7)

I can write 2-3 different leads to rehearse my writing keeping in mind a specific technique I observed in a mentor narrative. (Session 7)

I can plan my first draft by choosing a lead that will set me up to write a great story and begin writing. (Session 8)

I can write a first draft without pausing, even if it is my best writing or not. (Session 8)

I can work silently and write a first draft of 2-3 pages in one sitting. (Session 8)

I can use a strategy from a mentor narrative to revise several previous entries from my Writer’s Notebook. (Session 9)

I can create plan (e.g. external-internal story arc) for revisions. (Session 10)

I can share my plan for revisions (e.g. external-internal story arc) with a partner. (Session 10)

I can give feedback to a partner on what their story is about. (Session 10)

I can rewrite my first draft by re-envisioning my story. (Session 10)

I can revise my first draft by developing deeper meaning throughout the story. (Session 10)

I can choose the most important scenes from my story and elaborate to communicate meaning. (Session 11)

I can add new scenes from the past or future that connect to the story’s meaning. (Session 11)

I can use different tools (anchor charts, Writer’s Notebook, reference tools) during the revision process. (Session 12)

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Anchor Charts:

Técnicas para escribir Principios Memorables Escritores pueden incluir los detalles chiquitos del momento, los detalles más

realistas para el narrador. Escritores pueden incluir pensamiento interno para mostrar el significado del

cuento. Escritores pueden incluir las acciones precisas de los personajes, ayudando a

los lectores ver como una acción afecta a otra acción. Escritores pueden incluir las palabras exactas que están diciendo los

personajes en forma de diálogo.

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

Cómo Escribir Cuentos Narrativos Personales Poderosos- Piensa en una persona, un lugar o un momento en tu vida (tal vez la primera o

la última vez de hacer algo, o un tiempo cuando diste cuenta de algo) que te importa y escribe un cuento acerca de eso.

- Enfócate en un episodio, escribe con detalle (no resumes un período largo).- Ayuda a tus lectores hacer un dibujo en sus mentes de un episodio – una acción

pequeña y diálogo exacto.- Vive el momento y escribe con el punto de vista del narrador.- Personajes necesitan decir las palabras y usar un tono que muestra su

personalidad y sugiere que es el propósito más grande del momento.- Explica por qué los personajes actúan como lo hacen.- Enfócate en los detalles chiquitos pero poderosos que capturan momentos y

sentimientos grandes.- Usa la Lista de Control de la Unidad de Escritura Narrativa para preguntar,

“Como escritor/a, ¿qué son mis destrezas? ¿Cuáles son mis necesidades?” Entonces, planifica tus pasos siguientes como un/a escritor/a.

- Inventa un principio memorable.- Pregunta, “¿Qué es el mensaje verdadero de mi cuento?” e incluye descripción,

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6th - Unit 1: Bend 2: Moving through the Writing process and toward Our Goals

diálogo y pensamiento interno para explicar el propósito del cuento.- Elabora escenas importantes que demuestran el propósito del cuento.- Incluye nuevas escenas, recordadas del pasado o imaginadas del futuro, que

demuestran el propósito del cuento.

Works Cited:

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