1 our lady of lourdes church havelock north – 1993
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Our Lady of Lourdes Church
Havelock North – 1993
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Some history: John Scott’s model of the proposed Church
produced vociferous objections His 1970 Presbytery design was likened to African
huts He also designed the Parish Centre (opened in
1987)
Our Lady of Lourdes ChurchHavelock North
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Futuna Chapel
Built in 1958
NOTES: Post-Vatican II
orientation – with the altar placed so the Priest says the Mass facing the congregation
Use of colours in the windows and the play of light, timber framing, and timber ceiling
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Our Lady of Lourdes Church
Havelock North
Built in 1959
First Wedding 3 November 1962
NOTE:Pre-Vatican II – with the altar placed against the wall at the front of the Church, so the Priest said much of the Mass (in Latin) with his back to the congregation
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Our Lady of Lourdes Church
Havelock North 1993
NOTE: John Scott’s sketch for
redesigned altar area Circular screen with
strong echoes of the structural skeleton
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Our Lady of Lourdes Church
Havelock North 1993
NOTE: Post-Vatican II –
free-standing altar
Church dressed for a wedding
Immersion baptism font
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Our Lady of Lourdes Church
John Scott’s sketch compared with completed alterations
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NOTES:
A recent photograph The “narthex” to the right
of the picture links the Church to the Parish Centre – an addition not designed by John Scott, and criticised by some
The buttresses are rough-cast
The mosaic of Our Lady was commissioned by John Scott, and was installed above the entrance after the 2007 interior alterations
Our Lady of Lourdes Church
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NOTE: Altar area re-designed
by Jacob Scott and Karl Wixon
New screen back-drop, with rough-cast central wall echoing the rough-cast buttresses at the Church entrance
Screen wing walls with angles to match the main structure
Free-standing altar, with other furniture to match
Immersion baptismal font lowered to floor level
Our Lady of Lourdes Church
2007
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Our Lady of Lourdes Church
John Scott’s sketch compared with 2007 alterations
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Our Lady of Lourdes, 1959Futuna Chapel, 1958
Altar area reconfigured in both, noting the common use of colours in the windows and the play of light,
black timber framing, and timber ceilings