michael rogovin portfolio

MICHAEL ROGOVIN

Education

Professional

Graduate Architecture StudentUniversity of Cincinnati, DAAP School of Architecture and Interior Design August, 2013-Present, Master of Architecture, 2016

Bachelors of Science of ArchitectureUniversity of Cincinnati, DAAP School of Architecture and Interior Design September, 2008-2012

Graduate Assistant ScholarshipCincinnati, Ohio. Spring 2015 - 2016 DAAP GA contracts are a highly competitive opportunity to teach within the undergraduate program in a variety of both hand and digital skills.

Private Vray Rendering Tutoring Cincinnati, Ohio. Fall 2012 - Spring 2014 Lessons primarily in Vray Rhino with post production work in Photoshop. Student Reference: David Saldoff <dsaldoff@gmail.com>

Programs: Rhino, SketchUp, Grasshopper, Revit, AutoCAD, Photoshop, Illustrator, InDesign, Vray.

Assorted Skills: Free-hand sketching/drafting, 3D Printing/ laser cutting experience, Watercolor, Oil painting, MIG welding, Home renovation experience, Computer building for rendering and 3D work, Mac OS-X expert.

Experience

Terry Boling ArchitectCincinnati, Ohio. August, 2014 - Present Worked independently under the advisement of Terry Boling to assemble a permit set for an adaptive reuse project in Cincinnati’s historic OTR neighborhood.

GBBN ArchitectsCincinnati, Ohio. January - May, 2014 Schematic-design, Rendering/graphics work, and Revit drafting for historic submission preparation, and educational projects.

William McDonough + Partners San Francisco, California. January - May, 2013 Designed for client and competition work with responsibilities including parametric scripting, 3D modeling, CAD drafting, and presentation materials.

Ziger/Snead ArchitectsBaltimore, Maryland. Winter Quarter, 2012 Schematic-design, graphic/standards work, client presentations, and Revit drafting for educational and commercial buildings.

Earl Swensson AssociatesNashville, Tennessee. Spring Quarter, 2011 Schematic-design, client presentations, and Revit drafting for healthcare and commercial buildings.

The Office of Planning and ArchitectureHarrisburg, Pennsylvania. January - April and Sept - Dec, 2010 Pre-design through early CD development on residential, civic, and commercial buildings.

University of Cincinnati Graduate Architecture StudentMichael1@mac.com - Cell (513) 259-5608 Portfolio - http://issuu.com/m-rogovin/docs/rogovin_portfolio_09-2013

MICHAEL ROGOVIN

GRADUATE STUDIOINDEPENDENT STUDIO PROJECTFall 2012

VISITORSCENTER

CONTEXT SENSITIVEDesigning for Columbus, Indiana carries special significance with the excellent body of built work on display, from Saarinen’s First Christian Church constructed in 1942 to Venturi’s Fire Station # 4 built in 1968. In recent years the city’s architecture prowess has lost some of its steam in creating new buildings. Columbus needs to be able to respects its past while simultaneously looking to the future where architectural tourism may be a stronger economic force than the manufacturing that once shaped the city.

TO BUSINESS DISTRICT

6th st.

HOLD CORNER TO EMBRACE TIGHTER SET-BACKS WITHIN BUSINESS DISTRICT.

WASHINGTON ST.

COLUMN GRID VERTICAL CIRCULATION

WASHINGTON ST.EXPLORATORY STAIR TO RURAL PLAINS

7th st.

RELAX CORNER TOWARDINDIANA PLAINS

ESTABLISH MASS EMBELLISH

1 2 3 4 5 6 7

1234567

54321

321

4 3 2 1

4 3 2 1

4 3 2 1DNUP DN UP

DN

UP

M

LIBRARY

ELEVATOR

ELEVATOR

ELEVATOR

KITCHEN

CAFE/ BOOKSTORE

AUDITORIUMGALLERY

OFFICESRECEPTION

750 sqft RESIDENCE750 sqft RESIDENCE 500 sqft 500 sqft 500 sqft 500 sqft 500 sqft

W

M W

DN

DN

DN

DN

DN

1 2 3 4 5 6 7

1234567

54321

321

4 3 2 1

4 3 2 1

4 3 2 1DNUP DN UP

DN

UP

M

LIBRARY

ELEVATOR

ELEVATOR

ELEVATOR

KITCHEN

CAFE/ BOOKSTORE

AUDITORIUMGALLERY

OFFICESRECEPTION

750 sqft RESIDENCE750 sqft RESIDENCE 500 sqft 500 sqft 500 sqft 500 sqft 500 sqft

W

M W

DN

DN

DN

DN

DN

1 2 3 4 5 6 7

1234567

54321

321

4 3 2 1

4 3 2 1

4 3 2 1DNUP DN UP

DN

UP

M

LIBRARY

ELEVATOR

ELEVATOR

ELEVATOR

KITCHEN

CAFE/ BOOKSTORE

AUDITORIUMGALLERY

OFFICESRECEPTION

750 sqft RESIDENCE750 sqft RESIDENCE 500 sqft 500 sqft 500 sqft 500 sqft 500 sqft

W

M W

DN

DN

DN

DN

DN

Third Floor Plan

ELEVATION - EASTERN FACADE

Second Floor Plan

First Floor Plan

MECH. AND DISTRIBUTION

LOBBY AND TEMP GALLERY

PERMANENT COLLECTION

LIBRARY

EASTERN EXPOSURE

ARTIST RESIDENCE

EGRESS

EGRESS

Progam and PrivacyProgram was distributed vertically based on desire for privacy versus public access with the artist residence being the most private and the temporary gallery and lobby being the least. An exploratory stair encourages patrons to move upwards within the building granting access to the permanent collection while isolating them from the noise and distraction of the street.

SECTION PERSPECTIVE LOOKING SOUTH

Lobby PersPectiveAs an architectural center, the goal of the building was not to foreground itself but present the historic buildings of columbus to a new audience. To achieve this, the connection to the street and urban fabric was an important step to encourage engagement beyond the walls of the center. Floor to ceiling glass was used to invite passers-by in and open up views out.

PARAMETRIC STUDIOINDEPENDENT STUDIO PROJECTSPRING 2012

MAGNETICFLOW

As with many Midwestern cities, Cincinnati has transitioned away from heavy manufacturing. On top of this, the city’s urban core, known as Over the Rhine (OTR), was overlooked for many years in favor of new suburban developments on the cities outskirts. Despite this, OTR is in a period of revival with a renewed interest in the arts, dining, and nightlife. As a result there is a growing interest in new manufacturing for artists and their works, involving 3-D prototyping utilizing computers and advanced robotics. This became the driving program behind my capstone studio project, a computer arts center, to produce, educate, and display a new generation of art and manufacturing.

OPEN TO BELOW

CIRCULATION

STAIR

OPEN TO BELOW

OPEN TO BELOW

ELE.

MECH

REST.

REST.

MECH500 SQ.FT.

CLASSROOMS

500 SQ.FT.

DIRECTOR’S OFFICE

500 SQ.FT.

COMPUTER LAB2000 SQ.FT.

WORKROOM2000 SQ.FT.

CONFERENCE500 SQ.FT.

CONFERENCE500 SQ.FT.

N

EGRESS

ELE.

RETAIL4 X 500 SQ.FT.

LIBRARY800 SQ.FT.

GALLERY6000 SQ.FT.

MECH

REST

.

REST.

LOBBY1000 SQ FT.

UP

UP

GALLERY4 X 500 SQ.FT.

OPEN TO BELOW

CIRCULATION

STAIR

OPEN TO BELOW

OPEN TO BELOW

ELE.

MECH

REST.

REST.

MECH500 SQ.FT.

CLASSROOMS

500 SQ.FT.

DIRECTOR’S OFFICE

500 SQ.FT.

COMPUTER LAB2000 SQ.FT.

WORKROOM2000 SQ.FT.

CONFERENCE500 SQ.FT.

CONFERENCE500 SQ.FT.

N

EGRESS

ELE.

RETAIL4 X 500 SQ.FT.

LIBRARY800 SQ.FT.

GALLERY6000 SQ.FT.

MECH

REST

.

REST.

LOBBY1000 SQ FT.

UP

UP

GALLERY4 X 500 SQ.FT.

modernity vs. Parametricism

In order to achieve a design that reflects the high tech nature of the building’s program, I looked to combine a parametric design approach with a rational modern one. The resulting hybrid design utilizes modern spatial planning and massing. The site uses a grid altered by a magnetic attractor script that expands the grid at points chosen to direct site forces and the user experience. A similar script was used to create a sun shade system that adapts to the desire for exposure, climate, and the overall architecture.

I-71 ENTRY

SERV

ICE

ENTR

Y

PARK

ING

PARK

ING

SCUL

PTUR

EPA

RK

CEN

TER

READ

ING

RD.

DESI

GN

GIL

BERT

AVE

.

E.LIBERTY ST.

I-71 ENTRY

SERV

ICE

ENTR

Y

PARK

ING

PARK

ING

SCUL

PTUR

EPA

RK

CEN

TER

READ

ING

RD.

DESI

GN

GIL

BERT

AVE

.

E.LIBERTY ST.

extend PLane from street

WraP front of buiLding form second fLoor Push and PuLL PLanes

PuLL uP to form back WaLL return PLane to form roof

design Progression

1. FLATTENED GLAZING 2. PLACE CONTROL POINTS

3. PLACE MORE POINTS 4. TRIM LINES TO ORIGINAL SHAPE

5. CUT-OUT INDIVIDUAL GLAZED PANELS

6. FOLD PANELS BACK TO ORIGINAL SHAPE

magnetic DisPlacement -Magnetic displacement is a tool used to manipulate a grid parametrically, based on a set of control points determined by the design needs.

ELEVATION FACING SOUTH

context and the casino

ELEVATION FACING NORTH

The chosen site sits upon a highly visible corner at the edge of OTR’s historic urban fabric and I-71 highway. Further complicating things, a casino is being built at the site’s southern end. With it comes some of the flamboyance of Vegas but with a Midwestern twist. The result is a site that has not one distinct identity but several competing influences. As such, it seemed appropriate to develope a clean style that would not offend OTR’s history and at the same time stand up to the bright lights of the new casino.

ELEVATION LOOKING EAST

GRADUATE STUDIOINDEPENDENT STUDIO PROJECTFall 2012

NORTHSIDEPAVILION

DECREASED DENSITY

Two years after the completion of the original Living Local Northside project I decided to revise what I considered the project’s greatest failing, the central court yard. The resulting Pavilion structure was designed independently and is intended to fit within the site’s organization.

PAVILION GRID

RAISE BASE TO MEET STRUCTURE

PULL DOWN GRIDAS STRUCTURE

TIGHTEN GRIDFOR STRUCTURE

ParametricaLLy controlleD Pavilion

Through a Grasshopper controlled definition the grid was adjusted to increase density and account for structural loads. At these same points the grid was pulled to the ground to form a single fluctuating plain.

TIGHTENED GRID

site anD griD

As a central courtyard to the market site, the idea was to create a usable gathering space that would bind the various buildings together with an iconic pavilion structure. The site grid was subdivided to create the tight rigid structure and then manipulated using three control points defined by the original site grid.

Pavilion plot

Site gridControlPoints

AMBERLY VILLAGEINDEPENDENT STUDIO PROJECTSummer 2012

CREST HILLSVINEYARDCREST HILLSVINEYARD

AMBERLY VILLAGEINDEPENDENT STUDIO PROJECTSummer 2012

This studio project sought to repurpose a large abandoned golf course just outside of Cincinnati. The site included a poorly maintained clubhouse which was reclaimed as a Winery processing building, rentable event space, and student run restaurant. The expansive former greens are to be used for agriculture, the growing of grapes, and as park grounds.

1 - Existing Structure 2 - Addition added on north for a Restaurant

strategy

3 - Wine cellar added below existing structure to open onto to green

4 - Connect upper level with exposed walkway

ax i s a n d An c h o r

Extending from the Vineyard main building, an axis was drawn across the site intending to connect the far extents of the former gulf course. The axis terminates at a pavilion intended for social events three seasons of the year. Within this context, a modern take on the primitive hut seemed appropriate as to not overwhelm the surrounding landscape but instead nestle within it.

P L A N E

F R A M E

TASTING PAVILION

WINERY

VITICULTURE LAND- Grapes prefer sunny south facing slopes with good drainage.

VEGETABLE LAND- Relatively flat area with good sun and close Proximity to kitchen.

ORCHARD LAND- Being the least picky of soil, slop, and sun conditions, fruiting trees make used of some of the less desirable land.

F R A M E

5 - Final massing negotiates with terrain to form view corridor

ORIGINAL BUILDING SHELL

FERMENTATION AND AGING TUNNEL

LIGHT WELL

ORIGINAL BUILDING SHELL

FERMENTATION AND AGING TUNNEL

RestroomRestroom

Elevator

Nan

awal

l

UP

Grand Ball Room

UP

Slope1/20

+4’

DN

UP

Service Space

Bar

DN

UP

DN

DN

UP

BAR

Restroom

Restroom

Restroom

Restroom

Open Kitchen

Service Stair

Dining Room

Elevator

DN

LOWER LEVELWine storage and fermentation

FIRST LEVELEntry and Ballroom

SECOND LEVELRestaurant and entry

For Wine to age properly the barrels must remain undisturbed for a few months to several years. During this time, the wine prefers stable cooler temperatures in order to produce the best flavors. For this reason the tunnel inserted under the original building houses much of the long term storage. This also creates an opportunity for guests to have a stronger interaction with the product as they are forced to pass it on their way out to the park lands.

EXIT TO VINEYARD AXIS TOWARDS PAVILION

context vs. IntentTerminating the axis started with the storage tunnel is a tasting pavilion. Unlike the main building which sits in opposition to the nature it inhabits, this structure is intended to be integrated into the landscape. Extensive use of wood softens the building’s opposition to the surroundings. The absence of walls means there is never a disconnect from the outdoors.

tasting Pavilion

MODEL MAKINGVARIOUS STUDIO PROJECTSSummer 2012

ILLUMINATEDWORKS ILLUMINATEDWORKS

MODEL MAKINGVARIOUS STUDIO PROJECTSSummer 2012

LIGHT TUNNELConstructed with 72 stacked hexagons each rotating at 6 degrees to form a geometric light tunnel.

This piece was built over a three month period during my senior year of high school.

TOWER LAMPThe Tower Lamp was constructed as a reinterpretation of the formal qualities of Dominique Perrault’s Bibliothéque Nationale de France (BNF) as defined though light. Construction was completed with a combination of digital fabrication and handwork. Running vertically along the lamp, louvers control the light being emitted much like the large wooden panels used in the BNF.

HAND SKETCHESPARIS STUDY ABROADSummer 2011

FIELDSKETCHES

HAND WORKVARIOUS PROJECTS2007-2009

VARIOUS ARTS

HAND WORKVARIOUS PROJECTS2007-2009

VARIOUS ARTS

BEE-HAVEOIL ON WOOD, 24” X 24”2007

CLUSTERVARIOUS MATERIALS, 12” X 12”

2009

DYLAN # 1OIL ON CANVAS, 12” X 24”2007

DYLAN # 1OIL ON CANVAS, 12” X 24”2007

CUT-OUT SELF PORTRAITOIL ON WOOD, 36” X 48”2007

NUDEPASTEL, 12” X 24”

2007

DYLAN # 3OIL ON CANVAS, 12” X 24”2007

Education

Professional

Graduate Architecture StudentUniversity of Cincinnati, DAAP School of Architecture and Interior Design August, 2013-Present, Master of Architecture, 2016

Bachelors of Science of ArchitectureUniversity of Cincinnati, DAAP School of Architecture and Interior Design September, 2008-2012

Graduate Assistant ScholarshipCincinnati, Ohio. Spring 2015 - 2016 DAAP GA contracts are a highly competitive opportunity to teach within the undergraduate program in a variety of both hand and digital skills.

Private Vray Rendering Tutoring Cincinnati, Ohio. Fall 2012 - Spring 2014 Lessons primarily in Vray Rhino with post production work in Photoshop. Student Reference: David Saldoff <dsaldoff@gmail.com>

Programs: Rhino, SketchUp, Grasshopper, Revit, AutoCAD, Photoshop, Illustrator, InDesign, Vray.

Assorted Skills: Free-hand sketching/drafting, 3D Printing/ laser cutting experience, Watercolor, Oil painting, MIG welding, Home renovation experience, Computer building for rendering and 3D work, Mac OS-X expert.

Experience

Terry Boling ArchitectCincinnati, Ohio. August, 2014 - Present Worked independently under the advisement of Terry Boling to assemble a permit set for an adaptive reuse project in Cincinnati’s historic OTR neighborhood.

GBBN ArchitectsCincinnati, Ohio. January - May, 2014 Schematic-design, Rendering/graphics work, and Revit drafting for historic submission preparation, and educational projects.

William McDonough + Partners San Francisco, California. January - May, 2013 Designed for client and competition work with responsibilities including parametric scripting, 3D modeling, CAD drafting, and presentation materials.

Ziger/Snead ArchitectsBaltimore, Maryland. Winter Quarter, 2012 Schematic-design, graphic/standards work, client presentations, and Revit drafting for educational and commercial buildings.

Earl Swensson AssociatesNashville, Tennessee. Spring Quarter, 2011 Schematic-design, client presentations, and Revit drafting for healthcare and commercial buildings.

The Office of Planning and ArchitectureHarrisburg, Pennsylvania. January - April and Sept - Dec, 2010 Pre-design through early CD development on residential, civic, and commercial buildings.

University of Cincinnati Graduate Architecture StudentMichael1@mac.com - Cell (513) 259-5608 Portfolio - http://issuu.com/m-rogovin/docs/rogovin_portfolio_09-2013

MICHAEL ROGOVIN

MICHAEL ROGOVIN Michael1@me.com

Cell (513) 259-5608

MICHAEL ROGOVIN