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Annual report

2012

The Internat iona l Yehudi Menuh in Foundat ion

Annual report 2012

Annual report

2012

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Human-created art begins with self-dialogue, with selfconsciousness in the widest sense, and ends with the communication of what we see of ourselves and others, and of what they see of themselves and of us. An artist’s self-dialogue is a constant adjusting, correcting, re-balancing, of elements within himself.

Yehudi Menuhin

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The In ternat iona l Yehudi Menuh in Foundat ion

Annual report 2012 Foreword

« The image of the v io la cou ld symbol ise the vo ice of cu l tures. I have an assembly in mind… but not of the bureaucrat ic k ind, rather made out of people who have a l ready proven the i r worth, dur ing miss ions, or representat ions, g iv ing a vo ice to groups, any group that can be recogn ised but whose vo ice is not , or not heard enough » .

Yehudi Menuh in

The miss ion of the In ternat iona l Yehudi Menuh in Foundat ion is to perpetuate and d isseminate the ph i losophy and the humanist va lues of Yehudi Menuh in who exto l led the centra l p lace of ar t and creat iv i ty in a l l processes of in tegrat ion and personal and soc ieta l deve lopment .

For 2012, the work of the Foundat ion wi l l fo l low th is d i rect ion: the MUS-E® programme wi l l cont inue to encourage the soc ia l and cu l tura l in tegrat ion of ch i ldren f rom a l l cu l tures through the in t roduct ion of ar t is t ic act iv i t ies in the pr imary schools in Europe, and the « Vo ices for Tomorrow » programme wi l l deve lop and expand a European network of ar t is ts ca l led « ambassadors of cu l tures » who are the spokespersons of the va lues of the Foundat ion: shar ing, creat iv i ty , respect of cu l tura l d ivers i ty and transmiss ion.

The 2012 work programme is in l ine wi th the « Vo ices for Tomorrow » programme spann ing over severa l years and that focuses the art is t ic act ion of the Foundat ion on the themat ic of « Soc ia l In tegrat ion and Creat iv i ty » . I ts main ob ject ive is to capi ta l ise the ach ievements of the « Shar ing a l l Vo ices » ar t is t ic methodology, in i t ia ted in the f ramework of the 2008-2010 programme, based on an inter-d isc ip l inary approach, improv isat ion and intercu l tura l i ty and to strengthen the ro le of the ar t is ts in the i r miss ion of « ambassadors of the cu l tures of Europe » .

To ach ieve th is genera l ob ject ive the programme fo l lows three spec i f ic ob ject ives:

- ident i fy and tra in ambassadors of cu l tures who are sens i t ive to the soc ieta l cha l lenges so they can become the carr iers of the va lues defended by Yehudi Menuh in

- support the mul t i d isc ip l inary ar t is t ic act ions a iming at soc ia l in tegrat ion through the pract ice of ar t , by re inforc ing the work of pro ject leaders in European schools members of the European network of the Foundat ion whi ls t at the same t ime widen ing th is network to other countr ies and reg ions of Europe.

- encourage art is t ic creat iv i ty , in tercu l tura l d ia logue and the mobi l i ty of ar t is ts l iv ing in Europe, on the top ic of soc ia l in tegrat ion and creat iv i ty .

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In th is f ramework, the 2012 programme, was dedicated to the deepen ing of the t ra in ing of the ambassadors of cu l tures of Europe and to the d isseminat ion of the va lues they have to t ransmi t .

Dur ing our tour in seven countr ies of the European Union, we have ra l l ied to our cause art is ts who share our same v is ion and who have c lose ly co l laborated in our act ions: as in the case of Ida Kelarova, a Roma s inger f rom the Czech Republ ic , who in her extraord inary work to l iberate the vo ice took us to Roma ghet tos in Western S lovak ia . Or a lso wi th Dani K le in , who lent her magni f icent vo ice to our 20th ann iversary Gala, her presence h igh l ighted a co lour fu l and mul t icu l tura l even ing. The same can be sa id about Vo lker B iesenbender, whose v io l in i l lust rated a new musica l creat ion accompanied by the innovat ive danc ing of Cr is t ina Candela .

Thanks to the « Vo ices for Tomorrow » programme the Foundat ion reached new audiences, ident i f ied new partners to deve lop common act ions in 2012, was jo ined by art is ts shar ing the same va lues, reached out to Roma ch i ldren and art is ts and conveyed the i r hopes. I t a l lowed us to ident i fy potent ia l new partners to set up the foundat ions of the MUS-E programme in new countr ies, as for example in S lovak ia and in Austr ia . I t a lso enabled us to conso l idate the bas is of a programme a iming the re- launch of the Assembly of Cul tures of Europe so dear to Yehudi Menuh in .

The work th is year was of course undertaken thanks to the support of our st ructura l partners, who, even in th is cr i t ica l f inanc ia l c l imate, supported our ef for ts fa i thfu l ly . Our thanks go a lso to the European Commiss ion; the i r recogn i t ion of the qual i ty of our work honours us and encourages us to deve lop ever more pro jects h igh l ight ing d ia logue and cu l tura l d ivers i ty .

Mar ianne Ponce let Enr ique Barón Crespo

Execut ive V ice-Pres ident IYMF Pres ident

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Annual report 2012 Tab le of contents

Foreword

1 . The In ternat iona l Yehudi Menuh in Foundat ion a. Object ives b. Ongoing work

2. The MUS-E® programme a. H istor ica l deve lopment of MUS-E® b. Fundamenta l pr inc ip les of the MUS-E® programme c. F ie lds of act ion of the MUS-E® programme d. The MUS-E® programme in Europe and beyond e. Operat ion of MUS-E® at the European and internat iona l leve l f . The MUS-E® network and the MUS-E® Internat iona l Deve lopment Commit tee g. Eva luat ion

3. The assembly of cu l tures of Europe and the Ambassadors programme a. H istor ica l deve lopment of ACE b. The Shar ing A l l Vo ices programme c. The Voices for Tomorrow programme d. The method e. The Ambassador Art is ts

4 . Concerts and art is t ic product ions

5. Res ident ia l ar t is t ic seminars - exchanges and creat ions

6. European pro jects

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7. Calendar of act iv i t ies 2012

8. Valor isat ion and Vis ib i l i ty

9. ORGANS OF THE INTERNATIONAL YEHUDI MENUHIN FOUNDATION a. Genera l Assembly 1 . Honorary Commit tee 2. Honorary Members 3. Assoc iate Members b. Board c . Execut ive Commit tee

10. SUPPORT FROM PUBLIC AUTHORIT IES

11 . PARTNERS

12. ACKNOWLEDGEMENTS

Values

Balance Sheet 2012

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1 . The International Yehudi Menuhin Foundation

Yehudi Menuh in, one of the greatest v io l in is ts of the 20th century, created the In ternat iona l Yehudi Menuh in Foundat ion in Brusse ls in 1991 as an internat iona l non prof i t making assoc iat ion set up by roya l decree.

H is v is ion was to g ive l i fe to long term pro jects, wi th the a im of g iv ing a vo ice to the vo ice less through art is t ic express ions under a l l i ts forms. The In ternat iona l Foundat ion is at the centre and coord inates a network of assoc iat ions which act as the nat iona l operators of i ts programmes, such as for example MUS-E®.

The task the In ternat iona l Yehudi Menuh in Foundat ion undertakes is to remind the po l i t ica l , cu l tura l and educat iona l inst i tu t ions of the centra l p lace of ar t and creat iv i ty in a l l the processes of personal and soc ieta l deve lopment . F ind ing i ts sources in the humanist ic work of Yehudi Menuh in, i t in i t ia tes ar t is t ic pro jects that g ive a vo ice to the cu l tures present in Europe.

Th is endeavour is rea l ised in severa l f ie lds of act ion, supported by d i f ferent programmes:

• ar t at school : the MUS-E® programme int roduces art in pr imary schools to deve lop ch i ldren ’s creat ive powers and re lease the i r creat ive potent ia l , thus prevent ing v io lence and rac ism through foster ing harmony and a sense of aesthet ics f rom the ear l iest age. Implemented in 11 countr ies, MUS-E® now invo lves around 45,000 ch i ldren f rom 523 pr imary schools, thanks to the support f rom the European Union and many nat iona l and reg iona l governmenta l author i t ies and partners . Over 700 ar t is ts take part in the programme. Lord Menuh in ’s wish was that a l l ch i ldren cou ld s ing and dance at school every morn ing.

• ar t and intercu l tura l d ia logue: g ives a vo ice to none represented cu l tura l groups by creat ing a p lat form through which these groups can express themselves at a European leve l .

Over th i r ty groups have jo ined th is pro ject in Europe, inc lud ing the Roma, Armenians, Laps, Csangos, Pomacks, etc . but a lso emerg ing minor i t ies . Today new partnersh ips are estab l ished wi th cu l tura l experts, minor i ty advocacy groups, ar t is ts , d iverse assoc iat ions or inst i tu t ions in the i r f ie ld of act ion (educat ion, soc ia l , env i ronment ) which combine the i r act iv i t ies and generate a thorough ref lect ion in the p lat form created around the Assembly of Cul tures. Lord Menuh in ’s wish was that a l l cu l tura l groups cou ld have rea l access to European author i t ies and that European inst i tu t ions cou ld g ive a l l cu l tura l groups the pract ica l opportun i ty of express ing themselves.

• ar t on stage: themat ic mul t icu l tura l concerts un i te the vo ices of severa l cu l tures through mus ic, s ing ing or dance. A longs ide Stéphane Grappel l i , Rav i Shankar, Marce l Marceau or Mir iam Makeba, to ment ion but a few, Yehudi Menuh in used to in t roduce us on stage to the sou l of a range of cu l tures through the i r mus ica l express ion. He knew how to f ind the words of the heart , creat ing a magic space wi th in which we were a l l un i ted. I t is th is sp i r i t that the In ternat iona l Foundat ion str ives to perpetuate today by organ is ing an annual concert or ar t is t ic event i l lust rat ing in tercu l tura l d ia logue on stage. These mul t icu l tura l events of the IYMF carry a strong message based on to lerance and understand ing, which is a lso anchored in a wider ref lect ion on in tercu l tura l d ia logue. They propose a dynamic and nove l i l lust rat ion


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of the message of in tegrat ion through art and propose d idact ic too ls which art is ts , experts or teachers work ing in the schools in Europe can make the i r own.

The art is t ic performances and part ic ipat ive workshops a l lowed us to fo l low a new approach: meet ing var ious and part ic ipat ive audiences.

These act ions a l low us to be v is ib le in the media at the loca l leve l and present a European image enr iched by the contr ibut ion of ar t is ts f rom var ious cu l tures.

The outcome th is h igh l ights is a co l lect ive creat ion generated by severa l ar t is ts gathered for the f i rs t t ime in the f ramework of the IYMF.

• ar t in res idence: the in ternat iona l res ident ia l workshops organ ised by the In ternat iona l Yehudi Menuh in Foundat ion gather ar t is ts f rom d iverse cu l tures encourag ing the exchange of knowledge and good pract ices dur ing res idences a l lowing the i r creat iv i ty to f lour ish and favour ing the emergence of co l lect ive creat ions.

These creat ive laborator ies are at the base of future work of the ar t is ts “ambassadors” of the MUS-E® network and the partners .

• ar t for Europe: for many years the In ternat iona l Yehudi Menuh in Foundat ion is a successfu l part ic ipant to European pro jects as team leader . Th is was the case for “Contes Nomades” , “MUS-E® Connect” , “Enfants d ’ Ic i , Contes d ’A i l leurs” , “D iasporas and European Ci t izensh ip” , “ iyouwe SHARE THE WORLD” in 2008 for the European Year of In tercu l tura l D ia logue, and more recent ly the Ambassadors programme. And as partner or co-organ iser i t part ic ipated in the EFMET pro ject , s ince 2007 to “EX TRA, Exchange Trad i t ions” , in co l laborat ion wi th the EMC (European Music Counc i l ) , and s ince 2009 to the P. IN.O.K. I .O European pro ject lead by the Fondaz ione Naz iona le Car lo Col lod i .

A. OBjECTIVES

• Re inforcement of the programmes of the In ternat iona l Yehudi Menuh in Foundat ion and guarantee i ts expans ion in the European Union and beyond.

• Encourage the mobi l i ty of ar t is ts and intercu l tura l d ia logue through d i f ferent innovat ing pro jects .

• Promote art is t ic co l laborat ion between the nat iona l member structures through the creat ion of common European pro jects .

• Capi ta l ise on the reputat ion and the re lat ions of the In ternat iona l Foundat ion wi th pos i t ive repercuss ions for the nat iona l member assoc iat ions and the partners of the IYMF.

• Prof i le the In ternat iona l Foundat ion as a competent representat ive in the debates of the non commerc ia l sector , of ar t is t educat ion and of in tegrat ion through the arts .

• Prof i le the name of the In ternat iona l Foundat ion as a European emblem of exce l lence

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B. ONGOING WORK

Fo l low up and operat ion of the MUS-E® network: these tasks inc lude v is i ts to the nat iona l assoc iat ions, da i ly rep l ies to enqu i r ies f rom partners, pub l ish ing per iod ica l newslet ters, fac i l i ta t ing the contact between members of the network and of ar t is ts wi th other networks and the co l lect ion of good art is t ic pract ices.

• Exp lorat ion of new pro ject partnersh ips and fo l low-up of ex is t ing partners .

• Organ isat ion, fo l low-up and communicat ion in re lat ion to the in ternat iona l ar t is t ic seminars .

• A European communicat ion strategy centred on the act ions of the Foundat ion through publ icat ions, conferences, mul t icu l tura l events, us ing the ad hoc communicat ion too ls : webs i te, newslet ters, press conferences, e-mai l ing journa l is ts… Th is communicat ion reaches the d i f ferent inst i tu t iona l leve ls (European, nat iona l and loca l ) , the European networks, cu l tura l and art is t ic experts in the f ie ld of educat ion and intercu l tura l i ty , ar t is ts and teachers, and the publ ic at large. Th is st rategy re l ies on loca l partners who are our nat iona l MUS-E® assoc iat ions or other partners .

• Produce events to support loca l communicat ion, which inc lude the creat ion of themat ic concepts, ident i fy ing mus ic ians or ar t is ts ( famous or act ive in the f ramework of the MUS-E® programme), the poo l ing of the i r pract ices and the product ion of or ig ina l mul t icu l tura l events .

• Exp lorat ion of new f ie lds of act ion wi th ar t is ts and cu l tura l experts and inter l ink ing domains (such as the env i ronment and the arts ) .

• Conso l idat ion of the f inanc ia l organ isat ion of the IYMF and of i ts deve lopment through, amongst others, the search for st ructura l partners wish ing to assoc iate the i r name to the one of the Foundat ion and to conso l idate i ts act ion in the long term.

• Organ isat ion of inst i tu t iona l meet ings: annual Genera l Meet ing, per iod ica l Board meet ings, meet ings of the Execut ive Commit tee, annual meet ing of the MUS-E® Deve lopment Commit tee, organ isat ion and fo l low-up of the sub work ing groups


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2 . The MUS-E® programmeThe purpose of the MUS-E® programme is the soc ia l and cu l tura l in tegrat ion of ch i ldren through int roduc ing art is t ic act iv i t ies, mus ic, drama, dance and p last ic ar ts in pr imary schools in Europe. MUS-E® thus contr ibutes to the prevent ion of v io lence, rac ism and soc ia l exc lus ion by prov id ing an open ing to var ious cu l tures and awakening the creat ive potent ia l of each ch i ld .

A. HISTORICAL DEVELOPMENT OF MUS-E®

The MUS-E® programme was thought out in 1993 by the outstand ing v io l in is t and humanist Yehudi Menuh in (1916-1999) and took on pract ica l shape thanks to the ef for ts of Werner Schmi t t , head of the mus ic school of the Bern Conservato i re, and Mar ianne Ponce let , Execut ive V ice-Pres ident of the In ternat iona l Yehudi Menuh in Foundat ion.

MUS-E® is insp i red by the educat iona l mus ica l concept deve loped by Zol tán Kodály (1882-1967) , a Hungar ian composer, ethnomusico log is t and teacher . H is concept , c i rcu lated throughout Hungary, was that mus ic shou ld be part of da i ly educat ion and be access ib le to everyone. Zo l tán Kodály defended the idea that each country shou ld know i ts own trad i t iona l cu l ture . Yehudi Menuh in extended Kodály ’s concept by adapt ing i t to the current rea l i t ies of mul t icu l tura l ism. Whi le agree ing wi th Kodály about the importance of s ing ing, he a lso ins is ted on the importance of movement, the var ious senses, the body and the imaginary wor ld in the pract ice of ar t f rom d i f ferent cu l tures.

B. FUNDAMENTAL PRINCIPLES OF THE MUS-E® PROGRAMME

Yehudi Menuh in out l ined the strong po ints as fo l lows:

• Art makes a dec is ive contr ibut ion to the in te l lectua l , aesthet ic and soc ia l deve lopment of a person.

• Art develops the personal abi l i ty to overcome diff icult ies and transcend them, drawing addit ional strengths from them.

• The pract ice of ar t is a source of access to knowledge; rooted in exper ience, i t boosts the p leasure of d iscovery, cur iosi ty, interest and access to other types of knowledge.

• Ar t in genera l , and s ing ing and danc ing in part icu lar , reconnects the body wi th the sp i r i t and the sp i r i t wi th the body, whi le reconnect ing emot ions wi th the mind and the mind wi th emot ions.

• Ar t is t ic express ion generates new re lat ionsh ips wi th ourse lves and the outs ide wor ld .

• D iscover ing t rad i t ions f rom the i r reg ion of or ig in he lps ch i ldren red iscover the i r own cu l tura l her i tage, somet imes forgot ten in migratory s i tuat ions.

• Ar t creates l inks between an ind iv idua l and d i f ferent cu l tures. Art is t ic creat ion contr ibutes to shaping a common cu l ture and re inforces the fee l ing of be long ing.

• Art is a tool for developing self-respect and respect for others.

• Ar t can contr ibute to the deve lopment of soc ia l dynamics based on interdependence.

• Ar t and school can mutua l ly enr ich one another .

• Through cu l ture and art , we can str ive for a greater qua l i ty of l i fe .

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C. F IELDS OF ACTION OF THE MUS-E® PRO-GRAMME

MUS-E® estab l ishes connect ions between three f ie lds: the ar t is t ic , educat iona l and soc ia l f ie lds .

• The soc ia l f ie ld : the MUS-E® programme pr imar i ly focuses on ch i ldren who may be at r isk of soc ia l exc lus ion. Targeted schools are most ly located in areas where var ious cu l tures coex is t , wi th d i f f icu l t ies l inked to cu l tura l mutat ions, and where ch i ldren have no access to ar t is t ic educat ion. We bank on these so- ca l led “d i f f icu l t ” schools hav ing a weal th of potent ia l and r iches which can be enhanced by deve lop ing su i tab le pro jects . The MUS-E® programme he lps br ing out ch i ldren ’s many qual i t ies and resources as wel l as the r ichness of the i r cu l tura l d ivers i ty , thus counter ing soc ia l st igma. Research has shown that the parents l iv ing in poor areas had a negat ive percept ion of school . The product ions of the i r ch i ldren outs ide the school change th is percept ion and he lp them become invo lved in the school env i ronment .

• The educat iona l f ie ld : an art is t ic approach complements the educat ion prov ided in th is type of school , which resu l ts in ch i ldren increas ing ly regard ing school as a gateway to knowledge and the deve lopment of soc ia l sk i l l s . I t a lso he lps teachers d iscover a d i f ferent k ind of educat iona l system, s ince pr ior i ty is g iven to an approach tak ing in to account ch i ldren ’s favour i te sub jects and act iv i t ies, the i r ab i l i t ies, the i r leve l of deve lopment and the i r cu l tura l d ivers i ty . The educat iona l approach of the MUS-E® programme is based on the assumpt ion that ch i ldren a l ready have the i r own k ind of knowledge and cu l ture and that enhanc ing these factors g ives fu l l meaning to school as a p lace for deve lop ing soc ia l sk i l l s . The art is t / teacher partnersh ip wi th in MUS-E he lps teachers not to exper ience the i r ro le and be exper ienced as the one and on ly ho lders of knowledge, but as people accompanying ch i ldren in the i r search for knowledge. When deal ing wi th some parts of the school curr icu lum, teachers can a lso use as a bas is what has been exper ienced by ch i ldren dur ing MUS-E® act iv i t ies .

• The art is t ic f ie ld : ar t , which is of ten min imized in the school curr icu lum or in pract ice, is a powerfu l too l for arous ing the th i rs t for knowledge, the knowledge of others and the i r cu l ture, and co l lect ive work. Awakening ch i ldren ’s creat ive potent ia l deve lops the i r capaci t ies for res i l ience, in other words the i r capaci t ies for overcoming the prob lems l inked to d i f f icu l t l i v ing condi t ions.


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D. THE MUS-E® PROGRAMME IN EUROPE AND BEYOND


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Structures Since Cities Schools Classes Teachers Artists Children

Austria • The Brunnenpassage 2012

Belgium • vzw MUS-E Belgium - Mr Tom GorisChaussée de la Hulpe, 61 • B-1180 BrusselsT.: +32 (0)2 660 25 80 • F.: +32 (0)2 660 25 80 [email protected]

2000 14 50 140 140 50 2,750

Finland* • MUS-E Finland - Mrs Ulla SalomakiHuopalahdentie 8 A 4 • 00330 Helsinki [email protected]

2007 1 29 100 4 29 1,968

France • Courant d’Art - Mrs Isabelle Marx14, rue d’Obernai • 67000 Strasbourg T.: +33 3 88 56 99 75 [email protected]

2006 5 15 32 33 33 600

Germany • MUS-E Deutschland Benzenbergstraße 2 • 40219 DüsseldorfT.: +49 211 86 20 53 0 • F.: +49 211 86 20 53 20

2011 3 3 10 10 5 300

Hungary • MUS-E Magyarország - Mr Andor TimarKözhasznú Egyesület, Fűrész u. 55/A • Budapest - 1147T.: +36 1 769 07 79 • F.: +36 1 768 29 02 [email protected]

1994 5 5 12 24 15 300

Israel • MUS-E Israel - Mrs Adena PortowitzGiborim 5, Tel-Aviv-Jaffa 68105T.: 972 3 683 26 26• F.: 972 3 683 26 20 [email protected]

2006 3 8 27 3 9 425

Italy • MUS-E Italia Onlus - Mrs Anna Maria GuglielminoVia San Luca 2 • 16124 GenoaT.: +39 010 868 15 35 / 36 • F.: +39 010 868 15 38 Mobile: 335 7797328 • [email protected]

1999 29 221 681 1,423 330 14,936

Kosovo • MUS-E Kosova - Mr Dardan KryeziuRr. “28 nentori”, lagjia Dardania • 10000 PrishtineT.: +377 44 345 011 • [email protected]

2009 3 3 12 12 3 385

Portugal • Associação Menuhin Portugal Mr Pedro Saragoça MartinsR. António Maria Cardoso, n.º 68 • 1249-101 Lisboa T.: 351 21 346 67 22 • F.: 351 21 342 82 50 [email protected]

1996 4 4 39 45 19 768

Spain • Fundación Yehudi Menuhin España (FYME) Mrs Anabel DomínguezAvda. Ciudad de Barcelona, 53, EXT, 1ºD • 28007 - MADRIDT.: +34 915 340 143 • F.: +34 914 560 693 [email protected]

1999 80 152 1,068 1,763 141 21,103

Switzerland • MUS-E Schweiz - Mrs Carolin Hagemannc/o Res Publica Consulting AG • Helvetiastrasse 5 • 3005 BernT.: +41 (0)31 922 27 57 • F.: +41 (0)31 922 27 58 [email protected]

1993 25 33 43 29 69 1,075

TOTAL - 12 countries 172 523 2,164 3,486 703 44,610

* Figures 2009-2010

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E . OPERATION OF MUS-E® AT THE EUROPEAN AND INTERNATIONAL LEVEL

The MUS-E® programme is implemented at the loca l and nat iona l leve l through assoc iat ions or nat iona l foundat ions which are l inked to the IYMF through a renewable convent ion. Th is convent ion spec i f ies the implementat ion cr i ter ia of the programme, the qual i ty and respect of the sp i r i t of cooperat ion and open ing of the network operated by the IYMF and supported by the d i f ferent st ructures. They are a lso bound to submi t year ly a report of the i r act iv i t ies and the management of the programme at the nat iona l leve l .

The ro le of the IYMF is to lega l ly protect the MUS-E® name, to coord inate and deve lop the synerg ies between the d i f ferent nat iona l st ructures. I t a lso launches the bases of a deve lopment strategy in respect of terr i tory and partnersh ips. MUS-E® is thus more and more represented by assoc iat ions or p lat forms which are a l ready act ive in the school or ar t is t ic wor ld . And so the network expands and becomes r icher through wider exper iences, becoming at the same t ime a force to be reckoned wi th in the f ie ld and in the educat iona l po l ic ies of the d i f ferent countr ies .

The IYMF equal ly deve lops i ts ro le of fundra iser for the MUS-E® network scrut in is ing and fo l lowing the proposals of

potent ia l benefactors submi t ted by the nat iona l st ructures, propos ing European pro jects or deve lop ing re lat ions wi th var ious foundat ions.

Fur thermore, to ensure the coherence and the shar ing of exper iences, the nat iona l coord inators meet in an In ternat iona l Coord inators Commit tee ( ICC) . The fundamenta l ob ject ive of the ICC, set up wi th in the In ternat iona l Foundat ion, is to br ing together MUS-E coord inators in order for them to share the i r exper iences and know-how and enr ich on-f ie ld pract ices.

Ensur ing that the ref lect ions on the eva luat ion of the programme are implemented by the nat iona l st ructures ( ref lect ion commit tee in Germany, in Be lg ium for example or in France a lso where the pro ject expanded to three fur ther towns (Lyon, Par is and L i l le ) thanks to the support of Be iersdorf AG and the Fondat ion de l ’Oranger ie . The IYMF for i ts part gathers the d i f ferent main l ines of ref lect ion on eva luat ion, communicat ion and the pool ing of the pro jects at the European leve l .

F. THE MUS-E® NETWORK AND THE MUS-E® INTERNATIONAL DEVELOPMENT COMMITTEE

2012 saw an overa l l increase in the f igures of the network, ( refer to the MUS-E® tab le of schools, ar t is ts and c lasses) . The Coord inators meet ing that took p lace in 2012 focused on eva luat ion, communicat ion, ident i f icat ion and implementat ion of « common pro jects » at the European as wel l as at the in ternat iona l leve l ( inc lud ing Israe l ) .

The main issue for the partners of MUS-E®, in addi t ion to the fo l low up and mainta in ing the qual i ty of work at the loca l leve l , is the in ternat iona l expans ion of the network. A cho ice of opt ions must be taken in order to ensure a deve lopment which matches the f inanc ia l means of the Foundat ion.

Therefore the Board of the Foundat ion dec ided to go on wi th the Deve lopment Commit tee, that wi l l centra l ise the


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set t ing up proposals for MUS-E® in the new countr ies and wi l l coord inate them in accordance to the strategy chosen by the Board and wi l l , the case ar is ing, fo l low the appl icat ion.

G. EVALUATION

Each nat iona l assoc iat ion/foundat ion that implements the MUS-E® programme has i ts own eva luat ion which compl ies wi th the demands of the d i f ferent grant g ivers and the cr i ter ia of the d i f ferent educat ion systems. The IYMF for i ts part co l lects these pract ices and pools the d i f ferent formats of eva luat ion in a resource- in t ranet that may serve as examples for the coord inators . On the other hand, wi th i ts in ternat iona l workshops, the IYMF can a lso acqu i re a bet ter understand ing of the good pract ices the art is ts implement and l ink the MUS-E® pract ices of the d i f ferent countr ies . European pro jects are a lso an important way to confront the cha l lenges encountered in the network in the implementat ion of the ar t is t ic pract ices in schools and propose in common new so lut ions or exp lorat ions.

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3 . The assembly of cultures of Europe and the Ambassadors programme

The Assembly of Cul tures of Europe (ACE), a pro ject dear to the heart of Yehudi Menuh in, is coming to l i fe again in the shape of in ternat iona l themat ic encounters br ing ing together experts f rom var ious minor i ty groups in Europe.

A. HISTORICAL DEVELOPMENT OF ACE

As the idea promoted by Yehudi Menuh in was that a l l the cu l tures present in Europe become an integra l and c i t izen part of th is Europe, they a lso had to represent at the i r own leve l th is European d imens ion, invest i t wi th the i r own art is t ic and cu l tura l gen ius . In order to represent and h igh l ight th is creat ive d ivers i ty , the ACE was const i tu ted as a p lat form of debates, contacts, understand ing and open ing on the cha l lenges fac ing the wor ld .

Wi th th is in mind we organ ised in 2005 a symposium in Barce lona on Diasporas and European Ci t izensh ip . Over the last year, the In ternat iona l Foundat ion gathered numerous experts and art is ts stemming from European cu l tura l groups who can be invo lved in f ie ld act ions such as those undertaken by the MUS-E® programme.

The experts involved at the t ime wished to resume their discussions and enhance them with the IYMF through an informal network. These meetings inspired the International Yehudi Menuhin Foundation in the creation of a three year programme: «SHARING ALL VOICES » aiming to explore new paths of art ist ic creation in col laboration with the European partners who shared this desire and curiosity and wished to contribute their expert ise and know-how to our approach.

The particularity of this approach is the highl ighted role of the art ists, be it social, innovative, pedagogic, inspir ing. They are the « ambassadors » at the heart of the IYMF’s mission.

Th is is how we in i t ia ted in 2008 the f i rs t stage of our programme «Shar ing a l l Vo ices» which lasted unt i l 2010 and we cont inued wi th the «Vo ices For Tomorrow» programme which star ted in 2012.

B. THE SHARING ALL VOICES PROGRAMME

I n th is programme, the In ternat iona l Yehudi Menuh in Foundat ion shares the vo ices of ar t is ts , mus ic, cu l tures and nature through the t ra in ing of ambassadors of cu l tures who can express themselves creat ive ly on stage, in part ic ipat ive workshops and shar ing moments . To he lp i t in th is task, the Foundat ion ca l ls upon experts of these cu l tures, prepares mater ia l to t ranspose i ts messages into images, communicates them dur ing publ ic performance in var ious parts of Europe, tak ing in to account the symbol ic i t inerar ies l inked to i ts set of themes.

In 2008, MOVING VOICES, the set of themes chosen were nomadic cu l tures: what are the i r spec i f ic i t ies, how do they t ransform and adapt in re lat ion to the countr ies and other cu l tures they encounter and cross? What are the i r contr ibut ions to the European cu l ture? And how can art is ts t rans late the messages of wisdom of these cu l tures in the i r own art is t ic and transmiss ib le language making of them the ambassadors of the va lues person i f ied by these cu l tures « in movement»?


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I n 2009, GREEN VOICES, the set of themes chosen were cu l tures and env i ronment : how are art is ts l inked to nature, what is the s ign i f icance of th is l ink, why are the e lements of nature a source of insp i rat ion to ar t is ts , how can the art is ts increase awareness of the importance of respect ing nature in th is context?

In 2010, ISLAND VOICES, focused on the concept of the is lands as a metaphor of the is le ts of res is tance towards a system that l im i ts the deve lopment of be ing and creat iv i ty . The term « Is lands» refers here to the art is ts – ambassadors of the pro ject who move in smal l groups and in d i f ferent contexts in order to t ransmi t and share in a pract ica l manner the advances of the pro ject .

C. THE VOICES FOR TOMORROW PROGRAMME

The ob ject ive is to deve lop and expand a European network of ar t is ts ca l led «ar t is ts ambassadors of cu l tures» who are the spokespersons of the va lues of shar ing and respect of the Foundat ion and whose miss ion is to t ransmi t the ar t is t ic methodolog ies promot ing in tegrat ion and creat iv i ty .

The 2012 work programme is in l ine wi th the «Vo ices for Tomorrow» programme spann ing over severa l years and that focuses the art is t ic act ion of the Foundat ion on the themat ic of «Soc ia l In tegrat ion and Creat iv i ty» .

I ts main ob ject ive is to capi ta l ise the ach ievements of the «Shar ing a l l Vo ices» ar t is t ic methodology, in i t ia ted in the f ramework of the 2008-2010 programme, based on an inter-d isc ip l inary approach, improv isat ion and intercu l tura l i ty and to strengthen the ro le of the ar t is ts in the i r miss ion of «ambassadors of the cu l tures of Europe», in order to g ive a VOICE to the cu l tures of Europe and encourage the in tegrat ion of vu lnerab le groups, through the pract ice of ar t .

To ach ieve th is genera l ob ject ive the programme fo l lows three spec i f ic ob ject ives:

1 . ident i fy and tra in ambassadors of cu l tures who are sens i t ive to the soc ieta l cha l lenges so they can

become the carr iers of the va lues defended by Yehudi Menuh in .

2. support the mul t i d isc ip l inary ar t is t ic act ions a iming at soc ia l in tegrat ion through the pract ice of ar t , by re inforc ing the work of pro ject leaders in European school members of the European network of the Foundat ion whi ls t at the same t ime widen ing th is network to other countr ies and reg ions of Europe.

3. encourage art is t ic creat iv i ty , in tercu l tura l d ia logue and the mobi l i ty of ar t is ts l iv ing in Europe, on the top ic of soc ia l in tegrat ion and creat iv i ty .

In th is f ramework, the 2012 programme, was dedicated to the deepen ing of the t ra in ing of the ambassadors of cu l tures of Europe and to the d isseminat ion of the va lues they have to t ransmi t .

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D. THE METHOD

The art is t ic methodology of the Shar ing A l l Vo ices (SAV) pro ject is based on the pr inc ip le of the «f lu id organ ic dec is ion making» in i t ia ted by Th ierry Van Roy in the f ramework of the Shar ing A l l Vo ices pro ject of the In ternat iona l Yehudi Menuh in Foundat ion ( IYMF) .

The a im of th is method is to decompartmenta l ize, open, widen the creat ive ab i l i t ies through creat ive work in group, by respect ing a few spec i f ic ru les that i t enta i ls . Th is methodology is , in the case of Shar ing A l l Vo ices, def ined as a powerfu l too l to deve lop in the members of the group the humanist va lues of Yehudi Menuh in, notab ly respect , non v io lence and fu l f i lment of the ind iv idua l through art is t ic creat ion, research of a harmony wi th onese l f and the d ivers i ty of the wor ld .

Th is method is in tended for ar t is ts and people wish ing to work on the creat ive impulse regard less of the f ie ld of appl icat ion of the i r creat iv i ty .

In pract ice, the group, through a pre l im inary work sess ion, becomes an organ ic ent i ty , wi th i ts own inte l l igence, dynamism and creat iv i ty in addi t ion to i ts ind iv idua l creat iv i ty . I t can be compared to a shoal of f ish that fo l lows a group log ic that is i ts own and not that of separated ind iv idua ls .

Through the pr inc ip le of «organ ic dec is ion making», the creat ion in group is a lways conducted by one of the part ic ipants of the group, and th is leadersh ip is estab l ished in an organ ic and f lu id manner for a very short whi le or for a longer exper imentat ion, accord ing to the creat ive responses of the other members: the one who gave the creat ive impulse at a certa in t ime conducts the group, and he or she wi l l immediate ly re l inqu ish the dec is ion making to another member in a f lu id manner, a lways keeping in mind that the ind iv idua l must g ive precedence to the group.

The re lat ionsh ips obey spec i f ic ru les:

1 . mutua l t rust : the respons ib i l i ty towards the group and i ts process of creat ion.

2. non- judgement : noth ing is e i ther good or bad, one obeys to creat ive impulses in a pr imord ia l way, not tak ing in to account ind iv idua l op in ions.

3. non-verba l communicat ion: no space for po lemics, one exper iments in order to dec ide; one works on etherea l , corpora l , sensory communicat ion.

4. put t ing onese l f in jeopardy , in the creat ive f ie ld : a requ is i te , i t widens the hor izon of one own creat iv i ty .

5 . impermanence: creat ion is never f rozen: the method is in keeping wi th the f lu id i ty of t ime and form, and wi th the idea that a work of ar t can indef in i te ly be worked on. I t is not the outcome that is important , but the creat ive process, which in the course of t ime becomes a process of personal t ransformat ion.

6. non-production: the creation process starts, ideally, out of nothing and without a determined final aim if not that to create something following the logic of the «group» entity.

7 . One can have some «snapshots» (per formances, shar ing moments) , but i t remains a never-end ing «work in progress» .

8. adaptab i l i ty : the creat ion of the group adapts i tse l f in an f lu id and immediate way to changes and unforeseen events: composi t ion of the group, externa l or in terna l e lement or event .

There is a «watchman» on the outsk i r ts of the group, h is cruc ia l ro le is on ly to ensure that the ru les of «organ ic dec is ion making» are respected and guarantee the creat ion through the f lu id i ty of the power of dec is ion making.

In due course, this methodology, experimented upon in the microcosm of artists, creative people and children, will become a tool for the macrocosm that is to say at the service of human groups in society looking for societal answers through creativity.


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E . THE AMBASSADOR ARTISTS

The Ambassador Art ists are the spokespersons of the values embodied by Yehudi Menuhin and promoted by his Foundat ion: creat iv i ty, integrat ion, shar ing, respect of diversi ty, transmission. And also: trust, complementar i t ies, reciprocity, l istening, chal lenging dissonance, creat ive mixes, the encounter as the f i rst step to creat ing, interdependence, openness, respect of the body and of l i fe, mult ip l icat ion in diversi ty, going towards the foreigner with empathy and respect, search for the why of th ings, search for harmony with oneself and the diversi ty of the world.

They transmi t these va lues through an art is t ic metho-do logy based on the pr inc ip le of a f lu id organ ic dec is ion making deve loped by Th ierry Van Roy and based on var ious pr inc ip les: mutua l t rust , non- judgment, non-verba l communicat ion, put t ing onese l f in jeopardy, impermanence, non-product ion, adaptab i l i ty .

The ob ject ive pursued is to promote the emergence of creat iv i ty and encourage the in tegrat ion of vu lnerab le target groups through the pract ice of ar t .

The very sp i r i t of the i r approach is based on the pr inc ip les of in tercu l tura l d ia logue: l is ten ing to onese l f and others, rec iproca l enr ichment and the negot iat ion of a pac i f ic and creat ive way of l i v ing together .

Fur ther in format ion on the art is ts on the “Vo ices For Tomorrow” webs i te (www.vo icesfor tomorrow.eu) or in our Ambassador Art is ts book let .

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VIP Guests

Dani Klein(s inger )

Be lg ium

The story began two decades ago with a voice – Dani Klein’s voice, the voice of Vaya Con Dios. A voice heard at its most extraordinary on The Ult imate Collection. A col lection of 21 songs: 18 hits, two sparkl ing new numbers and, as a finale, a reinterpretation with a soul legend of a much-loved Klein classic. Twenty-one songs to mark 20 years at the top.

Vaya Con Dios wasn’t the f irst introduction to Dani Klein. Back in the mid-Eighties, you could hear her singing on commercials, in bars, on stage, as the vocal ist for indie heroes Arbeid Adelt. But she didn’t take her place in the spotl ight unti l she formed Vaya with bassist Dirk Schoufs and guitarist Wil ly Lambregt. There was no five-year plan. Just the maverick urge of three musical magpies to riff on the sounds they loved – and to see what happened when you mixed rock with Latin rhythms or blues or f lamenco or chanson or…

Vaya soared into the stratosphere. No surprise there. In the Eighties, ‘mainstream’ mainly meant ‘soulless’. Singles like Just a Friend of Mine, Puerto Rico, Johnny and Don’t Cry for Louie were like lifebelts to those longing for music of colour and passion and flair and heart and, of course, soul. If the music made people do a double take, so did the first time they saw Dani on TV. Her voice sounded like it belonged to a Delta blues woman or a Detroit diva. Not a down-to-earth woman from Brussels.

By now, that down-to-earth woman from Brusse ls was a b ig name around the wor ld . Vaya were se l l ing mi l l ions, sca l ing d izzy he ights wi th the 1990 a lbum Night Owls and smash h i ts l ike Nah Neh Nah and What ’s a Woman? But a l l was not wel l beh ind the scenes. The group star ted implod ing under the pressures of fame. Wi l ly had a l ready left ; Dirk and Dani spl i t up. A year after Dirk suddenly died.

Devastated, Dani didn’t drop Vaya but went on as a one-woman-show. The melanchol ic Time Fl ies and velvety Roots & Wings albums fol lowed (represented on the new Vaya compi lat ion by t imeless numbers l ike Heading For A Fal l , Forever Blue, Stay with Me and Don’t Break My Heart) . But by the mid-Ninet ies Dani fe l t smothered by the l imel ight .

Exhausted, she stepped out of that hothouse. Shunned i t . Dec ided to f ind herse l f .

Over the next few years she devoted herse l f to making up for lost t ime wi th f r iends and fami ly she’d bare ly seen for a decade. She trave l led the wor ld, f ina l ly v is i t ing the p laces she’d on ly managed to g l impse on tour . She bought a house in Andalus ia . She stud ied psychoanalys is , ph i losophy and l i terature, even go ing to un ivers i ty .

Eventua l ly the ache to create mus ic returned. In 1999


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Dani and four mus ic ian pa ls began jamming together and recorded the resu l ts as Purp le Prose, an a lbum of qu iet , low-key beauty. F ive years later , once again as Vaya Con Dios, she made The Promise, a l l summery love l iness, espec ia l ly the g lor ious Je l ’a ime, Je l ’a ime and Don’ t Deny. I t ’s the work of an art is t at the peak of her creat ive powers – as are two new tracks on The Ul t imate Col lect ion. On Pauvre Diab le Dani puts her own sp in on reggaeton megastar Don Omar ’s h i t ‘Pobre Diab la ’ ; Some L ike i t Hot just rocks.

On top of that , Dan i duets wi th US sou l veteran Aaron Nev i l le on an aston ish ing re-make of What ’s A Woman? There ’s a lso a t remendous DVD of an acoust ic concert that Dani performed in Brusse ls in August 2006 – Vaya unplugged, i f you l ike – a Wor ld Premiere performance. A l l in a l l , The Ul t imate Col lect ion t races the story of one of Be lg ium’s b iggest ever acts and the i r adventures in mus ic, a l l the way from ‘back when’ to here and now.

www.vayacondios.be

Ida Kelarova(s inger )

Czech Republ ic

Ida Kelarova is the founder and art is t ic d i rector of the Civ ic Assoc iat ion Miret . Wi th in the f ramework of th is Assoc iat ion she concentrates espec ia l ly on the support and deve lopment of ta lented Roma ch i ldren. She represents a character of today’s mus ic scene which can’ t be over looked. Ida is an in ternat iona l ly respected s inger and music teacher . The l is t of her act iv i t ies is vast . She is probably most wel l -known for her more than twenty years of in tense work wi th people and the human vo ice, to which she dedicated her l i fe . She is a zea lous warr ior f ight ing for t ruth, peace and to lerance.

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4 . Concerts and artistic productionsSince i t was set up in 1991, the Foundat ion organ ised a great number of mul t i cu l tura l concerts in order to i l lust rate poss ib le meet ings between var ious cu l tures through mus ic and a l l the ar ts .

• Rev iv ing th is t rad i t ion, i t organ ised a t r ibute concert to Yehudi Menuh in in 2002, br ing ing together c lass ica l mus ic ar t is ts , Berber and Roma art is ts around a common melody in homage to the Maestro .

• In 2003 the Foundat ion organ ised a concert-event invo lv ing MUS-E® ch i ldren and art is ts , on the bas is of a Gypsy ta le adapted for stage by the Berber storyte l ler Hamadi . Th is product ion was ca l led “MUS-E on stage” .

• In 2004 the Foundat ion organ ised a concert- t rave l ent i t led “Trave l l ing Vo ices” , presented by Hanna Schygu l la and br ing ing together vo ices f rom d i f ferent cu l tures (Loreena McKenni t , Esma Redzepova, Angé l ique Ionatos, Melan ie Gabr ie l and a ch i ldren ’s cho i r made up of pup i ls of Mart ina Cate l la ) .

• In 2005 the Foundat ion inv i ted Gi l les Apap and h is group, The Colors of Invent ion, for an or ig ina l in terpretat ion of V iva ld i ’s Four Seasons.

• In 2006 the Foundat ion presented the “Ta iga Maya” pro ject as a wor ld premiere – a concert wi th Melan ie Gabr ie l and her mus ic ians, echo ing Maya and Yakut mus ic ians v ia new techno log ies . An or ig ina l pro ject dev ised by the mus ic ian Th ierry Van Roy, which fosters an in tercu l tura l d ia logue on stage whi le g iv ing a vo ice to l i t t le-known ancestra l cu l tures.

• In 2006 the Foundat ion a lso produced an or ig ina l concert for one of i ts st ructura l sponsors . Th is event , ent i t led “Danc ing V io l ins” , took p lace in March in Luxembourg in the presence of the Grand Duke Henr i of Luxembourg.

• In 2007 the Foundat ion presented two concerts : one in Moscow in November which took p lace at the Embassy of the Grand Duchy of Luxembourg wi th Gi l les Apap and the Colors of Invent ion and one in Brusse ls for the Gala of the Foundat ion in December wi th the Tr io Avodah, Zo l tán Lantos, Mik lós Lukács, the Lubos Holub Ensemble and the Glot te Trot ters . I t a lso submi t ted an art is t ic concept for the Gala organ ised by Deutsche Post Wor ld Net .

• In 2008 the Foundat ion presented a concert ca l led « Share the Wor ld » to symbol ise the conc lus ion of the European pro ject i t carr ied throughout the European Year of In tercu l tura l D ia logue. Th is concert gathered fabu lous ta lents: Ivá B i t tová, the Tr io Loyko, Natacha At las and Mar lène Dorcena. Constructed as a d ia logue between two compères: Hamadi , storyte l ler and Tom Vout , F lemish speaking storyte l ler , re layed by storyte l lers f rom d i f ferent countr ies echo ing the ta les by the ch i ldren on the b i r th of our un iverse in I ta l ian, Turk ish, Portuguese, Hungar ian, German, Eng l ish and French entwined wi th the co lour fu l performances by the art is ts .

• In 2009, the In ternat iona l Yehudi Menuh in Foundat ion organ ised a d inner-concert in Brusse ls to commemorated the tenth ann iversary s ince the d isappearance of Yehudi Menuh in . To mark th is date the v io l in is ts Gi l les Apap, and Did ier Lockwood paid h im a v ibrant mus ica l homage.

• In 2010, the In ternat iona l Yehudi Menuh in Foundat ion organ ised 2 major concerts in I ta ly and in Be lg ium.

To ce lebrate the 100th ann iversary, Asson ime asked the foundat ion to organ ize the concert “100 minut i per 100 ann i ” (100 minutes for hundred years) . The concert took p lace in the Sala S inopol i of the Audi tor ium Parco de l la Mus ica in Rome. N ine mus ic ians and dancers of the


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I n ternat iona l Yehudi Menuh in Foundat ion and 12 mus ic ians of the Orchestra d i P iazza Vi t tor io met for one even ing and became an enchanted orchestra that embodied the co lours of the wor ld and expressed the power of mus ic to un i te beyond any barr ier .

The foundat ion a lso presented a concert ca l led “Vo ices in D ia logue” wi th a short performance of the ar t is ts-ambassadors and a major concert by the wor ld famous percuss ion is t , Burhan Oçal and h is Is tanbu l Or ienta l Ensemble .

• In 2011, the In ternat iona l Yehudi Menuh in Foundat ion organ ised a Gala Dinner and concert on October 10 in Brusse ls , Be lg ium, to ce lebrate the 20 years ann iversary of the creat ion of the Foundat ion by Yehudi Menuh in . The concert , presented by Mar ianne Ponce let , Execut ive V ice-Pres ident of the IYMF, was a metaphor for a l l concerts performed by the Foundat ion s ince i ts creat ion: a mus ica l journey through cu l tura l d ivers i ty , br i l l iant ly in terpreted by renowned art is ts such as Michae l Gut tman ( tango Argent ina) , Gi l les Apap (and Ind ian c lass ica l mus ic ) , Be lén Maya ( f lamenco and Ind ian dance) and Albrapsodie (Ba lkan mus ic ) . I t ended wi th master fu l de l ivery by Dani K le in (Vaya con Dios) , the godmother of the even ing, who then met a l l the mus ic ians on stage for a f ina le fu l l of emot ion: Gelem Gelem, the in ternat iona l anthem of the Roma, remind ing the deep at tachment Yehudi Menuh in he ld for them.

• In 2012, ar t is ts of “Vo ices For Tomorrow” part ic ipated in the nat iona l t ra in ing of MUS-E® art is ts in Hungary. They part ic ipated in an art is t ic res idence in Tapovan (France) to prepare a part ic ipat ive performance to an audience of 200 people in terpret ing Ind ian mus ic ian Prakash Kandassamy. They encountered CEO’s and top managers of var ious countr ies and reg ions in Croat ia . I t ended wi th a product ion of smal l improv isat ion performances.

Apart f rom these concerts which now const i tu te an annual event , the Foundat ion regu lar ly organ ises exh ib i t ions, ar t is t ic product ions of ch i ldren f rom the var ious countr ies tak ing part in the MUS-E® programme (e .g . “The wor ld is

my v i l lage” , a t rave l l ing exh ib i t ion that inc ludes p ictor ia l and v isua l works by ch i ldren and art is ts f rom the MUS-E® network) . In 2008 a group of seven MOVING VOICES art is ts toured Centra l Europe present ing improv isat ion workshops and performances. In 2009, the art is ts of GREEN VOICES took over dur ing part ic ipat ive workshops or Shar ing Moments in f ront of var ious audiences f rom the south to the north of Europe: Denmark, I ta ly , Greece, Spain, France, Germany and Belg ium. In 2010 art is ts of Is land Voices part ic ipated in the nat iona l t ra in ing of MUS-E art is ts in Portuga l , Hungary and Spain by prov id ing spec i f ic workshops, as they a lso d id in Croat ia . They part ic ipated in an art is t ic res idence in France to prepare a performance which was presented in the annual concert of the Foundat ion in Brusse ls (Vo ices in D ia logue) .

• In 2012, the In ternat iona l Foundat ion Yehudi Menuh in part ic ipated to the Roma Internat iona l Day in Brusse ls , Be lg ium. A ga la d iner fo l lowed by a concert was arranged in Györ, Hungary. Dur ing the Genera l Assembly a concert was organ ised wi th the art is t Kar in Baggi l i in Dolce La Hulpe, Be lg ium. Worshops wi th Non Roma and Roma ch i ldren of Moldava nad Bodvou, in S lovak ia, were set up wi th the co l laborat ion of loca l partners and i t f in ished wi th a spec ia l performance of Ida Kelarova and her Roma music ians and the Voices For Tomorrow art is ts . F ina l ly in Brusse ls , Be lg ium, the foundat ion organ ised a concert to ce lebrate the cu l tura l d ivers i ty and so l idar i ty wi th the part ic ipat ion of Dani K le in (Vaya con Dios) , the godmother of the event , Iva B i t tová, Mar ianne Aya Omac, Amparo Cortés and Maurane.

In 2012, art ists of “Voices For Tomorrow” part ic ipated to a train ing of MUS-E® art ists in Bern (Switzer land) and concluded the event by a special concert . They part ic ipated in an art ist ic residence in Tapovan (France) to prepare a part ic ipat ive performance to conclude the Planetary Garden Symposium organised by the Tapovan Centre. Apart from these concerts which now const i tute an annual event, the Foundat ion regular ly organises exhibi t ions, art ist ic product ions of chi ldren from the var ious countr ies taking part in the MUS-E® programme (e.g. Voice train ing and Roma culture workshops given by Ida Kelarova).

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5 . Residential artistic seminars - exchanges and creations

• S ince 2004, the Foundat ion has proposed themat ic in ternat iona l workshops br ing ing together ar t is ts f rom severa l countr ies around music (Be lg ium – Saint-Hubert ) , s ing ing (Be lg ium – Saint- Hubert ) and movement - body and rhythm (Be lg ium – Lasnes) . Th is pract ice was deve loped in 2005 wi th in ternat iona l workshops on dance (May 2005 – Portuga l ) and on mus ic creat ion for f i lms (Autumn 2005 – Normandy) .

• In 2006, i t a lso organ ised a res ident ia l mus ic creat ion workshop wi th mus ic ians f rom severa l countr ies, fo l lowed by concerts and the product ion of an or ig ina l CD featur ing the workshop resu l ts . The mus ic produced was used as a soundtrack for the documentary f i lm “Menuh in ’s Dream” i l lust rat ing MUS-E® pract ices in severa l countr ies .

• In 2007, i t organ ised three art is t ic res ident ia l workshops in partnersh ip wi th i ts member assoc iat ions: on performing arts in Germany (Hamburg) , on an imat ion in I ta ly (Genoa) and on v isua l ar ts in Great Br i ta in (Glasgow) .

• In 2008, i t organ ised severa l ar t is t ic res ident ia l workshops in the f ramework of i ts European pro ject « iyouwe SHARE THE WORLD », part of i ts programme « Shar ing a l l Vo ices » , and a lso for the European pro ject Ex-Tra. These res idence gathered art is ts f rom var ious d isc ip l ines and cu l tures in Hungary (Bükfurdo) , in France (Normandy) , in Great Br i ta in (Scot land) , in F in land (Kaust inen) and in S lovak ia (Banská Bystr ica) .

• In 2009, i t organ ised a ser ies of ar t is t ic res idences p lanned in the f ramework of i ts « Shar ing a l l Vo ices »

programme, wi th as the theme « Green Voices » . These res idences gathered art is ts f rom var ious d isc ip l ines and cu l tures in France (Normandy) , in Spain (Andalus ia ) , in Greece (Athens) , in Denmark (Ho lstebro) and in I ta ly (Naples) .

• In 2010, i t organ ised 2 art is t ic res idences p lanned in the f ramework of i ts « Shar ing a l l Vo ices » programme. These res idences gathered art is ts f rom var ious d isc ip l ines and cu l tures and took p lace in France and in Croat ia .

• In 2011, i t organ ised 6 art is t ic and mul t id isc ip l inary act ions/workshops in the f ramework of i ts “Vo ices for Tomorrow” programme. These act ions/workshops gathered art is ts f rom var ious d isc ip l ines and cu l tures in France (Normandy) , in Croat ia (Cres Los in j ) , in Moldova (nad Bodvou) , in S lovak ia (Koš ice) , in Germany (Frankfur t ) and in Po land (Subice) .

• In 2012, i t organ ised one art is t ic and mul t id isc ip l inary act ion/workshop in the f ramework of i ts “Vo ices for Tomorrow” programme. Th is act ion/workshop gathered art is ts f rom var ious d isc ip l ines and cu l tures in France (Normandy) .


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6 . European projectsThe Internat iona l Foundat ion is the in ter locutor of European inst i tu t ions, be i t the Par l iament , the Commiss ion, the Counc i l of Europe or the UNESCO.

I t a lso p lays the ro le of ambassador of i ts network wi th other European networks work ing a long the same l ines, such as the European Music Counc i l , ENCATC, the EAC (European Assoc iat ion of Conservato i res) . In 2008 i t part ic ipated in two p lat forms inaugurated by the Di rectorate Genera l of Educat ion and Cul ture of the European Commiss ion: the p lat form on cu l tura l enterpr ises and the p lat form on art is ts ’ mobi l i ty .

The Foundat ion regu lar ly part ic ipates in spec i f ic European pro jects as team leader or partner .

A l l these act ions are made poss ib le through the networks i t const i tu tes or leads and i t ’s thanks to the art is ts who carry the pro ject through the schools, in the i r own env i ronment, in the i r ar t is t ic pract ices that the In ternat iona l Foundat ion can deve lop i ts message. The art is ts and partners of the In ternat iona l Foundat ion are the « Ambassadors » of th is soc iety of peace we a l l asp i re to:

We shou ld share our ar t , our landscapes, our sorrows and our joys, we shou ld widen our hor izons. Thus we wi l l ga in t rue understand ing of groups of human be ings who are suf fer ing f rom persecut ion.

Yehudi Menuh in


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7. Calendar of activities 2012january• January 27th > 29th – Art is t ic and mul t id isc ip l inary act ions wi th ar t is ts of MUS-E Schweiz, in co l laborat ion wi th our partner

MUS-E Schweiz / Pr inc ipa l i ty of L iechtenste in to the benef i t of the “House of Re l ig ions” . Concert at the Yehudi Menuh in Forum Bern wi th the Voices for Tomorrow band wi th a spec ia l performance, Bern, Swi tzer land.

March• March 14 th – IYMF Board meet ing n°1

Apr i l• Apr i l 18 th – Part ic ipat ion in the Roma Internat iona l Day ce lebrat ing the In ternat iona l Day of the Roma wi th a concert

inc lud ing Roma and non Roma art is ts in co l laborat ion wi th the European Commiss ion, Brusse ls , Be lg ium.• Apr i l 23rd – Gala Dinner and Concert , Gyor, Hungary.

May• May 4th > 6 th – ICC Meet ing, Germany / Vo ices for Tomorrow workshop.• May 14 th > 19 th – Res ident ia l Ar t is t ic seminar thanks to the support of our host ing partner the Tapovan Centre, Normandy,

France. Mul t id isc ip l inary performance to conc lude the P lanetary Garden Symposium organ ised by the Tapovan Centre .• 21 th > 25th – Art is t ic and mul t id isc ip l inary act ions dur ing Mar ibor 2012 ECC/pro ject MARIBOR, S loven ia .

june• June 4 th – Genera l Assembly and concert wi th Kar im Baggi l i Quartet , Do lce La Hulpe, Be lg ium.

ju ly• Ju ly 1st > 7 th – Art is t ic and mul t id isc ip l inary workshops wi th non Roma ch i ldren and Roma ch i ldren of Moldava nad Bodvou,

Koš ice, S lovak ia . In co l laborat ion wi th our partner ETP Slovak ia and wi th the support of loca l partners . Concert of Ida Kelarova and her Roma music ians and of the Voices for Tomorrow band at the House of Arts in Koš ice.

September• September 14th – IYMF Board meeting n°2.

October• October 26th – Press Conference, Nov i Sad, Serb ia .

November• November 9 th > 11 th – Vo ice t ra in ing and Roma Cul ture by Ida Kelarova, Be lg ium.

December• December 3rd – Concert , Brusse ls , Be lg ium.• December 4 th – IYMF Board meet ing n°3.

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Board Meet ings

Severa l board meet ings of the Foundat ion take p lace every year . In these occas ions the d i f ferent act iv i t ies of the Foundat ion are p lanned and eva luated. In 2012, the Board meet ings took p lace in Brusse ls on 19th March, 4 th September and 4th December .

Genera l Meet ing

I n 2012, the Genera l Meet ing of the Foundat ion took p lace on 4 th June. Around the Pres ident , Enr ique Barón Crespo and the members of the Board of the In ternat iona l Foundat ion, the d i f ferent nat iona l representat ives met and h igh l ighted the i r act iv i t ies .

The annual accounts, the act iv i ty report of the prev ious year, the budget and the act ion p lan for the year in course were a l l agreed upon.

Part ic ipat ion to the meet ings of the Deve lopment Commit tee (see ca lendar ) .

8. Valorisation and Visibility

I n t roduct ion

This year our act ions were a imed at act ions to increase the v is ib i l i ty and the notor ie ty of the IYMF and the MUS-E® Network.

Local ly we have deve loped the v is ib i l i ty of the programmed act iv i t ies: • v is ib i l i ty in the partner countr ies of our Vo ices for

Tomorrow programme • the promot iona l too ls used were press act iv i t ies and loca l

externa l act ions, pub l icat ions and internet c i rcu lat ion.

The target aud iences reached by our act ion were the publ ic inst i tu t ions at the nat iona l and European leve ls , s ign i f icant personal i t ies that support us in our act ions, the publ ic at large in each of the countr ies where our act ions took p lace, pr ivate partner companies, loca l

author i t ies and ent i t ies, as wel l as the benef ic iar ies of our programmes: ch i ldren, parents, fami l ies, ar t is ts , teachers, minor i ty and cu l tura l groups, ne ighbourhood assoc iat ions.

The Voices for Tomorrow pro ject benef i ted f rom press and communicat ion cover ing:

• Photograph ic coverage • Product ion of posters, datasheets in var ious languages • Product ion of var ious promot iona l mater ia l (kakemonos,

leaf le ts, …) • Updat ing of webs i tes • Product ion of f i lms and performances at the nat ional level • C i rcu lat ion of press re leases • PR coverage • Radio – TV


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Several documents were produced in the framework of the Voices for Tomorrow pro ject

• a datasheet of the programme, • preparatory documents for the activities, leaflets and posters, • f ina l reports .

The MUS-E® programme

The draf t of the star ter k i t was deve loped for the network.

The webs i te is regu lar ly updated and presents in a c lear manner a l l the act iv i t ies of the Foundat ion:

www.menuhin- foundat ion.com

The webs i te dedicated to the Shar ing A l l Vo ices programme was updated and fur ther enhanced wi th in terv iews of ar t is ts , photos, press art ic les, power po ints of the good pract ices in tended for the ar t is ts of the network:

www.shar inga l lvo ices.com

The webs i te dedicated to the Voices for Tomorrow programme is be ing updated and fur ther enhanced wi th b iograph ies of ar t is ts , our publ icat ions, a b log and a forum:

www.vo icesfor tomorrow.eu

The e-newslet ter inc ludes a MUS-E sect ion wi th the act iv i t ies tak ing p lace in the d i f ferent nat iona l assoc iat ions, a summary of the in ternat iona l act iv i t ies of the foundat ion as wel l as not ices f rom the d i f ferent European networks wi th s imi lar pract ices and interests .

I t is sent by e-mai l to a mai l ing l is t compr is ing our ent i re target aud ience.

Let ’s Share the News March 2012Let ’s Share the News June 2012Let ’s Share the News October 2012

These newslet ters can be downloaded from our webs i te www.menuhin- foundat ion.com in the newslet ter sect ion.

P. IN.O.K. I .O Pro ject (www.p inok io .eu)

The P. IN.O.K. I .O. pro ject . Pupi ls for INnOvat ion as a Key to In tercu l tura l and soc ia l inc lus iOn is an European pro ject co-funded by the act ion Comenius Mul t i la tera l Pro jects . The pro ject (2009-2012) was addressed to the pre- and pr imary schools . The a im of the pro ject was to e laborate contents and methods to support a pos i t ive in tercu l tura l communicat ion, based on the examples and analys is of ta les ’ characters f rom ch i ldren l i terature . The too ls created were of use in c lasses wi th t ra ined teachers, dea l ing wi th ch i ldren f rom d i f ferent l ingu is t ic and cu l tura l backgrounds.

The pro ject put indeed a strong emphas is on teachers ’ t ra in ing and the invo lvement of fami l ies in the learn ing process set up by a spec i f ica l ly created model .

The pro ject leader was the Fondaz ione Naz iona le Car lo Col lod i and the other co-partners: Un ivers i ty Cà Foscar i in Ven ice, Un ivers i ty of Madei ra, Ar is tot le Un ivers i ty of Thessa lon ik i , the Mosaic of Sound and Art Ltd . In Eng land, some “s i lent ” partners jo ined the pro ject such as the Anna L indh Foundat ion, SEED assoc iat ion in Swi tzer land. . .

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9 . Organs of the International Yehudi Menuhin Foundation

a. Genera l Assembly

I n addi t ion to the ind iv idua l members making up the Genera l Meet ing of the In ternat iona l Foundat ion, one member per nat iona l MUS-E® assoc iat ion has been appointed to be part of the IYMF Genera l Meet ing in order to share and support i ts va lues, v iews and pro jects .

1 . Honorary Commit tee

Ef fect ive Members

The Members of the Board as wel l as:

Luc iana Caste l l ina ( IT )

Pau lo Coelho (BR)

Ph i l ippe Demain (BE)

Cather ine Dol to (FR)

Eduardo Marça l Gr i lo (PT)

Mar ie-Therese Huppertz (DE)

Juan de Dios Ramírez Hered ia (ES)

Hanna Schyggula (DE)

A lessandra Si lvestro ( IT )

R i ta Sussmuth (DE)

Nico las Tav i t ian (UK/FR)

And a representat ive of each nat iona l st ructure:

Austr ia MUS-E Austr ia

Be lg ium vzw MUS-E Belg ium

Fin land MUS-E F in land

France Courant d ’Ar t

Germany MUS-E Deutsch land

Kosovo MUS-E Kosova

Hungary MUS-E Hungary

Israe l The Jaf fa Inst i tu te

I ta ly MUS-E I ta l ia Onlus

Portuga l Assoc iaçâo Menuhin Portuga l

Spain Fundación Yehudi Menuhin España (FYME)

Swi tzer land MUS-E Schweiz/L iechtenste in


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2. Honorary Members

The IYMF br ings together ar t is ts and inte l lectua ls who can adv ise us on our var ious pro jects and fur ther increase the impact of the Foundat ion ’s work.

Sa lvatore Accardo ( IT )

Gi l les Apap (FR)

Vo lker B iesenbender (DE)

Jean-P ierre Changeux (FR)

Gianfranco De Bos io ( IT )

Jan F ige l (SK)

Jean-P ierre de Launoi t (BE)

A lber t Jacquard (FR)

Jorg A. Hen le (DE)

Dani K le in (BE)

D id ier Lockwood (FR)

Feder ico Mayor Zaragoza (ES)

Pasqual Maragal l (ES)

P ierre Rahbi (FR)

Miche l Serres (FR)

Rav i Shankar ( IN)

K i ran Vyas ( IN)

3. Assoc iate Members

The Assoc iate Members part ic ipate in the European pro jects deve loped by the IYMF and share the same object ives.

La Maison du Conte – Brusse ls , Be lg ium

Centre Tapovan – France

Terre et Humanisme – France

Brunnen Passage – V ienna, Austr ia

Haydn Conservato i re – E isenstadt , Austr ia

Divad lo z Pásže – Banská Bystr ica, Hungary

Inst i tu t de Recherche, Format ion et d ’Act ion sur les Migrat ions ( IRFAM) – Be lg ium

Roma Educat ion Fund (REF) – Hungary

Odin Teatret – Denmark

F inca San Juan – Spain

Europa Nova Academy – Croat ia

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b. Board

I s pres ided by Enr ique Barón Crespo and is composed of :

Gu i lherme de Ol ive i ra Mart ins (PT)

R iccardo Garrone ( IT ) †

Carsten Hess (DE)

Ivan Hodac (DK)

V iv iane Leur in (LU)

Stefano Micoss i ( IT )

George Metak idès (GR)

Claud io Murr i ( IT )

E l ly P loo i j -van Gorse l (NL)

Mar ianne Ponce let (BE)

Werner Schmi t t (CH)

Coen Teu l ings (NL)

Th ierry Van Roy (BE)

John Vassal lo (MT)

c. Execut ive Commit tee

The Execut ive Commit tee, which has been a l located the da i ly runn ing of af fa i rs , is composed of Enr ique Barón Crespo, Stefano Micoss i , Coen Teu l ing, Werner Schmi t t and Mar ianne Ponce let .


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10 . Support from Public AuthoritiesThe Internat iona l Yehudi Menuh in Foundat ion is f inanced by the European Commiss ion under a budget l ine support ing inst i tu t ions of European cu l tura l in terest .

“Th is pro ject has been funded wi th support f rom the European Commiss ion. Th is pub l icat ion ref lects the v iews on ly of the author, and the Commiss ion cannot be he ld respons ib le for any use which may be made of the in format ion conta ined there in . ”

I t a lso rece ives spec i f ic subs id ies for a number of pro jects f rom the Region of Brusse ls-Capi ta l wi th in the f ramework of the in ternat iona l in f luence of Brusse ls-Capi ta l .

11 . Partners

PRIV ILEDGED

• CREDIT SUISSE (LUXEMBOURG) S.A

ASSOCIATE

• DEUTSCHE POST DHL

• MERIF IN CAPITAL

• MICROSOFT EUROPE

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EUROPEAN PROjECT PARTNERS

• CENTRE TAPOVAN – France

• ETP SLOVAKIA

• MUS-E HUNGARY

• MUS-E SCHWEIZ/L IECHTENSTEIN

COMMUNICATION PARTNERS

• JWT GROUP

• MOSTRA

12. AcknowledgementsNico las Ankoudinof f – Mus ic ian

Gi l les Apap – V io l in is t

Migue l Arcos – Mus ic ian

Kar im Baggi l i – Mus ic ian

Jean-Yves Bardou l – Mus ic ian

Volker B iesenbender – Mus ic ian

Oto Bunda – Voice and Roma dance

Cr is t ina Candela – Dancer

Jason Carter – Mus ic ian

Doron Chmie l – Photographer

Sz inetár Dóra

Mar lène Dorcena – S inger

Quent in Du jard in – Mus ic ian

Car lo Dumont – V io l in is t

Des ider ius Dužda – Voice and gu i tar

Jan Dužda – Voice and gu i tar

Red Gjec i – V io l in is t

Michaë l Gut tman – V io l in is t

Rouben Haroutoun ian – Mus ic ian and s inger

Osvaldo Hernandez – Mus ic ian

Lukáš Hudák

Gabr ie la Hudáková

Emi l Horváth

Korné l ia Horváthová

R ichard Horváth

Roman Horváth


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Leonard Horváth

Dav id Horváth Forgáč

N iko la Horváthová

Otto Horváth

I rma Horváthová

Mi lan Hudak

Roman Jánoška

Tomas Kaco – Voice and p iano

Berkes Kálmán és Győ r i F i lharmonikus

Jan Koky

Ondre j Kra jňák

Raoul La iza – Mus ic and theatre d i rector

Mar ia Lekranty – S inger

Rebecca Lenaerts – Drama and audio creat ion

Guessous Majda Már ia

Ol iv ier Manoury – Bandoneón

Adr ian Mata

Isabe l le Maure l – Dancer

Jesús Mendez – S inger

Mestre Ni l t inho – Dancer

Anna Oláhová

Mi l ton Paulo – Dancer

Forgács Péter

Miche lange lo R ina ld i – Mus ic ian

Rafae l Rodr íguez Hida lgo – Gui tar is t

A lexandr Rybár

Leona Rybárová

Matth ieu Sagl io – Mus ic ian

Karo l ine de la Serna – Mus ic ian

Mar ián Ševč ík

Anton io Ta lamo – Mus ic ian

Andor T imar – Theatre

Barbara Valent ino – S inger

Patr ic ia Van Cauwenberge – Mus ic ian

Th ierry Van Roy – Mus ica l Producer

Patr ies Wichers – Mul t i d isc ip l inary ar t is t

Shangl ie Zhou – V ideo art is t

Bereczk i Zo l tán

VIP GUEST

Albrapsodie

Dani K le in – S inger

Ida Kelarova – S inger

Mauranne – S inger

Be lén Maya – F lamenco

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Values

CREATIV ITY

Creat iv i ty and Constant evo lut ion .“Each human being has the eternal duty of transforming what is hard and brutal into a subt le and tender offer ing, what is crude into ref inement, what is ugly into beauty, ignorance into knowledge, confrontat ion into col laborat ion, thereby rediscover ing the chi ld ’s dream of a creat ive real i ty incessant ly renewed by death, the servant of l i fe, and by l i fe the servant of love”.

INNOVATION

I am constant ly th ink ing of ways and means to improve, a l lev iate, protect , gu ide and insp i re in pract ica l terms. …”

Yehudi Menuh in

SHARING

… We shou ld share our ar t , our landscapes, our sorrows and our joys, we shou ld widen our hor izons. Thus we wi l l ga in t rue understand ing of groups of human be ings who are suf fer ing f rom persecut ion.

Yehudi Menuh in

COMMUNICATION

… What you wi l l hear is a d is t i l la t ion of a man in h is 80th year whose whole l i fe was spent in constant communicat ion – f rom l is ten ing and exp lor ing h is own innermost wi th in , to the l is ten ing to and the v ibrat ing wi th, through mus ic speech and the wr i t ten word, wi th the innermost fee l ings of h is fe l low- men and women, ch i ldren and students, not forget t ing the f lora and fauna of our own earth…

Speech of Lord Menuh in – 27 September 1995 – Espace Leopold

RESPECT

Our Soc iety - Mus ic Shou ld not be an Escape - Admirat ion and Compass ion for Others“… The abuse of authority, the exploitation and the persecution of human beings more sensitive and often more worthwhile than the offending exploiter or persecutor, whether operating in physical proximity or, as increasingly possible, at remote control – these aberrations, today considered normal and even “justified” by exigencies termed “economic” or “nationalistic”, these conditions which obtain in the lowest and the highest levels of society in men’s minds and hearts, are abhorrent to me. …”

Yehudi Menuh in – Unf in ished Journey, Autob iography


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Balance Sheet 2012INTERNATIONAL YEHUDI MENUHIN FOUNDATION 2012

SHEETS ASSETS 2012F IXED ASSETS 20/28 5.605,48I . FORMATION EXPENSES (20) 0,00I I . INTANGIBLE F IXED ASSETS (21) 747,04I I I . TANGIBLE F IXED ASSETS (22/27) 3.196,67IV. F INANCIAL F IXED ASSETS (28) 1 .661,77CURRENT ASSETS 29/58 190.978,44V. AMOUNTS RECEIVABLE AFTER ONE YEAR (29) 0,00VI . INVENTORIES AND ORDERS IN PROGRESS (30/36) 606,00VI I . AMOUNTS RECEIVABLE WITHIN ONE YEAR (40/41) 173.370,71VI I I . INVESTMENTS (50/53) 0,00IX. CASH AT BANK AND IN HAND (54/58) 11 .368,22X. DEFFERED CHARGES AND ACCRUED INCOME (490/1 ) 5.633,51TOTAL ASSETS 196.583,92

L IABIL IT IES 2012CAPITAL AND RESERVES 10/15 -28.760,94V. PROFIT BROUGHT FORWARD (14) 0,00 LOSSES BROUGHT FORWARD (141) -28.760,94PROVIS IONS AND DEFERRED TAXES 16 6.500,00VI I . A. PROVIS ION FOR L IABIL IT IES (160/5) 6.500,00CREDITORS 17/49 218.844,86VI I I . AMOUNTS PAYABLE AFTER ONE YEAR (17) 0,00IX. AMOUNTS PAYABLE WITHIN ONE YEAR (42/48) 211 .800,35X. ACCRUED CHARGES AND DEFERRED INCOME (492/3) 7.044,51TOTAL L IABIL IT IES 196.583,92

RESULTS ACCOUNTS 2012 I . OPERATING INCOME 468.157,41 A. Turnover (70) 177.037,38 E. Other operat ing income (74) 291.120,03 I . OPERATING EXPENSES -456.170,17 A. Raw mater ia ls (60) -95,27 Var iat ions in stock (609) 38,94 B. Serv ices and other goods (61) -212.948,04A. B. GROSS OPERATING MARGIN (70/61) 255.114,10 C. Remunerat ions, soc ia l secur i ty contr ibut ion payro l l taxes and pens ions (62) -231.282,72 D. Deprec iat ion (630) -5.046,74 F . Prov is ions for l iab i l i t ies and charges (635/7) -6.500,00 G. Other operat ing expenses (640/8) -297,40OPERATING RESULT (70/64) 11 .987,24I I . F INANCIAL INCOME (75) 939,43 F IANCIAL EXPENSES (65) -12.856,04RESULT ON ORDINARY ACTIV IT IES BEFORE TAXES (70/65) 70.63I I I . EXTRAORDINARY INCOME (76) 0,00 EXTRAORDINARY EXPENSES (66) 0,00RESULT FOR THE PERIOD BEFORE TAXES (70/66) 70,63IV. INCOME TAXES (67/77) 0,00 INCOME TAXES (67) 0,00RESULT FOR THE PERIOD (70/67) 70,63RESULT FOR THE PERIOD AVAILABLE FOR APPROPRIAT ION (70/68) 70,63

I n ternat iona l Yehudi Menuh in Foundat ion61, chaussée de la Hu lpeB-1180 Brusse lsTe l . +32 (0)2 673 35 04www.menuhin- foundat ion.comwww.shar inga l lvo ices.comwww.vo icesfor tomorrow.eu

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