â c ,! 0) ã-+l1... · bass soloing ii v i part 2 (l#2) scott devine ... for the v chord use f...

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Page 2: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

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Page 3: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

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Page 4: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

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Copyright 2013 © Scott's Bass Lessons

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C Major Scale

Bass Soloing II V I Part 2 (L#2)

Scott Devine

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Tab has been adapted for 4 string bass

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01:33

C Major Solo Example

"If your II V I is in C major you can play C major over the entire thing""If your II V I is in C major you can play C major over the entire thing"

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Page 5: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

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Copyright © Scott's Bass Lessons

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Chord II

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D Dorian Scale

Chord options for II-V-I progression

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D minor 7 arpeggio

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Chord V D Melodic Minor Scale over g7

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D Melodic Minor Arpeggio

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Page 6: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

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D‹7 G7

Copyright © Scott's Bass Lessons

CŒ„Š7

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Abb Melodic Minor Scale

a flat melodic minor for Altered scale on the v chord

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Abb Melodic Minor Arpeggio

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08:51

Solo Example

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Page 7: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

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Copyright © Scott's Bass Lessons

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II V I progression in cmajor

Bass Soloing II V I Part 3 (L#3)

Scott Devine

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D Dorian Scale

for the II chord use D Dorian scale or arpeggio

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D Dorian arpeggio

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for the v chord use F Melodic Minor scale or arpeggio

F Melodic Minor Scale

F Melodic Minor Arpeggio

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C Major Scale

for the I chord use C Major scale or arpeggio

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C Major 7th arpeggio

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Page 8: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

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D‹7 G7

Copyright © Scott's Bass Lessons

CŒ„Š7

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02:20

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Page 9: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

Copyright © 2013 Scott’s Bass Lessons

Soloing II-V-I Parts 1,2 & 3 (L#1,2,3)

Your Action Plan

1. Well it's great to see you're getting stuck into themajor II V I, which is without a doubt one of the mostimportant chord progressions you'll ever work on.Why is this? Well, when you start analyzing popularsongs (of every genre of music) you'll start to findthat the major II V I is one of the most commonchord progressions you'll come across. In fact you'llfind this chord progression hidden many songs youalready know! This brings me to your first action step.I want you to analyze some popular songs, or songsyou particularly like and see if you can identify any IIV I's within them. Here's a tip, look for the rootmovement first.

2. When you soloing over major II V I's there's a lot ofoptions, but I'm sure you already know that by now ifyou've watched each of the tutorials. It's importantthat ultimately we have all these options within our'tool-bag'. It’s a mistake is to rush things and try tomaster them all in one day. Trust me, you simplywon't get all the harmonic techniques engrainedwithin your playing. I want you to take just oneharmonic technique per week. So for instance ifyou're practicing your soloing with one of themelodic minor substitutions make sure to pick onlyone of the substitutions and practice that for anextended period of time. A week is sufficient, but you

Page 10: â C ,! 0) ã-+L1... · Bass Soloing II V I Part 2 (L#2) Scott Devine ... for the v chord use F Melodic Minor scale or arpeggio F Melodic Minor Scale F Melodic Minor Arpeggio? ¤

Copyright © 2013 Scott’s Bass Lessons

can go longer if you feel you need to. So, pick one substitution and start working it into your soloing.

3. Whichever substitutions you decide to work upon, Iwant you to compose at least 3 'pre-composed' licks.I then practice using these licks with whichever playalong (backing track) program you're using.Ultimately you want to compose at least 3 'pre-composed' licks for each substitution. This is not soyou can play licks instead of improvising. It is to makesure you get the sound of each substitution absorbedwithin your ear. You need to be able to hear thesubstitutions as well as play them!

4. Jazz standards are full of II V I's. I want you to picktwo jazz standards that include multiple II V I's (suchas 'Autumn Leaves' or 'All The Things You Are'). I thenwant you to practice soloing over each standard butfocusing on only one of the substitutions. Once youcan do this fluidly, I want you to move on and useanother substitution. You should follow this processfor each of the different substitutions.

It's worth noting that all of these exercises or study techniques are very in depth! Don't try to look for results too early; this could affect your progress. It's about enjoying the journey, not just obsessing about the destination!

Scott Devine