company profile dall'era workshop
DESCRIPTION
Dall'Era ancient marble workshop is the last handcraft made place in Venice where marble become a truly masterpiece. Enjoy the company profile with hundreds of pieces produced.TRANSCRIPT
VENEZIA
ANTICO Laboratorio
Marmi Artistici
ProfRomeoDallEra
‘
Prof. BRUNO Dall’era
1910 - 2000
2
AGE-OLD TRADITIONS .
3
An art shop.
Centuries of passion, refined abilities and constant diligence and dedication.
Ancient techniques of workmanship, secrets jealously kept and handed down from the fathers of thefathers.
A laboratory founded by Prof. Romeo Dall'Era and then amplified by his son Bruno.
It was 1896.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Prof. romeo Dall’era
1879 - 1958
Prof. BRUNO Dall’era
1910 - 2000
2
AGE-OLD TRADITIONS .
3
An art shop.
Centuries of passion, refined abilities and constant diligence and dedication.
Ancient techniques of workmanship, secrets jealously kept and handed down from the fathers of thefathers.
A laboratory founded by Prof. Romeo Dall'Era and then amplified by his son Bruno.
It was 1896.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Prof. romeo Dall’era
1879 - 1958
GIOVANNI COMELATO
RIGHT
GIANCARLO COMELATO
4
ALBERTO COMELATO
LEFT
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
GIOVANNI COMELATO
a dx
GIANCARLO COMELATO
4
ALBERTO COMELATO
a sx
REPEATED EMOTIONS.
Fascinated, enraptured by beauty.
At only twelve years old, Giancarlo Comelato felt like this.
He was making his first steps in life and he had already entered into the world of art, having the fortuneand the honour to be a shop-boy in the most prestigious shop in Venice. It was 1956.
Apassion which he still has, after more than half a century of continuous and inspired activity.
Today Alberto and Giovanni are following the old know-how, keeping alight the sacred flame of an Artwhich is recognized all over the world and which acquires prestige and value as the years go by.
Two artists profoundly respectful of the ancient techniques of sculpturing, gifted with a natural talentworthy descendent of the Founders of the Workshop.
5
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
6
THE RESPECT FOR THE ANCIENT TECHNIQUES
OF SCULPTURING.
7
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
6
THE RESPECT FOR THE ANCIENT TECHNIQUES
OF SCULPTURING.
7
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
8
UNIQUE PIECES, ACCORDING TO DESIGN.
At the Workshop Dall'Era you will find the typical capacity of old-time art shops to transform yourrequirements into splendid works of art.
From dialogues withAlberto and Giovanni all the particulars of the piece you wish to have created willemerge.
Colours, forms, materials, but most of all…the emotions you wish to be transmitted by the work.
An outline will emerge, shared with you and then time and inspired workmanship will do the rest.
You will receive a unique and unrepeatable piece, which will distinguish the places of your living.
Which will speak of you and of your sensibility. Of your choices.
9
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
8
UNIQUE PIECES, ACCORDING TO DESIGN.
At the Workshop Dall'Era you will find the typical capacity of old-time art shops to transform yourrequirements into splendid works of art.
From dialogues withAlberto and Giovanni all the particulars of the piece you wish to have created willemerge.
Colours, forms, materials, but most of all…the emotions you wish to be transmitted by the work.
An outline will emerge, shared with you and then time and inspired workmanship will do the rest.
You will receive a unique and unrepeatable piece, which will distinguish the places of your living.
Which will speak of you and of your sensibility. Of your choices.
9
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
At the Dall'Era Workshop thereare pieces of antiques ofextraordinary prestige and rarebeauty.
Unique masterpieces.
Such as the pair of lions dated400a.c. created in full Romanicera, in excellent state ofpreservation…
11
ORIGINAL EPOCH WORKS OF ART.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
At the Dall'Era Workshop thereare pieces of antiques ofextraordinary prestige and rarebeauty.
Unique masterpieces.
Such as the pair of lions dated400a.c. created in full Romanicera, in excellent state ofpreservation…
11
ORIGINAL EPOCH WORKS OF ART.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
12 13
ORIGINAL
EPOCH
WORKS
OF ART.
...or like theoriginal Madonnawith Child of 1400in Brioni stone.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
12 13
ORIGINAL
EPOCH
WORKS
OF ART.
...or like theoriginal Madonnawith Child of 1400in Brioni stone.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
14
THE WORKS
OF ART.Let us leave the task oftransmitting the emotionsof the works produced bythe Artists of the Dall'EraWorkshop to thephotographs.
Enjoy the view.
Young man in Carrarawhite marble.
15
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
14
THE WORKS
OF ART.Let us leave the task oftransmitting the emotionsof the works produced bythe Artists of the Dall'EraWorkshop to thephotographs.
Enjoy the view.
Young man in Carrarawhite marble.
15
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
16
SCULPTURES.
Busts of Moors inBelgian blackmarbleand Siena yellow.The base inFrench red.
17
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
16
SCULPTURES.
Busts of Moors inBelgian blackmarbleand Siena yellow.The base inFrench red.
17
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
18
On the left.Statuary head in whiteCarrara marble.In the background a bas-relief representing twoByzantine style Carraramarble peacocks.
On the right.Putto in polished Istrianstone.
19
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
18
On the left.Statuary head in whiteCarrara marble.In the background a bas-relief representing twoByzantine style Carraramarble peacocks.
On the right.Putto in polished Istrianstone.
19
SCULPTURES.
20
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Putto in facedIstrian stone.
A plaster model ofthe putto.
21
SCULPTURES.
20
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Putto in facedIstrian stone.
A plaster model ofthe putto.
21
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
22
Copy of the head ofSt. Jerome in Istrianstone(original in the Chiesadei Frari in Venice).
23
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
22
Copy of the head ofSt. Jerome in Istrianstone(original in the Chiesadei Frari in Venice).
23
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
24
On the left.
On the right.
Winter and Spring.Statues in Nantostone.
Original bust of 1800in Carrara marble.At its base a rosettein Carrara marble.
25
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
24
On the left.
On the right.
Winter and Spring.Statues in Nantostone.
Original bust of 1800in Carrara marble.At its base a rosettein Carrara marble.
25
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
26
On the left.
On the right.
A small lion in Torriyellow.
Bust in Belgianblack with cloak inSiena yellow.Base in polishedFrench red.
27
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
26
On the left.
On the right.
A small lion in Torriyellow.
Bust in Belgianblack with cloak inSiena yellow.Base in polishedFrench red.
27
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
28
Ornamental gardenvase with maskedimage in Nanto stone.
29
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
28
Ornamental gardenvase with maskedimage in Nanto stone.
29
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
30
On the left.
On the right.
Lion in greylumacheide.
Pair of lions inCarrara marble.
31
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
30
On the left.
On the right.
Lion in greylumacheide.
Pair of lions inCarrara marble.
31
SCULPTURES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
32
On the left.
On the right.
Portrait ofphysician of 1800 inCarrara marble.
Venus di Milo inGreek marble;puttorepresentingWinter Season inCarraramarble.
SCULPTUreS.
33
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
32
On the left.
On the right.
Portrait ofphysician of 1800 inCarrara marble.
Venus di Milo inGreek marble;puttorepresentingWinter Season inCarraramarble.
SCULPTUreS.
33
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
34
Floreal sculpturein Carrara whitemarble.
35
SCULPTUreS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
34
Floreal sculpturein Carrara whitemarble.
35
SCULPTUreS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
BAS-RELIEFS.
On the left.
On the right.
Letter-box in Carrarawhite marble (copyfrom original at theMuseo dellePoste in Rome).
Pair of Byzantinepeacocks in Carrarawhite marble.
37
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
BAS-RELIEFS.
On the left.
On the right.
Letter-box in Carrarawhite marble (copyfrom original at theMuseo dellePoste in Rome).
Pair of Byzantinepeacocks in Carrarawhite marble.
37
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
38
On the left.
On the right.
Goddess Circe inIstrian stone.
Coat-of-Arms with“bauta” of the Dogeof Venice in Veronarose-coloured bronze.
3932
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
38
On the left.
On the right.
Goddess Circe inIstrian stone.
Coat-of-Arms with“bauta” of the Dogeof Venice in Veronarose-coloured bronze.
3932
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
40
On the left.
On the right.
Bas-relief inVerona red.
Byzantine-stylebas-relief inCarrara marble.
41
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
40
On the left.
On the right.
Bas-relief inVerona red.
Byzantine-stylebas-relief inCarrara marble.
41
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Carrara representingthree gondolasalong the CanalGrande.
Winged gryphon inVerona red marble.
42 43
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Carrara representingthree gondolasalong the CanalGrande.
Winged gryphon inVerona red marble.
42 43
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.Winged lion in Veronarose-coloured bronze.
On the right, fromabove.Rosette withdecoration in Carrarawhite and inserts inEgyptian porphyry andserpentine of the star.
Rosette in Verona Red.
Lion “in moeca” inIstrian stone.
45
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.Winged lion in Veronarose-coloured bronze.
On the right, fromabove.Rosette withdecoration in Carrarawhite and inserts inEgyptian porphyry andserpentine of the star.
Rosette in Verona Red.
Lion “in moeca” inIstrian stone.
45
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Winged lion of SanMarco in Carraramarble.
Open-work rosettein Verona rose-coloured bronze.
46 47
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Winged lion of SanMarco in Carraramarble.
Open-work rosettein Verona rose-coloured bronze.
46 47
BAS-RELIEFS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
THREE-
MULLIONED
WINDOWS
Three-mullionedwindow in VeronaRed overhangingoriginal columns of1400 in Greekmarble andexternal columns inIstrian stone.
4948
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
THREE-
MULLIONED
WINDOWS
Three-mullionedwindow in VeronaRed overhangingoriginal columns of1400 in Greekmarble andexternal columns inIstrian stone.
4948
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
MULLIONED
AND THREE-
MULLIONED
WINDOWS.
On the left.
On the right.
Three-mullionedwindow in Istrianstone and inserts inpolychromemarbles.
Mullioned windowin Verona red andlateral pillars inIstrian stone.
50 51
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
MULLIONED
AND THREE-
MULLIONED
WINDOWS.
On the left.
On the right.
Three-mullionedwindow in Istrianstone and inserts inpolychromemarbles.
Mullioned windowin Verona red andlateral pillars inIstrian stone.
50 51
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
MULLIONED
WINDOWS
On the left.
On the right.
Byzantine-stylemullioned windowin Verona rose-coloured bronze.
Corner mullionedwindow in Veronain rose-colouredbronze with insertsin polychromemarbles.
52 53
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
MULLIONED
WINDOWS
On the left.
On the right.
Byzantine-stylemullioned windowin Verona rose-coloured bronze.
Corner mullionedwindow in Veronain rose-colouredbronze with insertsin polychromemarbles.
52 53
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
THRONES.
Throne in PentelicGreek marble.
Frontal and side view.
5554
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
THRONES.
Throne in PentelicGreek marble.
Frontal and side view.
5554
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Throne in Greekmarble withByzantine citations.
Byzantine-stylethrone in Carraramarble, Verona red,antique lumacheideand groundstone.Pavement inpolychrome marbles.
56 57
THRONES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Throne in Greekmarble withByzantine citations.
Byzantine-stylethrone in Carraramarble, Verona red,antique lumacheideand groundstone.Pavement inpolychrome marbles.
56 57
THRONES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
BENCHES.
Bench in Veronarose-colocuredbronze with wingedlions on the sidesand vertex.
5958
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
BENCHES.
Bench in Veronarose-colocuredbronze with wingedlions on the sidesand vertex.
5958
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
60
Half-circled benchwith seat in Veronared and sides withwinged lions inCarrara white.
61
BENCHES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
60
Half-circled benchwith seat in Veronared and sides withwinged lions inCarrara white.
61
BENCHES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Byzantine-style benchin Istrian stone.
62 63
BENCHES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Byzantine-style benchin Istrian stone.
62 63
BENCHES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Original balustrade of1600 with balustra inVerona rose-colouredbronze, pedestal andbase in Istrian stone.You can note that eachcolumn has a differentprofile from the others.
BALUSTRADES.
64 65
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Original balustrade of1600 with balustra inVerona rose-colouredbronze, pedestal andbase in Istrian stone.You can note that eachcolumn has a differentprofile from the others.
BALUSTRADES.
64 65
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
FIREPLACES.
On the left.
On the right from above.
Fireplace in Carraramarble and inserts inpolychrome marbles.
Fireplace in Verona redand trachyte, withfacing.
Fireplace in Verona redand trachyte, with Greekmarble setting andSpanish brocatello.
Fireplace in Carraramarble and rosettes withgold-leaf underneath.
6766
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
FIREPLACES.
On the left.
On the right from above.
Fireplace in Carraramarble and inserts inpolychrome marbles.
Fireplace in Verona redand trachyte, withfacing.
Fireplace in Verona redand trachyte, with Greekmarble setting andSpanish brocatello.
Fireplace in Carraramarble and rosettes withgold-leaf underneath.
6766
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right from above.
Fireplace in Serravezzagroundstone with insertsof polychrome marbles.
Fireplace in Carraramarble, in Byzantinestyle with imbedding ofpolychrome marbles.
Fireplace in Verona red.
Fireplace in Verona rose-coloured bronze withdecoration in trachyte.
6968
FIREPLACES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right from above.
Fireplace in Serravezzagroundstone with insertsof polychrome marbles.
Fireplace in Carraramarble, in Byzantinestyle with imbedding ofpolychrome marbles.
Fireplace in Verona red.
Fireplace in Verona rose-coloured bronze withdecoration in trachyte.
6968
FIREPLACES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
70
Fireplace in Veronared and trachyte.
71
FIREPLACES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
70
Fireplace in Veronared and trachyte.
71
FIREPLACES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
72
On the left.
On the right fromabove.
Rectangular table inpasty white marble.
Round table in redjasper with opendetail.Byzantine table inpolychrome marbleswith pair of lions forpedestal.
73
TABLES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
72
On the left.
On the right fromabove.
Rectangular table inpasty white marble.
Round table in redjasper with opendetail.Byzantine table inpolychrome marbleswith pair of lions forpedestal.
73
TABLES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
TABLES.
Top for roundtable with insertsof porphyry,Egyptian red,Belgian black andemerald green.
74 75
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
TABLES.
Top for roundtable with insertsof porphyry,Egyptian red,Belgian black andemerald green.
74 75
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Round table inBelgian black,ruby red, Torriyellow and lapis-lazulo.
Top in Africangreen malachitewith astragal inFrench red.Amphora-formbases in Carrarawhite marble withcoat-of-arms inFrench red.
76 77
TABLES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Round table inBelgian black,ruby red, Torriyellow and lapis-lazulo.
Top in Africangreen malachitewith astragal inFrench red.Amphora-formbases in Carrarawhite marble withcoat-of-arms inFrench red.
76 77
TABLES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
78
On the left.
On the right.
Round table withdecoration inCarrara marble andinlays in Verona redand blue.
Rectangular tablewith polychromestones and amphora-form bases inpeacock-eye.
79
TABLES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
78
On the left.
On the right.
Round table withdecoration inCarrara marble andinlays in Verona redand blue.
Rectangular tablewith polychromestones and amphora-form bases inpeacock-eye.
79
TABLES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
80
On the left.
On the right fromabove.
Table base in Veronarose-coloured bronzeand frame in wrought-iron.
Table with bases inGreek pentelic marblewith decoration In'500 style with gold-leaf underneath andtop in crystal.
Table in Carraramarble with amphora-form bases and top inAfrican malachite andastragal in French red.
81
TABLES.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
80
On the left.
On the right fromabove.
Table base in Veronarose-coloured bronzeand frame in wrought-iron.
Table with bases inGreek pentelic marblewith decoration In'500 style with gold-leaf underneath andtop in crystal.
Table in Carraramarble with amphora-form bases and top inAfrican malachite andastragal in French red.
81
TABLES.
82
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
WELL-CURBS.
On the left.
On the right.
Round well-curb inIstrian stone withcover in wrought-iron.
Round well-curb inVerona rose-colouredbronze with squarestep and cover inwrought-iron.
83
82
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
WELL-CURBS.
On the left.
On the right.
Round well-curb inIstrian stone withcover in wrought-iron.
Round well-curb inVerona rose-colouredbronze with squarestep and cover inwrought-iron.
83
84
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Round well-curb inVerona rose-colouredbronze withpolychrome marbleinserts.
85
WELL-CURBS.
84
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Round well-curb inVerona rose-colouredbronze withpolychrome marbleinserts.
85
WELL-CURBS.
86
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Round well-curb inVerona rose-colouredbronze with cover inwrought-iron.
Round well-curb inVerona red.Cover in wrought-iron.
87
WELL-CURBS.
86
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Round well-curb inVerona rose-colouredbronze with cover inwrought-iron.
Round well-curb inVerona red.Cover in wrought-iron.
87
WELL-CURBS.
88
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
TUBS.
Tub in Byzantine-stylein Istrian stone withinserts in Egyptianporphyry andserpentine of theGreek star.
89
88
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
TUBS.
Tub in Byzantine-stylein Istrian stone withinserts in Egyptianporphyry andserpentine of theGreek star.
89
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Oval tub inSerravezzagroundstone withinserts and columnsin French red.
Ornamental gardenvase in Nanto stone.Original capital of1600 in trachyte.
90 91
TUBS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Oval tub inSerravezzagroundstone withinserts and columnsin French red.
Ornamental gardenvase in Nanto stone.Original capital of1600 in trachyte.
90 91
TUBS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Original Byzantinetub in Roman stone.
Round tub in Istrianstone.
92 93
TUBS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Original Byzantinetub in Roman stone.
Round tub in Istrianstone.
92 93
TUBS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
FOUNTAINS.
Fountain in rose-coloured bronzeand Verona red.
9594
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
FOUNTAINS.
Fountain in rose-coloured bronzeand Verona red.
9594
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
In the lower part.
See previous pages.
Sink in Istrian stone with bottomin Cipolin marble.
Semi-circular tub in Istrian stoneand mask in Verona rose-coloured bronze.
96 97
FOUNTAINS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
In the lower part.
See previous pages.
Sink in Istrian stone with bottomin Cipolin marble.
Semi-circular tub in Istrian stoneand mask in Verona rose-coloured bronze.
96 97
FOUNTAINS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Tub in rose-colouredbronze with insertsIn polychrome marbles.
Closed-circle fountain inIstrian stone with insertsin polychrome marbles.
9998
FOUNTAINS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Tub in rose-colouredbronze with insertsIn polychrome marbles.
Closed-circle fountain inIstrian stone with insertsin polychrome marbles.
9998
FOUNTAINS.
STONE VESSELS.
Ornamental stonevessel for plants withdecoration and insertsin polychrome marbles.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
100 101
STONE VESSELS.
Ornamental stonevessel for plants withdecoration and insertsin polychrome marbles.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
100 101
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Tomb in Istrian stone.(Elizabeth EllsworthGardner).
Addolorata (Mother ofSorrows) in Carraramarble and French red.
VOTIVE AND
FUNERARY
WORKS OF ART
102 103
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Tomb in Istrian stone.(Elizabeth EllsworthGardner).
Addolorata (Mother ofSorrows) in Carraramarble and French red.
VOTIVE AND
FUNERARY
WORKS OF ART
102 103
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right from above.
Commemorative eagle inbronze.
Funerary tombstone inIstrian stone.(John McAndrew).
Funerary tombstone inIstrian stone.(Ezra Pound).
104 105
VOTIVE AND
FUNERARY
WORKS OF ART
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right from above.
Commemorative eagle inbronze.
Funerary tombstone inIstrian stone.(John McAndrew).
Funerary tombstone inIstrian stone.(Ezra Pound).
104 105
VOTIVE AND
FUNERARY
WORKS OF ART
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Below.
Funeral monument in Istrian stone withcolumns in Cipolin marble and sculpturein bronze.
Funerary tombstone in Istrian stone.(Helenio Herrera).
Bas-relief in Carrara white marble,French red and pure gold-leafunderneath.
106 107
VOTIVE AND
FUNERARY
WORKS OF ART
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Below.
Funeral monument in Istrian stone withcolumns in Cipolin marble and sculpturein bronze.
Funerary tombstone in Istrian stone.(Helenio Herrera).
Bas-relief in Carrara white marble,French red and pure gold-leafunderneath.
106 107
VOTIVE AND
FUNERARY
WORKS OF ART
PAVEMENTS
AND INSERTS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Pavement in Verona red,Carrara white anddark blue striped marble.
Pavement in dark bluestriped marble, Istrianstone and Sant'Ambrogioin Valpolicella yellowmarble.
108 109
PAVEMENTS
AND INSERTS.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
On the left.
On the right.
Pavement in Verona red,Carrara white anddark blue striped marble.
Pavement in dark bluestriped marble, Istrianstone and Sant'Ambrogioin Valpolicella yellowmarble.
108 109
RESTORATIONS.
On the left.
On the right.
Remaking of clockin Sala Consigliodei Dieci in thePalazzo Ducale.
Remaking ofcorner “edicola”of PalazzoDucale.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
110 111
RESTORATIONS.
On the left.
On the right.
Remaking of clockin Sala Consigliodei Dieci in thePalazzo Ducale.
Remaking ofcorner “edicola”of PalazzoDucale.
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
110 111
113
A UNIQUE PLACE. MAGIC.ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
112
113
A UNIQUE PLACE. MAGIC.ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
112
CO
NC
EPT
& G
RA
PH
IC D
ESI
GN
: Sta
gn
et
ti&
Par
tn
er
s
-
ph
oto
by:
No
rb
er
t H
eyl, A
nto
nio
Fu
rin
i, Et
to
re B
ellin
i, A
rc
hiv
io D
all'E
ra
ANTICO Laboratorio Marmi Artistici
VENEZIA
ProfRomeoDallEra
‘
Prof. Romeo Dall’Era
Laboratorio Marmi Artisticidi Alberto & Giovanni Comelato snc Cannaregio 2292/E
30121 Venezia - italy Tel. +39 041-72.02.42Fax +39 041 275.86.44