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DVP-101i 4:2:2 Digital Video Processor/ Synchronizer Guide to Installation and Operation M081-9900-201 Copyright 2002 Miranda Technologies Inc. Specifications may be subject to change. Printed in Canada August 2002 DVP-101i imaging Series Miranda Technologies inc. 3499 Douglas-B.-Floreani St-Laurent, Québec, Canada H4S 1Y6 Tel. 514-333-1772 Fax. 514-333-9828 www.miranda.com

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Page 1: imaging 4:2:2 Digital Video DVP-101i Processor/ · Printed in Canada August 2002 DVP-101i imaging Series Miranda Technologies inc. 3499 Douglas-B.-Floreani St-Laurent, Québec, Canada

DVP-101i4:2:2 Digital VideoProcessor/SynchronizerGuide to Installation and Operation

M081-9900-201

Copyright 2002 Miranda Technologies Inc.Specifications may be subject to change.

Printed in CanadaAugust 2002

DVP

-101

i

imaging Series

MirandaTechnologies inc.

3499 Douglas-B.-FloreaniSt-Laurent, Québec, Canada H4S 1Y6

Tel. 514-333-1772Fax. 514-333-9828

www.miranda.com

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WARRANTY POLICIES Warranty Statement Miranda Technologies Inc. warrants that the equipment it manufactures shall be free from defects in material and workmanship for a period of two (2) years from the date of shipment from the factory. If equipment fails due to such defects, Miranda Technologies Inc. will, at its option, repair or provide a replacement for the defective part or product. Equipment that fails after the warranty period, has been operated or installed in a manner other than that specified by Miranda, or has been subjected to abuse or modification, will be repaired for time and material charges at the Buyer’s expense. All out-of-warranty repairs are warranted for a period of ninety (90) days from the date of shipment from the factory. Miranda Technologies Inc. makes no other warranties, expressed or implied, of merchantability, fitness for a particular purpose or otherwise. Miranda’s liability for any cause, including breach of contract, breach of warranty, or negligence, with respect to products sold by it, is limited to repair or replacement by Miranda, at its sole discretion. In no event shall Miranda Technologies Inc. be liable for any incidental or consequential damages, including loss of profits. Effective January 1, 2002 Warranty Exchange Policies Miranda Technologies Inc. warrants that the equipment it manufactures shall be free from defects in materials and workmanship for a period of two (2) years from the date of shipment from the factory. If equipment fails due to such defects, Miranda will provide repair of the failed unit under the terms of the Miranda warranty. If the equipment has been proven to be defective on arrival, Miranda will ship a new product in exchange, usually within 36 hours of factory notification. If the equipment to be repaired is essential and the customer so requests, Miranda will, at its option, provide a service replacement or loaner part or product, usually within 36 hours of factory notification, weekends and holidays excluded. All warranty exchange or loaner parts or products shall be shipped to the Buyer with a packing list clearly describing the items and stating the date of shipment. Repaired parts or products will be shipped to the Buyer with a similar packing list. In the case of exchange, the defective products or parts must be returned to Miranda within fifteen (15) days from receipt by the customer of the exchange product. In the case of a loaner, the loaned products or parts must be returned to Miranda within fifteen (15) days from receipt by the customer of the repaired equipment. If the equipment is not returned within fifteen (15) days, as described for either exchanges or loans, A Rental Invoice will be generated. Rental terms will be fifteen (15) percent of the current list price of the products or parts per month or a fraction thereof. Before returning the equipment to Miranda Technologies Inc., for any reason, the Buyer must first obtain a Return Authorization Number from Miranda Technologies Inc. Miranda Technologies Inc will pay freight and insurance charges for the delivery of the loaner or exchange products or parts. Freight and insurance charges for the return of the defective product or part will also be paid by Miranda Technologies. Out-Of-Warranty Repair Policy Miranda will repair equipment which is out of Warranty. The current pricing structure for this service is available from the Miranda web site at www.miranda.com or from Miranda Technical Support Services at (514) 333-1772. All out-of-warranty repairs are warranted for a period of 90 days from the date of shipment from the factory. Before returning the equipment to Miranda Technologies Inc., for any reason, the Buyer must first obtain a Return Authorization Number from Miranda Technologies Inc. In the case of

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a product deemed by Miranda to be beyond repair, the customer must purchase a new product at current retail prices. The Buyer will pay freight and insurance charges for the return of the defective product or part to the manufacturer for repair. Miranda Technologies will pay freight and insurance charges for the return of the repaired product or part to the Buyer. Out-Of Warranty Equipment Updates and Spare Parts Policy Miranda Technologies’ current pricing structure for out-of-warranty equipment updates, or the sale of spare parts, is available from Miranda Technical Support Services at (514) 333-1772. ELECTROMAGNETIC COMPATIBILITY

- This equipment has been tested for verification of compliance with FCC Part 15, Subpart B, class A requirements for Digital Devices. - This equipment complies with the requirements of EN55022 Class A, Electromagnetic Emissions, En 60555-2 & -3, Disturbance in Supply Systems and EN50082-1, Electromagnetic Immunity. How to contact us: Head Office Miranda Europe Miranda Asia

Miranda Technologies Inc. 222, 226 Rue De Rosny Mita Nexus Bldg. 2F 3499 Douglas-B.-Floreani 93100 Montreuil 1-3-33 Mita, Minato-Ku St. Laurent (Montreal), Que. H4S 1Y6 France Tokyo, Japan 108-0073 Canada

Tel +1 (514) 333-1772 +33 1 55 86 87 88 +81 3 5730 2988 Fax +1 (514) 333-6914 +33 1 55 86 00 29 +81 3 5730 2973 Toll free: 1-800-224-9828 www.miranda.com

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Contents 1 DVP-101i 4:2:2 Digital Video Processor/Synchronizer ........................................1 1.1 Introduction ......................................................................................................1 1.2 Features...........................................................................................................2 1.3 Typical Applications .........................................................................................3 1.3.1 Audio Mux/Demux Applications .............................................................3 1.3.2 Hot Switching .........................................................................................4 2 Installation ...............................................................................................................5 2.1 Unpacking........................................................................................................5 2.2 DVP-101i Mechanical Installation....................................................................5 2.2.1 imaging Quartet, Quartet-C and Quartet-M Housing Frame .................5 2.2.2 imaging Symphonie Housing Frame......................................................6 2.2.2 imaging Solo Housing Frame ................................................................7 2.3 Rear Panel Label .............................................................................................7 2.3.1 imaging Quartet/Quartet-C/Quartet-M/Solo Connector Label ..............7 2.3.2 imaging Symphonie Connector Label ..................................................8 2.4 DVP-101i Electrical Installation .......................................................................9 3 Operation................................................................................................................11 3.1 DVP-101i User Interface................................................................................11 3.2 Line Format Status, Error Detection and Reference Stauts Indicators .........11 3.3 Menu Introduction ..........................................................................................12 3.4 Digital ProcAmp Functions ............................................................................15 3.4.1 Y, Cb and Cr Gain Adjustments...........................................................15 3.4.2 Overall Gain Adjustment ......................................................................15 3.4.3 Saturation Adjustment..........................................................................15 3.4.4 Black Level Adjustment........................................................................16 3.4.5 Hue Adjustment ...................................................................................16 3.4.6 Cable Equalization ...............................................................................16 3.4.7 Horizontal Picture.................................................................................17 3.5 Timing Adjustments .......................................................................................17 3.5.1 Frame Phasing.....................................................................................17 3.5.2 Vertical Timing Delay ...........................................................................18 3.5.3 Horizontal Timing Delay.......................................................................18 3.5.4 Horizontal Fine Timing Delay...............................................................19 3.6 Audio Functions .............................................................................................19 3.6.1 Audio De-Embedding...........................................................................19 3.6.2 Audio Embedding.................................................................................20 3.6.3 VBIT Settings .......................................................................................20 3.7 Ancillary Data Blanking Functions.....................................................................21 3.7.1 HANC Blanking ....................................................................................21 3.7.2 VANC Blanking ....................................................................................22 3.8 Freeze Functions ...........................................................................................22 3.8.1 Automatic Freeze Mode.......................................................................22 3.8.2 Freeze Type.........................................................................................23 3.8.3 Input Video Freeze Detection ..............................................................24 3.9 Composite Output Setting..............................................................................24 3.9.1 Setup Level ..........................................................................................24 3.9.2 Color Framing Control ..........................................................................24 3.9.3 Horizontal Blanking Setting..................................................................25

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3.9.4 Closed Captioning................................................................................26 3.10 Configuration ..................................................................................................26 3.10.1 Loading User Presets .........................................................................26 3.10.2 Saving User Presets...........................................................................27 3.11 Factory Reset ..................................................................................................27 3.12 Direct Access Controls ....................................................................................27 3.12.1 Freeze Pushbutton .............................................................................27 3.12.2 Test Pushbutton..................................................................................27 4 Specifications ........................................................................................................29 5 Schematic Diagrams. ............................................................................................31

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1 DVP-101i 4:2:2 Digital Video Processor/Synchronizer 1.1 Introduction

The DVP-101i is a high-quality processing amplifier providing control and adjustment of a 4:2:2 digital video signal. This unit accepts a serial digital 4:2:2 signal conforming to the SMPTE 259M standard. Adjustments include gain, setup and equalization control of individual components and overall hue control. Timing adjustments include individual component retiming, horizontal and vertical active video retiming, and video signal retiming.

Embedded audio can be muxed or demuxed to/from the serial digital video and sent to

a Digital Audio Processor card (companion module DAP-711i/712i) using a special I/O port.

Equipped with automatic 525- and 625-line format input detection, the DVP-101i

maintains all-digital, minimum 10-bit signal processing throughout the unit. This structure ensures reliable and repeatable results. Error detection and handling (EDH) is performed at the input and at the output. Vertical and horizontal ancillary data are buffered through or blanked according to user selection. Vertical interval data is buffered through, blanked or processed on a line-by-line basis according to user selection. An internal color bar generator further enhances the DVP-101i’s functionality. All outputs conform to the SMPTE 259M standard. The easy-to-use microprocessor-based user interface simplifies user selections and allows precise adjustments of the parameters. All DVP-101i adjustments and selections can be controlled remotely with Miranda’s iControl software and RCP-100.

The DVP-101i is a member of the imaging family of digital video cards and therefore requires the imaging Quartet, Quartet-C or Quartet-M, imaging Solo or imaging Symphonie housing frame for mounting and power.

Figure 1.1 DVP-101i Functional Block Diagram

REF IN

REMOTECONTROL

4:2:2OUT

Microcontroller

1

2

1

IN4:2:2LOOP

Genlock

EDH

2

Delay

Encoder COMPOSITEOUT

Proc Amp AudioMux

Audio BusInput

Audio BusOutput

AudioDemux

FrameSync EDH

BYPASSRELAY

GPI OUT

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1.2 Features

• Serial digital 4:2:2 input with active loop-through output (270 Mbps) • Reference input with passive loop-through output • Automatic 525/625 input format detection • 12-bit signal processing • EDH monitoring and insertion • 2 serial digital 4:2:2 outputs, each with 2 embedded AES digital audio groups • Adjustments:

• Adjustable timing of video signal (8 frames max., H & V and Fine Timing adjustment)

• Adjustable horizontal picture positioning of active video (±1 µs range, 74 nsec resolution)

• Adjustable luminance gain (±6 dB range, 0.01dB resolution) • Adjustable saturation (±6 dB range, 0.01dB resolution) • Adjustable black level (±15 IRE range, 0.5 IRE resolution) • Adjustable hue (±180° range, 1° resolution) • Adjustable frequency equalization

• Selectable HANC (pass or blank ) • Selectable VANC processing on a line-by-line basis (pass / blank / process) line

10 ~ 24 for format 525 and line 6 ~ 24 for format 625. • Built-in test pattern generator for color bars 75%, 100% white and black. • Parameters for 5 presets stored in non-volatile memory. • Wide/Narrow blanking for composite output as per SMTE-170M • Control signal for future bypass relay on rear module. • Frame and field freeze capabilities (field1/ field2/ frame selection/black) • Automatic freeze to last good field or black on error or on loss of input. • Detection of frozen video on incoming signal. • GPI output that indicates input video error, signal loss (this output will follow the

automatic freeze state), or input freeze detection. • 10 bit Broadcast composite output. • Tracking delay signal to control the audio delay module • Reference may be NTSC or PAL • Audio mux and demux feature using DAP-711i/712i companion imaging module

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1.3 Typical Applications 1.3.1 Audio Mux/Demux Applications The DVP-101i is designed to work in conjunction with the DAP-711i/712i audio

processor; the DVP can extract embedded audio, pass it to the DAP module for processing and re-embed the audio at the output. A delay tracking output allows the audio processor to match the delay introduced by the DVP-101i. The figures below show typical applications involving both the DVP-101i and DAP-711i/712i. Note that only one audio group can be processed by a DAP-712i module; therefore, two DAP modules may be used in conjunction with one DVP-101i, one per audio group.

Figure 1.2 AES is extracted on DVP-101i, processed on DAP-711i/712i and re-inserted

on DVP-101i.

Figure 1.3 Audio from the DAP-711i/712i is inserted on DVP-101i

Figure 1.4 AES is extracted on DVP-101i and processed on DAP-711i/712i

4:2:2 + AES

DVP-101i

DEMUXFrameSync

ProcAmp

DAP-712i

AES

AnalogAudio

Delay ProcAudio

4:2:2 + AES

NTSC

MUX

Encoder

4:2:2 4:2:2 + AES

NTSCDVP-101i

DAP-712i

AES AES

AnalogAudio

DEMUX MUXFrameSync

ProcAmp

Encoder

Delay ProcAudio

4:2:2 + AES

DVP-101i

DAP-712i

AES

AnalogAudio

FrameSync

ProcAmp

Delay ProcAudio

DEMUX 4:2:2 + AES

NTSC

MUX

Encoder

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1.3.2 Hot Switching Some applications or studio setups may require the input 4:2:2 signal to the DVP-101i be switched between two or more synchronous sources. Since these synchronous sources are generally not in phase with respect to each other, unpleasant visual effects may occur when switching from source A to a different time position in source B. Also, some “break before make” switchers will further deteriorate the 4:2:2 signal by producing a hit on the video signal.

Figure 1.5 illustrates a typical hot switch setup. For a smooth transfer to occur when switching between two sources, set the FRZE-MODE to ERR (error on input signal). Immediately after a switch is performed on the routing switcher, DVP-101i will detect an input error thereby performing a freeze. The DVP-101i automatically switches to the last errorless field or black. Once the transfer between the two sources is complete and after two full errorless input frames, the freeze is removed and normal mode is resumed.

Note: Operation is guaranteed if the time delay between the two sources is less

than 10 video lines.

Figure 1.5 Typical Hot Switch Installation

Routingswitcher

Reference

DVP-101i

Source A

Source B

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2 Installation 2.1 Unpacking

Make sure the following items have been shipped with your ASD-231i. If any of the following items are missing, contact your distributor or Miranda Technologies Inc.

• DVP-101i 4:2:2 Digital Video Processor/Synchronizer • DVP-101i rear panel label (2) • Audio Bus cable (2 - 1 short, 1 long) • This manual

2.2 DVP-101i Mechanical Installation

The DVP-101i must be mounted within Quartet, Quartet-R-C, Quartet C, Quartet M, Symphonie or Solo imaging housing frames in order to provide power to the card. This section describes how to install the DVP-101i in any of these housing frames. It is not necessary to switch off the power from these housing frames when installing the DVP-101i .

2.2.1 imaging Quartet, Quartet C and Quartet M Housing Frames

To install this card into Quartet, Quartet C or Quartet M follow these steps. For a closer look at card installation and removal, refer to the housing frame's Guide to Installation and Operation.

1. Remove the housing frame's front panel by rotating the thumb screws

counter-clockwise. Pull on the handles. 2. Select an empty slot. 3. Carefully place the DVP-101i between a set of card guides and gently push

the card towards the rear of the housing frame until the card's edge connector is secured to the backplane. Pull lightly on the card verifying that it does not move.

4. Replace the housing frame's front panel. Make sure to rotate the thumb screws clockwise in order to secure it to the chassis.

Note: Only one DAP-712i module may be used in conjunction with the DVP-101i module when using any imaging Quartet-type housing frame. The DVP-101i must be installed in the top slot and the DAP-711i/712i in the lower slot (figure below) . Use the provided Audio Bus cable to connect the 2 modules.

Figure 2.1 Location of modules within Quartet-family housing frame

DAP-712i

DVP-101i

DVP-101i

DAP-711i/712i

Audio Bus cable

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2.2.2 imaging Symphonie Housing Frame

To install this module into Symphonie follow these steps. For a closer look at module installation and removal, refer to the frame's Guide to Installation and Operation. You also need to install Symphonie-R-M or –R-C rear module for complete installation.

1. Remove the front panel door by pulling on the door handles and gently

lowering it. 2. Select an empty compartment. 3. Carefully place the DVP-101i between the module guides and slowly push the

module towards the rear of the frame until the module's edge connector is secured to its rear module. A light pressure to mate the connectors may be required. Pull lightly on the module verifying that it does not move.

4. Replace the front panel door.

Note: Up to two DAP-711i/712i module may be used in conjunction with the DVP-101i module when using the imaging Symphonie housing frame. The DVP-101i must always be installed at the right of the DAP modules (figure 2.2 below). Use the provided Audio Bus cables to connect the modules: the short cable is used to connect the first DAP module to the ABUS #1 connector on the DVP module; the long cable is used to connect the second DAP module to the ABUS #2 connector (see figure 2.3 for connector location).

Figure 2.2 Location of modules within imaging Symphonie housing frame

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Figure 2.3 Location of ABUS (Audio Bus) connectors on DVP-101i module

2.2.3 imaging Solo Housing Frame

To install this card into Solo follow these steps. For a closer look at card installation and removal, refer to the housing frame's Guide to Installation and Operation.

1. In order to remove the housing frame's front panel, gently pull on it. 2. Carefully place the DVP-101i between the card guides and gently push the

card towards the rear of the housing frame until the card's edge connector is secured to the backplane. Pull lightly on the card verifying that it does not move.

3. Replace the housing frame's front panel.

2.3 Rear Panel Label 2.3.1 imaging Quartet/Quartet-C/Quartet-M/Solo Connector Label

Connector labels have been shipped with your DVP-101i. Select the label according to your housing frame model. This label is to be installed on the housing frame's rear panel in order to identify the DVP-101i external connectors. To install the label, follow these steps.

1. Remove the screws associated with the DVP-101i connectors. 2. Carefully apply the label to the connectors as shown in Figure 2.4. 3. Replace the screws making sure not to damage the label.

Display

FREEZE TEST SELECTESC - +525625

ERREDH FS

REF

INPUT

1 32 4AUDIO IN

DETECTEDDVP-101i 4:2:2 DIGITAL VIDEO PROCESSOR/SYNCHRONIZER

ABUS #1

ABUS #2

ABUS #2 Connector

ABUS #1 Connector

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Figure 2.4 DVP-101i rear panel label installation (imaging Quartet-M is shown in this example)

2.3.2 imaging Symphonie Connector Label

To install the Symphonie label, follow these steps while referring to Figure 2.2.

1. On Symphonie’s rear panel, locate the appropriate connectors. 2. Remove the rear label mounting screws from the rear module. 3. Carefully apply the label to the connectors making sure the label’s text is read

from top to bottom. 4. Replace the screws making sure not to damage the label.

Figure 2.5 Symphonie rear panel label installation

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2.4 DVP-101i Electrical Installation

When connecting the DVP-101i to external equipment, make sure that all serial digital connections are point-to-point. For instance, there must be a point-to-point connection between a 4:2:2 OUT BNC and target equipment. If a T-connector is used to connect other equipment, the maximum specified cable length is no longer valid.

Also, make sure that the cable lengths of the output serial digital cables are a maximum 250m (850') each. Refer to Figure 2.7 and to the following descriptions for a complete DVP-101i electrical installation. 4:2:2 IN - serial digital input Connect a serial digital video signal, conforming to the SMPTE 259M-C standard to the BNC labeled 4:2:2 IN. The DVP-101i will automatically switch to the detected line format and turn on the corresponding LED on the module’s front end (figure 3.1).

Studio reference input with loop-through output For external synchronization, connect the studio reference signal to the BNC labeled REF IN. The DVP-101i accepts SMPTE 170M/PAL ITU 624-4 or 2 Vpp/4 Vpp compo- site sync reference signals. When using the Quartet, Quartet-C, Solo or Symphonie-R-C, the DVP-101i provides a loop through output of the studio reference signal. Make sure to terminate this output with a 75 Ω terminator when it is not being used. A valid analog composite reference signal will turn on the REF indicator located on the module’s front end (figure 3.1). The reference signal must be NTSC for 60 Hz sources and PAL for 50 Hz sources. If there exists a line format mismatch between the reference input and the 4:2:2 input, the REF indicator flashes.

4:2:2 OUT 1 and 2 - serial digital video outputs The DVP-101i provides 2 video output BNCs. These BNCs, labeled 4:2:2 OUT 1 and 2 provide the decoded video signal conforming to the SMPTE 259M-C standard.

Composite outputs

Composite signals are provided on the BNC connectors labeled COMPOSITE OUT 1 and 2. Output format is user-selectable, NTSC for 525-lines format operation or PAL for 625-lines format operation. Delay – video processing delay signal and GPI output When using a Quartet-M or Symphonie-R-M, the DVP-101i provides a video processing delay signal through an RJ-45 connector using RS-422A transport standard. The video tracking delay is a signal that specifies the current processing delay of the card. It indicates to an audio processor the amount of delay that must be added in the audio path to compensate for the video processing delay and frame sync function to avoid lip sync problems. Connector pinout is detailed on Figure 2.6. (When using the DAP-711i/712i as audio processors, install the DAP module(s) in the same

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housing frame as the DVP-101i and use the onboard audio bus connectors as shown in section 2.1 Mechanical Installation.) The DVP-101i also shorts the GPI output to ground when an automatic freeze is in progress, and optionally when a freeze is detected on the incoming video.

Figure 2.6 Video processing delay & GPI output connector pinout

Figure 2.7 DVP-101i connections

2 GPI OUT3 GND4 DELAY (+)5 DELAY (-)6 NC7 NC8 NC9 NC10 NC

1 NC

Pin

RJ-45 ConnectorPin Location

SMPTE 259M-C4:2:2 video input

Studio referenceor black input

Referenceloop through output

Analog composite output(NTSC, PAL)

4:2:2 loop through output

DVP-101i 4:2:2 DIGITAL VIDEO PROCESSOR/SYNCHRONIZER

1 2 1 2

QuartetQuartet-CSoloSymphonie-R-C

4:2:2 loop throughoutput

Video processingdelay & GPI output

IN 4:2:2 LOOP 4:2:2 OUTREF IN COMPOSITE OUT

SMPTE 259M-C4:2:2 video outputs

IN 4:2:2 LOOP 4:2:2 OUT

DVP-101i 4:2:2 DIGITAL VIDEO PROCESSOR/SYNCHRONIZER

REF IN1 2 1 2

DELAYQuartet-MSymphonie-R-M

COMPOSITE OUT

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3 Operation 3.1 DVP-101i User Interface

Figure 3.1 outlines the DVP-101i's user interface situated at the front end of the card. The interface components include, from left to right:

• Line format status, error detection and reference status indicators • Menu controls pushbuttons and alphanumeric display • Video Freeze status indicator and pushbutton • Test signal selection pushbutton and status indicator • Audio group presence indicators

For operating information on the above functions, refer to the rest of this section.

Figure 3.1 Front panel interface

3.2 Line Format , Error Detection and Reference Status Indicators

The following indicators provide information on the DVP-101i's line format status. Refer to Figure 3.1 for the correct indicator location.

• 525

This LED turns on to indicate the FRS-101i has detected a 525-line format signal connected to 4:2:2 IN

• 625

This LED turns on to indicate the FRS-101i has detected a 625-line format signal connected to 4:2:2 IN.

• ERR

This LED lights up to indicate that the DVP-101i has detected an error on the serial digital video signal connected to 4:2:2 IN, and, when Input Freeze

RedGreenYellow

Display

FREEZE TEST SELECTESC - +525625

ERREDH FS

REF

INPUT

1 32 4AUDIO IN

DETECTEDDVP-101i 4:2:2 DIGITAL VIDEO PROCESSOR/SYNCHRONIZER

ABUS #1

ABUS #2

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Detection is enabled, to indicate that the input video is frozen. During this time, the corresponding 525 or 625 line format LED indicates the last valid format. At all times, make sure that the input signal is firmly installed and that source equipment is functional.

• EDH

This LED turns on to indicate a serial transmission data error has been detected by the DVP-101i (Error Detected Here) or somewhere upstream (Error Detected Already).

• REF

This LED lights up to indicate that a valid reference signal is connected. It will remain off if no reference signal is installed. If there exists a line format mismatch between the reference input and the composite input, the REF LED flashes.

• FS

When an external reference is present, the video input is frame synchronized with the reference signal; this LED turns on to indicate that the DVP-101i is in frame sync mode.

• FREEZE

This LED lights up when the manual freeze is enabled, It will also blink when the DVP-101i performs an automatic freeze caused by a loss of input or continuous input errors.

• TEST

This LED turns on when the internal test pattern is enabled. • AUDIO IN DETECTED

Some of these LEDs will turn on to indicate the presence of audio groups on the input signal.

3.3 Menu Introduction

Most DVP-101i parameters are accessed and changed via an easy-to-use menu. The flow chart of Figure 3.2 outlines the entire DVP-101i menu path. The menu consists of 8 major functions: processing, timing, audio, ancillary data blaking, freeze mode, composite output controls, configurations, and factory reset. Each menu is described throughout this section. The following items should be remembered when accessing the menu.

Normal Mode The DVP-101i is in Normal Mode when the menu is not being accessed. Navigating Through the Menu The front panel push-buttons are used to navigate the menu of Figure 3.2. The following describes the function of each push-button when navigating through the

menu.

+: Press “+” to move down in the menu or to increase the parameter

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value. For example, if you are currently at TIMG-FRAM, pressing “+” will scroll downwards through the selections VERT, HORZ and FINE. Maintaining “+“ depressed during a value adjustment will increase the parameter value at a faster rate.

-: Press “–“ to move up in the menu or to decrease the parameter value.

For example, if you are currently at TIMG-HOR, pressing “–“ will scroll upwards to the selection VERT and FRAM. Maintaining “–“ depressed during a value adjustment will decrease the parameter value at a faster rate.

SELECT: Changes to a menu parameter are stored immediately to non-volatile

memory. For example, in COMP-SETP, after the desired setup has been chosen, press SELECT. The menu returns to SETP and the new setup value is stored for the current format.

ESC: If ESC is pressed after making changes to a parameter, the

parameter is reset to the value it had prior to the change. For example, after changing the Cb value, press ESC. The menu returns to Cb and the previous Cb value is reloaded .

Automatic Exit From Menu After 1-Minute Interval If the menu is currently being accessed and no push-button has been pressed for

1 minute, the DVP-101i automatically exits from the menu, thereby returning to normal mode. At the same time, changes made to the current parameter will be stored.

Figure 3.2 DVP-101i Menu Structure

-

Home menu

(no unit)PROC Y [-800,...,0,1,...,800]S EE S

+

ES

+-

Cb [-800,...,0,1,...,800]EE S

+-

Cr [-800,...,0,1,...,800]EE S

+-

SAT [-800,...,0,1,...,800]EE S

+

ALL [-800,...,0,1,...,800]EE S

+

(no unit)

(no unit)

(no unit)

(no unit)-

BLAK [-100,...,0,1,...,100]E S

+(no unit)

-

-HUE [-180,...,0, 0.5,...,180]

EE S

+

EQ [-32,...,0,1,...,32]EE S

+

(DEG)

(no unit)

HPOS [-14,...,0,1,...,14]E S (PIX)

-

E

E

(continued next page)

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(FRM)TIMG FRAM [0,1,2,3,4,5,6,7]S EE S

+

E

+-

VERT [0,1,...,524] for 525-lines or [0,1,...,624] for 625-linesEE S

+-

HORZ [0,0.037,...,64]EE S

+-

FINE [-40,...,0,1,...,+40]EE S

(LINE)

(µS)

(no unit)

see note 1 belowABUS DMUX [OFF, GRP1, GRP2, GRP3, GRP4]+ +

-MUX [OFF, GRP1, GRP2, GRP3, GRP4]

EE S

+-

VBITEE S [MUTE, PASS]

see note 1 below

-

-S EE SE #1

+

SE

see note 1 belowDMUX [OFF,GRP1, GRP2, GRP3, GRP4]

+-

MUX [OFF, GRP1, GRP2, GRP3, GRP4]EE S

+-VBIT [MUTE, PASS]

EE S

see note 1 below

EE S#2-

SE

BLNK HANC [PASS, BLNK]S EE S

+

E

+-

VANC [PASS, BLNK, PROC, USER]EE S

-

COMP SETPS EE S

+

E

+-

CFRM

[0, 7.5]

EE S

+-

HBLK

[NEAR, +1, +2, +3]

EE S

+-

CC

[NAR, WIDE]

EE S

(IRE)

(FRM)

-FRZE MODE [ERR, LOSS, OFF]

S EE S

+

E

+-

TYPE [FLD1, FLD2, FRM, BLAK]EE S

CONF LOAD [USR1, ..., USR5 ]S EE S

+

E

+-

SAVE [USR1, ..., USR5]EE S

-

FACT [NO, YES]S EE -

Note 1: If the user does not use a DAP-711i/712i, the audio mux and demux selection should beset to OFF for proper operation

INFZ [OFF, 2S, 5S, 10S, 15S, 20S, 30S, 50S ]S EE

[OFF, ON]

(SEC)

S - SELECTE - ESCAPE

values using the front panel UP (+) and DOWN (–) pushbuttons.Terms in parentheses (...) are the units for the corresponding menu.Underline indicates the default value.

(continued)

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3.4 Digital ProcAmp Functions

These functions allow the adjustment of different parameters for both the analog and digital video outputs. Y, Cb and Cr gains may be adjusted individually or simultaneously; the black level, hue and saturation may also be controlled. Additional controls are also provided for horizontal picture positioning and cable equalization.

3.4.1 Y, Cb, Cr Gain Adjustments

Individual components of the video output may be adjusted by performing the following steps. Each component has an absolute gain range of –800 of +800, with unity gain (the default value) being set at 0. To change the value more quickly, depress and hold the “+” or “–“ pushbutton.

1. Press SELECT to enter the menu. PROC is displayed.. 2. Press SELECT to enter the ProcAmp menu. Y is displayed. To adjust the Cb

or Cr component press the “+” push-button until Cb or Cr is displayed. 3. Press SELECT to enable the selected gain menu. The current value is

displayed. 4. Use the “+” or “–“ push-button to set the required gain level for the selected

component. Press the “+“ and “–“ push-buttons simultaneously to set the selected gain level to unity.

5. Press SELECT to store the new gain level for the selected component. 6. Press ESC to return to PROC. 7. To return to normal mode, press ESC.

3.4.2 Overall Gain Adjustment

The overall gain applies to the Y, Cb and Cr gains simultaneously. Note that relative gain setting differences are maintained between the individual components: as an example, if Y is set to 100, Cb to 50 and Cr to 0, an overall gain adjustment of 10 will result in Y=110, Cb=60 and Cr=10. Values range from –800 to +800, unity gain (the default value) being set at 0. Perform the following steps to adjust overall gain:

1. Press SELECT to enter the menu. PROC is displayed.. 2. Press SELECT to enter the ProcAmp menu. Y is displayed. Depress the “+”

push-button until ALL is displayed. 3. Press SELECT to enable the overall gain menu. The current value is

displayed. 4. Use the “+” or “–“ push-button to set the required overall gain. Press the “+ “

and “–“ push-buttons simultaneously to set the overall gain to unity. 5. Press SELECT to store the new overall gain. 6. Press ESC to return to PROC. 7. To return to normal mode, press ESC.

3.4.3 Saturation Adjustment

The saturation adjustment (chroma gain) affects both the Cb and Cr gains simultaneously. Note that relative gain setting differences are maintained between the Cb and Cr components: as an example, if Cb is set to 100 and Cr to 0, an overall gain adjustment of 10 will result in Cb=110 and Cr=10. Values range from

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–800 to +800, the default value being set at 0. Perform the following steps to adjust saturation:

1. Press SELECT to enter the menu. PROC is displayed.. 2. Press SELECT to enter the ProcAmp menu. Y is displayed. Depress the “+”

push-button until SAT is displayed. 3. Press SELECT to enable the saturation menu. The current value is displayed. 4. Use the “+” or “–“ push-button to set the required saturation value. Press the

“+ “ and “–“ push-buttons simultaneously to set the saturation value to default. 5. Press SELECT to store the new saturation value. 6. Press ESC to return to PROC. 7. To return to normal mode, press ESC.

3.4.4 Black Level Adjustment

The black level (luma) adjustment ranges from –100 to +100, default value being set at 0. Perform the following steps to adjust the black level:

1. Press SELECT to enter the menu. PROC is displayed.. 2. Press SELECT to enter the ProcAmp menu. Y is displayed. Depress the “+”

push-button until BLAK is displayed. 3. Press SELECT to enable the black level adjustment menu. The current value

is displayed. 4. Use the “+” or “–“ push-button to set the required black level. Press the “+“

and “–“ push-buttons simultaneously to set the black level to default. 5. Press SELECT to store the new black level. 6. Press ESC to return to PROC. 7. To return to normal mode, press ESC.

3.4.5 Hue Adjustment

The hue adjustment ranges from –180° to +180° in steps of 0.5°, the default being set at 0 . Perform the following steps to adjust the hue:

1. Press SELECT to enter the menu. PROC is displayed.. 2. Press SELECT to enter the ProcAmp menu. Y is displayed. Depress the “+”

push-button until HUE is displayed. 3. Press SELECT to enable the hue adjustment menu. The current value is

displayed. 4. Use the “+” or “–“ push-button to set the required hue value. Press the “+“ and

“–“ push-buttons simultaneously to set the hue to default. 5. Press SELECT to store the new hue value. 6. Press ESC to return to PROC. 7. To return to normal mode, press ESC.

3.4.6 Cable Equalization

The cable equalization parameter compensates for poorly adjusted cable equalization in an upstream device. It will correct the frequency response for cable lengths of up to 500 feet. The equalization ranges from –32 to +32, default being set at 0. Perform the following steps to set cable equalization:

1. Press SELECT to enter the menu. PROC is displayed..

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2. Press SELECT to enter the ProcAmp menu. Y is displayed. Depress the “+” push-button until EQ is displayed.

3. Press SELECT to enable the equalization adjustment menu. The current value is displayed.

4. Use the “+” or “–-“ push-button to set the required equalization value. Press the “+“ and “–“push-buttons simultaneously to set the equalization value to default.

5. Press SELECT to store the new equalization value. 6. Press ESC to return to PROC. 7. To return to normal mode, press ESC.

3.4.7 Horizontal Picture Positioning

This parameter allows the adjustment of the horizontal position of the active video output. This parameter is independent of the timing adjustment (section 3 .5) and ranges from –14 to +14 pixels, default being set to 0. To adjust horizontal position perform the steps below:

1. Press SELECT to enter the menu. PROC is displayed.. 2. Press SELECT to enter the ProcAmp menu. Y is displayed. Depress the “+”

push-button until HPOS is displayed. 3. Press SELECT to enable the horizontal picture positioning menu. The current

value is displayed. 4. Use the “+” or “–“ push-button to set the required horizontal position. Press

the “+“ and “–“ push-buttons simultaneously to set the horizontal position to default.

5. Press SELECT to store the new horizontal position. 6. Press ESC to return to PROC. 7. To return to normal mode, press ESC.

3.5 Timing Adjustments

When the DVP-101i operates without a reference signal, it operates in Frame Delay/Frame Buffer mode: the timing adjustment sets the processing delay between the input signal and the output signal. However, when a valid reference signal is installed, the DVP-101i is in Frame Synchronizer mode: the timing adjustment sets the processing delay between the reference signal and the output signal. When the vertical and the horizontal timing is set to zero (0), the output is vertically and horizontally phased with the reference. Note that when the reference is not present and the DVP-101i is locked to the input, a zero phasing (vertical timing and horizontal timing set to 0) is not possible because of the minimum processing delay of the card.

Timing has several levels of adjustment which include vertical timing (video lines),

horizontal timing (µs), horizontal fine timing (no unit) and frame phasing (frames).

3.5.1 Frame Phasing Frame phasing allows a super coarse adjustment in frame increments, from 0 to 7

frames. When a reference is present (Frame Sync mode), the frame adjustment

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allows additional frames to be added after/before the frame sync. As an example, a frame phasing of 4 will produce a delay between 4 and 5 frames.

When there is no reference and the phasing is done on the video, the frame phasing adjustment adds a delay in frame increments between the input and output video (Frame Delay/Frame Buffer mode). A zero phasing (H & V) is not possible because of the processing delay of the card.

To adjust frame phasing perform the steps below:

1. Press SELECT to enter the menu. PROC is displayed. 2. Depress the “+” push-button until TIMG is displayed. 3. Press SELECT to enter the Timing menu. FRAM is displayed. 4. Press SELECT to enable the frame phasing menu. The current value is

displayed. 5. Use the “+” or “–“ push-button to set the required frame phasing value. Press

the “+“ and “–“ push-buttons simultaneously to set frame phasing to default. 6. Press SELECT to store the new frame phasing value. 7. Press ESC to return to TIMG. 8. To return to normal mode, press ESC.

3.5.2 Vertical Timing Delay The vertical timing delay adjustment is made in increments of 1 video line up to

524 lines in 525-lines format and 624 lines in 625-lines format. Follow these steps in order to adjust vertical timing delay:

1. Press SELECT to enter the menu. PROC is displayed. 2. Depress the “+” push-button until TIMG is displayed. 3. Press SELECT to enter the Timing menu. FRAM is displayed. Depress “+”

until VERT is displayed. 4. Press SELECT to enable the vertical timing delay menu. The current timing

delay in video lines is displayed. 5. Use the “+” or “–“ push-button to set the required vertical timing delay. Press

the “+“ and “–“ push-buttons simultaneously to set vertical timing delay to 0 video lines.

6. Press SELECT to store the new vertical timing delay. 7. Press ESC to return to TIMG. 8. To return to normal mode, press ESC.

3.5.3 Horizontal Timing Delay The horizontal timing adjustment is made in increments of 37 ns up to a range of

one video line (63.5 µs in 525-lines format and 64.0 µs in 625-lines format). Follow these steps in order to adjust horizontal timing:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until TIMG is displayed. 3. Press SELECT to enable the timing menu. FRAM is displayed. 4. Press the “+” or “–“ push-button to display HORZ. 5. Press SELECT to enable the horizontal timing menu. The current timing delay

in µs is displayed. 6. Use the “+” or “–“ push-button to set the required horizontal timing delay.

Press the “+“ and “–“ push-buttons simultaneously to set the timing to 0 µs.

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7. Press SELECT to store the new horizontal timing for the current format. HOR is displayed.

8. Press ESC to return to TIMG. 9. To return to normal mode, press ESC

3.5.4 Horizontal Fine Timing Delay The horizontal fine timing allows an accurate adjustment of the horizontal timing

delay, ranging from –40 to +40, default being set to 0. Follow these steps in order to adjust horizontal fine timing:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until TIMG is displayed. 3. Press SELECT to enable the timing menu. FRAM is displayed. 4. Press the “+” or “–“ push-button to display FINE. 5. Press SELECT to enable the horizontal fine timing menu. The current fine

timing delay in µs is displayed. 6. Use the “+” or “–“ push-button to set the required horizontal fine timing delay.

Press the “+“ and “–“ push-buttons simultaneously to set the timing to 0. 7. Press SELECT to store the new horizontal fine timing delay for the current

format. FINE is displayed. 8. Press ESC to return to TIMG. 9. To return to normal mode, press ESC.

3.6 Audio Functions

The DVP-101i can de-embed up to 2 audio groups from the ancillary data space of the video input, pass it to companion DAP-711i/712i Audio Processor modules and re-embed it at the output (see section 2.1 DVP-101i Mechanical Installation for details about DAP module installation). Each audio group travels to the audio processor using its own bus, called ABUS (audio bus); different parameters allow the audio functions to be configured for each of the 2 buses.

3.6.1 Audio De-Embedding

Up to 2 audio groups may be de-embedded (“demuxed”) from the input video signal; each of the ABUS may be assigned one of the audio groups. To select which audio group to de-embed, follow these steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “ + “ push-button until ABUS is displayed. 3. Press SELECT; #1 is displayed. Press SELECT to choose ABUS #1 or press

“+” to display #2 and press SELECT. 4. Press SELECT; DMUX is displayed. Press SELECT to enable the audio de-

embedding menu. OFF or the currently selected audio group is displayed. 5. Use the “+” or “–“ push-button to choose the desired audio group to de-

embed. Press the “+“ and “–“ push-buttons simultaneously to set audio de-embedding to OFF.

6. Press SELECT to store the new audio de-embedding setting. DMUX is displayed.

7. Press ESC to return to ABUS. 8. To return to normal mode, press ESC.

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Note: When no DAP audio module is used, the Audio De-Embedding function should be set to off for proper operation of the DVP-101i.

3.6.2 Audio Embedding

Up to 2 audio groups may be embedded (“muxed”) into the input video. Audio is obtained from the ABUS linked to the DAP modules. When an audio group is inserted in the ancillary data space, it overwrites the previous audio group (if present) in the video. As an example, when there are 4 groups of audio present in the video and a new group 2 is inserted, the previous group 2 is replaced by the new one. In a situation where there is too much ancillary data on a line, the new audio group is inserted first, then the existing ancillary data, until it runs out of available space. The rest of the data is ignored.

To select which audio group to embed, follow these steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until ABUS is displayed. 3. Press SELECT; #1 is displayed. Press SELECT to choose ABUS #1 or press

the “+” push-button to display #2 and press SELECT. 4. Press SELECT; DMUX is displayed. Press the “+“ push-button until MUX is

displayed. 5. Press SELECT to enable the audio embedding menu. OFF or the currently

selected audio group is displayed. 6. Use the “+” or “–“ push-button to choose the desired audio group to insert.

Press the “+“ and “–“ push-buttons simultaneously to set audio embedding to OFF.

7. Press SELECT to store the new audio embedding setting. MUX is displayed. 8. Press ESC to return to ABUS. 9. To return to normal mode, press ESC.

Note: When no DAP audio module is used, the Audio Embedding function should

be set to off for proper operation of the DVP-101i. 3.6.3 VBIT Setting

Upstream equipment usually sets the V bit in the audio stream when an audio error occurs. Because some audio equipment does not properly mute the audio when the V bit is set, the DVP-101i can be instructed to mute the audio for the duration of the V bit or to pass the audio as is. When Mute is selected, the DVP-101i will smoothly mute the audio signal, then resume passing the current audio when the V bit is cleared (see figure 3.3). To select a VBIT setting, follow these steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until ABUS is displayed. 3. Press SELECT; #1 is displayed. Press SELECT to choose ABUS #1 or press

the “+” push-button to display #2 and press SELECT. 4. Press SELECT; DMUX is displayed. Press the “+“ push-button until VBIT is

displayed. 5. Press SELECT to enable the VBIT selection menu. The current VBIT setting

is displayed. 6. Use the “+” or “–“ push-button to choose the desired VBIT selection. Press the

“+“ and “–“ push-buttons simultaneously to set VBIT selection to PASS (default setting).

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7. Press SELECT to store the new VBIT selection setting. VBIT is displayed. 8. Press ESC to return to ABUS. 9. To return to normal mode, press ESC.

Figure 3.3 Audio Muting During VBIT Presence

3.7 Ancillary Data Blanking Functions

3.7.1 HANC Blanking Incoming horizontal ancillary data can be entirely blanked or can pass to the

digital video output. When the HANC is blanked, audio can still be de-embedded and re-embedded since the blanking function is performed between the two functions. Within the HANC Blanking menu are two available options for HANC blanking:

PASS: All incoming HANC data is allowed to pass through to the output. BLNK: All incoming VANC data is blanked. To change VANC blanking setting follow these steps: 1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until BLNK is displayed. 3. Press SELECT; HANC is displayed. 4. Press SELECT to enable the HANC Blanking menu. The current HANC

Blanking setting is displayed. 5. Use the “+” or “–“ push-button to choose the desired HANC Blanking setting.

Press the “+“ and “–“ push-buttons simultaneously to set HANC Blanking to PASS (default setting).

6. Press SELECT to store the new HANC Blanking setting. HANC is displayed. 7. Press ESC to return to BLNK. 8. To return to normal mode, press ESC.

VBIT

Audiosignal

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Note: remember that when the audio embedding function is enabled (section 3.6.2), existing horizontal ancillary data (including audio and metadata) are blanked before the new audio is inserted.

3.7.2 VANC Blanking Incoming vertical ancillary data can be entirely blanked, encoded, or user

controlled to allow a combination of blanked and encoded lines. Within the VANC Blanking menu are four available options for VANC blanking:

PASS: All incoming VANC lines are allowed to pass through to the output. BLNK: All incoming VANC lines are blanked (lines 10 to 20 in NTSC, 6 to 22 in

PAL). PROC: All incoming VANC lines are processed by the Proc-Amp functions (lines

10 to 20 in NTSC, 6 to 22 in PAL). USER: This selection controls line by line vertical blanking for lines 6 to 25. The

line range is from 10 to 25 inclusively for 525-line operation and 6 to 25 inclusively for 625-line operation. Line selection can only be performed via the iControl remote software.

To change VANC blanking setting follow these steps: 1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until BLNK is displayed. 3. Press SELECT; HANC is displayed. Press the “+“ push-button until VANC is

displayed. 4. Press SELECT to enable the VANC Blanking menu. The current VANC

Blanking setting is displayed. 5. Use the “+” or “–“ push-button to choose the desired VANC Blanking setting.

Press the “+“ and “–“ push-buttons simultaneously to set VANC Blanking to PASS (default setting).

6. Press SELECT to store the new VANC Blanking setting. VANC is displayed. 7. Press ESC to return to BLNK. 8. To return to normal mode, press ESC.

3.8 Freeze Functions

The DVP-101i has a manual freeze pushbutton situated on the front edge of the module (see figure 3.1 Front Panel Interface) that allows a user to freeze (grab) a video image. All the ProcAmp functions can be applied to the frozen image. An automatic freeze function is also available and is able to handle a live «hot switch» on a pre-selected video input.

3.8.1 Automatic Freeze Mode The DVP-101i can automatically freeze the output image to a predefined freeze

selection if it has detected an input signal loss or it has detected errors on the serial digital 4:2:2 input signal. Either of these modes can be selected or disabled in the FRZE-MODE menu. Refer to Table 3.1 for a description of each freeze mode.

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To change the freeze mode follow these steps: 1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “ + “ push-button until FRZE is displayed. 3. Press SELECT; MODE is displayed. 4. Press SELECT to enable the Freeze Mode menu. The current Freeze Mode

selection is displayed. 5. Use the “+” or “–“ push-button to choose the desired Freeze Mode setting.

Press the “+“ and “–“ push-buttons simultaneously to set Freeze Mode to ERR (default setting).

6. Press SELECT to store the new Freeze Mode setting. MODE is displayed. 7. Press ESC to return to FRZE. 8. To return to normal mode, press ESC.

Table 3.1 Freeze modes Freeze mode selection Freeze mode description ERR (error) Execute a freeze if an error has been detected in the input

signal LOSS (loss) Execute a freeze if there is a loss of input signal OFF Automatic Freeze is disabled

Note: When a freeze condition occurs, the horizontal and vertical blanking intervals (HANC and VANC) are blanked

3.8.2 Freeze Type

The Freeze Type menu selects the type of image freeze to be executed if it is enabled by the Automatic Freeze Mode. Refer to Table 3.2 for a description of each type of freeze. To change the freeze type follow these steps: 1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until FRZE is displayed. 3. Press SELECT; MODE is displayed. Press the “+“ push-button until TYPE is

displayed. 4. Press SELECT to enable the Freeze Type menu. The current Freeze Type

selection is displayed. 5. Use the “+” or “–“ push-button to choose the desired Freeze Type setting.

Press the “+“ and “–“ push-buttons simultaneously to set Freeze Type to FRM (default setting).

6. Press SELECT to store the new Freeze Type setting. TYPE is displayed. 7. Press ESC to return to FRZE. 8. To return to normal mode, press ESC.

Table 3.2 Freeze types Freeze type selection Freeze type description

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FLD 1 (field 1) FLD 2 (field 2)

Displays field 1 or field 2 on a manual freeze. For an automatic freeze, it will display the last good field.

FRM (frame) Displays the current frame on a manual freeze. For an automatic freeze, it will display the last good field (no freeze on last good frame is required).

BLAK (black) Displays a black frame at the output 3.8.3 Input Video Freeze Detection In addition to providing an automatic freeze on incoming signals with detected errors, the DVP-101i has the ability to detect that the incoming video itself is frozen. An alarm is raised once the frozen state has been detected for longer than a user-specified period. The alarm will be announced on the card itself (the card-edge ERR LED will illuminate and the display will show INFZ), on the rear-panel GPI output, and on iControl. This feature is very useful when the DVP-101i is processing video coming from a circuit prone to failure, such as an MPEG satellite receiver. When most receivers lose the satellite carrier, they freeze their output but do not send an alarm. A DVP-101i with Input Video Freeze Detect enabled will identify the frozen video and raise the alarm. To select the detection period, or turn the feature off, perform the following steps: 1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until INFZ is displayed. 3. Press SELECT to enable the Input Freeze menu. The current selection is

displayed (either OFF or a time interval in seconds). 4. Use the “+” or “–“ push-button to choose the desired status. Press the “+“ and

“–“ push-buttons simultaneously to set the status to 0FF (default setting). 5. Press SELECT to store the new status. INFZ is displayed. 6. To return to normal mode, press ESC.

3.9 Composite Output Settings

3.9.1 Setup Level The setup level for the composite output can be set to 0 IRE or 7.5 IRE, in NTSC

only. Thus this menu is only available when a valid NTSC input signal is used. To select the desired setup level, perform the following steps:

7. Press SELECT to enter the menu. PROC is displayed. 8. Press the “+“ push-button until COMP is displayed. 9. Press SELECT; SETP is displayed. 10. Press SELECT to enable the Setup Level menu. The current setup selection

is displayed. 11. Use the “+” or “–“ push-button to choose the desired setup. Press the “+“ and

“–“ push-buttons simultaneously to set the setup level to 0 (default setting). 12. Press SELECT to store the new setup level. SETP is displayed. 13. Press ESC to return to COMP. 14. To return to normal mode, press ESC.

3.9.2 Color Framing Control

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It is possible, with the color framing adjustment, to set the desired subcarrier phase to horizontal reference point (SC/H) of the outputs with respect to the input reference signal.

Table 3.3 provides an example. Here, we describe the difference between a

NEAR and +1 color framing for NTSC outputs. Notice the vertical timing between the reference input and the analog output. In this example, there is a vertical delay of 1 field. If NEAR is selected, the output color framing (or burst locked sinewave) will follow the same subcarrier phase pattern, starting with field 1, as the reference input. That is, all analog output field 1 lines will have a positive going zero crossing of burst phase as all field 1 lines of the reference input, all output field 2 lines will have a negative going zero crossing of burst phase as all field 2 lines of the reference input, and so on.

On the other hand, if a color framing of +1 is selected, the subcarrier phase

relationships of fields 3 and 4 of the reference input is transferred to fields 1 and 2 of the analog output and the color framing continues as usual. That is, all analog output field 1 lines will have a negative going zero crossing of burst phase as all field 3 lines of the reference input, all output field 2 lines will have a positive going zero crossing of burst phase as all field 4 lines of the reference input, and so on.

For NTSC analog outputs, only NEAR and +1 selections are available to adjust

color framing. However, due to PAL’s 8 field color frame, the selections NEAR, +1, +2, and +3 are available.

Table 3.3 NTSC color framing example

Reference input Field 1 2 3 4

Burst locked sinewave

Analog output Field 4 1 2 3 (CFRM=NEAR) Burst locked sinewave

Analog output Field 4 1 2 3 (CFRM=+1) Burst locked sinewave

To select the desired setup level, perform the following steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until COMP is displayed. 3. Press SELECT; SETP is displayed. Press the “+“ push-button until CFRM is

displayed. 4. Press SELECT to enable the Color Framing Control menu. The current color

framing selection is displayed. 5. Use the “+” or “–“ push-button to choose the desired color framing selection.

Press the “+ “ and “–“ push-buttons simultaneously to set the setup level to NEAR (default setting).

6. Press SELECT to store the new color framing selection. CFRM is displayed. 7. Press ESC to return to COMP. 8. To return to normal mode, press ESC.

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3.9.3 Horizontal Blanking Setting For the composite analog output, the blanking interval can be set to narrow (as

per SMPTE 259M : all pixels are passed) or wide (as per SMPTE-170M). To select the desired horizontal blanking setting, perform the following steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until COMP is displayed. 3. Press SELECT; SETP is displayed. Press the “+“ push-button until HBLK is

displayed. 4. Press SELECT to enable the Horizontal Blanking menu. The current

horizontal blanking selection is displayed. 5. Use the “+” or “–“ push-button to choose the desired horizontal blanking

selection. Press “+“ and “–“ push-buttons simultaneously to select WIDE (default setting).

6. Press SELECT to store the new horizontal blanking selection. HBLK is displayed.

7. Press ESC to return to COMP. 8. To return to normal mode, press ESC.

3.9.4 Closed Captioning

This control allows the set-up on line 21 to be turned off when closed captioning is present. To select between ON and OFF states, perform the following steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until COMP is displayed. 3. Press SELECT; SETP is displayed. Press the “+“ push-button until CC is

displayed. 4. Press SELECT to enable the Closed Captioning menu. The current status of

set-up on line 21 is displayed. 5. Use the “+” or “–“ push-button to choose the desired line 21 set-up status.

Press the “+ “ and “–“ push-buttons simultaneously to set the line 21 setup to OFF (default setting).

6. Press SELECT to store the new line 21 set-up selection. CC is displayed. 7. Press ESC to return to COMP. 8. To return to normal mode, press ESC

3.10 Configuration

Up to 5 different configurations – referred to as User Presets - may be stored into

the on-board non-volatile memory. Each of these configurations includes the stored settings for all of the parameters, for 525-line AND 625-line formats. This menu also enables automatic calibration of the Y, Cb and Cr gains and black level.

3.10.1 Loading User Presets

To load a User Preset, follow these steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “ + “ push-button until CONF is displayed. 3. Press SELECT; LOAD is displayed.

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4. Press SELECT to enable the User Presets Loading menu. The current User Preset used is displayed.

5. Use the “+” or “-“ push-button to choose the desired User Preset. Press “+ “ and “-“ push-buttons simultaneously to set User Presets to USR1 (default setting).

6. Press SELECT to store the new User Preset selection. LOAD is displayed. 7. Press ESC to return to CONF.

3.10.2 Saving User Presets

When a configuration has been achieved, save it to a User Preset by following these steps:

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “ + “ push-button until CONF is displayed. 3. Press SELECT; LOAD is displayed. Press the “ + “ push-button until SAVE is

displayed. 4. Press SELECT to enable the User Presets Saving menu. The current User

Preset used is displayed. 5. Use “+” or “-“ push-button to select the desired User Preset number. Press “+

“ and “-“ push-buttons simultaneously to select USR1 (default setting). 6. Press SELECT to save the configuration to this User Preset. Note that this

overwrites any existing configuration that was saved previously under that User Preset. SAVE is displayed.

7. Press ESC to return to CONF. 3.11 Factory Reset

It may be necessary, at times, to reset all parameters for 525 or 625-line inputs to their original values programmed during manufacturing. Table 3.4 lists the default values. To perform a factory reset follow these steps.

1. Press SELECT to enter the menu. PROC is displayed. 2. Press the “+“ push-button until FACT is displayed. 3. Press SELECT to enable the Factory Rest menu. NO is displayed. 4. Press the “+“ push-button to display YES. 5. Press SELECT to reset all parameter values to factory values for the current

video format. After the reset is complete, the DVP-101i returns to FACT. NOTE: USER parameters, set remotely with the iControl option, are not reset to

their default values after a factor reset . 3.12 Direct Access Controls

3.12.1 Freeze Pushbutton

The Freeze pushbutton activates a manual freeze, thus grabbing the video image according to the Freeze Type selected in the menu. Refer to table 3.2 Freeze types for a description of the resulting frozen image. 3.12.2 Test Pushbutton

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The Test pushbutton enables and disables the test patterns at the output. Test patterns are: 75% color bars (with 100% white), 100% color bars and black respectively. When depressed, the test pattern is enabled and the yellow LED located next to it lights up. Depressing the Test pushbutton consecutively will cycle through the 3 test patterns (depressing after BLAK is displayed disables the test pattern output).

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4 Specifications

ANALOG INPUT Signal: NTSC (525/60) SMPTE 170M

PAL (625/50) ITU 624-4

Return Loss: > 35 dB up to 5.75 MHz DIGITAL INPUT Signal: 4:2:2 SMPTE 259M-C (270 Mbps) with active loop-

through

Cable Length: 250 m (850')

Return Loss: > 15 dB up to 270 MHz

REFERENCE INPUT Ext. Ref.: SMPTE 170M / ITU 624-4 or 2 Vp-p/ 4 Vp-p Composite

Sync

Return Loss: > 35 dB up to 5.75 MHz

DIGITAL OUTPUT Signal (2): 4:2:2 SMPTE 259M-C (270 Mbps)

Return Loss: > 15 dB up to 270 MHz

Jitter (Wideband): < 0.2 UI (0.74ns) p-p

Delay Tracking: Miranda video-audio tracking signal

Audio Bus I/O: 10 pin connector to audio processor

COMPOSITE ANALOG OUTPUT

Signal (2): NTSC (525/60) SMPTE 170M

PAL (625/50) ITU 624-4

PROCESSING PERFORMANCE (DIGITAL)

Signal Path: 10 bits (12-bit processing)

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Processing Delay: 16 µs in delay mode

2 lines (min) in frame sync mode

PROCESSING PERFORMANCE (ANALOG OUTPUT) Quantization: 10 bits

Sampling: 54 MHz (4X Oversampling)

Freq. Response: +/- 0.1 dB to 5.5 MHz

Noise (Unweighted): <-62 dB to 5.75 MHz

Diff. Gain: < 1%

Diff. Phase: < 1 degree

MISCELLANEOUS Audio Embedding: SMPTE 272M, ABD

Test Signal: 75% color bars (with 100% white), 100% color bars, black

Power 9 W

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5 Schematic DIagrams