intomarket slides2
TRANSCRIPT
intomarketintomarket
A guide to making international content
markets work for you
Agenda Agenda –– pre lunchpre lunch
10.00 Introductions Mike Dicks
10.20 Introduction to Markets, MIPDawn Mcarthy Simpson
10.40 Planning Mike Dicks
11.30 War Stories #1 - Deal Maker Selma Turajlic
12.30 Meeting Planning, Breakfasts Nicola Pinder Creatives Loop Ltd / The Co-Production Factory
1.00 Lunch
Agenda Agenda –– post lunchpost lunch
2.15 War Stories #2 – Producer
John Gough / Tony Humphreys
3.30 Multi-platform
Mike Dicks
4.00 Your Pitch
Prepare a 5 minute version of your pitch
Pitch to group
5.30 Close
introductionsintroductions
Stephan Headline Pictures
Stewart Headline Pictures
Adam Machine Productions
Simon Monterosa
Tom Monterosa
Joshua Noughttosixty
Philip Pogo films
Harry Back to Back
Alice Bankside films
Salas Bankside films
Laure Bankside films
Anna Body in balance
Greg Body in balance Philip Pogo films
Annabel Pogo films
David Presto Development
Paul Presto Development
Colette Scottish Enterprise
Molly-Anna Telesgop
Jason The Jones Media
Claire Yellow House ltd
Greg Body in balance
Natali Body in balance
Sabrina Compact collections
David Free at Last TV
Michael Futuristic media
Giovanni Genius media
Samantha Genius media
INTOMARKETSINTOMARKETS
DAWN MCARTHY-SIMPSON
INTRODUCTION TO MIPTV
UK Indies Pavilion UK Indies Pavilion -- Pre Market PrepPre Market Prep
• Trends in International sales
• UK Indies – purpose
• UK Indies: pre-market
• UK Indies: stand facilities• UK Indies: stand facilities
• Questions
Trends in International incomeTrends in International income
• Sale of UK TV programmes and associated activities was
£1,337b, a 9% increase from £1,227b in 2008.
(£484m in 2005)
• For a second year, revenue from Australia and New
Zealand represented the greatest proportion of the Zealand represented the greatest proportion of the
increase from last year, and was the region of greatest
growth in terms of both actual and percentage increase.
• Tax credits launched in Australia in 2010
• Sales to the USA, the UK’s largest export market, grew by
3% to £485m.
Which markets have commissions come from?Which markets have commissions come from?
25%
30%
35%
40%
45%
44%
0%
5%
10%
15%
20%
10%
6%5% 5%
2% 2%0% 0% 0%
14%13%
Source Pact policy survey and financial census 2010
Success of genres in International salesSuccess of genres in International sales
Documentary
Entertainment/Comedy
Childrens
Drama
Other
58%
45%
41%
40%
40%
Interactive Media
Factual Entertainment
Animation
Hobbies/Leisure
Music
Arts & Religion
Sport
Current Affairs
Daytime
37%
35%
33%
31%
31%
28%
27%
11%
10%
Source Pact policy survey and financial census 2010
UK Indies UK Indies -- purposepurpose
• 7th year – a growing success (over £100m in sales) MIPCOM £18m
• Provide small/medium indies with a high profile presence at one of the biggest markets
• Benefit the reputation of British programming
• The importance
Capitalise on the Terms of TradeCapitalise on the Terms of Trade
Help provide a cost effective way to increase turnover for small/medium size indies
• Lack of domestic revenues – invest more in UK content (gap funds)
• Contribute towards the UK’s TV exports – national economy
• Decline of the commissioning budget
UK Indies Pavilion UK Indies Pavilion -- Pre Market PrepPre Market Prep
• Completed information form (brochure)Logo
Summary of business
Who is attending
contact
• AV (i2i)• AV (i2i)Above sent
30 mins of content
Additional service
• PRPaul Smith
During the event
UK Indies Pavilion UK Indies Pavilion -- Pre Market Prep Pre Market Prep
• Registration
Umbrella contract
• Receptions
Sunday Welcome 7pm to 9pm
Tuesday 5.30pm to 7pm Tuesday 5.30pm to 7pm
• Flight & Accommodation!
• Pre-book tables
17 tables
14 AV
One per company
First come basis
Table bookingTable booking
• 9am to 6pm
• Strictly 30 minutes
• Business matching sessions
Do not book
Be aware busy period
• Tues 5.30 networking• Tues 5.30 networking
Tables removed
• No double booking
• Business meetings only
• Deadline 1st April midday
• Book during event
• Accommodating rest area
Introduction to UK Indies Introduction to UK Indies –– the standthe stand
• Plastic wallets
A4 plus business card
• Appointments
Pre-booked
First come basis (1 table)
• Fully manned reception
Message taking
Meet and greet
Directing buyers
• Lockers
2pm & 4pm – Sunday First come basis (1 table)
Flexibility during market
• Service with a smile!
2pm & 4pm – Sunday
Secure English sockets
• AV Screens
Touch screen
Headphones
Check programming on arrival
Invitations e-version
Printed version
UK Indies UK Indies –– reputed one of the busiest standsreputed one of the busiest stands
Introduction to UK IndiesIntroduction to UK Indies
On a BudgetOn a Budget
• Travel
Travel to Nice
Book in advance to get the best deals.
From the airport:
Taxis – (around €100 one way) – cab share
Bus –direct to Cannes approx €25 return. 210 runs every 30 mins and is directBus –direct to Cannes approx €25 return. 210 runs every 30 mins and is direct
• Accommodation
Search around
Stay outside of Cannes Central
2-bedroomed apartments are available from €300 per week.
http://www.ownersdirect.co.uk
http://www.primaryrentals.com
http://www.lodgingworld.com
On a BudgetOn a Budget
• MEALS
Restaurants cheaper the further away from the beach you go
UK Indies Pavilion – FREE breakfast
UK Indies Pavilion – FREE lunch
Fill up whilst networking!Fill up whilst networking!
Eat in your apartment
Dates for DiariesDates for Diaries
• Sunday - The Palm Square
7pm to 9pm
• Monday - Mip launch
6pm to 9pm
• Tuesday – UK Indies drinks
5.30pm to 7pm
Post MIPPost MIP
•FEEDBACK = CASH
Q&AQ&A
• Any Questions?
Planning Planning
Mike Dicks
INTERNATIONALINTERNATIONAL
107 COUNTRIES2
AFRICA / MIDDLE EAST
ASIA / PACIFIC
SOUTH & LATIN AMERICA
NORTH AMERICA
EUROPE
DON’T IGNORE EUROPEDON’T IGNORE EUROPE
4,000 BUYERS
NORTH AMERICANORTH AMERICA
LATIN AMERICA
AFRICA/MIDDLE EAST
ASIA/PACIFIC
EASTERN EUROPE
EUROPE
YOU ARE NOT ALONEYOU ARE NOT ALONE
PRODUCERS (COMPETITION)
NORTH AMERICA
LATIN AMERICA
AFRICA/MIDDLE EAST
ASIA/PACIFIC
EUROPE
Make use of the databaseMake use of the database
Database of contactsDatabase of contacts
RESEARCH THEIR CONTENTRESEARCH THEIR CONTENT
Schedule meetings earlySchedule meetings early
Join a group (or two)Join a group (or two)
Attend the conferencesAttend the conferences
http://www.mipworld.com/RM/RM_MipWorld2010/2011/pdf/conferences-events/miptv-2011-programme-at-a-glance.pdf
FOLLOW @_MIP_ AND #MIPTVFOLLOW @_MIP_ AND #MIPTV
PROMOTE YOURSELFPROMOTE YOURSELF
SOMETHING TO REMEMBER?SOMETHING TO REMEMBER?
Know your hotelsKnow your hotels
War stories #1War stories #1deal makerdeal makerdeal makerdeal makerSelma Turajlic – All3Media
TELEVISION WORLD TELEVISION WORLD
IDEA BROADCASTER
PRODUCTION
OFFICELAWYERS
TRANSMISSION
?
FINISHED
PROGRAMMEFORMAT
ANCILLARY RIGHTS
•PUBLISHING
•TOYS
•APPAREL
•PROMOTIONS
•STATIONARY
•GIFTS
•FOOD
•ACCESSORIES
•MERCHANDISING
•SOUNDTRACK
•LIVE TOUR
LOCAL PRODUCTION
TV SHOW
FINISHED PROGRAMME
(LOCAL VERSION)
PROGRAMME
DIGITAL DISTRIBUTION
TV DISTRIBUTION
•LIVE TOUR
•FILM
•STAGE
•GAMES
•HOUSEWARES
•DVD
•MUSIC
INTERACTIVE RIGHTS
•ONLINE APPS/GAMES
•MOBILE APPS/GAMES
•DiTV APPS/GAMES
•INFLIGHT APPS/GAMES
Distributor Distributor
• Checklist
Finished Programme or Format or both
Rights
Advance
Recoupment Recoupment
Distributor’s share
Term
Territories
Producer/BroadcasterProducer/Broadcaster
• Checklist
Format
Rights
Commitment to produce (pilot/episodes)
FeesFees
Production budget
Co-production
Consultancy
Ownership of local version
Trade Marks
Interactive/Ancillary RightsInteractive/Ancillary Rights
• Format owner retains all rightsLicensee = Local Production Company/Broadcaster
Licensee Share = % Format Owner’s Receipts
• Licensee controls all rightsLicensee = Local Production Company/Broadcaster
Format Owner’s Share = % Licensee’s Receipts Format Owner’s Share = % Licensee’s Receipts
• Remember: Consultation
Approvals
Development
Multi-territory deals
“Use or Loose”
Deal Time Deal Time -- Digital DistributionDigital Distribution
• Catch up
• DTO
• VOD
• Free v Transactional• Free v Transactional
• Revenue share v fee
Small tips on Small tips on
• iPhone apps – if you don’t have one you are still cool!
• Social network game– experiment
• Facebook/Twitter– promotion tools
• Original web content – still searching for a business • Original web content – still searching for a business
model
• Multi-platform thinking – always!
• TV format = brand
• MIP - Network and have fun!
The endThe end
International International CoCo--Production MeetingsProduction MeetingsCoCo--Production MeetingsProduction MeetingsNicola Pinder Creatives∞Loop
Introducing Creatives Loop LtdIntroducing Creatives Loop Ltd
• Who we are
• What we do
• Who we do it for
• Where we do it• Where we do it
Why International CoWhy International Co--Production?Production?
• TV finance model is not dissimilar to film now
• Indies are reacting in different ways – AFP and looking
outside their own marketoutside their own market
• Potential source of gap/deficit financing
• What are the key advantages of co-producing?
International Matchmaking Breakfasts @ International Matchmaking Breakfasts @ MIPCOMMIPCOM• When, Where, What?
• Focus : International Co-Production & Digital
• Preparation process & Registration
• Who will attend• Who will attend
• Potential outcomes
CoCo--production factoryproduction factory
• Creatives Loop‘s sister company
• Over 230 Members from over 20 countries
• One-Stop-Shop as an invaluable source of industry
information and contactsinformation and contacts
• Great resource to help you to prepare for markets and
festivals
• Register today & showcase your work –
www.co-productionfactory.com
lunchlunch
War stories #2War stories #2producersproducersproducersproducersJohn Gough – EMC
Tony Humphreys – Talent TV
MultiMulti--platformplatform
Mike Dicks
Dr WhoDr Who
Britain from AboveBritain from Above
ÁguilaÁguila RojaRoja (Red Eagle)(Red Eagle)
10661066
Embarrassing BodiesEmbarrassing Bodies
CastigoCastigo Final Final –– (Final Punishment)(Final Punishment)
LandshareLandshare
Your pitchYour pitch
Pitching tipsPitching tips
• Know your buyer
• Have an elevator, stand, meeting pitch ready
• Take time to listen to them
• Be positive, enthusiastic – like you’d buy it• Be positive, enthusiastic – like you’d buy it
• Sell stories not functions
• Follow up
Pitching opportunitiesPitching opportunities
• The meeting
• The stand
• The random
• The off chance• The off chance
• The bar
Your elevator pitchYour elevator pitch
• Work on a one minute pitch for your prime show or
service
The endThe end