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    - The Slav Epic -

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    Alfons Mucha (1860-1939) was a very

    influential but seldommentioned figure in thehistory of art. He is morethan anyone elseresponsible for the "artnouveau" style that

    developed around theturn of the century andapplied his considerabletalents to a wide varietyof pursuits ranging from

    painting and sculpture toposter, magazine, andcalendar illustration, and

    product and architecturaldesign.

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    The Slav Epic was Mucha's magnum opus. It was

    composed of 20 large paintings (measuring 18 by 24 feet)

    depicting the history of the Slavs. Critical opinion thoughwas hostile, being out of sympathy with what was seen as

    a dated nationalism and academic style.

    The sequence is divided equally between Czech and

    broader Slavic themes, and is also arranged thematicallyalong allegorical, religious, military and cultural lines. As

    well as the time spent composing the paintings, Mucha

    devoted considerable energy to research involving travel

    throughout the Balkans and Russia; this scholasticapproach resulted in considerable moral and didactic

    content.

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    The Slav Epic (Photograph in Clemtium, Prague), the seated

    figure is Mucha. The first eleven canvases were displayed

    in Prague's Klementium in 1919

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    y The first three deal with the early days of Slavic history

    and are highly symbolic, using the devise of an upper and

    lower register

    y The next three are centered around specific rulers from the

    early middle ages

    y The Magic of the word triptych deals with the emergence

    of a Slavic religious consciousness

    centered around Jan

    Huss.

    y Finally, there are three

    painting illustrating the

    effects of the Hussies

    wars.

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    The Celebration of Svantovit: When Gods Are at War,

    Salvation is in the Arts - 1912

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    The Bohemian

    King Premysl

    Otakar II: The

    Union of Slavic

    Dynasties - 1924

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    Jan Milic ofKromeriz: A BrothelConverted in a

    Convent - 1916

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    Master Jan HusPreaching at theBethlehemChapel: Truthprevails - 1916

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    y After the Battle ofGrunwaldu: TheSolidarity of theNorthern Slavs -1924

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    The Oath ofOmladina under theSlavic Linden Tree:The Slavic Revival -

    1926

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    These series establish

    the themes of the series

    which are:

    Celebration of Slavic

    love of peace, piety

    and learning

    Lamentation of the

    interference of foreign

    oppressors, and the

    wars they bring

    Pleas for Slavic unity,which finds expression

    in Slavic liturgy and

    religion

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    'I am convinced that the

    development of every

    nation may proceed withsuccess only if it grows

    organically and

    continuously form the

    nation's own roots and thatfor the preservation of this

    continuity, knowledge of its

    historical past is

    indispensable.Alphonse Mucha