maria mucha- portfolio
TRANSCRIPT
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- The Slav Epic -
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Alfons Mucha (1860-1939) was a very
influential but seldommentioned figure in thehistory of art. He is morethan anyone elseresponsible for the "artnouveau" style that
developed around theturn of the century andapplied his considerabletalents to a wide varietyof pursuits ranging from
painting and sculpture toposter, magazine, andcalendar illustration, and
product and architecturaldesign.
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The Slav Epic was Mucha's magnum opus. It was
composed of 20 large paintings (measuring 18 by 24 feet)
depicting the history of the Slavs. Critical opinion thoughwas hostile, being out of sympathy with what was seen as
a dated nationalism and academic style.
The sequence is divided equally between Czech and
broader Slavic themes, and is also arranged thematicallyalong allegorical, religious, military and cultural lines. As
well as the time spent composing the paintings, Mucha
devoted considerable energy to research involving travel
throughout the Balkans and Russia; this scholasticapproach resulted in considerable moral and didactic
content.
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The Slav Epic (Photograph in Clemtium, Prague), the seated
figure is Mucha. The first eleven canvases were displayed
in Prague's Klementium in 1919
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y The first three deal with the early days of Slavic history
and are highly symbolic, using the devise of an upper and
lower register
y The next three are centered around specific rulers from the
early middle ages
y The Magic of the word triptych deals with the emergence
of a Slavic religious consciousness
centered around Jan
Huss.
y Finally, there are three
painting illustrating the
effects of the Hussies
wars.
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The Celebration of Svantovit: When Gods Are at War,
Salvation is in the Arts - 1912
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The Bohemian
King Premysl
Otakar II: The
Union of Slavic
Dynasties - 1924
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Jan Milic ofKromeriz: A BrothelConverted in a
Convent - 1916
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Master Jan HusPreaching at theBethlehemChapel: Truthprevails - 1916
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y After the Battle ofGrunwaldu: TheSolidarity of theNorthern Slavs -1924
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The Oath ofOmladina under theSlavic Linden Tree:The Slavic Revival -
1926
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These series establish
the themes of the series
which are:
Celebration of Slavic
love of peace, piety
and learning
Lamentation of the
interference of foreign
oppressors, and the
wars they bring
Pleas for Slavic unity,which finds expression
in Slavic liturgy and
religion
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'I am convinced that the
development of every
nation may proceed withsuccess only if it grows
organically and
continuously form the
nation's own roots and thatfor the preservation of this
continuity, knowledge of its
historical past is
indispensable.Alphonse Mucha