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Page 1: MARIANNE HERING - Tyndale House
Page 2: MARIANNE HERING - Tyndale House

FOCUS ON THE FAMILY • ADVENTURES IN ODYSSEY® TYNDALE HOUSE PUBLISHERS, INC. • CAROL STREAM, ILLINOIS

MARIANNE HERINGCOVER ILLUSTRATED BY DAVID HOHN

INTERIOR ILLUSTRATED BY DAVID HOHN AND AMIT TAYAL

BOOK 18

Trouble on the Orphan Train

Page 3: MARIANNE HERING - Tyndale House

In honor of Charles Loring Brace (1826–1890), visionary for the Children’s Aid Society,

and Rev. Thomas H. Hagerty, a modest man who rode the Little Rock Express 7

on January 31, 1874

Trouble on the Orphan Train

© 2016 Focus on the Family. All rights reserved.

ISBN: 978-1-58997-805-8

A Focus on the Family book published by Tyndale House Publishers, Inc., Carol Stream, Illinois 60188.

Focus on the Family and Adventures in Odyssey, and the accompanying logos and designs, are federally registered trademarks, and The Imagination Station is a federally registered trademark of Focus on the Family, 8605 Explorer Drive, Colorado Springs, CO 80920.

TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc.

No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or otherwise—without prior written permission of Focus on the Family.

With the exception of known historical figures, all characters are the product of the author’s imagination.

Cover design by Michael Heath | Magnus Creative

Cover illustration and interior illustrations on pages iv, 2, and 5 copyright © David Hohn. All rights reserved.

All other interior illustrations copyright © Amit Tayal. All rights reserved.

For Library of Congress Cataloging-in-Publication Data for this title, visit http://www.loc.gov/help/contact-general.html.

Printed in the United States of America

22 21 20 19 18 17 167 6 5 4 3 2 1

For manufacturing information regarding this product, please call 1-800-323-9400.

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Contents

Prologue 1The Train Station 7The Newsboy 14Children’s Aid Society 24The Apple 38Beth 43The Letter 49The Horseman 61The Cotton Fire 71The Express Car 81Gad’s Hill, Missouri 90The Diamonds 97In the Sleeper Car 104Leonard 117The End of the Line 125Jail 132Secret Word Puzzle 138

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Prologue

At Whit’s End, a lightning storm zapped

the Imagination Station’s computer. Then

the Imagination Station began to do

strange things. It took Patrick to the wrong

adventure. The machine was also giving

the wrong gifts.

At the workshop, Mr. Whittaker was gone.

Eugene was in charge.

Beth uncovered an older version of the

Imagination Station. It looked like a car. But

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TROUBLE ON THE ORPHAN TRAIN

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this machine had some unusual features.

It had lockdown mode. Lockdown mode

took passengers to a new place. But the

passengers couldn’t

get out of the

Imagination Station.

They could only

watch what was

happening.

At the

end of

book 17,

In Fear

of the

Spear, Eugene was missing somewhere

in history. Beth and Patrick were trying

to find him. They didn’t know which

Imagination Station to ride in.

Here’s what happened:

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Prologue

Patrick couldn’t decide which one to pick.

“Let’s go in the helicopter one,” Beth said.

“No,” Patrick said. “It’s still damaged from

the lightning strike.”

“Well,” Beth said, “why not the car one?”

“That one’s worse. Eugene got in it with

me, but he disappeared,” Patrick said.

“The Imagination Station sent you on

different adventures!” Beth said. “It’s never

happened before.”

“I don’t know where or when Eugene

went,” Patrick said.

Beth said, “Think, Patrick. What happened?”

Patrick closed his eyes to help him

remember. “Right before Eugene disappeared,

he said something weird,” Patrick said.

“Tell me,” Beth said.

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TROUBLE ON THE ORPHAN TRAIN

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Patrick looked worried. “I heard Eugene

say, ‘Stop the train!’ He sounded scared.”

“So these are the choices,” Beth said. She

held up her index finger. “Option one, get

into a broken machine.”

Patrick looked at the helicopter Imagination

Station. It had taken him to Pompeii by

mistake. And it had taken Beth here instead

of back to Whit’s End.

Beth held up a second finger. “Option two,

get into an Imagination Station that lands

on a moving train.”

“Or worse, on the train track,” Patrick

said.

Patrick looked at the car machine. It had

been working fine until this last adventure.

But Mr. Whittaker had programmed it for

the government to use. Maybe it had hidden

features that were causing problems.

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TROUBLE ON THE ORPHAN TRAIN

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“Maybe we should just stay here,” Patrick

said. “Mr. Whittaker will come find us.”

“When?” Beth asked. “No one knows the

day he’s coming back.”

Patrick sighed. “Let’s take the car one,”

he said. “It has a lockdown mode. If it’s too

dangerous, it won’t let us out.”

“And maybe it will take us to Eugene,”

she said.

Patrick shrugged. “If it doesn’t separate

us too,” he said.

The cousins sat in the comfortable black

seats. They shut the doors.

Patrick gave the steering wheel a big spin.

Colors flashed on the windshield. They

whirled like a kaleidoscope.

Patrick heard the shriek of a train whistle.

And suddenly everything went black.

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1

The Train Station

Patrick watched the Imagination Station

vanish. He quickly looked around at his new

surroundings.

He was standing on a wood platform.

He saw a nearby sign on a wood post. It

was shaped like an X and said RAILROAD

CROSSING.

Then he remembered he wasn’t alone. At

least he shouldn’t be.

He turned around and saw a small

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TROUBLE ON THE ORPHAN TRAIN

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gray wood building. It had a door and two

windows. A wood sign was on the side of the

building. It said Hogan Mountain.

But there was no Beth. He shouted her

name twice. No one answered. He shouted

for Eugene. But again, no one answered.

A mountain stood in the distance. Train

tracks and dirt roads crisscrossed the area.

Patrick saw nothing else except countryside.

Pines, oaks, and rocky hillsides spread out

before him.

Patrick looked down. His shoes were

black boots. They laced up to his ankles.

He had on black knee-high socks and black

knickers.

He groaned. “I don’t like knickers,” he

whispered to himself. “They’re too short for

pants and too long for shorts.”

He stretched out his arms. He was

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The Train Station

wearing a jacket that matched the knickers.

He was glad for the jacket. The air had a

chill to it.

He felt his neck. A bow tie. “And bow ties

look goofy,” he said louder.

Patrick moved toward the building. The

building was obviously empty. There were

posters nailed to the wall near the door.

Most of the posters said WANTED at the top.

All of them showed faces of scowling men.

One fellow had a straight nose with a

thick moustache. The governor of Missouri

would pay a ten-thousand-dollar reward for

him, dead or alive. The outlaw’s name was

Jesse James.

An off-white

envelope caught

Patrick’s eye. It

had the words “To

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Patrick.” The words were handwritten in

black ink. He pulled the envelope off the

wall. It was sealed.

Just then Patrick heard the faint whistle

of a train.

Patrick couldn’t wait to open the

envelope. He started to tear it. But the train

whistle blew again. This time it shrieked

much louder.

He would have to wait to read the letter.

Patrick rushed to the platform. The train

was approaching the station. Smoke gushed

from the engine’s smokestack.

The engine car rolled past Patrick slowly.

It had a large number seven on the front.

The engineer stuck his head and an arm

out the window. He wore a gray cloth cap.

He waved at Patrick.

Patrick waved back.

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The Train Station

Then the fuel car slowly rolled past. It was

loaded with wood.

A long railcar was next. It said Adams

Express Company on the side. The express-

car door was open.

The train came to a full stop.

The passenger cars had lots of windows.

Patrick saw faces looking out at him. Most

people were smiling. Could Beth or Eugene

be on that train? he wondered.

One boy in the last car stared at Patrick.

The boy stuck out his tongue.

Then he kept staring.

Patrick scowled. He

thought the boy was rude.

A door on the

passenger car opened.

A tall, bearded man

stepped off the train.

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He checked his pocket

watch. His watch was

gold too.

The man’s blue

uniform had gold

buttons. He wore

a matching blue

cap.

“Hello,” the man

said to Patrick. “I’m

Conductor Alford.

May I punch your

ticket?”

Patrick’s heart sank.

Ticket?

Patrick felt in the

pockets of his knickers.

There was something

in his right pocket. He

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The Train Station

pulled it out. He found three pieces of hard

candy, but no ticket.

Patrick felt in his jacket pockets. Nothing

was there except the letter. He gulped. “I

didn’t know I needed a ticket,” he mumbled.

The conductor frowned. He said, “Young

man, you can’t ride the train alone. Where

are your parents?”