new media history, les 7
TRANSCRIPT
New Media HistoryLes 7: New Media Art: Net Art
Douglas Davies - The World’s First Collaborative Sentence (1994)
Heath Bunting - Kings Cross Phone In (1994)
Alexei Shulgin - Hot Pictures (1994)
Olia Lialina - My Boyfriend Came Back From The War (1996)
JODI- http://wwwwwwwww.jodi.org/ (1995)
JODI- WWWArt Centre entry (1996)
Heath Bunting - Own, Be Owned Or Remain Invisible (1996)
Akke Wagenaar - The Hiroshima Project (1995)
Philip Pocock & Felix S. Huber - Arctic Circle (1995)
Heath Bunting - A Visitor’s Guide to London (1995)
Heath Bunting - Communication Creates Conflict (1995)
Vuk Cosic - Net.art per se (1996)
Jenny Holzer - Please Change Beliefs (1995)
MTAA (M. Rivers & T. Whid Art Associates) - Simple Net Art Diagram (1997)
Cornelia Sollfrank - Female Extension (1997)
Ken Goldberg - Tele-Garden (1995 - 2004)
Mark Napier - Schredder
Olia Lialina & Dragan Espenschied- Zombie & Mummy (2002 - present)
Olia Lialina - Website
Googleremix
Christophe Bruno - Epiphanies
Constant Dullaart - The Disagreeing Internet
Les Liens Invisibles - Google Is Not The Map
Carlo Zanni - Self Portrait With Dog
Robin Hewlett & Ben Kinsley - Street With a View
“Neighbors and passers-by noticed the commotion and got in on the action, devising their own, unplanned scenarios. By intervening in our intervention, these unrehearsed actors helped blur the line between reality and fiction even further!”
YouTube remix
20th century avant-garde sought to reintegrate art into the practice of life.However, art and life did not share a common language, nor did they share a common space.
Where avant-garde failed, YouTube and Google succeeded.
Justin Kemp - New Media Cowboy
Mark Charles Brown - Erasing Dreamland
Paul Miller, a.k.a. DJ Spooky That Subliminal Kid - Bush Remix
Constant Dullaart - YouTube as a subject II
Surf Clubs
“Our culture no longer bothers to use words like appropriation or borrowing to describe those very activities. Today's audience isn't listening at all - it's participating. Indeed, audience is as antique a term as record, the one archaically passive, the other archaically physical. The record, not the remix, is the anomaly today. The remix is the very nature of the digital.”--William Gibson