portfolio
TRANSCRIPT
SCHONEGGsamantha leigh
HOLM
ESsh
erlo
ck
“No, Watson,this was not done by accident,but by ”DESIGN.
CONT
ENTS
tabl
e of
01 THESIS kitchen showroom & design studio
07 RESIDENTIAL the kazlauskas kitchen
11 RESIDENTIAL the kazlauskas bathroom
15 RESIDENTIAL the triad affordable housing
21 HOSPITALITY la rivière restaurant
27 HEALTHCARE discovery care pediatric wellness center
33 LUMINAIRE the quadrate airport lighting
37 PHOTOGRAPHY digital/film/alternativeprocesses
41 3D STUDIES 3d art / models
45 2D STUDIES 2d art / sketches / mixed media
THES
ISki
tche
n sh
owro
om &
des
ign
stud
io
CONCEPT STATEMENTSCharacterConceptThe kitchen showroom will use a variety of contrasting colors and textures found in nature to create a dynamicatmosphere and an emphasis on environmentallyfriendlyproductsanddesign. Lighting will be used to illuminate key features and draw focus to the display kitchens, which will show a range of finishes and appliances to visiting clients.
OrganizationalConceptSpaces will be clustered along the structural grid of the building according to their necessaryproximity and relation to one another. Vertical circulation will be centraly located, providing wayfinding for the clients so that they can easilynavigate the showroom.
MEDIA KNOWLEDGEAutoCAD ArchitectureInDesignPhotoshopIllustratorSketchUpMicrosoftOffice
01
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hen
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room
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esig
n st
udio
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KEY FEATURESFirst LevelThe first floor of theshowroom is gearedtoward walk-in customers, pulling them in andoffering them a wide array of small kitchen anddining accessories.
Impulsebuying is the keymarketing strategy for this floor.
The classroom aids in themarketing of the first floor, offering customers the chance to see how the differentproductswork. The location forces them to walk past them twice, on the way in and the again on the way out.
This floor offers three different displaykitchens, two which are live. This allows for the customers to see how to appliances actuallyopperateandsound.
First Level Floor PlanN
FirstLevelReflectedCeilingPlanN
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hen
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udio
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KEY FEATURESSecond LevelThe second floor of theshowroom is geared towards customers who are looking to do bigger remodels. Thesecustomers would most likely have appointmentssetupwith designers to look at the different appliances and finish options.
Tables and chairs createcollaboration stationsthroughout the floor, allowing designers and customers to sit down and sketch out and talk through any ideas.
This floor offers three different displaykitchens, two which are live, allowing customers to get a full understanding of theappliances and make sure they are making the right decision for their situation.
Third LevelThe third floor of the showroom is geared towards privateuse for the staff.
There is a conference room which is meant to be used for initial client meetings and meetings with companiesthatwillpotentiallyberepresented in the showroom.
A design studio is located on this floor with their ownmaterials library, allowing for interior designers to work here and offerthecompletepackage to anyone wanting a complete remodel, fromflooring to wall finishes towindow treatments.
Second Level Floor PlanN
Third Level Floor PlanN
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Elevation A
Elevation B
Elevation C
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ClassroomPerspective Elevation D
Elevation E Elevation F
07 RESI
DENT
IAL
the
kazl
ausk
as
DESIGN STATEMENTEdita is going to be the primary dinner cook for the family during the week, so her kitchen required adequate space for her to be able to easily move and cook the amount of food required to feed a family of four. The appliances that werechosen had to accommodatehersmallphysiqueandhermobilitychallenges. Edita wanted to have a sitting room for her to relax in and watch TV while the dinner is cooking. The sitting area needed to accommodate a television, small endtable with good lighting, and room for her comfortable black recliner chair that she is bringing with her. It was to either be incorporated into the kitchen or separatedbyawall.
Edita was a teenager in the 1950s and lovesdoo-wopmusic. She wanted her kitchen to be designed in a mid-centurymodern motif. The chosen materials consist of pastelgreenandyellowpaints combined with browntableandflooring to contrast the black and white of the countertop and backsplash. These colors were common during the 50s, and while the colors of the materials bring a 50s feel to the design, the application brings it into the modern 21st century.
MEDIA KNOWLEDGEAutoCAD ArchitecturePhotoshopIllustrator
08the
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ausk
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itche
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Floor PlanN
09 the
kazl
ausk
as k
itche
nKitchenPerspective Elevation A
Elevation B Elevation C
11 RESI
DENT
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kazl
ausk
as
DESIGN STATEMENTEdita needs a space that she can fully use now with her walker and in the future when she may possibly have a wheelchair. The countertopshadtobelowenoughforawheelchair to be able to roll up and use it to its fullest extent. The sink and faucet are both ADA accessible, as well as the shower. The flooring was chosen in order to help preventanypossibleslips.
Edita was a teenager in the 1950s and lovesdoo-wopmusic. She wanted her bathroom to be designed in a mid-centurymodern motif. The space has cleansimplelines that are commonly found in this style of design. The use of warm neutral colors with a popofbrightercolor helps to tie the room back to the spaces commonly seen during this time period.Windows, mirrors, or anything used to help tie one space into another, especially sunburst mirrors, were the main theme in this design.
MEDIA KNOWLEDGEAutoCAD ArchitecturePhotoshopIllustrator
12the
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ausk
as b
athr
oom
Third Level Floor PlanN
13 the
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ausk
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athr
oom
BathroomPerspective Elevation A
Elevation B Elevation C
15 RESI
DENT
IAL
the
tria
d
CONCEPT STATEMENTSCharacterConceptThis modernaffordablehousing unit will be simple,yetalluring with its many geometricshapes used throughout the space. The design will incorporate highperformance,eco-friendlymaterials that mimic nature and createanopenspacefor maximum efficiency.
OrganizationalConceptThe rooms will be organizedinagridpattern featuring clean lines along onemainlinearpath.
MEDIA KNOWLEDGERevitAutoCAD ArchitecturePhotoshopIllustrator
the
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First Level Floor PlanN
17 the
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fford
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Second Level Floor PlanN
18the
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Elevation BElevation A
Section Cut 1 Section Cut 2
19 the
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hou
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ExteriorPerspective
LivingRoomPerspective
EntrywayPerspective
KitchenPerspective
HOSP
ITAL
ITY
la ri
vièr
e
CONCEPT STATEMENTSCharacterConceptThis French Canadian restaurant will feature a combination of French Gothic that will be brought into the space to accent the existing Art Deco architecture. French Gothic elements will be brought in through an emphasis of the high ceilings to displaytheverticality of the space. Materials and finishes provide a contrast to help with the light, airy feel that willaccompany the space.
OrganizationalConceptThe floor plan of the design will be grid organization following the structural columns for a geometricpattern. Thefurniture will be laid out on the grid in clusteredformationtodefinethedifferentspaces of the restaurant.
MEDIA KNOWLEDGEAutoCAD ArchitecturePhotoshopIllustrator
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la ri
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e re
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First Level Floor PlanN
KEY FEATURESLighting DesignThe natural light penetrating the curtain wall has been taken into great consideration of the impact of the lighting design. The light fixtures will becontrolled by a dimming system so that throughout the day, the light will stay balanced as the natural light fades and the artificial light takes its place. The first floor will be brightly lit while the second floor will have dimmed lighting as contrast for a more intimate feeling to the space. All lights will be either LEDorfluorescentforsustainability purposes.
la ri
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Second Level Floor PlanN
KEY FEATURESUniversal DesignUniversal design will be demonstrated through way-finding of the space by featuring lowered ceiling cloudsoverimportantpoints of reference. Such points of reference will be the hostess desk at the en-trance of each floor, the dining area, bar, and lounge. Each area is definedbyitsowncloud above the space. The floor tile is texturedporcelainformorefriction when wet. The curtain wall will be tinted so that there will be reduced glare from the sun. Areas of refuge will be placed at each exit on the second floor for wheel chair users in an event of anemergency. All main routes of egress will be cleared a minimum of 5’-0” with the staircase width of 44”.
24la ri
vièr
e re
stau
rant
Elevation A
Elevation B
Elevation C
la ri
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e re
stau
rant
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HostessDeskPerspective BarPerspective
27 HEAL
THCA
REdi
scov
ery
care
CONCEPT STATEMENTSCharacterConceptEncouraging children to explorespace, natural colors and abstract patterns transporttheirmindstoexoticdestinations and instill in them a sense of natural wonder. Discovery Care is designed so that all can comfortably use the space.
OrganizationalConceptThe structural elements of the building create a unifiedgrid, creating similar publicspacesreflectedonallfloors, helping visitors easily find their way. The walls of the main staircase and elevator feature a large,abstractedwrap-aroundmural that functions as a wayfinding tool for guests.
MEDIA KNOWLEDGEAutoCAD ArchitectureAdobe InDesign
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ente
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KEY FEATURESInspirationColor as well as patterns drawn from natural environments around the world are used to take anexperience that could be frightening for a child and turn it into an adventure. Four well-known environments are used so that children can easily recognize and relate to the space.
The basement level is ocean, the first level is savannah, the third level is desert, and the fourth level is rain forest.
Section Cut 1
29 disc
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First Level Floor PlanN
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Third Level Floor PlanN
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FirstLevelWaitingAreaPerspectiveSecondLevelWaitingAreaPerspective
ThirdLevelWaitingAreaPerspective EchocardiogramTestingRoomPerspective
ExteriorPatioPerspective
33 LUM
INAI
REth
e qu
adra
te
DESIGN STATEMENTThe design for The Quadrate is inspiredbytheNewOrleansLakefrontAirport. It was built in the 1930s and inside theairport travelers would find an Art Deco wonderland. Art Deco represents elegance, glamour, functionality, andmodernity. The look of Art Deco is purely decorative and the structure of Art Deco is based on mathematical geometric shapes. It is considered to be an eclectic form of elegant and stylish modernism.
The Quadrate is designed to providesufficientambientlighting as well as additional task lighting for an airport ticket counter. The materials used are AmbrosiaMaple,Kokomoopalescentglass,frostedglass,clearglass,andcoppertubing. Wood, metal, and glass were all widely used during the Art Deco period. The Ambrosia Maple is used as the frame for the Kokomo glass where the lamps will be located and as the tiered base of the luminaire. The Kokomo opalescent glass is used on the front, back, and outer side of the fixture to produce a diffusedlightthatistintedwiththecolorsofthe glass. Frosted glass is used on the bottom of the fixture to allow for a diffused light to create a sufficient amount of task lighting. Clear glass is used on the top of the fixture to allow for a large amount of light in order to maximize theambient lighting of the ticket counter. The copper tubing is used to support the fixture and to allow for the wires to run through it so that they are hidden and well protected.
MEDIA KNOWLEDGEAutoCAD ArchitecturePhotoshopIllustratorBuilding Techniques: Band Saw, Glass Cutting, Router, Welding, Wiring
34the
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Side View
TopViewSection Cut
35 the
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LuminaireAirportPerspective
PHOT
OGRA
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digital/film/alternativeprocessesMEDIA KNOWLEDGE
PhotoshopScannerPinhole CameraDigital35mm FilmAlternative Processes: Contact Sheet, Cyanotype, Digital Transfer, Hand Coloring, Liquid Emulsion, Lith Printing, Multiple Imagery, Palladium, Salt Print, Van Dyke Brown
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digital/film/alternativeprocesses
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digital/film/alternativeprocesses
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41 3D S
TUDI
ES3d
art
/ m
odel
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MEDIA KNOWLEDGESketchingPerspectiveDrawingHand DraftingModel Making
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43 3d a
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45 2D S
TUDI
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art
/ s
ketc
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/ m
ixed
med
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MEDIA KNOWLEDGEWatercolorCharcoalColored PencilGraphitePencilSketchingInkPad+FingertipMixed Media
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47 2d a
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