portfolio
DESCRIPTION
Professional and Academic WorkTRANSCRIPT
INÊS CRUZPortfolio
2008-2014
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CV
Professional Experience
New Contemporary Art Museum, Buenos Aires, Competition 2012
Mauá School, São Paulo, 1st Prize Winner, JPG-ARQ 2013
Monte Mor School, São Paulo, JPG-ARQ 2013
Apto. Rua Piratininga, Belo Horizonte, JPG-ARQ + Piratininga Arq. 2013
Hans Christian Andersen House of Fairytales, Odense, Competition 2013
Academic Work
Campo de Ourique Church, Lisbon, FA-UTL 2008
Campo Grande University, Lisbon, FA-UTL 2011
Fissuras Cracks, London, RCSSD-UL 2014
Contacts
Personal
Languages ..
Software ................................................................
Work experience
01.2012 –08.2012.........
03.2012............................
06.2012...........................
............
09.2012 – 07.2013
12.2013.........................
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03.2014 – 06.2014
09.2014 – actuality
Qualifications
09.2005 – 07.2008
10-2008–03.2009
09.2008 – 01.2011
10.2013 – 10.2014
CV
Inês de Melo e Cruz Gaspar , born on the 14th August 1987 in Lisbon, Portugal
Portuguese (native), English (IELTS Overall band 8.0) and Spanish (intermediate)
Windows, OS X, Autodesk Autocad, Adobe Photoshop and InDesign, Micro Station 2D
and 3D, Google Sketchup, Final Cut Pro, Autodesk 3D StudioMax, Vectorworks 2D
Pirondi&Otero Arquitetos,São Paulo, Brazil (Intern: social housing)
Assistant in the 7th International Seminar on Urban Design, São Paulo, Brazil
Competition for the New Contemporary Art Museum, Buenos Aires, Argentina, with
architects Andre Raposo, Goncalo Pereira and Margarida Marques
JPG-ARQ, São Paulo, Brazil (Architect: schools and housing refurbishment)
Competition for the Hans Christian Andersen House of Fairytales, Odense, Denmark,
with architects Goncalo Pereira and Fernando Freire
Annemarie Woods set design, London, UK (Part-time Designer Assistant)
Charcoal Blue Theatre and Acoustics consultants, London, UK (Consultant)
BA Architectural Studies, FA-UTL, Lisbon, Portugal
European Erasmus programme at Fachhochschule Kaiserslautern, Germany
MA Architecture, FA-UTL, Lisbon, Portugal
MA Scenography, RCSSD, University of London, UK
01. Situation plan
100 m
Located in an area of transition, between the East limit of Buenos Aires
and the new neighborhood of Puerto Madero, the new building is designed
as a plan, a screen, a monolithic landmark, allowing space on the ground
for a new public square.
The ramps are a reference to the emblematic Vilanova Artigas’ FAU USP
.building in São Paulo, Brazil.
New Contemporary
Art Museum,
Buenos Aires
Competition
2012
8 Inês Cruz portfolio
2 10 m
02,03. 3D Visualization, Axonometry
04. Long Section
1 Museum Storage
2 Square
3 Cloakroom
4 Hall
5 Lifts
6 Exhibition Galeries
7 Auditorium
8 Foyer
9 Toilet
10 Multipurpose space
11 Terraces / Belvedere
12 Patio
13 Cafeteria and Restaurant
14 Administration
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05. Perspective, Main Street View
This project was developed for the Foundation for the Educational
Development (FDE), part of São Paulo’s governmental efforts for the
development of education.
It respects challenging rules, such as a very restricted area in a hilly site -
which allowed an independent access for administration - and a reduced
budget.
It was idealized to be rapidly built from prefabricated concrete
components.
Mauá School
JPG-ARQ
1st Prize
Competition 2013
12 Inês Cruz portfolio
1 Classroom 2 Accessible Toilet
11111111
2 2
1 5 m
13Professional Experience Mauá School, São Paulo
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3 Storage 4 Staff Toilet 5 Snack-bar 6 Canteen 7 Playground 8 Patio 9 Kitchen 10 Toilets 11 Multi-purpose Room
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1 5 m
14 Inês Cruz portfolio
12 Equipment Storage 13 Sports Hall 14 Changing Facilities 15 Principal Office 16 Vice Office 17 Administration Access 18 Secretary 19 Office 20 Kitchen
21 Teacher’s Room 22 Meeting Room
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15Professional Experience Mauá School, São Paulo
23 Student Centre 24 Technical Department 25 Laboratory 26 Workshop 27 Library
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1 5 m
16 Inês Cruz portfolio
(Previous Pages) 06,07,08,09 Plans
10,11 Cross Sections
12. Long Section
1 5 m
17Professional Experience Mauá School, São Paulo
1 5 m
13. 3D Visualization - Elevation
12.01.618 - TERRENO JARDIM DO ENGENHO IIJARDIM DO ENGENHO - MONTE MOR - SPPI 2012/01973
JOSÉ PAULO N GOUVÊA ARQUITETOS CAU/SP 17766-0 9/10ARQUITETO RESPONSÁVEL JOSÉ PAULO NEVES GOUVÊA
This project was developed for the Foundation for the Educational
Development (FDE), part of São Paulo’s governmental efforts for
the development of education. It follows the same programme and
constructive logic as Maua School, but this time on a flat site. The
architecture is of severe simplicity.
Monte Mor School
JPG-ARQ
Competition 2013
20 Inês Cruz portfolio
1 Patio 2 Playground 3 Canteen 4 Kitchen 5 Storage 6 Multi-purpose Room 7 Toilet 8 Staff Storage 9 Staff Toilets 10 Storage 11 Snack-bar 12 Library
13 Techical Department 14 Teacher’s Room 15 Kitchen 16 Principal Office 17 Vice Office 18 Office 19 Deposit 20 Secretary 21 Admistration Access
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1 5 m
21Professional Experience Monte Mor School, São Paulo
22 Laboratory 23 Workshop 24 Classroom 25 Accessible Toilet 26 Student Centre 27 Meeting Room
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1 5 m
22 Inês Cruz portfolio
28 Changing Facilities 29 Sports Hall
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1 5 m
23Professional Experience Monte Mor School, São Paulo
1 5 m
(Previous Pages) 14,15,16 Plans
17 Cross Section
18 Long Section
19,20. Corridor and Living Room
pictures by Jomar Bragança
Complete refurbishment of a luxury apartment in Belo Horizonte, Brazil.
There is an attempt of providing a logical hierarchy, respecting and
revealing the existing structure, as well as introducing lighter panels and
elements that organize space and provide intimacy.
Apto R.Pirapetinga
JPG-ARQ +
Piratininga Arq.s
2013
26 Inês Cruz portfolio
21 Plan,
22,23 Long Sections
27Professional Experience Apto Rua Piratininga, Belo Horizonte
1 2 m
28 Inês Cruz portfolio
24,25. Kitchen, Living Room, and Partition
Walls, pictures by Jomar Bragança
26,27. Cross Sections, Details
29Professional Experience Apto Rua Piratininga, Belo Horizonte
1m
28. 3D Visualization, Garden View
The project is situated in the heart of Odense, a vibrant area yet to be
consolidated.
Urban block archetype was chosen as a vehicle of densifying and
implementing public equipment that was also meant to be a public garden
- the museum is a vibrant cultural platform, sewn to it. The Tower-Garden
is born out of this idea of being both a distinct landmark and a belvedere
that announces itself with an unusual and romantic expression.
Guinigi Tower in Lucca, Italy, together with Monet’s Water Lily paintings
where major references.
Hans Christian
Andersen
House
of Fairytales
Competition 2013
32 Inês Cruz portfolio
29. Irises in Monet’s Garden at Giverny, 1900,
Monet
30,31. Plan, Axonometry
5 10 m
33Professional Experience HCA House of Fairyrtales, Odense
1 Library and Archive Lobby
2 Administration
3 Cafeteria
4 Artists shop
5 House of Fairytales Main Lobby
6 Workshops
7 Shop
8 Hans Christian Andersen Birthplace
9 Interpretation Centre Playroom
10 Interpretation Centre
11 Noble Room
12 Temporary Exhibitions
13 Artists Workshops
14 Library and Archive
15 Museum
16 Suspended Gardens
17 Tower-Garden
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32. Funeral procession, Prazeres cemetery, 1909
©Alberto Carlos Lima, A.M.L.
The Programme design included permeable urban blocks and a church
with a domestic scale, in the Estrela neighborhood, Lisbon, overlaying
1843’s plans as a starting point;
The Campo de Ourique church played a special role, as it is located on the
west extremity of a sacred hill, nearby the Prazeres cemetery.
The altar and the mortuary chapels, which are the higher spaces, are
illuminated by a common patio, performing a symbolic meaning. Behind
the altar there is a wall that is also a suspended plane. A skylight spreads
light throughout the hall by a curved ceiling.
Campo de Ourique
Church
FA-UTL 2008
36 Inês Cruz portfolio
33. Filipe Folque’s Lisbon plans
and urban intervention
200 m
37Academic Work Campo de Ourique Church
34. 3D Visualization, Square and Elevation
38 Inês Cruz portfolio
1 Main Entrance 2 Hall 3 Light Well 4 Mortuary Chapels 5 Storage 6 WC 7 Sacristy 8 Priest Room 9 North Entrance 10 Multipurpose Rooms 11 Belfry
12 City Walls
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39Academic Work Campo de Ourique Church
35,36. Axonometry and Model
37. Green and Urban Axis, Territorial Concept
Located in a highly complex site, between the northern limit of old
consolidated Lisbon, the airport, and Campo Grande garden, the Campo
Grande University is part of a larger urban project and continues a
hierarchy of transitions at different scales - The building opens itself
into a garden square, announcing the most public block - followed by the
classrooms’ building which functions as a spine.
Campo Grande
University
FA-UTL 2011
42 Inês Cruz portfolio
1 Campo Grande Garden 2 Green Square 3 Exhibition halls 4 Entrance 5 Main Auditorium 6 Foyer 7 Small Auditoriums 8 Research Offices 9 Patio
10 Classroom 11 WC 12 Lobby 13 Laboratories 14 Access to the Canteen and Cafeteria 15 Public Access Between Gardens 16 Kitchen 17 Cafetaria and
Restaurant 18 Terrace 19 Bookshop 20 Printshop 21 Canteen 22 Storage 23 Technical Department 24 Archival 25 Roof Top Garden 26 Belvedere
38,39. Model, 3D Visualization - Elevation
40. Axonometry
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44 Inês Cruz portfolio
10 m
41. Plan
42,43. Cross and Long Sections
45Academic Work Campo Grande University
10 m
46 Inês Cruz portfolio
44. 3D Visualization, Foyer45. Cross Section, Textures, Foyer and Terrace
47Academic Work Campo Grande University
15. Public Building, Cross Section
49Academic Work Campo Grande University
46. Detail, Classroom’s building 47. 3D Visualization, Classroom’s Corridor
48. Sketch for a casting of absence
‘Aldeia da Luz, Alentejo, 2003. An old village in the South of Portugal is
relocated due to the construction of a dam. The presence of a new lake
has deeply transformed the landscape, known for its dryness.’
This is the starting point for a practical and theoretical exploration based
in this territory and narrative, which involves landmarks, and concrete,
schist and reddish local soil as selected materials, subjected to casting
experiments and morphological studies.
Alberto Burri´s Memorial to the old Gibellina in Sicilia, Italy, was a major
reference.
Fissuras cracks
MA Scenography
2014
52 Inês Cruz portfolio
49. Model
53Academic Work Fissuras Cracks
50. Aldeia da Luz, site visit and speculative 3D,
landscape intervention
54 Inês Cruz portfolio
51. Broken Concrete, Negative Model
55Academic Work Fissuras Cracks
52. Piece, Details, Concrete, Soil, Schiest
(Next Page) 54. Complete Piece, Concrete, Soil, Schiest
56 Inês Cruz portfolio
57Academic Work Fissuras Cracks
0044 (0)7925460997
[email protected] (0)7925460997