neo-classicism art of the napoleonic era the art of power

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Neo-Classicism Art of the Napoleonic Era The Art of Power

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Death of Socrates J-L David 1787

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Page 1: Neo-Classicism Art of the Napoleonic Era The Art of Power

Neo-Classicism

Art of the Napoleonic EraThe Art of Power

Page 2: Neo-Classicism Art of the Napoleonic Era The Art of Power

Oath of Horatii Jacques Louis David 1784

Page 3: Neo-Classicism Art of the Napoleonic Era The Art of Power

Death of Socrates J-L David 1787

Page 4: Neo-Classicism Art of the Napoleonic Era The Art of Power

GoyaArt of Social protest

Page 5: Neo-Classicism Art of the Napoleonic Era The Art of Power

The Spirit of the Age (1790-1850)

Page 6: Neo-Classicism Art of the Napoleonic Era The Art of Power

EnlightenmentSociety is good, curbing

violent impulses!Civilization corrupts!

RomanticismEarly19c

A Growing Distrust of Reason

e The essence of human experience is subjective and emotional.

e Human knowledge is a puny thing compared to other great historical forces.

e “Individual rights” are dangerous efforts at selfishness the community is more important.

Page 7: Neo-Classicism Art of the Napoleonic Era The Art of Power

The Romantic Movement•Began in 1790s

•Peaked in 1820s

•Mostly Northern Europe-- Britain & Germany

•Lord Byron - “The Romantic hero”

Page 8: Neo-Classicism Art of the Napoleonic Era The Art of Power

Wandering Above the Sea

of Fog

Caspar David Friedrich,

1818

Emotions!Passion!Irrationality!

Page 9: Neo-Classicism Art of the Napoleonic Era The Art of Power

1. Power & Fury of Nature

Page 10: Neo-Classicism Art of the Napoleonic Era The Art of Power

The DelugeFrancis Danby, 1840

Page 11: Neo-Classicism Art of the Napoleonic Era The Art of Power

Tree of CrowsCaspar David Friedrich, 1822

Page 12: Neo-Classicism Art of the Napoleonic Era The Art of Power

The Wreck of the Hope (aka The Sea of Ice)

Caspar David Friedrich, 1821

Page 13: Neo-Classicism Art of the Napoleonic Era The Art of Power

2. Science can be dangerous. The new technology is dehumanizing

Page 14: Neo-Classicism Art of the Napoleonic Era The Art of Power
Page 15: Neo-Classicism Art of the Napoleonic Era The Art of Power

3. Romanticizing Country Life

Page 16: Neo-Classicism Art of the Napoleonic Era The Art of Power

The Hay Wain - John Constable, 1821

Page 17: Neo-Classicism Art of the Napoleonic Era The Art of Power

Salisbury Cathedral from the Meadows

John Constable, 1831

Page 18: Neo-Classicism Art of the Napoleonic Era The Art of Power

Eldena RuinGaspar David Friedrich, 1825

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4. The Exotic, the Occult & the Macabre

Nightmare (The Incubus)Henry Fuseli, 1781

Page 21: Neo-Classicism Art of the Napoleonic Era The Art of Power

Abbey in an Oak ForestCaspar David Friedrich, 1809-

1810

Page 22: Neo-Classicism Art of the Napoleonic Era The Art of Power

The Great Red

Dragon and the Woman

Clothed with the Sun

William Blake,

1808-1810

Page 23: Neo-Classicism Art of the Napoleonic Era The Art of Power

5. Nationalism

Greece on the Ruins of Missolonghi

Eugène Delacroix, 1827

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Liberty Leading the People Eugène Delacroix, 1830

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6. Interest in Exotic Lands

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Women of Algiers in Their Apartment

Eugène Delacroix, 1834

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What do Romanticism and Ms. Greenberg’s winter break have in common?

The Romantic periods ends around 1850….but some people…such as the unfortunate King Ludwig of Bavaria…are “hopeless Romantics”