yellow for saint peter

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8/9/2019 Yellow for Saint Peter http://slidepdf.com/reader/full/yellow-for-saint-peter 1/9 Yellow for St. Peter Joannes Richter Having identified yellow as a traitor's symbol in medieval paintings we might be disturbed by identifying the same traitor's colour yellow for a saint: St. Peter! There are a number of paintings in which Peter has been dressed in yellow, obviously for his threefold denying of Jesus. After Judas betrayed Jesus in the Garden of Gethsemane, the mob took Jesus to the house of Caiaphas, the high priest. Peter had vowed he would never desert Jesus. But Jesus said to him, "Before the rooster crows, you will deny me three times." All of Jesus' disciples ran away in fear when Jesus was arrested. But Peter followed at a distance and came to the courtyard of the high  priest. Three different people recognized him as one of Jesus' disciples, but Peter strongly denied it each time. Then a rooster crowed, and Peter remembered what Jesus had said. He felt very ashamed and began to cry. The act of denying Jesus and the false vow to never desert Jesus probably inspired the artists to dress St. Peter with the traitor's symbol yellow. The idea of depicting St. Peter as a traitor has not been found at all paintings of the scene. Some artists will depict St. Peter as a saint, dressed in red and blue. Some of the relevant paintings have been documented in this paper.  Fig. 1: Giotto - The Kiss of Judas

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Page 1: Yellow for Saint Peter

8/9/2019 Yellow for Saint Peter

http://slidepdf.com/reader/full/yellow-for-saint-peter 1/9

Yellow for St. Peter 

Joannes Richter 

Having identified yellow as a traitor's symbol in medieval paintings we might be disturbed byidentifying the same traitor's colour yellow for a saint: St. Peter! There are a number of paintings inwhich Peter has been dressed in yellow, obviously for his threefold denying of Jesus.

After Judas betrayed Jesus in the Garden of Gethsemane, the mob took Jesus to the house of Caiaphas, the high priest. Peter had vowed he would never desert Jesus. But Jesus said to him,"Before the rooster crows, you will deny me three times." All of Jesus' disciples ran away in fear when Jesus was arrested. But Peter followed at a distance and came to the courtyard of the high

 priest. Three different people recognized him as one of Jesus' disciples, but Peter strongly denied iteach time. Then a rooster crowed, and Peter remembered what Jesus had said. He felt very ashamedand began to cry. The act of denying Jesus and the false vow to never desert Jesus probably inspired

the artists to dress St. Peter with the traitor's symbol yellow.The idea of depicting St. Peter as a traitor has not been found at all paintings of the scene. Someartists will depict St. Peter as a saint, dressed in red and blue.

Some of the relevant paintings have been documented in this paper.

 Fig. 1: Giotto - The Kiss of Judas

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Giotto - Kiss of Judas

Jesus is dressed in traditional divine garments coloured red and blue wearing a golden corona.

Both Judas (kissing Jesus without a corona around his head) and St. Peter (cutting a man's ear awearing a golden corona around his head) have been dressed in yellow garments. Additionally St.

Peter is wearing a red robe.Peter is cutting off the ear of Malchus (the high priest’s servant) with a knife, but Jesus will behealing Malchus’s severed ear.

Giotto. The Kiss of Judas. 1304-1306. Fresco.

Capella degli Scrovegni, Padua, Italy.

 Fig. 2: Giotto - The Kiss of Judas

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Fra Angelico - Arrest of Christ 

Jesus is dressed in traditional divine garments coloured red and blue wearing a golden corona.

Both Judas (kissing Jesus with a blue corona around his head) and St. Peter (cutting a man's ear awearing a golden corona around his head) have been dressed in yellow garments. Additionally Judas

is wearing a red robe.

Fra Angelico.Title: Arrest of Christ.circa 1450. Fresco,

Museo di San Marco, Cell 33, Florence, Italy.

 Fig. 3: Fra Angelico. Arrest of Christ. c.1450

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The Arrest of Christ 1290s

Jesus is dressed in garments coloured brown & purple (?) wearing a golden corona.

Both Judas (kissing Jesus without a corona around his head) and St. Peter (cutting a man's ear awearing a golden corona around his head) have been dressed in yellow garments. Additionally St.

Peter is wearing a white robe. Judas is wearing an additional garment coloured green.

Title: The Arrest of Christ 1290soil on Canvas.

Italian Unknown Mastershttp://www.wikigallery.org/ 

Fresco, Upper Church, San Francesco, Assisi

 Fig. 4: The Kiss of Judas at the Assisi Church Fresco

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Arrest of Christ, Evora Altarpiece

Jesus is dressed in a blue garment.

Judas (kissing Jesus) is wearing a yellow dress.

St. Peter (cutting a man's ear) has been painted wearing red & blue garments.

The Arrest of Christ, oil on panel painting by the Master of the Evora Altarpiece,circa 1500, Museu de Évora, Portugal

 Fig. 5: The Arrest of Christ by the Master of the Evora Altarpiece

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The Kiss of Judas by Cornelis Engebrechtsz

Jesus is dressed in a blue garment.

Judas (kissing Jesus) is wearing a yellow and white dress.

St. Peter (cutting a man's ear) has been painted wearing blue garments.

 Fig. 6: The Kiss of Judas by Cornelis Engebrechtsz (1500)

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The Tribute Money by Masaccio

At the left of the painting St. Peter (who laid his yellow garments on the beach) is taking the moneyout of the mouth of the fish. The final scene – where Peter, dressed in a  yellow garment, paying thetax collector – is at the right.

Preparing this painting for the description in Red and Blue in the Middle Age I did not understandwhy St. Peter's dress had been coloured yellow. Again I did not understand the symbolic colour yellow for St. Peter in writing Yellow for Judas because there is no Judas in this painting.

The image is from the Wikimedia Commons . The info has been copied from Wikipedia: The Tribute Money 

The Tribute Money is a fresco by the Italian renaissance painter Masaccio, located in the BrancacciChapel of the basilica of Santa Maria del Carmine, Florence, and completed by his senior collaborator, Masolino. Painted in the 1420s, it is widely considered among Massaccio's best work,and a vital part of the development of renaissance art.

The story is told in three parts that do not occur sequentially, but the narrative logic is stillmaintained, through compositional devises. The central scene is that of the tax collector demandingthe tribute. The head of Christ is the vanishing point of the painting, drawing the eyes of thespectator there. Both Christ and Peter then point to the left hand part of the painting, where the nextscene takes place in the middle background: Peter taking the money out of the mouth of the fish.The final scene – where Peter pays the tax collector – is at the right.

Traditionally Jesus is dressed in pink and blue. While the holy men – except for St. Peter - aredressed almost entirely in robes of pastel pink and blue, the official wears a shorter tunic of astriking vermilion. The colour adds to the impertinence expressed through his gestures. The coloursare contrasting the holy men and the impertinent tax collector.

 Fig. 7: The Tribute Money by Masaccio (1420)

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Jean-Auguste-Ingres

Jesus has been dressed in pink & blue, whereas Petrus wears a yellow garment.

Jesus hands out the keys for Paradise to Saint Peter (1820)

Wikipedia

Christus übergibt Petrus die Schlüssel des Paradieses Jean-Auguste-Dominique Ingres, 1820 Ölauf Leinwand, 280 cm × 217 cm Musée Ingres 

 Fig. 8: Jesus hands out the keys for Paradise to Saint Peter 

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Kiss of Judas Iscariot

Jesus (with a golden corona) is dressed in a blue garment.

Judas (kissing Jesus) is wearing a yellow dress and a blue robe for disguise ?).

St. Peter (with a golden corona and cutting a man's ear) has been painted wearing red & blue

garments.

Kiss of Judas Iscariot,

anonymous painting of the 12th century,Uffizi Gallery, Florence

 Fig. 9: Kiss of Judas Iscariot