4 moods, 34 styles, 99 languages. distinct, crisp and

Styles34 4 Free Bunday™

Sans, Italics & Upright4 moods, 34 styles, 99 languages. Distinct, crisp and friendly.

BUMTYPE

BUMTYPE

BUMTYPE

BUMTYPE

avkgg avkgy double storey lc “A”

� {sans}

sINGle ANd double storey lc “G”

curved lc “k”

� �

�

�

scrIpt style lc “v”

{upright}

� scrIpt style lc “k”

scrIpt style lc “G” ANd “y”

3 B u n t y p e s O r i g i n a l B u n day™ s a n s @B u n t y p e

Sans vs. Up

2 2

sssssssss s sg g g g g g g g g g g g g g g g gg g g g g g g g g g g g g g g g g

H a i r L i n e � 3 4 St y L e S � H e av y �

5 B u n t y p e s O r i g i n a l B u n day™ s a n s @B u n t y p e

Styles

2

Specimen // 02

Multilingual for 99 languages

Powerful appearance

A MelAnge oF FontstylesScript-style glyphsThirty-four stylesHeavy

8 cute italic styles

Designed in Germanysans & uprightconteMporAry letterForMs

Bunday™ Sans is space-saving

Homogeneous

7 B u n t y p e s O r i g i n a l B u n day™ s a n s ©B U n t y p e

Specimen

Buntypes new

font family consist of four main states with different moods: the crisp and distinctive sans, the cute script styled upright and the matching italics. All states of Bunday™ Sans share the same contemporary, clear and open base forms and create a space-saving and pretty homogeneous text colour. Despite the fact, that the overall width is space-saving or narrow, Bunday™ Sans offers a good legibility. The font was manually hinted and contains extensive handcrafted kerning tables to ensure perfect appearance in all media. Bunday™ Sans ships with 9 standard, 9 upright italic, 16 italic styles from a considerable thin “Hair” to a pretty fat “Heavy” weight. It supports at least 99 languages and provides OpenType® features for ligatures, alternative glyphs, localised forms and more.

Bunday™ Sans

9 B U n t y p e S O r i g i n a l B U n day™ S a n S ©B U n t y p e

Introduction

moodsA melangeBuntypes Bunday™ Sans & Up

of

BUMTYPE

BUMTYPE

BUMTYPE

BUMTYPE

FeAture: lc “G” vArIANts �

FeAture: lIGAtures �

finalist � FeAture: lc “F” ANd “t” vArIANts

� FeAture: lc “l” ANd “e” vArIANts

ffontt

ukulele

ggg

1 3 B u n t y p e s O r i g i n a l B u n day™ s a n s @B u n t y p e

replacements

2

aabcdeefgghijkllmnopqrstuvwxyyzßą

aabcdeefgghijklmnopqrstuvwxyyzßą

a B C D e F G H i J K L M n O P Q r S t U v W X y Z ẞ Æ Ø Ą

0123456789$€£¥¢@&®{[(><)]}‰

↑ Glyphs: bAsIc uppercAse

↓ Glyphs: FIGures ↓ Glyphs: bAsIc lowercAse uprIGht

� Glyphs: bAsIc lowercAse sANs

1 5 B u n t y p e s O r i g i n a l B u n day™ s a n s @B u n t y p e

Basic glpyhs

Natural beautyBuntypes Bunday™ Sans Up

sweet & gentleBUMTYPE

BUMTYPE

BUMTYPE

BUMTYPE

BundAy™ sAns opentype® Quick guide

A couple of OpenType® features are only accessible via OpenType savvy applications like Quark® Xpress® or Adobe® Indesign®. Image editing or word processor applications may support only a subset of these features. Not all features are available in all styles. For example the italic styles do not provide a double storey "a". Please consider the glyph overview for details.

fi › fi st › st 1a › 1a ş › ș B-8 › B-8Ligatures Discretionary ligatures Ordinals Localized forms MOL Case senitive forms

a › a e › e g › g l › l t f › t f01 – Single storey a 02 – Small e with edge 03 – Single storey g 04 – Straight l 05 – clean f and t

y › y & › & çş › çş SS ›ẞ () › ()06 – Oldstyle y 07 – Larger ampersand 15 - Alternative cedilla 16 – German cap. Esszet 17 – Alternative paren

1 9 B U n t y p e S O r i g i n a l B U n day™ S a n S ©B U n t y p e

Quick Guide

2

Designed and manufactured in Germany Distinct, Crisp � Friendly

™Buntypes BundaySans � Upright italic: 34 StylesAlmost 99 languages supported incl. Eastern Europe

2 1 B u n t y p e s O r i g i n a l B u n day™ s a n s ©B u n t y p e

Compilation

02 // Specimen

FeAture: lIGAtures �

FeAture: lIGAtures ANd dIscretIoNAry lIGAtures � � FeAture: lIGAtures

� FeAture: lIGAturesfjord

lofty

final halfback

first2 3 B U n t y p e S O r i g i n a l B U n day™ S a n S ©B U n t y p e

Ligatures

2 1

Bunday™ Slab supports at least 99 latin languages including eastern- (Baltic) central- (Ce) and southern european (turk) as well as many regional languages (e.g. Catalan, Corsian): afar, afrikaans, albanian, azerbaijani, Basque, Belarusian, Bislama, Bosnian, Breton, Catalan, Chamorro, Chichewa, Comorian, Czech, Danish, Dutch, eng-lish, esperanto, estonian, faroese, fijian, filipino/tagalog, finnish, flemish, french, gaelic (irish), gaelic (Manx), gaelic scottish, gagauz, german, gikuyu, gilbertese/Kiribati, greenlandic, Haitian Creole, Ha-waiian, Hungarian, icelandic, indonesian, irish, italian, Javanese, Kashubian, Kinyarwanda, Kirundi, latin, latvian, lithuanian, luba/Ciluba/Kasai, luxembourgish, Malagasy, Malay, Maltese, Maori, Marquesan, Moldovan/Moldovian/romanian, Montenegrin, nauruan, ndebele, norwegian, oromo, Palauan/Belauan, Polish, Portuguese, Quechua, romanian, romansh, sami, samoan, sango, serbian, ses-otho, setswana/sitswana/tswana, seychellois Creole, siswati/swati/swazi, silesian, slovak, slovenian, somali, sorbian, sotho, spanish, swahili, swedish, tahitian, tetum, tok Pisin, tongan, tsonga, tswana, turkish, turkmen, tuvaluan, uzbek/usbek, Wallisian, Walloon, Welsh, Xhosa, Yoruba, Zulu and others.

Ãť łēáșŧ 99 Lǎņġũäğęŝ Śŭppøŗţéď

2 5 B u n t y p e s O r i g i n a l B u n day™ s a n s ©B u n t y p e

language Support

se It’s aboutcrispnessBunday™ Sans & Updon’t miss!

Specimen // 02

©B U n t y p e

HamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovic

HamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovicHamburgefontskovic

HamburgefontskovicHamburgefontskovic




Hamburgefontskovic





Hamburgefontskovic

02 // Specimen


Waterfall

No Doubt.buNDay SaNS™ iS Space SaviNg.AT SAME X-HEIGHT, BUNDAY SANS OCCUPIES 8 - 15 % LESS SPACE*. MIXED / CAPITALIzED TEXT MEASUrED wITH THE FOX PANGrAM AND A VErY wELL kNOwN GrOTESk.

BUMTYPE

BUMTYPE

BUMTYPE

BUMTYPE

02 // Specimen

a › a e › e g › g l › l01 02 04 06

f › f y › y ft › ft ç › ç03 08 07 15


OpenType® Feature Sets Bunday Sans

a › a e › e g › g l › l01 02 04 06

f › f y › y ft › ft ç › ç03 08 07 15

02 // Specimen


OpenType® Feature Sets Bunday Up

fi › fi st›st 1a ş › șLigatures Descretionary Ligatures Ordinals Localized forms MOL

l·l › l·l ş › ş ś › ś J-› J-Localized forms CAT Localized forms CAT Localized forms PLK Case sensitive forms

02 // Specimen


OpenType® Features

CatRommoLPoL

l·l l·l ↑ CATALAN PuNT voLAT AuTo-rePLACem.

şşşș çç ↓ romANiAN ANd moLdAviAN “S” wiTh CediLLA AuTo-rePLACemeNT

CATALAN “S” ANd “C” wiTh CediLLA AuTo-rePLACemeNT ↑

ććńóśźPoLiSh KreSKA iS STeePer ThAN ACuTe ↑

02 // Specimen


Language Specialities

the tragedy of Hamlet prince of denmark (Shakespeare, England 1523; Act 3, Scene 2)nay, do not think i flatter. For what advancement may I hope from theethat no revenue hast but thy good spirits, tofeed and clothe thee? Why should the poor beflatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee

02 // Specimen

Text Sample


02 // Specimen

the tragedy of Hamlet; prince of denmark (shake-speare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and

Light/SemiBold 24/30 pt:

the tragedy of Hamlet; prince of denmark (shakespeare, eng-land 1523; act 3, scene 2) nay, do not think i flatter. for what ad-vancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook


the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her


the tragedy of Hamlet; prince of denmark (Shake-speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-

Regular/Bold 24/30 pt:

the tragedy of Hamlet; prince of denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and


the tragedy of Hamlet; prince of denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men dis-


Text Sample


Text Sample

light 8/10 pt: nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in

SemiLight 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

Regular 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast

SemiBold 8/10 pt: nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Bold 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

Light Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in

SemiLight Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distin-guish, her election hath seal‘d thee for herself; for thou hast been as one, in

Regular Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as

SemiBold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been

Bold Italic 8/10 pt: Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawn-ing. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for

extraBold 8/10 pt: the tragedy of Hamlet; prince of denmark (shakespeare, england 1523; Act 3, scene 2) nay, do not think i flatter. For what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. dost thou hear? since my dear soul was mistress

ExtraBold Italic 8/10 pt: The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of

the tragedy of Hamlet; Prince of Denmark (Shake-speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suf-

Thin/SemiBold 10/12,5 pt:

the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for her-self; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his oc-culted guilt do not itself unkennel in one speech, it is a damned ghost that


the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance-ment may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and


the tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what ad-vancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s fin-


the tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance-ment may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the preg-nant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to

Thin/SemiBold 8/10 pt:

the tragedy of Hamlet; Prince of Den-mark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the

Thin/SemiBold 16/20 pt:

02 // Specimen

Text Sample


The Tragedy of Hamlet; Prince of Denmark (Shake-speare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suf-

Regular/Bold 10/12,5 pt:

The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mis-tress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well com-mingled, that they are not a pipe for fortune‘s finger to sound what stop she please. Give me that man that is not passion‘s slave, and I will wear him in my heart‘s core, ay, in my heart of heart, as I do thee. Something too much of this. There is a play to-night before the king; One scene of it comes near the circumstance which I have told thee of my father‘s death: I prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel


The Tragedy of Hamlet; Prince of Denmark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advance-ment may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp,


The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may fol-low fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and re-wards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not


The Tragedy of Hamlet; Prince of Denmark (Shakespeare, Eng-land 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? Since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for


The Tragedy of Hamlet; Prince of Den-mark (Shakespeare, England 1523; Act 3, Scene 2) Nay, do not think I flatter. For what advancement may I hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? No, let the


the tragedy of Hamlet; Prince of Denmark (shake-speare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spir-its, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suf-

Light/SemiBold 10/12,5 pt:

the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick ab-surd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for her-self; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to sound what stop she please. give me that man that is not passion‘s slave, and i will wear him in my heart‘s core, ay, in my heart of heart, as i do thee. something too much of this. there is a play to-night before the king; one scene of it comes near the circumstance which i have told thee of my father‘s death: i prithee, when thou seest that act afoot, even with the very comment of thy soul observe mine uncle: if his occulted guilt do not itself unkennel in one speech, it is a damned ghost


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp,


the tragedy of Hamlet; Prince of Denmark (shakespeare, eng-land 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the pregnant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for


the tragedy of Hamlet; Prince of Denmark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advance-ment may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the candied tongue lick absurd pomp, and crook the preg-nant hinges of the knee where thrift may follow fawning. Dost thou hear? since my dear soul was mistress of her choice and could of men distinguish, her election hath seal‘d thee for herself; for thou hast been as one, in suffering all, that suffers nothing, a man that fortune‘s buffets and rewards hast ta‘en with equal thanks: and blest are those whose blood and judgment are so well commingled, that they are not a pipe for fortune‘s finger to


the tragedy of Hamlet; Prince of Den-mark (shakespeare, england 1523; act 3, scene 2) nay, do not think i flatter. for what advancement may i hope from thee that no revenue hast but thy good spirits, to feed and clothe thee? Why should the poor be flatter‘d? no, let the


02 // Specimen

Text Sample


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Specimen

4 moods, 34 styles, 99 languages. distinct, crisp and

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