CAMERA ANGLES

The subjects of the video (i.e. Natalie Imbruglia and the man in the video)

move around the camera

The camera doesn’t move for the whole video

The video is comprised of wide shots, mid shots, medium close ups and

close ups

EDITING

The editing contains a lot of jump cuts as the camera doesn’t move for the whole

video

It also contains a fade to black at the end

The speed of the cuts doesn’t necessarily speed up with the momentum of the

music in this video

This video contains parallel editing between the performance and narrative

The video contains 46 shots

MISE EN SCENE

The narrative and performance is filmed in one room that looks like a studio

apartment.

Both characters have very casual clothes and the apartment itself looks

neither fancy nor bad.

The room gradually gets torn down by studio staff to reflect the meaning

behind the song and that their relationship is being torn apart.

There is use of a high key lighting.

NARRATIVE VS. PERFORMANCE

The video is a split between the Narrative and Performance as the cuts flit

between Natalie Imbruglia singing to the camera and the relationship

between her and the man in the video.

The video is a postmodern piece that challenges the relationship between

narrative and performance, as these two things are being shot in one

space and camera shot.