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TWO POINT PERSPECTIVE By Paula Sadler

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Page 1: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

TWO POINT PERSPECTIVE

By Paula Sadler

Page 2: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

What are we learning? Vocabulary

Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

How to start creating a drawing with two point perspective

Final project – Surreal Cityscape

Page 3: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Vocabulary Horizon line: where the sky meets

the ground, a horizontal line Vanishing point: the place where all

lines meet or “vanish,” it is located on the horizon line

Horizontal line: a line that goes left to right, it is parallel to the horizon line

Page 4: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

More Vocabulary Vertical line: a line that goes up and

down, it is perpendicular to the horizon line

Orthogonal line: lines that create the sides of an object in one point perspective, these lines are drawn to the vanishing point

Surrealism: something that is real, but wouldn’t occur in reality

Page 5: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Let’s get started Draw a horizon line across your paper Put two vanishing points on the horizon line, one on both sides of your paper

Page 6: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Now draw a vertical line through the middle of your paper

Page 7: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Connect the top and bottom of the vertical line to both of the vanishing points. We are

creating the orthogonal lines.

Page 8: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Now end the form with two vertical lines on each side.

Page 9: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Erase the extra orthogonal lines at the top and the horizon line inside of the form.

DO YOU SEE YOUR FIRST BUILDING?

Page 10: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Let’s try another one!Start with a vertical line on the left side of the

building.

Page 11: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Connect the top and bottom to each vanishing point.

Page 12: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

End the building with a vertical line.

Page 13: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Erase the extra orthogonal lines and horizon line inside of the building.

Page 14: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Let’s do another one!

Page 15: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Now for doors and windows!Start with a vertical line and connect it to the

vanishing point.

Page 16: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

If your window or door is on the left side of your building, connect the vertical lines to the

left vanishing point. The same goes for the right side.

Page 17: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

End the windows and doors with another vertical line.

Page 18: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Erase the extra orthogonal lines.

Page 19: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

How about a sidewalk with a curb?

Page 20: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Surrealism Something that is real, but wouldn’t occur

in realityEXAMPLES: a rabbit hole in the sidewalk a building made of cheese a penguin living in a palm tree

Page 21: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Famous Surreal Artists Salvador Dali “The Persistence of

Memory”

Page 22: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Famous Surreal Artists

Rafal Olbinski “Predictability of Distinctive

Manners”

Page 23: TWO POINT PERSPECTIVE By Paula Sadler What are we learning? Vocabulary Horizon line Vanishing point Vertical, horizontal, and orthogonal lines Surrealism

Requirements One small, one medium, and one large

building At least one window and one door for each

building At least three surreal objects

One in the foreground (THE FRONT) One in the middle ground (THE MIDDLE) One in the background (THE BACK)