elements of music (continued) · musical style elements early and mid - middle ages (chant) late...
TRANSCRIPT
Elements of Music (continued)
Musical “Style”
Musical “Style”
Characteristic way of using melody, rhythm, tone, color, dynamics, harmony, texture, and form in music
The distinctive or unique sound of
– One composer
– A group of composers
– A country
– A period in history
Historical Musical Style Periods
Middle Ages (450-1450)
Renaissance (1450-1600)
Baroque (1600-1750)
Classical (1750-1820)
Romantic (1820-1900)
20th century
Music of the Middle Ages
Medieval Music (450-1450)
Feudal Society
Three main social classes
1. Nobles (Kings, Queens, Knights,
etc.)
2. Peasants (Serfs)
3. Clergy (Church People - priests,
monks & nuns)
Knights/Nobility
Clergy
Peasants
Medieval Sacred Music (religious)
Most music in churches
Churches centers of learning, culture,
and power
Most important musicians were priests
Gregorian Chant
Sacred music
for voices
performed in
churches;
melodies set to
sacred Latin
texts, sung
without
accompaniment
Gregorian Chant (continued)
Gregorian Chant was the official music of the
Roman Catholic church - “the” church of
Medieval Europe
Named after Pope Gregory (590-604) who
was reputed to have assembled and
standardized all basic chants required for
church services of the time
ANONYMOUS - Alleluia: Vidimus Stellam
(We have seen the star)
Latin text
Music has “otherworldly” quality
– Not in minor or major, but a “church mode”
– No beat
Music has “eternal” quality
– No “catchy” tune; motives don’t seem to repeat as expected; seems like it will go on forever and forever
Monophony
Uses melismas
Melisma* (not in textbook glossary)
Many notes sung to one syllable of text
7 1 3 4 4 3 4 2 2 1 3 4 5 4 71 3 2 3
Al - le- lu- ia
Melismas
ANONYMOUS - Alleluia: Vidimus Stellam
(We have seen the star)
Beginning - Solo, then Choir
– Alleluia
Middle (verse) - Choir
– We have seen his star in the east and are
come with gifts to worship the Lord
End - Choir sings beginning phrase
– Alleluia
HILDEGARD OF BINGEN - O successores
(You successors)
Hildegard of Bingen (1098-1179)
– Abbess of Rupertsberg in Germany
– Amazingly talented and influential
woman
• Religious mystic and philosopher
• Diplomat
• Wrote poetry, music,
and musical drama
• Scientist and healer
HILDEGARD OF BINGEN - O successores
(You successors) Latin text
Music has “otherworldly” quality – Not in minor or major, but a “church mode”
– No beat
Music has “eternal” quality – No “catchy” tune; motives don’t seem to repeat as
expected; seems like it will go on forever and forever
Monophony, performed with a drone
Uses melismas, but less-long that Alleluia chant
Larger pitch range than older Alleluia chant
Drone
Long, sustained note or notes
accompanying a melody
HILDEGARD OF BINGEN - O successores
(You successors)
“You successors of the mightiest lion
between the temple and the altar- You
the masters in his household- As the the
angles sound forth praises and are here
to help the nations, you are among
those who accomplish this, forever
showing your care in the service of the
lamb.”
Medieval Secular Music (Non-religious)
Heard outside church in castles,
taverns, and town squares
– JONGLEURS
• travelling minstrels who performed music and
acrobatics for popular entertainment
Important Musical Development in
Middle Ages around 900 A.D.
Birth of Polyphony
Organum (pl. Organa)
Medieval polyphony that consists of
Gregorian Chant and one or more
additional melodic lines
Architectural
Layers =
Layers of
Chant or
Organum
Birth of Polyphony 700-900 900-1300 1300-1450
simple
organum
"School" of Notre
Dame (Leonin,
Perotin); simple
rhythmic notation
invented
ARS NOVA
new system
of notating
rhythm
monks add a
2nd melody
above chant
chant stretched out
and more lines of
organum added above
chant
used for
complex
rhythms and
syncopation
Notre Dame Cathedral
Paris, France
School of the Notre Dame
After 1150, Paris became the center of polyphonic
music
Paris was the intellectual artistic capital of the time
1170-1200 – new rhythmic innovations
Leonin and Perotin were composers that used
Measured rhythm – definite time values
New notation also allowed definite pitches.
Cantus Firmus – Fixed Preexisting melody
– A new melody would be sung with itto create polyphony.
Leonin and Perotin
Alleluia: Nativitas (1200)
– Perotin
Music Appreciation
Aim: Who was Guillame de Machaut
and how did he change sacred music?
Do Now: Write three characteristics
of music that was prevalent in the
medieval era.
14th Century Music
The “Ars Nova” movement (New Art) -
Italy and France (14th Century)
Music changed profoundly in style
during this time
Secular music became more prevalent
than sacred
GUILLAUME DE MACHAUT –
(d. - 1377)
French composer/poet
Educated as priest
Mostly worked as court official
Wrote sacred and secular music
GUILLAUME DE MACHAUT -
Agnus Dei from Notre Dame Mass
Agnus Dei part of MASS
– MASS (music) - sacred choral
composition made up of five sections
– This is called the Order of Mass
• Kyrie (Lord have mercy)
• Gloria (Glory to God in the highest)
• Credo (I believe in one God)
• Sanctus (Holy, holy, holy, Lord of Hosts)
• Agnus Dei (Lamb of God)
GUILLAUME DE MACHAUT - Agnus Dei from Notre Dame Mass
Written for 4 voices
NON-IMITATIVE POLYPHONY
3 sections = 3 lines of text each closed by cadences – “Agnus Dei qui tollis peccata mundi: miserere nobis” (Lamb
of God, who take away the sins of the world, have mercy on us)
– “Agnus Dei qui tollis peccata mundi: miserere nobis” (Lamb of God, who take away the sins of the world, have mercy on us
– “Agnus Dei qui tollis peccata mundi: dona nobis pacem” (Lamb of God, who take away the sins of the world, grant us peace)
Chant stretched out in tenor voice
Upper voices have faster melodies with syncopation
Regular BEAT
Harmony has dissonant parts
Music Appreciation
Aim: How is secular music and sacred
music different?
Do now: Write the 5 sections that make
of Mass.
Francesco Landini (d. 1397)
Francesco Landini
Born in Florence, Italy
Famous Organist, Poet, Scholar and Inventor.
Composed secular music with subjects ranging
from nature, love, mortality and politics.
Musical Example
Ecco La Primavera
-Landini
Musical
Style
Elements
Early and Mid - Middle
Ages
(Chant)
Late Middle Ages
(Machaut)
Rhythm no regular beat, free-
flowing, creates
"floating,"
"otherworldly" sound
has regular beat, more complex,
has syncopations
Melody uses melismas, very
smooth (legato)
uses melismas, more "jumpy"
and less smooth
Form sounds non-repetitive sounds non-repetitive
Dynamics no changes, all one
level
no changes, all one level
Texture monophonic
polyphonic (non-imitative);
produces heavy, dense, thick
sound
Harmony none mixture of consonance and
dissonance; produces serious
sound
BENART DA VENTADORN -
La douza votz (The sweet voice)
Troubadour song - The texts of troubadour
songs deal mainly with themes of chivalry and
courtly love.
Monophony (voice) with improvised drone
accompaniment (plucked string)
“I have heard the sweet voice of the woodland
nightingale and my heart springs up so that all the
cares and the grievous betrayals love has given me
are softened and sweetened; and I would thus be
rewarded, in my ordeal, by the joys of others…”
BENART DA VENTADORN -
La douza votz (The sweet voice)
“In truth, every man leads a base life who
does not dwell in the land of joy…”
“One who is false, deceitful, of low breeding,
a traitress has betrayed me, and betrayed
herself…”